BUCCHIGIRI?! EP03: Love At Fist Fight! The One And Only Quail In The World
CAN THEY COOK?- project: eden's garden cooking headcanons
detailed explanation for each placement, starting from "let them cook" to "do not let them in a kitchen unsupervised." everything's below the cut:
-ingrid and eloise have big families and they have siblings, so it only makes sense they can cook well. desmond's mom and dad run a chain restaurant, so i feel like he'd be a good cook by proxy. -if there are people you trust to take you to a good restaurant, i feel like it'd be wenona, toshiko, and jean. partially vibes based but wenona would know when those ingredients are good and fresh, toshiko would appreciate expensive but also simple and affordable meals and jean has enough experience around his crew to understand how people's palates differ (as well as having tried a variety of dishes) -grace is an athlete. she will have her "cheat days" but other than that she is DEDICATED. veggies and grains before playing and protein after. i feel like she'd hate those weird health shakes though. she makes and breaks the rules as she wishes
-kai is the type of guy who strikes me as someone who is a good cook. there are a few dishes he can make off the top of his head and they're probably all specific internet dishes (i.e. pancakes, breakfast bowl, veggie pasta... myriad of drinks etc.) buttt i think if you asked him to just fry an egg he'd somehow burn it.
-damon's parents probably taught him how to cook as a life skill and also as #bondingtime. he'd probably know how to make some traditional japanese dishes but like i also feel like he gets a bit lazy with cooking sometimes (either because he's too locked in studying or he's just tired). so like, a bowl of cereal or a boiled egg and plain toast and a banana. i like to think kai and co. bring him to restaurants or cook with him so it's easier.
-diana, diana, diana. if you believe that she is italian then i do think she could cook some great italian food. but in all honesty i feel like half of her meals are things you don't have to cook (as in over a stove or in an oven). diana 100% is a baker though. she is the type of person to bring freshly baked brownies for the class. i headcanon she, ingrid, toshiko and eloise help her out.
-i am so hard pressed to believe these guys eat enough veggies.
-all busy + don't feel like cooking + it's faster to take out food. once in a while they will cook but it is rare. their food is edible to them and that's all that matters
-cassidy is a MENACE on the grill though (proof? that one eden's island promotional art). ask her to fucking grill anything and she will DELIVER. same goes with jett but i believe cassidy is the better grill dad here
-this is a joke but why can I see jett, cassidy and mark going to restaurants guy fieri style
-i feel like eva is the type of person to be like "i can cook" but she ABSOLUTELY cannot. you'll be in the kitchen with her and she would be too embarrassed to admit she can't despite the fact she is continuously failing. she gets the hang of it after a while -wolfgang doesn't know how to do his own laundry so i assume he can't cook (bc he spent all his time studying as a kid) -if you asked ulysses if he could cook he'd be like "sort of?" he can follow a recipe, but if something goes wrong he panics a bit. i think he forgets to feed himself sometimes -i think tozu would make a mean shepard's pie (pun not intended). i feel like he likes french food. while he jokes about british food he finds it very unexciting and bland. he is genuinely a good cook but would absolutely troll you by putting a "secret ingredient" in his food (i.e. putting pineapple in lasagna) unfortunately, this would be ineffective on someone like kai or eva who like "weirder" food combos
I think it would be cool if they paralleled arajin’s knack for attracting a bunch of delinquent men with mahoro attracting a couple of delinquent girls (except instead of being exasperated like arajin mahoro is mildly curious about why)
If Matakara ever snapped one day, I would horrificly break down cause all this time, he tries to connect with his childhood buddy again but all Arajin did is push him away and not tell him truth about the incident.
Sooner or later, this would lead to Matakara’s patience running thin and he just suddenly shouts at him. Screaming at Arajin all the while tears are running down his face because he thought of Arajin as his whole world but the latter just keep being a total asshole to him. In turn, this leads to Arajin to realize how much of a jerk he is before he tearfully confesses about what happened during that incident.
Oh boi, if this leads to a fallout in the next ep, RIP my heart 🥺
Hiroko Utsumi is no stranger to distilling homoeroticism into their works, but Bucchigiri!? is able to take it a step further as it intertwines with the hypermasculine idea of fighting and gangs. Because of that, Bucchigiri!? poses two questions to the definition of love and how people experience it.
Truthfully, it's a rather simple question to answer (at least to someone outside of high school). The point being the depth of feeling. Lust is strong but shallow, while love moves much deeper.
And the second episode in particular expresses this very strongly through the two gang leaders, Marito and Ken.
They don't feel any way in particular about Arajin until they feel their punch. After that, like Marito says, they just can't forget about it. That's all they know about this kid, "his" punch. And that's all they want from him as well.
The point is to express superficial lust towards Arajin because of something they only experience one single time. They believe that they want the strength behind the person no matter what because of a single moment.
And it's a great comparison to make against Matakara's feelings for Arajin.
Matakara doesn't need to feel "Arajin's" strength to know how he feels about him. On the contrary, he only ever needed to fight (really train) beside him to come to understand that emotion. Even more than that is Matakara's understanding of Arajin outside of fights, and he focuses in specifically on Arajin's passivity and carefulness.
Because of that, you can begin to draw the conclusion that "Lust" is represented by actions involving violence and action, while "Love" stems more from passivity and aversion in this context. Which I think is really really great. It's sort a sort of symbolic explanation of the whole point of violence being boorish and shallow while other communication is deeper and more valuable.
Super easy example here with this one. Just look at the Love Forever stone Arajin gives Mahoro vs the friendship one that he gave Matakara.
The whole point is that Arajin's love in the hands of someone who doesn't love him isn't valuable at all, nor is it valuable in the hands of someone that doesn't love him for who he is.
Marito and Ken can only feel something for Arajin because of the strength channeled through him by Senya. It's something entirely foreign to Arajin as a person, and represents both how shallow the gang leaders are, but also how shallow Arajin is.
Loving yourself is something that's tricky to do, and obviously especially so for high school kids. I think it's well understood at this point that Arajin struggles to love himself in a meaningful way, and that's expressed by his willingness to take on Senya.
Case and point being that he intentionally used Senya's strength to try and make himself look good in front of Mahoro, and in the same way used it against Ken to the same effect.
He's afraid of being and accepting himself, so he's allowed something else to speak for him. And while that catches the eye of many, including Matakara, Arajin himself already knows that it's nothing more than a farce to save face.
It's just... really great work in terms of narrative as it bundles so many different aspects of love together to create this complicated web that all stems from Arajin's inability to love himself. Matakara loves the current Arajin, but that Arajin is unable to face himself so he runs from the reflection that Matakara offers and buries himself in lust and unrequited romance.
And that all just comes from high school kids duking it out for fun alongside mystical fighting people that can merge with humans.
It's definitely a step up the symbolic ladder in comparison to Sk8 The Infinity, but I think it's allowed Utsumi to express much more in terms of romance through implicit narratives.
These first two episodes have been incredible, and I'm loving every moment and want to share every bit, but the overall production effort Mappa's been putting in leaves me in an awkward spot for sharing stuff like this.
I really love to, and I want to celebrate the efforts of the staff behind the series, but Mappa rains on that parade with its terrible scheduling and work ethic. The credits are a veritable mess that make episodes like this an incredible feat. And I'll celebrate that and share what I want to, but I do also want to call out Mappa for their terrible work as a studio.
how did he get that stupid camel indoors AND UPSTAIRS 😭
if bucchigiri has arajin say something like "10 years from now, I see us eating gyoza together" i think i will explode
matakara and his idealisation reminds me of pygmalion ????? where he builds a perfect, rose-shaded vision of arajin that is put so high up on his Pedestal. when that vision is essentially challenged by arajin himself, who is “given life” (a chance to honor the truth) and becomes human, therefore Flawed by extent, matakara is shattered and rejects him. and his love is then made conditional.
arajin is silly, yet hes never paraded himself as anything but. matakara is the sillier one for fooling himself :(
it/they- real nyanbinary madness- hey! i'm mew. i ramble a lot about my interests. welcome to headcanon hell- doodle dump galore- multifandom
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