Leverage OT3 Casual Touches

Growing.

Okay, okay. You all are probably ANNOYED about my Leverage posts- and I was on the fence about posting this one because I'm only on season 3. However, I just have SO many thoughts and I need to process them. So- here it goes;

*takes a deep breath*

Leverage is home. Like, I don't- I don't know to explain it. In another post I said the show was intoxicating and that's still true. But it's also- it's also home. Maybe I'm the only one, but when I watch it- I feel like I belong. Which is ridiculous. I'm not talented at all- but Leverage is almost like a security blanket. It's- it's safe and warm... it's home.

The only thing I can think of why it's home is because of them. Because they make it feel like home. They make feel safe and like your being cared for. Like your not alone. Even if you don't think your good at something- Leverage has your back. It gives you a sense of security. Which is weird because their criminals. But- like they said; Sometimes the bad guys are the only good guys you get.

I mean- you have Nate Ford who is always two to three spaces in front of the bad guy. Who sits there and listens to victims and gives them hope. Who talks to his team and bounces ideas off of them- instead of talking down to them. He's the kinda guy that watches from the background and sees all sorts of angles. Gets into the minds of both the victim and assailant. And if the con goes wrong- he has a second one ready to cover. Whose weakness is an empty bottle in an occupied barstool.

You have Sophie. A terrible actress whose good at acting. She can play any part. Be unseen- while being seen. Whose brave, kind, and gentle- but can kick butt when needed. She's not a damsel in distress- but she'll play the part. And the thing about that part is; it's so convincing- even she believes it too. Despite that- she's honest and sincere, she'll tell you what she thinks. Her heart is gold. Her trust is thin. She's like a snake- hypnotizing. Her weakness is the love she gave to a man who thinks too much and feels too little.

You have Eliot. A man that- if you just look at him- you'll just shrug him off. He's like any other brute. Big and brawny. And that's why you shouldn't ever judge a book by it's cover. He's so much more than that. Yes. He's brawn. A real southern charmer. But he has a brain and a heart. He's that big brother and gives you hugs and you can't help but melt into the security of that feeling. That feeling of safety that you just know has an ocean of anger underneath. But your not scared, you can't be scared. Not of him. He's the kinda guy you run towards- because you know he'll keep you safe. And yeah- maybe he'll use his brawn to keep you safe, but he'll also use his brain and his heart. He'll get you out of the situation in one piece with a grumble and a growl. His weakness is his kindness and that's why doesn't let it show.

You have Alec. The brainiac. The hacker- who isn't all that much to look at (compared to Eliot,) at least not at first glance. Yet, there's something about him that screams safe. Just as much as Eliot. He's outgoing and kind. Smart and funny. And the way that he's got everyone's back- even when it doesn't seem like it. He's your go to- to find any kind of internet mistakes and he's a good shoulder to cry on. He's that brother who is dorky, awkward, and nerdy- but he's honest and sincere. His weakness is not being able to be there when it really matters.

And- and you have Parker. The thief. The master thief- that didn't belong anywhere. Nimble and lean as she flips and slinks through vents. She's the little sister the family didn't know they even wanted. Until finally they realized she was what they needed. She's bright and cheerful despite how she grew up. Her life wasn't easy foster care and street living is a rough life- but she still believes in good things; Santa clause, Nate, Sophie, and Eliot. Most importantly she believed in Hardison. She was on her own until she was found and working with a team. Then she belonged to them. Everything she had done- was so that they knew she loved them. Her weakness is having the ability to not get caught.

To end this; Leverage is an amazing shoe- because it reminds us that no matter our background. No matter how many times we've messed up and haven't belonged- we are all human. It tells us that we will find our home, our tribe, our safety. That no matter our weakness- we'll always have somebody who can take our weakness and become our strength.

I'm only on season 3. I'll more than likely have more thoughts come by season 4/ season 5. (If you agree or disagree- don't hesitate to message me!

Leverage OT3 Casual Touches

(Cont.)

This is mainly for @werewolfsmile and anyone else who wants to shout into the void with me about this ot3!

So far season 4 started off strong with lots of little ot3 moments I’ve been clocking on my latest rewatch. Today I watched “The Office Job” through “The Gold Job” and wanted to recap. Ngl it isn’t much…

Still good things but it was a lot of what we already see which is still beautiful. But mainly it was a lot of leaning, being in each others spaces, and a lot of the handshake. (For the purposes of this post I’m skipping “The Girls Night Out Job” and “The Boys Night Out Job” simply because those two are a whole other beast of ot3 moments that I would like to gif separately and also not a lot of touching (besides the handshake in the boys night) which is what we’re focusing on here.)

“The Office Job” is my favorite comfort episode of Leverage. Everything about is pure gold. Despite Hardison and Eliot arguing the whole time about a sandwich they still manage to pull together in the end and have one of the funniest moments in the episode which is of course topped off by the handshake. Once again mainly in each other’s spaces or leaning this episode.

“The Lonely Hearts Job” also such a great episode of basically the ot3 parent trapping Nate and Sophie and Eliot out here doing the absolute most showing he knows his team in the end of the episode.

As for casual touches a lot with Eliot and Parker (I feel like there’s always more with Eliot and Parker in trying to find more with Eliot and Hardison but mainly they just always lean in each others spaces and orbit each other, compared to Eliot and Parker which sometimes have a similar but different dynamic due to comparing how Parker in the beginning of the series was very adverse to touch. Not from Hardison and Eliot now though:)).

This scene starts out with them with a gap but they gradually get closer (I know this can happen when scenes are reshot. As I always say though let me read the subtext how I want. They were further apart then they got closer soooo)

My favorite thing is the shoulder bumping as they’re walking out. All I have to say.

Here they’re betting whoever gets the highest bid gets a steak which is super cute later because Eliot loses and puts up a fight about making it but then totally has heart eyes and smiles when he “loses” that argument too. Why wouldn’t he make his boyfriend a steak. There’s also a later scene I totally forgot to gif when they’re getting the guy flirting with Sophie out of the way and he calls Hardison (who’s in character) an idiot and I know Eliot did not need to take him down as hard as he did all I have to say.

And once again we have the leaning in each others spaces, shoulder touching, and once again the handshake. None of the other bachelors were standing this close on stage just saying.

Then we have “The Gold Job” where Parker literally gets up to sit next to Eliot? Wonderful. But then there’s some shoving but for context the whole scene was kinda tense because Hardison was running his first con. But then right before the camera changes Eliot moves closer!!!

But then they end up further apart again which I’m assuming may be due to reshoots.

Just generally the comfort between all of them gets me in these scenes. They’ve come a lot way and even though the beginning of season four I feel like shows this a lot more I’m still glad I’m finding scenes with their casual touches as I’m finishing out season 4.

That’s all I have for tonight :D I’m finishing up season 4 tomorrow so I’m sure I’ll be adding to this later.

Hope you like my gifs :) haven’t gifed in so long but I’m happy I’m learning again. Quality still needs work though.

Bonus:

Here’s a bonus gif of Eliot looking like he’s blowing a kiss in the button cam footage in “The Office Job” because I thought it was funny. This is once again getting added to my “why didn’t I notice this before” list. I just wanna know for whom Eliot. :)

Another day watching The Future Job, another day screaming and crying about how whenever Parker gets freaked out she goes home. Not to her big secret warehouse where she can be alone but straight to HQ or wherever the crew will be because that's where she's safe, that's home.

Please!!

Friends. If you do nothing else this week, please. Please stream Lockwood and Co as much as you can. The completed viewing hours matter so much and this story deserves a season two. The fandom has grown exponentially in the last three weeks, people are loving the show and finding the books. It has more than earned that renewal but Netflix needs the numbers to authorize it.

Let’s give them no choice.

I adore here. I’m in so much pain

just. the way that everyone wrote lilia off as some harmless unserious weirdo in the way so many older women get written off. when in fact she was an incredible brilliant badass

he's fighting a beautiful buff lady. her shirt gets ripped and she's left in her slutty little tank top. "come on," you think. "why is the woman always wearing sexier things than her male counterparts." but fear not. now HE takes off his shirt and he's left in HIS slutty little tank top. equality. and then they kiss

ngl clarisse's scream from pjo ep2 HAUNTS me. like yeah she's a bully, yeah she doesn't treat percy right, if she were to attack him again with that murderous intent i would be content to see percy destroy that weapon a million times over to protect himself. but also it just gets me how that electric spear is the ONLY thing she likely has of her father, the ONLY token of recognition she has of her worth, the only symbol of pride. dior had exactly 10 minutes of screentime to communicate the absolute depth of clarisse developed over 5 fucking books and she literally changed lives. what a fucking icon

Akashi: Helpful grammar tip: “farther” is for physical distance, “further” is for methaphorical distance, and “father” is for emotional distance!

Basically the show

Barnes: You're not to operate this agency without a supervisor.

Lockwood: Not to worry! I have a permit.