Huh, I wouldn’t say that animals that live in groups make better protags than solitary animals, it’s more like the average writer doesn’t really go that far out of their comfort zone even when writing xenofiction.
man imagine aliens w no concept of interspecies cooperation or pets
‘commander the scan of this shelter reveals three primary lifeforms’
‘excellent. elaborate please’
‘all mammals. two quadrupeds, one feline and one canine, as well as one biped sapien. they appear to be… relaxing and eating in a shared space’
‘what the fuck’
Watching lion xenofiction and, why the most are literally copycats of the other? There's a lot of interesting things on lions life just to make the same thing over and over. And some of the "realistic behaviour" is not really realistic, is just a lot of misconceptions and stereotypes.
Just, Holy hell, i heard the entire story of the Mapogo lions coalition and why anybody writtes an story based on it? It's perfect, is HOLY SHIT like a xenofiction story actually happened. These lion coalitions have a LOT of potential to writte an story about it.
I bet octopuses think bones are horrific. I bet all their cosmic horror stories involve rigid-limbs and hinged joints.
This thread about anti-indigenous racism in xenofiction is well worth a read (and some reflection).
New Letterboxd list.
I know I’m being an insufferable worldbuilding nerd here, but my basic metric for evaluating media with very inhuman protagonists is “how easily can one offer a complete and coherent account of this media’s plot without ever mentioning the fact that the protagonist is, for example, a talking car?”. The harder it is, the higher it scores.
Concept: xenofiction sci-fi where the main characters are different alien beings. It’s all treated and framed as “normal” from both the audience’s and each other’s perspective, even when their behavior is obviously not something a human would do.
Eventually, we meet a human character, whose actual name appears to be “Smith the Human”, and who acts like aliens from mediocre pop sci-fi stories – like, someone goes “Oh, I’ve never met a human before!” and he responds by spouting random (technically-accurate-to-real-life) factoids about human culture and biology in a way that no real human being ever would, i.e. “Humans are social persitence hunters and apex predators – on our harsh homeworld of Terra, we evolved to form hierarchal hives or colonies, like your world’s Zoink-Ants or Frisk-Bees! We weren’t that fast over short distances, and so we caught our prey, not by ambush or by pursuit, but by simply walking, brisk jogging, and tracking our prey until the prey tired itself out, allowing us to catch it at our leisure!” He always maintains the same stilted but forceful tone of voice, devoid of any emotional content, and his facial expression never changes from “we didn’t bother to animate his face”-style dull surprise.
He wears American soldier gear and says “Humans are a Proud Warrior Race™!” without a trace of irony.
Now, one possible punchline would be that the protagonists eventually meet other humans, and it turns out that he’s the only human who’s Like That. However, I think that in order to commit to the whole “xenofiction” bit, you’d need to make every human completely identical, in exactly the same way that members of an alien species in pop sci-fi are identical. The way I personally would do it is,the loud-deadpan-weirdo routine is just an “unreliable narration” due to the perceptions of characters who aren’t familiar with humans; as a group, even if the nonhuman characters are like “Wow, they really are synchronized like a hive of Frisk-Bees!” or whatever, the humans behave exactly how an actual group of humans would behave in that kind of situation, if you read between the lines. (And, y'know, a squadron of uniformed soldiers with a CO in the background is inevitably going to act differently from a similarly-sized group of civilians; the nonhuman characters, and hence the audience, just don’t get to see how they are “normally”.)
The actual punchline is that after the “human” plot is resolved (maybe they’re antagonists, and the prior ramble about their biology proves to be a vital component?), there’s a scene where the viewpoint character is a human, and the whole situation is precisely reversed: humans look more diverse and talk like normal people, and all the nonhuman characters of each species are identical and do the loud-deadpan-weirdo thing.