Crush, Crush, Crush!

Misplaced trust

my little headcanon

ive got a little headcanon (definately not canon but i think of it often) that, when ponies pass away, people really close to them keep their cutie marks on display/on them in memory. like keeping a photo of a loved one in your pocket or their picture on the mantle.

Trying to teach myself how to sew/make dolls to create my dnd character as a doll

Reblog to open a rail line from your blog to the person you reblogged this from

I initiate our conversation with warmth, offering insights into quilting out of my genuine passion for the craft, and I genuinely wish you a wonderful day.

literally who is doing it like gritty, icône de l'extrême gauche américaine?

I will be honest guys, the Red portrait of king Charles is gorgeous asdfghjkl

it's a bad portrait. Like. Objectively. It does the opposite of what's intended. It looks like the painter is insulting him. If it was in a contemporary gallery with no context you would see it immediately as the ambivalent criticism of Charles's reign, how he fades into the overwhelming red background as a tiny little figure, small and insignificant, insufficient for the clothes he's wearing. It reminds my of Goya's portraits, how they were so 'realistic' that they ended up making these great figures look pathetic to the viewer. So these are our rulers?

the sheer novelty. the surprise and shock, the kinda cunt it's serving for no reason. I. I love it. It's an incredible portrait by Jonathan Yeo. By the sheer fact that Charles, the man, is impossible to portray as greater than man because he's just such a nothingburger of a dude. So a portrait made to make him look huge and interesting made him be swallowed in red brushstrokes. The butterfly, that reminded me immediately of " we will all laugh at guilded butterflies", draws more attention than him. It looks like an omen. It looks like a warning in all this red. Something is not right here.

This is the best royal portrait ever 10/10