Of Freaks and Men (1998) | dir. Alexei Balabanov
When evil triumphs, humour turns black. Glimpses of turn-of-the-century porn has an uncomfortable, humiliating look to it. Balabanov massages human nature's ugly heart. The film is so original and startling, it appears playful, when really it concerns an abuse of power that feeds off trust and decency, perverting both.
The film is shot as a pastiche of silent cinema, without Chaplin's famous fast motion. In old St Petersburg the bourgeoisie live innocent and privileged lives, while in the basement of an abandoned building tight-lipped Johan (Sergei Makovetsky), with his smirking, sinister sidekick (Victor Sukhorukov), organises nude spanking sessions
which are photographed and sold to sado-masochistic postcard collectors, when not purloined by their naughty maids.
There are moments in this deliciously subversive film when you suspect Alexei Balabanov is being satirical and those scenes of pornographers taking over the grand houses, only to corrupt them with their nasty habits, refer to organised crime's stranglehold on the Russian economy, not to mention the state of the nation.
Amélie | dir. Jean-Pierre Jeunet | 2001
DoP: Bruno Delbonnel
“We shot on film and were always running out because we’d do these long shots of the girls lying around their rooms. It wasn’t until they got really bored that those little details would start to come out, so I’d shoot these long shots of them lying around the room and the producers would yell about how we didn’t have enough film stock.” - Sofia Coppola on the 20th Anniversary of The Virgin Suicides
THE VIRGIN SUICIDES (1999) dir. SOFIA COPPOLA
The Virgin Suicides (1999) | dir. Sofia Coppola | USA
Cinematography by Edward Lachman
Killing Them Softly (2012) | Dir. Andrew Dominik
A Clockwork Orange (1971) | dir. Stanley Kubrick
DoP : John Alcott
My friend’s in the middle of the road bleeding to death! Can I please use your telephone?
Man is the most bungled of all the animals, the sickliest, and not one has strayed more dangerously from its instincts. But for all that, he is of course the most interesting.
Friedrich Nietzsche, The Antichrist (via philosophybits)
Hansel and Gretel (2007) | dir. Pil-sung Yim | South Korea
Cinematography by Ji-yong Kim
Shim Eun-Kyung & Chun Jung-Myung
I like you to be exactly the way that you are, because in all my experience, I have never known anyone like you.
Tennessee Williams,A Streetcar Named Desire (via thelovejournals)
August rain: the best of the summer gone, and the new fall not yet born. The odd uneven time.
Sylvia Plath , The Unabridged Journals of Sylvia Plath