I love all of this š
finally made rwby meme slides. after like a literal fucking decade
Shout out to all the Black ppl that can no longer participate directly in the fandom they love because of the stresses of racism šš¾ you contain multitudes of value and I'm sorry that the color of your skin and the power of your voice makes people not want to acknowledge that.
We love having happy gays for once
I fucking love bottoms. its like the gay teen sex comedy of the year. We need more movies like this- like enough of the sad love gay stories, I want movies with funny lesbians- absurd football players and that gay loser all of the internet is in love with
stating the obvious here but 35 portland row is so beautiful as a whole.
i mean theres death and misery and reminders of what's lost soaked into the very floorboards, stained carpets and horror stacking up, tragedy you can touch and something you can't look in the eyes waiting with your blood under its nails. but there is also sugar on the table.
there are pictures on the wall and dishes in the sink and beds with extra blankets and laughing you can hear from the stairwell, and i mean you know who it is because you've heard it enough and you know hes throwing his head back because that's how he sounds when he laughs that hard, and I mean sometimes youll still take a blanket from your bed and sit under it with her because it feels even more like home that way. sometimes youll find your clean laundry on your bed and it's still warm.
I mean it is so so so cold outside and its cold inside here too, but ours is a different cold. cold like a hand in yours right before you grab it with your other to bring warmth. it's a gentle kind of thawing when you feel boiling waters steam on your cheeks and it's a gentle kind of thawing when you start to hear the house creaking as a contented sigh, and then you'll sigh too, and i mean theres death and misery and reminders of what's lost soaked into the very floorboards, but when its spring again we'll do spring cleaning together like those happy families on tv. there is sugar on the table for you because someone remembered how you like your tea.
For the sake of my sanity it needs to be renewed
Sally died in the rain. Do you think Poseidon felt it? Do you think there was a moment Sally thought he might come for her? She knew he couldnāt, but maybe for just a moment she thought sheād be safe in the rain.
The Pevensie children are too old for their age.
Their mom notices, at the dinner table. She sees no nagging children, no stupid fights. She sees Lucy eating and speaking with perfect manners, Edmund analysing the economy and war with concerning skill, Susan being gracious but poised, like a diplomat.
Their father sees it in Peters eyes the first time they get into a fight. When he moves to punish Edmund for speaking out of turn, Peter calls him out on it. When his gaze meet his eldest son's, he's leveled by the war he sees behind it, the tensed muscle in his arm, the knuckles white around his knife. He's seen that before, in other soldiers. He doesn't know how to react.
Other children notice, too. Talking to all the Pevensie kids at the same time is like being the only one left out of a secret, and the way they touch and tease each other speaks of a history far deeper than their polite demeneor lets on. And when they walk they fall in line, as if there is a natural hierarchy between them.
The first time anyone picks a fight with Edmund, Peter comes home with a three week suspension and blood around his mouth. He looks more alive than you've seen him in weeks.
When Susan gets back in the pool after Narnia, she wins all the contests. Coaches can't explain how to beat her, because they don't understand how she's doing it, either. She seems to almost disappear when underwater.
Lucy, always gay and golden-haired, starts dancing, and never misses a step. She moves with an elegance that no 10 year old should have, and all the girls want to be friends with her
Edmund soon becomes the best student in his faculty. He always seems to know the right thing to say, and teachers laud his ability to think through complex problems. His mouth does get him in trouble sometimes, but the boy seems uncatchable, always talking his way through the cracks. And if not?
No one actively fears Peter, but everyone is a little scared of him sometimes. He's tall for his age, sure, but there is something else, some other air that seems to give him an authority far beyond what's normal for a teenage boy. He's nice enough, but teachers can't stand it, and bullies learn very quickly that pissing him off means missing teeth and black eyes.
The Pevensies are not quite inhuman, but not fully mortal, either
Basically the show
Barnes: You're not to operate this agency without a supervisor.
Lockwood: Not to worry! I have a permit.
Hahah true
Sometimes when I'm cooking, I think to myself "would Eliot approve of this or would he have an aneurysm if he saw what I was putting in this meal?" Then I shrug and do it anyways because it's a win-win either way.
Hardison's; "He should be shot."
And Eliot's; "I mean- yeah- I-I can."
Is probably my favorite two lines of the boys wanting to protect Parker. She was hurt and in pain- and they wanted to make her feel better. The boy's at this point probably have learned some of her history. But they know her well enough to know she's not allowed to get hurt.
The part I appreciate the most in the Lockwood and Co show is how it handles depression and suicidal thoughts in teenagers. As a theme, itās not often (ever) done well. Lockwood and Co is the only story I can think of that depicts it in a nuanced, realistic, non-romanticized way
but first, before I get into it: [if youāre in crisis or need someone to talk to and donāt want to/canāt use your national hotline, highly recommend Samaritans, genuinely saved my life] okay, letās go
Lockwood is the most obvious, with his general disregard for his own life and admitted suicidal ideation. Lucy struggles with her self-worth and the intensity of the emotions sheās subjected to. George worries that he doesnāt belong, that thereās something useless or wrong about him. The show depicts these thoughts and feelings in a way that isnāt overblown or dramatized, itās all but casual. Which is how it happens. Depression or suicidal thoughts donāt crash into you all at once, they creep into your life without you noticing
But more importantly (and again, something Iāve never seen anywhere else), the show also offers counterpoints to those thoughts and feelings. It shows that there is a way out, even though you may feel trapped and hopeless. This is crucial for the showās target demographic. Bad media depictions of depression or suicide get internalized, contribute to the stigma, and make it harder for people to ask for help. This show doesnāt do that. This show tells its audience that, yes, things are scary and painful and it fucking sucks, but itās not hopeless. And it says it so well
In the second episode, when Lucy wants to quit, she admits something that Iām almost certain sheās never told anyone
āsometimes I just think Iād be better off deadā
And when I watched this the first time, I expected Lockwood to react the way Iāve seen people react in my own life; with silence or panic or downright dismissal. But he didnāt. He stays calm and he says something that is so so important to hear when youāre struggling under the weight of feelings like this
āI understand thatā
Keep reading
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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