You, Me, And The King

Ghost: I've caught this stupid disease because of Y/N Price: For the last time, Simon, feelings are not an illness

Doodle based on that drawing by @/sweepswoop_ on Twitter

sylus who lets you have complete control over onychinus because he trusts you ; sylus who gives you all passwords and access to all his weaponry, manpower, and money ; sylus who despite being the most wanted man, is the most gentle and loving with you ; sylus who loves cats and has cat friends who he feeds ; sylus who would never hurt anyone less fortunate ; sylus who collects vinyls ; sylus who enjoys music and fashion and cooking and all things domestic because he now has the privilege of enjoying life and not just existing ; sylus who is tone deaf because of who he is but still loves music and singing, probably because it reminds him of his beloved who is the only one who would sing for him ; sylus whose soul smells like flowers ; sylus who braids your hair and knows how to take care of textured hair ; sylus who cooks for you, bakes for you ; sylus who would play hide and seek with you, and all things deemed childish without a sense of judgement ; sylus who basks in joy whenever you’re you, always encouraging you to embrace every part of yourself ; sylus who will love every version of you no matter what

i became a bsd girlie while none of u were looking

Shop

"I've got a feeling that now my hair's changed, you're going to start braiding it next."

Soap: What did you do on break, Lt?

Ghost: Rode my bike and slept in an alleyway behind a bar.

Gaz: Checks out... (leaves the room)

Ghost: ...

Ghost: Want to know what I really did?

Soap: (immediately interested)

Soap: Yeah!

Ghost: (pulls out his phone)

Ghost: (shows picture of him having someone cuddled up next to him, both under a blanket, two switches in hand, both on the Stardew Valley logo screen)

Soap: (his smile falls immediately)

Soap: Wh—

Ghost: I played Stardew Valley with the missus.

Soap: The mi—?!

Ghost: Planted crops, went to the mines...

Ghost: (swipes through more pictures of them playing)

Soap: (stunned silence)

Ghost: Upgraded the house for the missus, made some town friends... (screenshots of more gameplay)

Soap: Wait—

Ghost: Even fishing. (shows a picture of him catching a legendary fish)

Ghost: The missus doesn't like fishing. (clicks his tongue) Caught them all though. (nods to himself)

Ghost: (smirks) Want to know why I'm telling you this?

Soap: (still stunned, but nods)

Ghost: Because nobody will believe you.

Ghost: (starts deleting all pictures in front of Soap)

Soap: (pained gasp)

Soap: Ye monster.

huelleyrose's 022 bridal collection ౨ৎ

Writing Notes: Villain Archetypes

Many of the great villains that oppose classic heroes fall into a handful of villain archetypes:

Anti-villain: The anti-villain is a villain archetype in which the bad guy has a sympathetic motivation or appealing characteristics. In the same way that an anti-hero is ostensibly a good guy with villainous or immoral tendencies, an anti-villain may have justifiable, noble goals or even a good side. Example: Hannibal Lecter in The Silence of the Lambs (portrayed by Anthony Hopkins in the film version).

The beast: A classic villain whose goal is to terrorize and attempt to defeat the main character, the beast is a literal monster. This type of villain cannot be reasoned with and is often found in the horror or science fiction genres. The whale from Moby Dick and the shark from Jaws are examples of this type of villain.

The bully: Bullies serve as simple, straightforward opposition to the protagonist. This character archetype is sometimes marked by a backstory that explains their mean and oppressive tendencies, such as a childhood marked by abuse or insecurity. Other times, they are simply mean for the sake of being mean. Examples include Nurse Ratched from One Flew Over the Cuckoo’s Nest and Fletcher from the film Whiplash.

The machine: The machine is similar to the beast, with one major difference: It is a technological construct and is therefore lifeless and incapable of pain, fear, and emotion. The machine can often be found in science fiction thrillers—like Ultron in Avengers: Age of Ultron or Arnold Schwarzenegger’s robotic killing machine in The Terminator.

The mastermind: The mastermind opposes the protagonist by overseeing a brilliant, diabolical master plan. They are a gifted schemer and evil genius who attempts to defeat the protagonist mentally as opposed to physically. Great villains in the mastermind tradition include Hans Gruber from Die Hard and Lex Luthor from the Superman series.

Evil incarnate: This villain personifies evil itself, offering little in the way of character development or backstory. This type of evildoer serves as an obstacle to the hero’s journey and is primarily found in fantasy and superhero genres. Examples include Sauron from The Lord of the Rings, Darth Vader from Star Wars, and the Joker from The Dark Knight.

The henchman: The henchman exists to do the dirty work of someone else, usually the mastermind or another major evil character in the story. They are functionally the sidekick of the main villain. Though they usually lack the villain’s brains, they make up for it in brawn. Examples include Boba Fett from Star Wars and the monkeys from The Wizard of Oz.

The fanatic: The fanatic’s villainy is driven by an extreme ideology. Oftentimes, they are propelled by religion or a twisted moral belief that gives them fuel to carry out their twisted mission. The serial killer John Doe from the movie Seven is a true villain in the fanatic tradition.

Tips for Writing Compelling Villains

When it comes to writing villains who transcend cliches, there are 4 techniques that can elevate your writing:

Make sure your villain has a strong connection to your hero. A true villain is inextricably connected to the hero and aids in the hero’s character development.

Make them a worthy opponent. A great villain is a strong and worthy adversary to your hero, directly opposing the hero archetype of your protagonist. The villain shouldn’t be weak and easily beaten, nor should they be so powerful that they can only be defeated by random chance. In the Sherlock Holmes stories, Holmes’s arch-nemesis Moriarty is a brilliant criminal mastermind. Having a villain who is equal in skill and intelligence to your hero will raise the stakes of their encounters, creating a credible threat to your hero.

Put yourself in your villain’s shoes. When it’s time for your villain to act, put yourself in their place. Think about challenges or hardships that might tempt people to act out or behave badly. How do you react to bad things? Tap into those emotions and try to apply them to your villain.

Consider your villain’s motivation. Why does your villain want to rule with an iron fist? Why do they want to put the damsel in distress? As with your main character, determining your antagonist’s motivation can help you unlock other aspects of their character, such as their goals and their personality.

Source ⚜ Writing Resources PDFs ⚜ Villains