Girls night✨
Took Alexandria Neonakis' Schoolism class on costuming, and the main assignment was to design the costume for a character in a book, movie, etc. Her example was Tom Bombadil and Goldberry, so I designed Mina Harker from the book Dracula! I tried to make her outfits as close to 1880/1890's designs as I could. Her clothes are of an older style, as she was a school teacher and Jonathan had only just been certified, so in my mind they didn't have a lot of money, and then...Dracula happened.
Very informative class, would recommend!
The ongoing "Jason Todd is a cop" debate has reminded me of a brilliant brief image essay by Joey deVilla. So here it is, images first and the full essay text below:
"A common leftist critique of superhero comics is that they are inherently anti-collectivist, being about small groups of individuals who hold all the power, and the wisdom to wield that power. I don’t disagree with this reading. I don’t think it’s inaccurate. Superheroes are their own ruling class, the concept of the übermensch writ large. But it’s a sterile reading. It examines superhero comics as a cold text, and ignores something that I believe in fundamental, especially to superhero storytelling: the way people engage with text. Not what it says, but how it is read. The average comic reader doesn’t fantasize about being a civilian in a world of superheroes, they fantasize about being a superhero. One could charitably chalk this up to a lust for power, except for one fact… The fantasy is almost always the act of helping people. Helping the vulnerable, with no reward promised in return. Being a century into the genre, we’ve seen countless subversions and deconstructions of the story. But at its core, the superhero myth is about using the gifts you’ve been given to enrich the people around you, never asking for payment, never advancing an ulterior motive. We should (and do) spend time nitpicking these fantasies, examining their unintended consequences, their hypocrisies. But it’s worth acknowledging that the most eduring childhood fantasy of the last hundred years hasn’t been to become rich. Superheroes come from every class (don’t let the MCU fool you). The most enduring fantasy is to become powerful enough to take the weak under your own wing. To give, without needing to take. So yes, the superhero myth, as a text, isn’t collectivist. But that’s not why we keep coming back to it. That’s not why children read it. We keep coming back to it to learn one simple lesson… The best thing we can do with power IS GIVE IT AWAY." - Joey deVilla, 2021 https://www.joeydevilla.com/2021/07/04/happy-independence-day-superhero-style/
Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.
Okay non-European tumblr, I’m gonna explain to you why ‘white’ isn’t as simple here as it is in the rest of the world
- Shades of white in Europe range from ‘freshly fallen snow’ to ‘I am frequently mistaken as being from the Middle East’
- White European is a thing. When you fill out a form, under ethnicity, there are several options for white; white British, white European, white other. Because people make that distinction
- There are Europeans who don’t class their ethnicity as their skin colour, but as their nationality. I have family who don’t think of themselves as white, they just think of themselves as Italian and don’t really give much thought to their skin colour
- People here in Britain always question if darker skinned white Europeans are ‘actually white’. I get it a lot myself. My response is always ‘well I’m not anything else, so obviously I must be’
- Despite being white, a lot of Europeans from Italy, Greece, Spain etc, don’t feel white in the traditional sense. We’re not white like white British people. We’re not white like white Americans. We’re our own white. White British is one thing. White Italian is another thing. White Greek is another, etc
- Which is why we have this notion here in Europe of ‘nationality over race’. Being white isn’t as important as where you’re from
- So this really only becomes an issue if you’re an immigrant
- So being white in Europe doesn’t save you from racial discrimination, because sure, you’re technically white, but you’re not white white. Not the right white
- Here in England, Europeans with really blatantly foreign names, such as myself, find it more difficult to get job interviews, because they take one look at our name and don’t bother reading the rest of the CV. A guy I know was actually told by his boss to reduce the pile of CVs he had by ‘chucking away any with a name you can’t fucking pronounce’
- And then even when you do get an interview, half the time you walk into the joint several shades darker than everyone else and feel like you’ve walked into the ‘Swedish supermodel’ clubhouse and you just know you’re not getting hired
This is all basic stuff and it’s very much taken for granted here. Race and ethnicity are not as clear cut, so it can be very confusing for non-Europeans to wrap their heads around. Which is fine. But I implore you to stay in your lane, because when you say things like ‘no white person anywhere in the world ever knows what it’s like to face racial discrimination’, it’s really fucking offensive to all of the European immigrants who are denied jobs, harassed by the police and beaten by racists, because foreign is foreign to these people, and they don’t give a shit if you’re technically white. So when you mean white American, say white American.
Do u like my new mousie?
physically cannot stop thinking about this sound amelia watson made
Come back, be here.
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
ESP/ENG! They/Them | Call me Amanita RPG Maker & Horror & DnD & Critical Role and D20 Enthusiast This is an artblog, sometimes
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