ITS MAHOROVER

An: THIS BLOODLINE ENDS WITH ME

Kohane: ...

Akito: ...

Touya: ....

The whole cafe: ....

Ken, while washing the dishes: this is the fanciest way i ever heard someone say "i'm gay"

gay homosexual gay gay

my little siguma squad

also this rock is a symbol. i truly think that as long as it stays intact matakara will never lose faith in arajin. and for the sake of both of their character development i will crush it with my bare fucking hands

they’re posing like they’re from one direction

mizuki mentality

I really enjoyed the character stuff in the most recent Bucchigiri?! episode. It gave me a lot of things to think on. Currently, I don't really feel the need to judge the morality of certain actions, just their sources and consequences. Like Arajin is acting cruelly and selfishly but I can see the reasons why. He doesn't feel like he's worthy of supporting Matakara through this difficult period because Matakara is relying on a version of Arajin that doesn't exist. He can't give him what he wants or needs. Arajin could make an effort to support him, but he's so used to fleeing from conflict that he doesn't know how. This isn't to give him a free pass on his bullshit, it's just that the way he hurt Matakara is a reflection on how he feels about his own weakness. It's a form of character conflict that's interesting to think about.

IS THERE ANY ADULT?

I have released some ideas on Twitter lately, but when I realized that there was a common thread, it seemed like a good idea to put them together to organize them better(and maybe expand a little).

The way Bucchigiri approaches the "adult world" is something to say the least curious when you think about it. The gangs seem to be in their own reality, where everything related seems relatively distant. However, what is striking is that despite this, the anime doesn't completely rule them out, it recognizes their influence on their daily lives, and not only that, but also the great importance of adult guidance, with Arajin and Matakara being a clear example of this

Arajin was raised by his mother (we have no information regarding his father) who we can see has always been there for him, giving him her love and guidance, which we see by how she bequeaths him her cooking skills, a curious mix between independence and giving love/affection, key elements to mature as a person (being serious/Honki in a way)

But in the case of Matakara, everything indicates that he was a child raised by another (Mitsukuni) and that inevitably creates a gap between him and other kids his age, especially having grown up in a house where both brothers never felt comfortable, which is easy to notice by their desire to get out of there.

There is something I want to make clear, so far, it doesn't seem that the relationship between the Asamine brothers and their relatives was conflictive or hostile , but some tension can be felt, so I cannot assume that they had bad intentions, but it doesn't seem they did a lot to make both children feel welcome and safe, which can be seen in several details, such as the little (or no) interaction between them and Matakara

Or how, unlike Arajin, his lunches are not homemade, but bought and although it may not seem like it, this says a lot, because both houses are also family businesses in which they have to serve several clients, from what it seems to me that this parallelism is intentional and to make us see that despite coming from similar backgrounds, the treatment that Arajin and Matakara receive from the adults they live with is very different.

This is when food "speaks" in Bucchigiri, because it translates not only as affection, but also warmth of home, therefore, safety(There's already an analysis of this specific topic for those who may be interested). It's an interesting way to telling us (along with his oppressive room) that Matakara never had that while growing up.

Because no matter how hard Mitsukuni tried, he wasn't a father, not even an adult, he was another child, one who must also have his own scars after everything that happened, someone who was trying to play a role for which he was clearly not prepared. The fact that he doesn't know how to cook is a good way to represent it, because it's a skill linked to independence and therefore to adulthood.

In fact, it is very curious that Arajin is coincidentally the only one of all the young characters who knows how to cook, because something similar happens with Mahoro, who cooks for her brother who is in the hospital, but it is evident that she is not good at it, which which could indicate (at least based on what has already been said) that she has not had that guidance from the adults around her either.

However, we still have something else to address, we have already seen that even if it's subtle, Bucchigiri doesn't rule out the importance of adults as guiding figures, but just as this is pointed out, a line is also crossed, making it very clear to us that although There are adults like Yayako or Ken who can be trusted, there are also those who take advantage of young people, doing a lot of damage in the process.

Let's not forget the police officer who was trying to distribute drugs using members of Minato kai and probably other kids in the area, a situation for which Mitsukuni had to assume the consequences of taking the lead and putting a stop to it with his own hands, having to leave his brother behind in the process(reminding us of the harsh reality that exists in Honki city in the process).

And of course Ichiya is not spared, we are talking about someone who took advantage of an emotionally unstable teenager in his most vulnerable state to achieve his revenge against Senya, subjecting him to manipulation and emotional abuse, also using Matakara's pain as basically fuel. Situation that would have had the worst possible outcome if it weren't for Arajin managing to save his friend in time, but removing the supernatural factor, not all young people in real life are so lucky.

But leaving that aside, I think that both "genies" do something important, showing that adults are not perfect and that in a certain way they have not finished "growing" at all, in the sense that they are people who can still learn, commit mistakes, that can hide things from you, even if their intentions are not bad at all(Senya) or understand that their bad actions may have a root (Ichiya). Something quite curious, because like being Honki, maturity/adulthood is something that is sometimes diffuse and not entirely clear.

Although it wasn't the main theme, and it is certainly somewhat in the background, the "adult world" in Bucchigiri is still present throughout the anime in various details if you pay attention. There are still some things left, Mitsukuni and Ken seem to me to be characters that should be talked about separately, because their role as young adults seems to function as a kind of midpoint between the "world of gangs" and the "adult world", as well as maturity and the sense of duty, that is a key element for both.

bucchigiri is about how one awful, selfish, cowardly boy is still loved by a boy he showed kindness to and how even though he finds himself undeserving of it, he wants to be able to love him back

What do you think will be the happy outcome for the teacher at the cat cafe? Doesn't seem like he's okay this episode what with how he's become obsessed with Jasmine-chan, unwilling to let anyone have her.

In all honesty anon, I'm not really sure what the outcome will be anymore. Episode 9 teased us with a happy reconciliation only for Episode 10 to provide some conflict with Jasmine being too busy to see the Teacher. And with the twisted development of the Teacher wanting to keep Jasmine all to himself makes this feel like the outcome won't be a happy one. Worse case scenario is that the Teacher will cut ties with Jasmine.

And while we're on the subject, I might as well analyze what's going on in the crazy world of Nyan Nyaight Love.

Episode 11: The Outstanding Darkness of Night

Part 1: Someone Get the Manager

So the Customer aka the Teacher is back at NNL. But the biggest and most concerning of changes, is his lack of comedic reactions. In all previous segments, the Teacher was always a jittery mess who struggled to go into the place and only went in because a passing character scared him in. But this time, he goes in without a reaction regardless of the Siguma Squad boys passing by. He's not even phased or freaks out when the Receptionist welcomes him in.

Something to note is how the Receptionist has turned back to his usual chipper self when welcoming the Teacher. He does the same song and dance he's done since the first Episode like nothing's changed.

Relating to my previous interpretations, this comes off as a defying the parallel of the delinquents the Receptionist normally represents. He's back to his welcoming self while the bad boys are experiencing their Darkest Hour. If only he was there when the red flags popped out.

The downward spiral, the grim tone of the Teacher, the dark lighting of the establishment sign. All of it fits well with the new dark tone of the Episode as it lacks the usual comedy or light-hearted moments to focus more on the intense drama of Matakara's corruption.

The downward spiral of the sign gives the impression that everything is going out of control and the world is falling over it's head. This could parallel the current status of the three gangs that were featured in the story. All three were introduced as powerful, influential and fully of life and debauchery. But after everything that's happened, the once prosperous gangs have started to lose their power and came crashing down.

The NG Boys are no longer a functioning gang after the Gang War mixed with the Emperor losing his status among them. They're not even shown doing anything to keep their gang alive despite some casual hang outs.

Siguma Squad was gravely shaken by the loss of their leader Marito with several flunkies even worrying if the gang can still function without him.

And Minato Kai is at an absolute loss not only for Kenichirou losing to Matakara but by the fact that one of their own would turn rogue and brutalize everyone. And just like SS, there's no doubt going to be a power struggle over Kenichirou losing to one of his disciples.

All in all, the established order of the gangs is losing control and changing for the worst. While some of the bad boys are willing to endure the change (like Outa promising to keep SS afloat) there are some who aren't taking it very well (everyone else).

Part 2: Don't Lose Your Waaaay!

As for the Teacher's grim and creepy demeanor to Jasmine, it's the most puzzling to figure out and what it's supposed to represent/foreshadow. But in this case, I think he's supposed to parallel both Arajin and Matakara.

In regards to Arajin, it could be him showing concern over Matakara fighting the other banchos in the recent episodes. Though he isn't losing his mind over it, it is something that's worrying him and driving him to intervene to keep Matakara from losing his body to Ichiya. He doesn't even think about Mahoro or how badly he'll get hurt if he tries to intervene.

But the losing his mind could be a possible reference to him accepting the consequences of merging with Senya. While Senya did promise to give his body back to him, there's a high probability of death with Arajin using his full power to save Matakara from a similar fate only for it to happen to him at the battle's end. Something about giving up his body and soul for someone he loves and what not.

And for the Teacher is paralleling Matakara, the creepy and unsettling demeanor could fit with Matakara . While the Teacher was always seen as a sad, strange little man, he was ultimately a harmless guy with a kink for cats. But now he's become an obsessive creep who longs to make Jasmine his and his only. The same fits with Matakara once being a friendly sunshine puppy boy who only fought when provokes only to become a ruthless Punchy McFisticuffs who's driven to be as strong as possible in order to beat his former friend Arajin. Making Arajin "all to himself" fits with Matakara being driven by defeating his old friend once he finishes beating every delinquent in the area. And thanks to Ichiya's influence, he's equated Arajin as the source of his weakness that he must destroy to defeat the darkness.

He can't get him out of his mind/

Part 3: Together Forever Theory

As for you and me forever line, this actually feeds into a personal theory I have on how the story will end. Basically, Arajin and Matakara will become Honki People themselves. I say this for the following reasons:

Both boys shared a childhood dream training to become Honki People together. And with the series having such a tragic undertone, their original wish will be granted with them becoming Honki People being allowed to live for eternity and work on their respective issues. Paralleling Senya and Ichiya who've existed for thousands of years and still pursue each other (albeit for reconciliation and revenge). And while it's a stretch to say how two ordinary boys can become genies, it's worth mentioning that the series itself doesn't go into specifics with how they're made so it's always a possibility.

They have nothing to lose by becoming Honki People. There really isn't anything tying them to Honki City or having them want to continue being average high school boys. Arajin hasn't made any serious friendships with anyone on the show, he finds his mother to be a nuisance, and he has no dreams or aspirations apart from losing his virginity. While he would be saddened by leaving Mahoro, he'd be able to deal with it down the line. (Also remember that line in Episode 8 on how he expects Matakara to take responsibility for driving Mahoro away). As for Matakara, he doesn't have his older brother anymore, his adopted relatives don't really watch over him, he burned his bridges with Minato Kai and also has no long-term dreams past high school life. There isn't anything tethering them to the normal world so they'll eventually leave it to be "together" or have the time to find each other again. Kinda like that one fairy tale show with the gay leads.

If they do ascend to become Honki People, not many people would care about their disappearances or look into it. Siguma Squad viewed them as worthy adversaries and acquaintances at best. But they wouldn't be emotionally distraught if they were to disappear one day. While Zabu and Minato Kai would be saddened by Matakara's disappearance, he and the others would still move on and try to reconstruct MK. Especially since it's brought up that Matakara wouldn't have a place with them afterwards. They'd remember him fondly but would carry that heartbreak within them. And I'm sure Arajin's mom would just roll with her son leaving since he's giving his life for someone he loves/cares about. Plus she can always adopt the other Minato Kai boys as her children. She wouldn't mind the company and they'd definitely appreciate her more compared to Arajin. Another thing to bring up is how none of them know about Senya or Ichiya or what truly became of the boys after their final battle. They'll just think they were once old friends who had a fight and left as a result. Though Akutaro knows about the genie lore, I doubt anyone will care what he says nor will he make an effort to reach out to them or the original Honki People.

I'm reminded of Banana Fish, another BL anime that Hiroko Ustumi directed, and how it ended on a tragic note. No spoilers but many did not call it a happy ending. So it wouldn't be farfetched for Utsumi to create another tragic ending for the two leads that defies the status quo.

As for what will happen to the Teacher himself, the only thing I can think of for the last NNL segment is him deciding to call it quits and leave Jasmine for good. If my Honki People Theory turns out right, then it'll parallel the Teacher saying goodbye to Jasmine and moving on with his life. Though it could be argued that this can reference Arajin and Matakara ending their friendship, it can end on a hopeful note that they'll find a way to reconcile during their eternal lifetimes. I just can't imagine that the Teacher would still be wanting to come despite openly declaring that he doesn't want Jasmine to see any other man. Either he'll recognize it and make himself leave or the Receptionist will call security on him and regrettably ban him for being a threat to NNL's top workers.

And those are my thoughts on this segment and what I think can happen in the final episode. I hope it's to your liking anon. And what did you think of this? If you agree or disagree with anything I've said, please feel free to reblog this with your comments on the subject. Especially when it comes to how you think Arajin and Matakara's fairy tale will end and what will become of that wacky teacher and his love for Jasmine.

“Do you know? Do you know? Do you know how this ends?”