Reminder That Whatever You’re Writing, You Shouldn’t Give Up Because No One Else Can Put The Puzzle

Saltwater Hummingbird

— a rough wip by @sincaerity

Brooke studies his face, waits for his expression to falter at all and betray the validity of his words. But his lips stay tightly pursed - eyes alight with an emotion she can’t quite discern - and there’s no hint of a lie to his words. Where she should feel joy or relief or gratitude at such a revelation — Brooke is nothing short of terrified.

GENRE: fantasy, supernatural

POV: third person, Brooke-centric(?)

STATUS: planning / brainstorming

CHARACTERS: Brooke, Vienna, Eden, Harlow, Cyrus, Faith, Caderyn, Oscar (to be revised)

FEATURES:

LGBTQ+ cast

sapphic relationships

found family

healthy platonic / sibling dynamics

trying to slot back into your life while being a lot more jagged than the hole you left

a lot of messy emotions

the classic “character who comes back wrong and characters who know they’ve come back wrong” troupe

supernatural undertones

eldritch abominations

accidental (unwanted) ability acquisition

the ancient art of acting like everything is fine until you really can’t anymore

SYNOPSIS:

Some of Brooke’s earliest memories are of cautionary tales - stories of people disappearing, tucked into bed at dusk and gone without a trace. She’d heeded her mother’s thinly-veiled warnings since she was old enough to understand what they meant, but otherwise lived her life without much apprehension. That was until Vienna disappeared. Gentle, passionate, stubborn Vienna - Brooke’s best friend and first love, however fleeting - nowhere to be found. Life goes on, and though she never quite loses the newfound hole left in her heart, Brooke learns to live with it. Her friends make it easier. Eden makes it a lot easier, with her gentle hands and soft lips - and things slowly return to some semblance of normalcy. Though it’s not long before things shift, suddenly, and everyone is dragged right back to square one. Again.

Hi I’m curious I’ve tried writing 30 minutes a day but I feel burnt out doing that would writing 5 minutes a day and building writing as a muscle over time be a better option?

Hi! Firstly, I'm sorry this took so long to get to. I didn't forget about you!

Also, the whole 'write a certain amount per day' is more of a guideline than an actual rule. It works for some writers really well. It does not work for everyone.

If you are interested in trying to write every day, I would absolutely encourage you to start where you believe you will be successful. If you can only seem to commit to writing five minutes, write for five minutes! Five minutes is more than no minutes, and who knows--you might hit a stride and end up writing for ten or twenty. Maybe over time you will be able to write for longer, or maybe this little 5 minute stretch is perfect for you.

I tend to only get burnt out of writing when I'm forcing myself to write when I just can't commit the energy, time, or brain capacity. It's meant to be fun! Figure out when and for how long you have the most fun writing, and make that your schedule.

writing is 40% writing actual content and 60% 'write later'

Hi there! Do you have post where you discussed tips/advice on developing platonic relationships between those of the opposite gender? I see all too often the friends-to-lovers trope and while that is entertaining, I would like to expand my writing to develop an intimate friendship between two characters without resorting to the previous trope.

Guide: Developing a Close Platonic Friendship

Close platonic friendships go through many of the same stages and steps as a romantic relationship, but obviously without the romantic and/or sexual interest. Much like a romance, it can begin with an instant “attraction,” or it can develop slowly over time, but it ultimately builds through a series of shared experiences, common interests, and a building of trust.The Different Types of Friendship

acquaintances - known but not known well

associate - sharing a common activity such as work or a class

networking contact - friendly acquaintance who is beneficial to know

mentor - acquaintance who imparts knowledge or experience

social friends - friends you socialize with but don’t rely on in any way

good friends - friends you socialize with but can also count on if you need a favor or some light emotional support

close friends - friends you know well, can be yourself around, and can count on for favors and heavy emotional support

confidant - a close friend who you can tell your secrets to

best friend - your closest friend who you can count on for anything

Depending on where and how a friendship begins, it can advance through the different types of friendship almost as stages of friendship. For example, you might meet someone at work and bond as you begin to work together. Then you might begin to socialize with them a little bit, eventually graduating to hanging out together outside the larger group of friends. As your bond grows, you’ll be more comfortable around each other and trust each other more with your thoughts, feelings, and problems. This kind of friendship can turn into a very close friendship or even a best friendship.

How Friendships Form & How to Write About It

1) Meeting

For a friendship to form, two people have to meet for the first time. The nature of their meeting and the strength of their initial interest in one another usually determines how quickly the friendship forms. Also, the personality of each individual can obviously play a role. When two people meet in a larger group setting such as school, the workplace, or church, their friendship is likely to form a little slower since their time together is likely structured and not always conducive to socializing or bonding. In this case, the friendship has to develop enough for it to graduate to arranging meetings outside the initial group setting.

In other cases, when there’s more room for socializing upon each meeting, a friendship can form much faster. This is especially true when the meetings already occur outside of a structured format, such as when you meet someone in your neighborhood, online, or at the dog park.

It can be helpful to think of your characters’ meeting as the “inciting incident” of their friendship. Consider what was missing from their life prior to meeting this person, and what is gained once they become friends.

2) Moment of Discovery

After two people have met, there’s usually a “moment of discovery” that leads to a feeling of kinship between them. Typically, this discovery has two do with realizing something you have in common, like an affinity for the same subject at school, being huge fans of the same TV show, having the same type of dog, or having two kids who are friends. Often, this leads to the realization that you have other things in common, and with each thing learned and shared, the bond grows stronger.

For your characters, you’ll want to consider what works with the story. Look to your characters’ back stories to see if they have any common experiences, or if it would make sense that they both like something similar. For example, if both of your characters come from remote mountain villages, they might share a like or dislike of a certain type of food common in those villages, or of a certain cultural element.

3) From “Crossing Paths” to Intentional Meetings

Most friendships start without any sort of commitment. Sort of a “see you around” mentality, if you will. But as the two people keep crossing paths and getting to know each other, the friendship will probably graduate to intentional meetings, much like when two romantic interests decide to go on dates. For a friendship that forms in a structured environment, like school or work, the decision will likely be made to “hang out” outside of school or work.Sometimes, two people with an early friendship bond might get thrown into unexpected circumstances that strengthens their bond even more. For example, a group of school friends might get trapped in a cave together for a few days, which not only takes their friendship out of the usual structured environment, but throws them into a situation where they’re forced to get to know each other better, to bond, and to trust each other.

For your characters, consider what works best for your story. Don’t force a friendship. Let it grow organically through the events of the story.

4) Strengthening the Bond

One of the most important things that needs to happen once a friendship is established is things need to happen to strengthen the bond. These two friends need to feel comfortable sharing secrets with each other and knowing they can do so judgment free. They need to discover that the person will be there for them, even in difficult circumstances. As the friendship goes through and survives obstacles and challenges, the bond will grow even stronger.

For your characters, consider the natural opportunities for the friendship to grow in the story. What happens that force these two friends to get to know each other better? What happens that forces them to trust one another and rely on one another?

5) Sex is Sex

Generally speaking, human culture and society has very specific ideas about what constitutes sex and romance. These ideas can obviously differ slightly from culture to culture, and society to society, but we all basically know what these are within our own culture and society, and we’re all capable of guessing what situations might present confusion. But despite these notions, in real life there aren’t always crisp lines that define what is sexual or romantic and what isn’t. For example, a kiss on the cheek can be very affectionate and romantic, or it can be only mildly affectionate and totally platonic. In real life, you can cuddle with your best friend, curled up together in a tangle of limbs while you talk or laugh or comfort–and this can be completely platonic without even an ounce of sex or romance. But in fiction, we don’t have the billion points of data we have in real life to clarify that something is strictly platonic. And as much as we all may crave strictly platonic relationships in the stories we read, we’re programmed to see romance everywhere. This is why two characters on a TV show can’t smile at each other once without launching a thousand Character A x Character B tumblrs and inciting lengthy shipper wars. That said, as much as we may want to experiment with having our platonic characters being very intimate with each other, and doing things like showering together, kissing on the mouth, soft whispers and laughter while cuddling together on a bed–we need to really consider whether that kind of intimacy is really adding anything to the friendship or the story, and whether that thing is important enough to risk the fact that people will want to ship your characters even if you make it clear the relationship is platonic.

What You can Do to Clarify a Friendship is Platonic

If you’re worried that your characters’ friendship is coming off as romantic rather than platonic, there are a few things you can do to help clarify things:

- have your characters occasionally refer to each other as “my best friend” both to each other and to other characters.- give your characters significant others or love interests, or have them talk about people they’re interested in

- establish what your characters are attracted to sexually and romantically, and illustrate the fact that these elements are not present in the best friend

- find ways for your characters to be open about why their relationship isn’t romantic or sexual. For example, having one say, “Too bad you and I can’t hook up. It’d be so much easier than the nightmare of dating.” And then having the other say something like, “Yeah, but we’d drive each other crazy and you know I’m into brunettes.” 

- avoid portraying their interactions in ways that will be perceived as sexual or romantic in nature. 

Using a Timeline to Pace the Friendship and Tie it Into the Story

To help plot out your characters’ friendship arc and to make sure it ties into the story well, use a timeline like this:

Most important of all, follow your gut! Consider your own friendships, how they developed, what worked and what didn’t, and how something would have gone down if it had happened in one of your friendships.

Happy book birthday to this week’s new releases! 📚

“A Macigian never reveals their secrets. A Witch even less so.”

Well, you had a good run. For the last 70 or so years that you’ve had your little shop in Esmar’s capital, nothing overly exciting happened. Apart from the occasional political changes and economical shifts, you could mostly carry on business as usual. But when the Fae calling herself your “best and only friend” invites you to pull a heist on your rival’s home you didn’t realize what effect that stunt would have on your immortal life. But damn, you really wanted that statue back.

Play Demo

Witch Blood is an upcoming urban fantasy interactive fiction story where you take on the role of one of the last proper witches of Esmar, hoping to resolve a very time-sensitive mystery that might cost you your own life if you don’t get on with the investigation soon.

Does it have to do with random people’s head exploding?

Is this the reason you seem to have more prophetic dreams than usual?

Why are there so many strangers storming into your shop demanding answers you couldn’t possibly know?

And why does your familiar keep eating your receipts? You need those for your taxes!

Create your very own witch. Appearance, personality, gender and sexuality…  All that Jazz

Choose a furry (or non-furry) companion for your immortal life

Become a master of 5 witchy skills that may or may not help you along the road

Keep your business afloat (you got bills to pay, after all)

Solve a mystery, save a bunch of people, and meet the Gods (???)

Find love, friendship, or rivalry (or maybe all three of them at the same time) with 5 different people who will. Not. Leave. You. Alone.

And for the love of the Gods: please stop spitting coins

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So far it will probably be a 16+ kind of rating for:

Mentions of violence, blood and gore

Strong language, cursing

Suggestive language

but things might change. I’ll keep you updated in any case.

Keep reading

I couldn’t resist making mood boards for the Daughter of the Moon Goddess duology. I loved everything about these books so much.

Hiii!! You know those memes with birds and quotes besides them? The ones like 'the risk i took was calculated but man i am bad at math' and such? Which ones do you think apply to the ROs (or the cast?) ? 🦉

Bahaha okay so:

The Sage:

Oisein:

The Healer:

The Magesmith:

The High Sheevra (just...all of them aksjdjssk):

Thank you for the ask! ❤️

HAVING FUN and ENJOYING the process of writing is so important. Whether you strive to work professionally or write just for the hell of it, remember why you started in the first place. It all comes down to love honestly

made this in response to not having anything for small joys saturdays