Naw, LET HER COOK!
ALRIGHT SO my pal @kalreyno wanted help with drawing fat characters and as a fat artist i felt like i could give a bit of helpful insight on that. there’s also been a lot of complaining about “boo hoo fat characters are hard to draw so i can’t include them in my work Ever” goin on lately so if that’s your case then this is for you too!! and also just for anyone who would like help with fat bodies in general, ofc. anyway, let’s get this show on the road!!
let’s start with some common misconceptions. these are the two main attempts at chubby bodies i run into, so i’ll focus on them.
the Anime Chubby i see everywhere, and it’s just……so wrong in many ways. first of all, there is almost no additional body fat compared to your average thin character - except for where it’s added in “attractive” places (breasts, hips, thighs). the breasts are way too perky, and don’t have the realistic shape fat would give them (though how to draw accurate breasts is another tutorial all on its own lmao). there is still a thigh gap, which usually only happens in very thin people, and bones are still visible on the surface of the skin, which also rarely happens in fat people.
the Michelin Man is better in some ways, but still not that great. it’s a slightly better attempt, but basically all that’s done there is taking a thin character and blowing them up, while giving no thought to fat distribution. the thigh gap is usually still present, and they look a lot more hard than soft - and fat is very soft and pliable.
here’s a chart on how fat usually distributes (if you can’t read my messy writing, “1. next to no fat, 2. moderate amount, 3. most of the fat distribution”). basically, the more muscle an area has, the more prone it is to develop fat, such as the abdomen, thighs, and upper arms. it’s important to note that fat sits on top of muscle, and that it does distribute in different levels, and not evenly across the body as shown in the Michelin Man.
now, here’s an accurate fat body with all of that kept in mind!! notice how the fat isn’t only kept to aesthetically pleasing areas, and how it sits realistically on the character’s body. their breasts sag a lot more, which happens even in thin people with larger breasts, and the nipples are pointing more downwards than straight out. there is no thigh gap in sight, there are no bones in sight, and most importantly, they have fat rolls, which are very important in drawing a convincing fat character!! as far as i know i’ve never met a single person with no rolls at all, and everyone has them, whether thin or fat - they’re just more prominent and more consistently present in fat people. pay close attention to where they are and how they’re shaped.
here are a couple of drawings showing how fat is affected when sitting vs stretching. as seen in the first, the fat specifically on the stomach is distributed a lot more evenly and stretched out, so it becomes “flatter”. the love handles are still pretty visible, though, as well as the fat on the thighs and arms. the breasts are raised with the shoulders, and the fat on the shoulders and near the neck forms rolls as it’s being pushed together.
in the second, there is a lot less room for distribution, so the fat is all pushed together. the breasts sag and the stomach forms rolls and spills into the lap. a good analogy for the way fat works is to liken it to a water balloon, and thinking of how its shape would change when resting flat on a surface, hanging off of a ledge, held upright, etc.
here are a few extra tips i find a lot of people miss!
first on the top is the hip/pubic region. the first circle is showing the way the bellybutton is folded in fat people, as opposed to stretched out in thinner people. the second is the stomach fat spilling over onto the pubic region and creating a separation in the two areas, which is something that’s missing in a lot of art. in addition, the pubic mound also gains fat, making it round as seen in the profile drawing i did up there (i’ve heard people refer to it as fupa?). the last in the hip region is the lack of a thigh gap. i can’t stress this enough!!!! if you’re trying to draw a convincing fat character, make sure their thighs are pretty much always touching!! for reference, mine literally don’t separate until my feet are about 2ft from each other.
the bottom right is showing the double chin, which a lot of people are afraid to draw!! fat does distribute itself here too, and there’s nothing wrong with it, so don’t feel like you shouldn’t give fat characters a double chin in your work for fear of it looking like a caricature.
in the bottom middle, it’s showing how fat affects different types of breasts with the presence of more or less breast tissue.
lastly, at the very right are stretch marks with their usual locations and directions, which i also can’t stress enough!!!!! i sometimes forget to add them honestly, but they’re so important in accurately portraying fat characters, as they literally come from the skin being stretched from fat being gained (and they’re also just rlly neat lookin like why wouldn’t you lmao). some people have less and some people have more, feel free to experiment with them!
the last thing is body types!! there isn’t one single way for a person to be fat, so feel free to experiment with shapes once you’ve learned the basics!!
so there you have it, a tutorial on how to draw chubs!! now go forth and make some accurate fanart or some rad fat characters, because the world could always use more of both. hmu if you have any questions or concerns, and thanks for reading!!
EDIT: someone pointed out the bad wording in the tutorial. thank you for bringing it to my attention and sorry for offending anybody. i’ve updated the tut, so please reblog this one!
See, while "gender is not inherently tied to sexuality" is true, I think it's a bit more complex than that. Often, you'll fond that society conflate gender and sexuality to the point that they influence each other, and that's important also to recognize.
My manhood isn't contradicted by my queerness, but I spent so many years feeling like I have failed as a man because societal manhood hinges on performing heterosexuality. It actually made me dysphoric to be queer because my manhood was already under scrutiny.
I've found that this is something cis queer guys and I have been able to bond over, though. Even though these guys are cis, their own manhood is just as criticized because of their queerness. They have been treated as lesser men or not even as men but gay men (derogatory). It's made me so much more aware of how fragile manhood can be if you base it on society rather than your own internal world.
I have a couple of job interviews coming up in the near future but I still need to pay my rent and groceries, I also have a hefty medical bill hanging over me.
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seeing other trans people be happy and enjoy being trans is not a threat to you. to doubt their transness because they're (perceived as to be) not as miserable as you is, however, a threat to them. - transmonstera
[IMAGE ID: "to measure the validity of other transsexuals by their misery is to hold the cissexual narrative higher than your own right to joy" in bold white text. the background is a number of yellow measuring tapes and rulers. the base of the measuring tapes has a sad face sticker on the side. the background is solid black. END]
Some of you are only cripplepunk until it's about disabled people with deformities, until it's about disabled fat people, until it's about disabled trans people, until it's about people with "gross" or "unrelatable" symptoms, until it's about rare, severe and life-threatening disabilities, until it's about seeing disabled people being bitter and angry because the system fucked us over. Cripplepunk is about not giving any shits about the ableds discomfort and it is about uplifting our voices. Otherwise you are just a poser.
“Johann Scheff, trans lady SW arrested in 1932 for nicking women’s clothes from a department store in Berlin.” We’ve always been here. Not even book burnings can truly erase it.
CW: antisemitism, pale of settlement, pogroms, genocide, cultural erasure
I don't think goyim can really conceive of how much Jews actually hold back in our criticism of antisemitism in media, and when you hear us it is often because we see a dangerous message that you don't... Yet.
I have a complicated relationship with Tim Burton's rendition of The Corpse Bride. I love it as a beautiful piece of stop motion art, but it isn't what it should have been, he took a Jewish story from the Pale and with intention stripped it of its Jewish origins. This alone is incredibly antisemitic. The criticism you will hear has probably been "this is a Jewish story, it should have retained its Jewish elements" but have you heard why we feel strongly about this story?
The story of the corpse bride is incredibly important to me and was born from Jewish trauma and Christian violence. Mobs would routinely attack Jewish weddings, they would murder brides and they would bury them in unmarked graves by the roadside still in their wedding clothes, they reasoned that without Jewish wives there are no Jewish mother's. Jews are intrinsic to the story.
It is antisemitism to take our story, about our pain, at the hands of non-jews and strip it for "useful" parts, in fact it is heartbreaking every time.
We are often forced to pick our battles and fighting a battle over a movie that has already been released by a director with a cult following is not worth it, you only hear us speak up in numbers when the antisemitism may lead to another century of violence, because raising our voice means picking a fight, because so many of you already see our pain as inconvenient and it is exhausting to never be heard.
-anyone can reblog
I am so sick of the way others talk about and treat trans men. All of the time, people talk about how much they hate men and then say things like “only cis men though” or “ but not YOU because, you know…” . They think they’re protecting our feelings, but really they’re erasing the identities of trans men. Don’t separate trans men further from cis men, i am so sick of the constant comparison. Don’t tell me you hate men, but love trans men. That just makes me think you don’t think trans men are men. I’m just so tired of how hard trans men have to fight to be considered men instead of this quirky way of liking men without being around cis men. Some people are just too ashamed to admit that they like men. It’s okay to like men and masculinity. Liking men is amazing and so many people do. There is nothing wrong with having men in your life, so stop using Trans men as scapegoats and stop erasing our identities, we deserve better! Trans men deserve better!