The Rundown Job Was Really The OT3 Episode, Uh?

Okay, somebody can correct me if I'm wrong- but at the end of The Nigerian Job, when the team was convincing Nate that they should keep doing what they did- Eliot's whole argument was Nate. Nate falling apart. Nate needing the chance. Nate not being able to walk away. Nate.

Then, suddenly Eliot became the whole team's body guard. (Something he's grunt and gruffed about.) Yet. Yet. Somewhere (I say it was The Iceman Job and The Inside Job,) Eliot's brain switched from protecting the team to protecting Hardison and Parker. (Again correct me if I'm wrong.) Suddenly his job became more about having Hardison and Parker's back than having Nate's back. Maybe I'm the only one whose noticed- but Eliot become more softer with both Hardison and Parker after those particular jobs. Sure he keeps that gruff, sarcastic wit about him but there's often tones of... protectivness(?) when he interacts with them. Almost like he's telling other people around them- whose in ear shot- that Hardison and Parker are his. Like he's possessive.

Now, I'm not saying Eliot just stops caring about the rest of the team. I mean- he beats up Sterling for Nate and in Redemption Eliot is following Sophie around a handful of times. Their are even times where he has Breanna's back and Harry's. But he seems to treat those situations like a case. He compartmentalizes those situations. With Hardison and Parker- he doesn't. It's like his brain won't let him. He sees Hardison and Parker and it's like- all bets are off.

And on the flip side- has anyone noticed that Parker and Hardison seem to be the only ones that know how to... defuse (is that the right word?) Eliot? Like even Maria couldn't get Eliot to relax in The Hurrican Job. (Of course that's probably because Eliot was hiding who he was to her.) But Eliot always seems to be more relaxed when he's around those two.

In The Iceman Job after when Hardison tries to hug him? Eliot wasn't really fighting it. (I would know- I do that to my brother ALL the time when he tries to hug me.) In The Inside Job- when Eliot went to attack that employee- Parker stopped him. In The Double-Edge Sword Job, when Eliot is furious because an abusive ex comes after a women that they tried to hide- it's Parker that calms him down. It's Hardison who pays off the bartender when Eliot attacks Sterling. It's Parker who is always by his side or close to it. It's Parker who trusts Eliot when their in the back of the van with Vance. (Yes, Parker trusts Hardison too, but Hardison is a hacker- not a protector.) It's Eliot who Hardison listens to when he's not confident. It's Eliot who grabs Hardison from the coffin. It's Eliot who crouchs behind Hardison as Parker flips around him. It's Eliot whose hands are shaking when he they have half a second on a bomb.

Eliot Spencer is Hardison's and Parkers. They own him. In the same way Hardison and Parker are his. He owns them. (Does that make sense?)

For the record- I don't know why I'm pointing all of this out. It's just interesting to me... I guess.

just remembered shows used to have 20-25 eps per season

This album is about how two men broke her heart just months apart and how she was quite literally going through a mental breakdown while trying to put on a front while performing for millions of people on a world tour but you wouldn’t know that because you’re either so caught up in trying to figure out who each song is about or your so caught up in your hate for her that you’d rather make fun of her in her most vulnerable, raw, and honest state just to make yourself feel better

The thing about Leverage is it prioritizes what it takes seriously exactly right.

It's a fun, pulpy, goofy show but it has the most nuanced, thoughtful, and lasting character development.

A love story unfolds between a socially inexperienced thief and a hacker who doesn't hesitate in his willingness to be patient and understanding as she works out her unfamiliar feelings.

Wil Wheaton gets electrocuted and you can see his skeleton like a cartoon.

A grifter has an identity crisis and embarks on a lone journey of self-discovery, to return better and more certain of herself than before.

The team invents the Holodeck so they can hack into the dreams of off-brand Steve Jobs.

It's ridiculous. It's silly. It's brilliant. I've watched every episode over a dozen times.

nah since marvel is trending again I’m going to say it again louder for the people in back — canon steve rogers would never have chosen an “idyllic 1950s white pickett fence life” because the only place that man belonged was a picket LINE. the whole point of his character was that his work was never done. there was always going to be another oppressor, another bully, another person who takes advantage of the underprivileged for him to stand up to. from the moment he gained consciousness he, a chronically ill son of a working class mother living below the poverty line, used his voice and his body to protect & fight for what he believed in. I’m not sure there was ever a time pre-super soldier serum where he didn’t have a black eye. he could put the shield down all he wanted but he could never retire from being steve rogers — someone who never once turned a blind eye, who never once wanted a “reward” for his work, who never once abandoned his friends. this isn’t up for debate. this is almost a century of comic book & film/animated precedent. he may have been a man out of time, but in his words “it’s tempting to want to live in the past. it’s familiar, it’s comfortable. but it’s where fossils come from”

Please!!

Friends. If you do nothing else this week, please. Please stream Lockwood and Co as much as you can. The completed viewing hours matter so much and this story deserves a season two. The fandom has grown exponentially in the last three weeks, people are loving the show and finding the books. It has more than earned that renewal but Netflix needs the numbers to authorize it.

Let’s give them no choice.

If you like Lockwood & co, want to see a second season of Lockwood & co, don’t wait weeks to watch it when it’s the biggest genre for getting the axe sooner than you would expect. 

Drop it in your background, run while you’re out of the house and start it up again when you get back and put a notepad over it. Watch it tonight, and don’t dole it out like treats. Netflix needs completion not just hours which is depressing because I sure as hell don’t like binging shows anymore than the rest of the country. 

We might look okay the way we’re going but I’ve seen shows cancelled in less than a week of it airing. 

Literally!!!

Lockwood and co I will avenge you. Tis the season

Studios are so obsessed with trying to find the next cash cow that they will kill the calf before it's weaned from its mothers milk.

I’ve seen some people complaining about Channing Tatum/his accent in Deadpool & Wolverine, and I just want to set a few things straight.

Channing has been on the docket to play Gambit since 2005, but each and every time, the character was cut from the script, he had a prior contract, or the director kept getting replaced until the project was scrapped 4 years later with the Fox/Disney merger.

He has family in Louisiana and grew up in the bayous (albeit in rural Alabama). This character has meant something to him since CHILDHOOD when it comes to representation in media.

Gambit doesn’t speak SAE (Standard American English). He’s a street urchin from Acadia/New Orleans. He grew up speaking Cajun (a mix of Southern American, Canadian French, and España Spanish grammar applied to a mostly English vocabulary) and Louisiana French (an offshoot of Canadian French from Acadians).

Every person I’ve seen online who ACTUALLY GREW UP around people who speak Cajun, Creole, and/or Louisiana French has said that his accent is SPOT ON, maybe even a little too clear.

All this to say: if you can’t understand Gambit in Deadpool & Wolverine, you’re not supposed to. That’s the bit: unless you’re used to those dialects and accents, you’re shit outta luck trying to parse it out without help. Hell, even Rogue, who grew up in the South, doesn’t know what he’s saying half the time.