What Are Some Of Your Favorite Things About Kenyon?

Comment: I really love Goldfish crackers (I am currently eating some and it's making my day 184849 times better).

This very cute and happy thank you. I found free pizza tonight so I am in a similar cheese-induced state of happiness. Keep on keeping on. 

After The English of the House Has Gone to Sleep

candle on the wax of a boy’s face, hemorrhaging  light, palpitating the picture into morse code. his eyes comes out  on letters no one reads. 

the bloom of skin skips in and out of the night — a scratched record or a good throw embossed into a flat stone sent, alive, across some river’s softest verse. 

                                          - c. essington

              - C. Essington

but what if it were

nice/ honeyed/ came with its own heart/ already done up in light blue muslin and set to music, wait, the right music.

and what if it 

didn’t hurt (too much)/ came soft in places like the sky comes whole/ and looked like cream and felt like it too and worked like it too. 

and what if

a pulse doesn’t have to feel like a punchline that keeps getting told without a joke to explain it/ (get it, get it, get it)/ and a life doesn’t have to feel like a pressure/ and your head doesn’t always have to be the thing that starts you and ends you and is you. 

                                         - c. essington 

A tiny piece up on Moonsick Magazine

- c. essington

kayaking in the winter           means you’re confident or lonely

running uphill until everything, including your name, hurts          means that there is something in your body which          you’ve missed missing.

writing codes in plain english out of words that          symbolize nothing but themselves          means you’ve taken up poetry again          and should stop or get a kayak by this time, next december.

- c. essington

How To Take A Radial Pulse

maybe this has been one of those nights that I’ll come back to later, to outline in crayon and label softly, drawing looks out from the eyes like water from a well. well,

all days have sore ribs, burnt nerves, places which go tender under threat but this one feels like something particularly loose and abused enough already, something which will just  go to heaven if it’s ever touched again.

there is something memorable about hours way too made of blood to ever bleed. 

it’s not going to hurt to put fingers on this: the dim around the pizza box around the carpet around the working anatomies around the exactly seven kidneys. 

it’s not going to hurt it’s just going to all come back in through the palm, one pressure at a time, working just like the un-music a heart makes to keep a head. 

                                   - c. essington 

the sky unclenches a mouth or two —  water trips out of the night  with the same sort of muscle your mother unbuckled to drop the bread knife on the tile. it all goes streaking past the long grey howl of window.

tonight, the house is a sound, the edges where the  rain dies into water. the roof is a flat noise painted awake by a thousand needle-wide of shots in the dark. 

the shrapnel catches in the ears, stays to make a soreness, and replicates a cloud’s shaking by jostling an eardrum. 

no wounds wake up from dreams to populate your skin. the dog is scared like the world’s already been done and undone  at least seven times 

and it has but tonight this house is a sound and the tips of bodies shaking here  only mean that it is being heard and there is an architecture to the thunder. 

                                       - c. essington 

are you for real about the writing game? If so I'm carrying; A small browning pocket knife A compass + whistle Allergy medicine Water bottle Extra battery charge for my phone

I am for real. Thank you for your contribution and interest. 

Inventory: 1. A small browning pocket knife 2. A compass + whistle 3. Allergy medicine 4. Water bottle 5.Extra battery charge for my phone

Cleo had been painting when the first bout of thunder came up her shoulders. The tip of her brush, which was dappled with a carefully mixed hazle, spasmed across the canvas with her seizure. The cornea of her subject’s eye blurred out of his head and spilled down his coat. When the clouds stopped ricocheting through her, Cleo had gotten up and walked away from what she’d done to the acrylics. 

She stayed far away from precision after she learned that the storms had taken up a residence in her brain. Moving towards broader strokes of being, Cleo made abstractions where her seizures looked just the same as something she might have done on purpose. She carried abstractions with her and started walking through the birch woods as another form of smearing. She brought a compass but left intentions of reading it at home where the cat slept. She brought a knife to convince herself that, in a case of emergency, and even mid-seizure, the blade could convulse a mess into any sort of aggressor.

Cleo would walk and fall and shake to stillness on the forest floor, shivering like a dropped cornea. She’d call her mother after, but only after. She would get up once she was alone and unmarried from the movement, drink water, and make call on her cell phone, which she kept well-charged for accident. Sometimes, as the oceans of it leaked out of her and left their salts behind on her nerves, she’d take a dose of allergy medicine to keep the cottonwood from bothering her. 

               - C. Essington

Thank you for the opportunity, I hope it’s alright. 

If you want to play this writing game, send me a theoretical inventory of five items and I’ll try to write a person for it.