I NEVER NOTICED THAT ELIOT HAS LIL BRAIDS HERE… LIL BRAID TINY LITTLE BRAID IM LOSING MY MIND

🥲this is giving many feelings.

God I wish we had this more in the films

thinking about the sully siblings and how Spider was smaller than them physically, but he was still their big brother, and the pure shenanigans it must cause.

like. they're so much bigger than him, but they no doubt still act like they're little compared to their brother at times.

like you want to tell me they don't hide behind him or lean over so they can rest their head on his shoulder or tuck under his arm. tell me they don't lay on top of him like he's their personal pillow.

its not odd to see all his siblings gathering around him, Kiri resting her head on Spi, while Lo'ak holds his arm, Tuk tucked against his waist, while 'tey rests his chin on Spi's head (he loves all the attention, even if he huffs and puffs like any good big brother). they look silly cause the kids have to crouch and twist and bend to use their brother as a leaning post, and he practically disappears under all their blue.

and that includes rough housing, even if it's unintentional. the kids jumping up for a piggyback ride even when they're nearly double if not triple Spider's size.

Tuk wanting to be carried around by her big brother all the time. Kiri accidentally tugging her brother too hard when excited to show him something. the boys teaming up against their brother when playing, forgetting he can hardly handle one of them, let alone both at once.

his siblings getting the rare chance for a sleepover and cuddling around him like a bunch of big cats. they're tucked around him, under him, on top of him, with just enough care to make sure he doesn't suffocate in his sleep.

when they need some loving, Spider has to beckon them down to give their foreheads a kiss or to wrap them up in a proper hug. Spider likes to tuck his siblings head to his chest with both his arms and squeeze them tight.

when he's got to give them a big brother chat, the kids have to be kneeled down so Spider doesn't have to stare up at them (he tends to kneel too, so they're eye to eye, cause when he looks down on them, they tuck their little ears and he feels bad).

like. they're just big babies that need their big brother to take care of them and love them, even if they're giants compared to him.

The daily amount of new hazel fanfics is getting smaller and smaller each day and if I'm being honest that's very bad for my mental health

„Inside job“ might easily be one of my favorite Leverage episode so far because it has „found family“ written all over it, from Nate cooking to Sophie teasing to the entire team going full on deadly-serious in order to get Parker back out.

Not to mention that Parker, team AND Archie point out that the team is Parker‘s real family

Inspired by this post by @lemissingmask

The team holding Eliot back from violence, either with a simple gesture or by putting themselves in front of him.

And the time the violence was encouraged:

The warm lighting as Luke holds Percy at sword point because Percy trusts Luke. Luke would never hurt him.

Then Luke later betraying Percy in the very same woods and hurting him with the same sword as the lighting shifts to this ominous dark purple

i could write an essay on how the writers use lighting as a method of storytelling

nah since marvel is trending again I’m going to say it again louder for the people in back — canon steve rogers would never have chosen an “idyllic 1950s white pickett fence life” because the only place that man belonged was a picket LINE. the whole point of his character was that his work was never done. there was always going to be another oppressor, another bully, another person who takes advantage of the underprivileged for him to stand up to. from the moment he gained consciousness he, a chronically ill son of a working class mother living below the poverty line, used his voice and his body to protect & fight for what he believed in. I’m not sure there was ever a time pre-super soldier serum where he didn’t have a black eye. he could put the shield down all he wanted but he could never retire from being steve rogers — someone who never once turned a blind eye, who never once wanted a “reward” for his work, who never once abandoned his friends. this isn’t up for debate. this is almost a century of comic book & film/animated precedent. he may have been a man out of time, but in his words “it’s tempting to want to live in the past. it’s familiar, it’s comfortable. but it’s where fossils come from”

I think it's a sign of good media when you have to reread or rewatch it to get the full experience. First time is for getting your brain blasted by the story and being confused second time is for knowing who's who and what's what and willingly getting your brain blasted again.

I bet the first time Nana meets Eliot- she sees the God fearing, flag wearing 18 year old boy. (The one that Eliot looks for in the mirror and can't find.) Nana doesn't see a criminal. Doesn't see a man who has blood on his hands. She doesn't see a warrior bleeding and crying out for mercy. Just a over tired, stressed, broken 18 year old- trying to prove to the world he's worth fighting for. That there's hope in saving him. Nana doesn't question Eliot's roaming eyes. Roaming eyes that are either looking for danger or looking for exits. The older woman simply smiles and pulls him to the kitchen. Makes him sit down and puts a mug of coffee near his callous hands. Nana doesn't react when she hears screams, moans, and groans at night. Nor in the morning does she make a remark about walking by the room and seeing Hardison and Parker next to Eliot on the twin bed. (Eliot is in the middle.)

I bet when Nana first meets Parker, she doesn't question her habits at all. Some how (Hardison, obviously,) has Parker's favorite candy and cereal. Some times, Parker will sit right in front of Nana with a brush and a hair tie. Nana will gently brush her hair while she plays with whatever child is in front of her. She doesn't slap Parker's hands away when she grabs extra food. And she definitely ignores seeing Parker sneaking into the room Hardison and Eliot share. (Nana saw it when they walked in- Parker feels safe with them.) In the mornings and the windows are open- she looks out to see Parker and Alec on a bedsheet curled up to each other. She smiles. Nor does she comment on missing things after they leave. Especially since a few weeks later- those things return outta the blue. Nana has no qualms when Eliot shows up with both Parker and Hardison behind him- Parker sick and Hardison injured.

"Sorry, Nana," Eliot apologizes, looking meek at coming to her place, "I can't get them to list'n. Can't get 'em to rest." And together- Nana and Eliot get the two trouble makers on the couch. She might not question the reason why Eliot showed up with the two. However she does give Eliot a sparing look. She see's the ragged, tired look. It doesn't take a whole a lot of brain power to know that the two so called trouble makers- got Eliot into the dog pile. (He was suppose to follow her into the kitchen- he didn't. She knows Parker and Hardison grabbed his wrist.) (What can anyone say? She has eyes on the back of her head.) (Eliot allows to get pulled onto the couch with only mild, gruff, complaining.) When she goes back to the living room to check on her charges- she finds Eliot in squished in the middle- being used as a pillow. (He's knocked out too.)

Nana doesn't mind Parker teaching her kids how to pick locks. Or watching Eliot teach them self- defense. She doesn't question it when she see's little four year old Becca with pig-tails- standing by the counter helping Eliot with breakfast. Nana hums when she opens the door on a Saturday morning and see's Eliot, Parker, and Hardison (though Hardison begrudgingly-) with a tool box. After all she had left a message to Alec that her sink was leaky.

Instead, she makes coffee and pulls out Parker's favorite cereal. She asks if They are staying for lunch and even dinner. Makes causal remarks about one of her more difficult children- and watches as Parker and her baby Alec go and find the kid.

None of them comment about Parker recruiting half of kids that come from Nana's house. They keep it hush- hush when neighbors stop by for a cook out. Many of the neighbors ask about the trio- and Nana only replies with a smile.

"They're my kids." She says fondly- watching as Eliot grills as Parker is poking and prodding the chef. And Alec is simply smirking as he's showing Isak how to hack.

I bet Nana treats Eliot and Parker like her family. Because they are Alec's family.