Oh my god. The tears in Luke’s eyes when Percy says the betrayal line. The desperate pleading for them to run away. That he doesn’t want to hurt Percy. The tears in Percy’s eyes. The fear and shaking. Percy apologizing for actually hurting him. The look of horror on Luke’s face as Annabeth comes in. How horrified he looks when he looks down at Percy, who he HURT. The realization that Percy won’t join, and the equaled horror of hurting a twelve year old child.
Then he runs.
🥲this is giving many feelings.
God I wish we had this more in the films
thinking about the sully siblings and how Spider was smaller than them physically, but he was still their big brother, and the pure shenanigans it must cause.
like. they're so much bigger than him, but they no doubt still act like they're little compared to their brother at times.
like you want to tell me they don't hide behind him or lean over so they can rest their head on his shoulder or tuck under his arm. tell me they don't lay on top of him like he's their personal pillow.
its not odd to see all his siblings gathering around him, Kiri resting her head on Spi, while Lo'ak holds his arm, Tuk tucked against his waist, while 'tey rests his chin on Spi's head (he loves all the attention, even if he huffs and puffs like any good big brother). they look silly cause the kids have to crouch and twist and bend to use their brother as a leaning post, and he practically disappears under all their blue.
and that includes rough housing, even if it's unintentional. the kids jumping up for a piggyback ride even when they're nearly double if not triple Spider's size.
Tuk wanting to be carried around by her big brother all the time. Kiri accidentally tugging her brother too hard when excited to show him something. the boys teaming up against their brother when playing, forgetting he can hardly handle one of them, let alone both at once.
his siblings getting the rare chance for a sleepover and cuddling around him like a bunch of big cats. they're tucked around him, under him, on top of him, with just enough care to make sure he doesn't suffocate in his sleep.
when they need some loving, Spider has to beckon them down to give their foreheads a kiss or to wrap them up in a proper hug. Spider likes to tuck his siblings head to his chest with both his arms and squeeze them tight.
when he's got to give them a big brother chat, the kids have to be kneeled down so Spider doesn't have to stare up at them (he tends to kneel too, so they're eye to eye, cause when he looks down on them, they tuck their little ears and he feels bad).
like. they're just big babies that need their big brother to take care of them and love them, even if they're giants compared to him.
I think my favorite thing about The Old Guard is that, as weird as it sounds, all the immortals have human limits. Like, yeah, they can’t die and they heal hella fast, but the writers didn’t inexplicably translate that into them having superhuman speed or strength or agility like I’ve seen in many other superhero media.
They get tired. I’ve honestly never seen so much sleeping in an action movie.
And they can be restrained with zip ties and buckles and held down by normal-ass dudes and get the shit beat out of them because of course they can.
When they’re injured, they act like it. Even if its just for a few seconds. They moan and groan and limp and wince and never try to pull any of that dumb macho “I’m used to it” bullshit. Pain fucking hurts no matter how many times you experience it and this movie expresses that beautifully. Immortal doesn’t mean invincible.
Poseidon and Sally being good co-parents is really healing something in my child-of-a-divorcee heart. Sally can JUST summon him and he will JUST arrive.
"you won't want to hear it"/"no, but tell me anyway" MEANS SO MUCH TO ME. Like yes! Poseidon bearing part of the mental load means a lot to me.
Bilbo, knowing for a fact Thorin doesn't know what flowers mean to hobbits: Can I braid some flowers in your hair?
Thorin, knowing for a fact Bilbo doesn't know what braids mean to dwarves: Oh of course, what a nice gesture of friendship.
Gandalf, a few feet away: Are they getting engaged before realizing they love each other back????
Listen this is an irrefutable fact; young dracula was the peak of vampire television. Just a lil kid tryin to be normal and his crazy vamp fam? Love it. Odd kid who wants to be a vampire that dresses up in capes all the time? Who hasn't? Van Helsing the WOODWORK teacher like who comes up with these things. Honestly loads of the stories on CBBC were bops, like Wizards vs Aliens was my first time seeing like someone be gay and being a somewhat main character, plus that show was awesome, Wolfblood's soundtrack made up my childhood, oh and Merlin of course, and Leonardo that just followed Leonardo Davinci's everyday life like what???- there's probs more but these are my mains anyway. Kids shows are so cool
"Every time someone steps up and says who they are the world becomes a better, more interesting place." 🫶🏳️🌈
My tribute to Andre Braugher, thank you for Captain Raymond Holt ❤️✨
Sally died in the rain. Do you think Poseidon felt it? Do you think there was a moment Sally thought he might come for her? She knew he couldn’t, but maybe for just a moment she thought she’d be safe in the rain.
Okay, somebody can correct me if I'm wrong- but at the end of The Nigerian Job, when the team was convincing Nate that they should keep doing what they did- Eliot's whole argument was Nate. Nate falling apart. Nate needing the chance. Nate not being able to walk away. Nate.
Then, suddenly Eliot became the whole team's body guard. (Something he's grunt and gruffed about.) Yet. Yet. Somewhere (I say it was The Iceman Job and The Inside Job,) Eliot's brain switched from protecting the team to protecting Hardison and Parker. (Again correct me if I'm wrong.) Suddenly his job became more about having Hardison and Parker's back than having Nate's back. Maybe I'm the only one whose noticed- but Eliot become more softer with both Hardison and Parker after those particular jobs. Sure he keeps that gruff, sarcastic wit about him but there's often tones of... protectivness(?) when he interacts with them. Almost like he's telling other people around them- whose in ear shot- that Hardison and Parker are his. Like he's possessive.
Now, I'm not saying Eliot just stops caring about the rest of the team. I mean- he beats up Sterling for Nate and in Redemption Eliot is following Sophie around a handful of times. Their are even times where he has Breanna's back and Harry's. But he seems to treat those situations like a case. He compartmentalizes those situations. With Hardison and Parker- he doesn't. It's like his brain won't let him. He sees Hardison and Parker and it's like- all bets are off.
And on the flip side- has anyone noticed that Parker and Hardison seem to be the only ones that know how to... defuse (is that the right word?) Eliot? Like even Maria couldn't get Eliot to relax in The Hurrican Job. (Of course that's probably because Eliot was hiding who he was to her.) But Eliot always seems to be more relaxed when he's around those two.
In The Iceman Job after when Hardison tries to hug him? Eliot wasn't really fighting it. (I would know- I do that to my brother ALL the time when he tries to hug me.) In The Inside Job- when Eliot went to attack that employee- Parker stopped him. In The Double-Edge Sword Job, when Eliot is furious because an abusive ex comes after a women that they tried to hide- it's Parker that calms him down. It's Hardison who pays off the bartender when Eliot attacks Sterling. It's Parker who is always by his side or close to it. It's Parker who trusts Eliot when their in the back of the van with Vance. (Yes, Parker trusts Hardison too, but Hardison is a hacker- not a protector.) It's Eliot who Hardison listens to when he's not confident. It's Eliot who grabs Hardison from the coffin. It's Eliot who crouchs behind Hardison as Parker flips around him. It's Eliot whose hands are shaking when he they have half a second on a bomb.
Eliot Spencer is Hardison's and Parkers. They own him. In the same way Hardison and Parker are his. He owns them. (Does that make sense?)
For the record- I don't know why I'm pointing all of this out. It's just interesting to me... I guess.
I saw a comment on tiktok before watching todays episode of Wolfpack and someone was like “I used to really like Harlan but what he did was inexcusable” and I was worried because I really like Harlan (love the entire pack) and then I watched and I burst out laughing when I realized the “inexcusable” thing he did was have sex with some random girls boyfriend in her house. He’s funny, mean, and gay and you think I’m gonna root against him? 🤨
Dominic Toretto once said "I don’t have friends, I got family" with that in mind, that will be our intro for today! Although we find that iconic line cheesy as cheese, the audience loves a great found-family setup.
Something about how a bunch of misfits and inconsiderate douchebags developing to be a family of their own in spite of their quirkiness and tragic backgrounds makes us love them more than the typical and already functional groups. Like most families, there is the father, the mother, and the child. The rest is kind of subjective.
I've talked a little bit about actual families via [The Addams Family] but I think Found Families are a different breed. Let's discuss that and explain why we love them so much~
While conversing with a friend I've met on Tumblr. My friend suggested that I should watch the show < Shadow and Bone > based on the Grisha Trilogy by [Leigh Bardugo] The story mainly follows Alina Starkov who lives in a world divided by the haunting dark cloud placed at the center of the three counties known as; The Fold.
Aside from the main plot you can already guess if you know enough fiction. The show features a merry band of dangerous outcasts. The Six of Crows from Ketterdam. Led by the cunning leader; Kaz "Dirty Hands" Brekker.
The team is supported by, Inej Ghafa The Assassin, Nina Zenik The Heartrender, Jesper Fahey The Sharpshooter, Matthias Helvar The Convict, and Wylan Van Eck The Runaway. Like every group that shares this type of beat. The teammates do not trust one another and are only united for the cause.
This will develop as the series goes on and their trust will change from strangers to allies to family beneath the backdrop of a sinfully cut-throat and exciting city. While the series only showed Five of the Six so far. I've grown very quickly to love this group for their chemistry and their respective motivations to stay as a team.
What's so interesting to watch is, despite how typical this trope is. I still couldn't keep my eyes off this concept. It's so much fun to see the Six interact even though for now, it's just Kaz, Inej, and Jesper (also, The Goat; Milo) planning a heist to kidnap our heroine. On the other end of the world, we learn about Matthias and Nina. The Convict and The Witch (Matthias's words, not mine)
Dysfunctional groups like these feel very human. They don't act like they care for the world or for one another but instead, grow in the process.
Similarly, another dysfunctional group called < The Guardians of The Galaxy > shares the same vibes as the Six. Their talent is great but it's their destructive tendencies or personal vendettas that make them less like heroes. Rather, they are people who just so happened to be doing heroics.
Part of the trick in making fun found families is the will to condense the group down to about four or three characters. In most Shonen manga/ anime, the main character (eg, Naruto) is often supported by a lancer character (eg, Sasuke) and the heart (eg, Sakura) There is also the mentor/senior (eg, Kakashi) and it will always be these four. Other examples like Harry (Potter) and Co are good samples of the main trio with a mentor (Hagrid).
It's rare that we find trios with no mentor figure. Such is the case of another show I recently watched, < Lockwood and Co > based on the book series by [Jonathan Stroud] For a quick summary, Lockwood is set in London with one big exception. The city/ world at large is haunted by lethal ghosts (AKA The Problem) and only kids can sense them. Therefore, fight them.
The main cast consists of Anthony Lockwood, the cool and fearless badass gentleman who is strongest with Sight. George Karim, an all-rounder but a highly talented Researcher. Finally, our main character, Lucy Carlyle. An incredibly talented girl who's the most gifted with Hearing and Touch. Unlike the other agencies which are by the book and led by a Supervisor (an adult). Lockwood is purely independent but is unfortunately small and always in trouble with the law due to their incredibly dangerous methods.
Still, they are the best at what they do. Hunting ghosts while solving the bigger mystery behind The Problem. Despite their terrible coordination, the team has proven themselves to be better and far more personal with the cases they crack. Making it less like a job.
They are reminders that less is better. The cast plays the role of Hero, Lancer, and Heart very well and their chemistry is great and funny. Anthony and Lucy will sometimes bud heads, George will do his own thing making two of his partners incredibly proud and, you might see some tender/real moments between them.
Lockwood also removes the typical hero's journey of losing a mentor figure and instead makes the characters each other's mentors. The team relies on one other with their lives to survive every mission and navigate through life as a whole.
It felt more organic for them to grow together because there's a sense for when an adult shares a piece of advice (no matter how good it is) feels very smug and dull. The characters feel like actual teens because the setting for the agency sounds like something actual teens will do. Break the rules and do right for the fun or for some deep-rooted conspiracy that the world has yet to know.
From the dysfunctional groups like the Six or the Guardians to the power of Three. There is one other interesting layer to the Found Family troupe. The Disbanded Found Family.
While most stories tell of how the team came to be, rare stories tell of how they split off and are no longer on speaking terms. For a while, The MCU's Avengers were at war with one another during < Captain America; Civil War > With Steve Rogers and Tony Stark budding heads harshly over the Sokovia Accords.
Seeing a well-rounded team break up is difficult for the characters and the audience because. For all the disagreements they had with one another, they've developed along the way to be close like a family. Seeing them split is like watching a divorce happening on screen and it's heartbreaking and sometimes a little bit awesome because you've got the best of the best competing to declare their superiority.
Perhaps one of the best examples I have seen is through < Kuroko No Baskue > where our main character; Tetsuya Kuroko entered High School and vowed to defeat/ beat some sense to his Former Junior High School Basketball Team with his newfound team; Seirin High
Kuroko's former team is famously known as The Generation of Miracles; an elite team of young talents that excel on the court, thus making them prodigies of their generation.
The Miracles consist of; Daiki Aomine (The Power Forward Beast), Shintarō Midorima (The Star Shooter), Atsushi Murasakibara (The Ultimate Center), Seijūrō Akashi (The Emperor's Eye) and Ryōta Kise (The Perfect Copycat) From the little we have seen, the team is passionate about the sport they play and they share a very brotherly relationship with one another.
As the series develops, we learn more about their personal relationships with Kuroko and with each other. We see the infighting between them and we learn about how their respective egos build. We learn about their vow during graduation and we get to see them reunited once again.
The series as a whole function in two ways. Kuroko develops new relationships with his new team and Kuroko confronts his old team to mend their relationship. It tackles the dysfunctional team setup at its lowest state and rekindles the flame for the respective parties to be healed. Also, it's really cool to see such a colorful cast together.
With that said, it's a wonder for why Found Families are a timeless troupe no matter the settings. But, like how Amanda Waller sets up Task Force X/ The Suicide Squad. Sometimes it's not by choice and it always starts out bumpy.
What I find fun in teams like the ones mentioned is that they share a common language in spite of their unique flavors. The teams are built on trust, a common goal, and the willingness to open up. For all the gimmicks, the core values stay the same.
We, the audience love a good Found Family because in an indirect way. We wanted a group like that. We longed to have a group that we can call family but, the reality of it all is. It's really up to how the characters interact with one another.
Every circle is different and no matter the status or the seasons. All are maintained by the will to reach out. It's something I hope to use for my own team in the process. To have [Them be there for you, Cause you're there for Them too]
Thanks for reading
- Caw4B -
Random stuff I love. Currently obsessed with Lockwood and co. Pls go stream it on Netflix we need season 2!!
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