Catradora333 - Daisybelle

The best night scenes I’ve watched

I've seen a lot of praise for the Netflix Lockwood and co. adaptation. I haven't read the books, enjoyed the show. Lots of people already said a lot of positive things about this series concerning plot, characters, and so on that I largely agree with

You know what hasn't really been talked about?

How BRIGHT and WELL LIT everything is. Like, this show mostly happens at night, with characters running around with torches to see anything, because their job has to be done during the night.

But I can still SEE EVERYTHING.

I noticed that in the graveyard scenes especially. The sky is pitch black, we know it's the middle of the night. But the grass in green and I can SEE IT.

Love them for not going down the path of GOT, DC, and so many more. Of saying "well, it's the middle of the night, so nobody can see anything, and neither can the audience".

Instead they went "we told our audience it's the middle of the night, we're showing it to them, but we're also giving them the opportunity to see what actually happens on screen".

Amazing.

Can we talk about Percy seeing his mom in the underworld?

Look at how horrified he is.

There isn’t even a sliver of relief at seeing his mom again. The only thing on his face is wide-eyed terror.

Now look at what Sally looked like:

Did anyone else think that it seemed kind of familiar?

Did anyone else think that it kind of looks like she’s frozen in gold?

Percy saw his mom and it instantly reminded him of being encased inside Hephaestus’s trap in Waterland. Paralyzed and awake while he suffocated slowly and painfully. He’s remembering the panic he felt when he thought he was going to die and how much it hurt when he was freed; Even though he was alive, his lungs burned with every inhale and his head spun from lack of oxygen.

Now he’s putting his mom in that position

I love Ethan and Ilsa so much. He meets her once and she saves him and he’s like wow, she’s amazing. She can do no wrong. Shoots him and benji? Tries to assassinate someone? She had no choice. Literally electrocutes his friend? It’s fine, he turned out ok. She performs any action and he’s just like “you’re doing amazing sweetie!!” And he so badly wants to get her out of the spy life. That’s something he can never have and something he couldn’t give back to his wife and he wants so badly to help Ilsa achieve it.

Meanwhile she thinks he’s the best person in the world, she just goes behind him saving his ass and staring wistfully at him.

Except, in between these times, they always end up on opposite sides and have to shoot each other, chase each other down, and hit each other with cars. But somehow they still trust each other bc they never lie to each other about their goals or intentions, not anymore.

If she dies, I will riot :)

Found Families and Why We Love Them

Dominic Toretto once said "I don’t have friends, I got family" with that in mind, that will be our intro for today! Although we find that iconic line cheesy as cheese, the audience loves a great found-family setup.

Something about how a bunch of misfits and inconsiderate douchebags developing to be a family of their own in spite of their quirkiness and tragic backgrounds makes us love them more than the typical and already functional groups. Like most families, there is the father, the mother, and the child. The rest is kind of subjective.

I've talked a little bit about actual families via [The Addams Family] but I think Found Families are a different breed. Let's discuss that and explain why we love them so much~

- Crows Never Forget -

While conversing with a friend I've met on Tumblr. My friend suggested that I should watch the show < Shadow and Bone > based on the Grisha Trilogy by [Leigh Bardugo] The story mainly follows Alina Starkov who lives in a world divided by the haunting dark cloud placed at the center of the three counties known as; The Fold.

Aside from the main plot you can already guess if you know enough fiction. The show features a merry band of dangerous outcasts. The Six of Crows from Ketterdam. Led by the cunning leader; Kaz "Dirty Hands" Brekker.

The team is supported by, Inej Ghafa The Assassin, Nina Zenik The Heartrender, Jesper Fahey The Sharpshooter, Matthias Helvar The Convict, and Wylan Van Eck The Runaway. Like every group that shares this type of beat. The teammates do not trust one another and are only united for the cause.

This will develop as the series goes on and their trust will change from strangers to allies to family beneath the backdrop of a sinfully cut-throat and exciting city. While the series only showed Five of the Six so far. I've grown very quickly to love this group for their chemistry and their respective motivations to stay as a team.

What's so interesting to watch is, despite how typical this trope is. I still couldn't keep my eyes off this concept. It's so much fun to see the Six interact even though for now, it's just Kaz, Inej, and Jesper (also, The Goat; Milo) planning a heist to kidnap our heroine. On the other end of the world, we learn about Matthias and Nina. The Convict and The Witch (Matthias's words, not mine)

Dysfunctional groups like these feel very human. They don't act like they care for the world or for one another but instead, grow in the process.

Similarly, another dysfunctional group called < The Guardians of The Galaxy > shares the same vibes as the Six. Their talent is great but it's their destructive tendencies or personal vendettas that make them less like heroes. Rather, they are people who just so happened to be doing heroics.

- Where is your Supervisor? -

Part of the trick in making fun found families is the will to condense the group down to about four or three characters. In most Shonen manga/ anime, the main character (eg, Naruto) is often supported by a lancer character (eg, Sasuke) and the heart (eg, Sakura) There is also the mentor/senior (eg, Kakashi) and it will always be these four. Other examples like Harry (Potter) and Co are good samples of the main trio with a mentor (Hagrid).

It's rare that we find trios with no mentor figure. Such is the case of another show I recently watched, < Lockwood and Co > based on the book series by [Jonathan Stroud] For a quick summary, Lockwood is set in London with one big exception. The city/ world at large is haunted by lethal ghosts (AKA The Problem) and only kids can sense them. Therefore, fight them.

The main cast consists of Anthony Lockwood, the cool and fearless badass gentleman who is strongest with Sight. George Karim, an all-rounder but a highly talented Researcher. Finally, our main character, Lucy Carlyle. An incredibly talented girl who's the most gifted with Hearing and Touch. Unlike the other agencies which are by the book and led by a Supervisor (an adult). Lockwood is purely independent but is unfortunately small and always in trouble with the law due to their incredibly dangerous methods.

Still, they are the best at what they do. Hunting ghosts while solving the bigger mystery behind The Problem. Despite their terrible coordination, the team has proven themselves to be better and far more personal with the cases they crack. Making it less like a job.

They are reminders that less is better. The cast plays the role of Hero, Lancer, and Heart very well and their chemistry is great and funny. Anthony and Lucy will sometimes bud heads, George will do his own thing making two of his partners incredibly proud and, you might see some tender/real moments between them.

Lockwood also removes the typical hero's journey of losing a mentor figure and instead makes the characters each other's mentors. The team relies on one other with their lives to survive every mission and navigate through life as a whole.

It felt more organic for them to grow together because there's a sense for when an adult shares a piece of advice (no matter how good it is) feels very smug and dull. The characters feel like actual teens because the setting for the agency sounds like something actual teens will do. Break the rules and do right for the fun or for some deep-rooted conspiracy that the world has yet to know.

- You Chose The Wrong Side! -

From the dysfunctional groups like the Six or the Guardians to the power of Three. There is one other interesting layer to the Found Family troupe. The Disbanded Found Family.

While most stories tell of how the team came to be, rare stories tell of how they split off and are no longer on speaking terms. For a while, The MCU's Avengers were at war with one another during < Captain America; Civil War > With Steve Rogers and Tony Stark budding heads harshly over the Sokovia Accords.

Seeing a well-rounded team break up is difficult for the characters and the audience because. For all the disagreements they had with one another, they've developed along the way to be close like a family. Seeing them split is like watching a divorce happening on screen and it's heartbreaking and sometimes a little bit awesome because you've got the best of the best competing to declare their superiority.

Perhaps one of the best examples I have seen is through < Kuroko No Baskue > where our main character; Tetsuya Kuroko entered High School and vowed to defeat/ beat some sense to his Former Junior High School Basketball Team with his newfound team; Seirin High

Kuroko's former team is famously known as The Generation of Miracles; an elite team of young talents that excel on the court, thus making them prodigies of their generation.

The Miracles consist of; Daiki Aomine (The Power Forward Beast), Shintarō Midorima (The Star Shooter), Atsushi Murasakibara (The Ultimate Center), Seijūrō Akashi (The Emperor's Eye) and Ryōta Kise (The Perfect Copycat) From the little we have seen, the team is passionate about the sport they play and they share a very brotherly relationship with one another.

As the series develops, we learn more about their personal relationships with Kuroko and with each other. We see the infighting between them and we learn about how their respective egos build. We learn about their vow during graduation and we get to see them reunited once again.

The series as a whole function in two ways. Kuroko develops new relationships with his new team and Kuroko confronts his old team to mend their relationship. It tackles the dysfunctional team setup at its lowest state and rekindles the flame for the respective parties to be healed. Also, it's really cool to see such a colorful cast together.

- I Didn't Pick The Damn Team! -

With that said, it's a wonder for why Found Families are a timeless troupe no matter the settings. But, like how Amanda Waller sets up Task Force X/ The Suicide Squad. Sometimes it's not by choice and it always starts out bumpy.

What I find fun in teams like the ones mentioned is that they share a common language in spite of their unique flavors. The teams are built on trust, a common goal, and the willingness to open up. For all the gimmicks, the core values stay the same.

We, the audience love a good Found Family because in an indirect way. We wanted a group like that. We longed to have a group that we can call family but, the reality of it all is. It's really up to how the characters interact with one another.

Every circle is different and no matter the status or the seasons. All are maintained by the will to reach out. It's something I hope to use for my own team in the process. To have [Them be there for you, Cause you're there for Them too]

Thanks for reading

- Caw4B -

I adore them

(really in my feels about the ot3 because of the @powerpolyculeshowdown so here's some propaganda)

parker and hardison allow eliot to be sillier. more ridiculous. outragous, even. eliot sings the stupid ditties hardison writes special for him, and he rolls his eyes at parkers pokes and prods and the occasional "accidental" face slap, and eliot can express himself for what actually bothers him no matter how nitpicky, versus having to calculate what he should say. (he still argues with hardison that throwing in on a brewpub was a stupid plan given its risk, no matter how many times hardison claims it was always a gift for him.) eliot laughs more. real laughs; you can tell because his smiles look more and more like grimaces: the way his ma perked her mouth which his dad always teased her about (though it was his favorite thing about her), rather than the wide toothy grins eliot learned because he knows, tactically, they are best for charming. parker and hardison let him not feel like he's a monster. or... parker tells him she always thought the big bad wolf had a bad rap, and hardison says some stupid shit about monsterfucking being the hip thing the kids are into these days, anyway.

hardison and eliot allow parker to feel deep. it's food that tastes like a hug and it's gadgets made just for her and it's loving and being loved and it's being one another's real families. she doessn't want to run away, anymore. or... she wants to run but with her friends beside her. or... running cons is all she's ever wanted to do, and all she did, for so long. parker is good at it. she loves it. she loves that hardison and eliot love it too. but... feeling deep is also being deep. she's no longer just her piles of money because she is no longer afraid of herself. her past. the memories that hurt. the habits she thought she needed to grow out of but always missed. these habits, like bleeping sounds that arent words and hands move move moving. hands that were once made to stay now can fly because hardison buys her fidgets and designs some just for her and keeps locks in lucille for when parker feels like infinity and needs the vibrations of ticktickticks to bring her back to herself. and eliot lets her braid and unbraid his hair; he won't let her blow dry it, not yet, but... he lets her pet his hair while it's still hot, now. it frizzes his hair a little, and parker feels her pulse rush throughout the day knowing she did that to him. eliot and hardison kiss her knuckles when they burn.

parker and eliot allow hardison to be mean. vindictive. he is nicer than he needs to be. wants to be... what he needs to be is nonthreatening, for the most part, in many places. he knows what it means to be him: tall and black and queer and gaining muscle and too smart for his own damn good and so very, very tenderhearted. hardison loves so damn deep, and he cares so damn much, but part of caring (the other side of a coin) is not giving a fuck. it's the boiling point of rage and betrayal. the i need to walk away from this fight because you are dead wrong and imma about to say something imma regret, so go fix yourself. the im not gonna forget, im not going to forgive, and im going to get my revenge. parker and eliot would not have questioned hardison's joy at securing the capture of the men that put him in that damn coffin; they hold space for him to be fully himself with all his ugly parts and his petty parts and the parts that do bring hardison shame if he thinks about it for too long. they know he's not perfect, and that? that feels like safety and love and forever to hardison.

I bet the first time Nana meets Eliot- she sees the God fearing, flag wearing 18 year old boy. (The one that Eliot looks for in the mirror and can't find.) Nana doesn't see a criminal. Doesn't see a man who has blood on his hands. She doesn't see a warrior bleeding and crying out for mercy. Just a over tired, stressed, broken 18 year old- trying to prove to the world he's worth fighting for. That there's hope in saving him. Nana doesn't question Eliot's roaming eyes. Roaming eyes that are either looking for danger or looking for exits. The older woman simply smiles and pulls him to the kitchen. Makes him sit down and puts a mug of coffee near his callous hands. Nana doesn't react when she hears screams, moans, and groans at night. Nor in the morning does she make a remark about walking by the room and seeing Hardison and Parker next to Eliot on the twin bed. (Eliot is in the middle.)

I bet when Nana first meets Parker, she doesn't question her habits at all. Some how (Hardison, obviously,) has Parker's favorite candy and cereal. Some times, Parker will sit right in front of Nana with a brush and a hair tie. Nana will gently brush her hair while she plays with whatever child is in front of her. She doesn't slap Parker's hands away when she grabs extra food. And she definitely ignores seeing Parker sneaking into the room Hardison and Eliot share. (Nana saw it when they walked in- Parker feels safe with them.) In the mornings and the windows are open- she looks out to see Parker and Alec on a bedsheet curled up to each other. She smiles. Nor does she comment on missing things after they leave. Especially since a few weeks later- those things return outta the blue. Nana has no qualms when Eliot shows up with both Parker and Hardison behind him- Parker sick and Hardison injured.

"Sorry, Nana," Eliot apologizes, looking meek at coming to her place, "I can't get them to list'n. Can't get 'em to rest." And together- Nana and Eliot get the two trouble makers on the couch. She might not question the reason why Eliot showed up with the two. However she does give Eliot a sparing look. She see's the ragged, tired look. It doesn't take a whole a lot of brain power to know that the two so called trouble makers- got Eliot into the dog pile. (He was suppose to follow her into the kitchen- he didn't. She knows Parker and Hardison grabbed his wrist.) (What can anyone say? She has eyes on the back of her head.) (Eliot allows to get pulled onto the couch with only mild, gruff, complaining.) When she goes back to the living room to check on her charges- she finds Eliot in squished in the middle- being used as a pillow. (He's knocked out too.)

Nana doesn't mind Parker teaching her kids how to pick locks. Or watching Eliot teach them self- defense. She doesn't question it when she see's little four year old Becca with pig-tails- standing by the counter helping Eliot with breakfast. Nana hums when she opens the door on a Saturday morning and see's Eliot, Parker, and Hardison (though Hardison begrudgingly-) with a tool box. After all she had left a message to Alec that her sink was leaky.

Instead, she makes coffee and pulls out Parker's favorite cereal. She asks if They are staying for lunch and even dinner. Makes causal remarks about one of her more difficult children- and watches as Parker and her baby Alec go and find the kid.

None of them comment about Parker recruiting half of kids that come from Nana's house. They keep it hush- hush when neighbors stop by for a cook out. Many of the neighbors ask about the trio- and Nana only replies with a smile.

"They're my kids." She says fondly- watching as Eliot grills as Parker is poking and prodding the chef. And Alec is simply smirking as he's showing Isak how to hack.

I bet Nana treats Eliot and Parker like her family. Because they are Alec's family.

Caspian and co were like "gosh this duel idea is great and all, but how the heck are we gonna get Miraz, whos army is like three times bigger, to agree to it??"

And the Pevensies were all like: "No yeah we'll just send this little shit right here, he can provoke anyone into doing anything, trust us"

While Edmund so-you-bravely-refuse-to-fight-a-swordsman-half-your-age Pevensie just raised an eyebrow, grinning.

Leverage 2x4 - "The Fairy Godparents Job"

the fuck netflix tag

Lockwood & Co fans 🤝 Shadow and Bone fans

Eliot Spencer, Parker, and Hardison- all skittish children/teenagers that Nate finds on the street.

Nate finding them in an alley in Boston. Eliot protecting Parker and Hardison- the meanest glare on his face. Snarling at Nate and using his body to shield them from this strange man. All three of the children look haggard and starving- Parker and Hardison holding onto each other with one hand- while the other is gripping Eliot's dirty torn shirt. Eliot whose blue eyes are hard as a stone- challenging Nate to come closer.

Nate, who has no qualms about three dirty, grimy, and... is that blood? Children in an alleyway. With placated hands in the air- looking directly at Eliot. Honesty on his face- "Come home with me."

They don't. Nate leaves.

The next day- Nate comes back. Asks the same thing. Same response. He leaves after leaving a bag of food behind.

Their wild animals and to get them to trust him- he needs to be gentle. So he continues to do this every time he passes the alley.

Something changes, when one day the girl- Parker- comes to the opening. She's gnawing on her bottom lip fear in her eyes.

"Please!" She begs, "Their hurt!"

Then she it's like a waterfall of words. Parker is explaining how Hardison tried to get food- but was caught and Eli fought the shopkeeper off- but had gotten shot and it's infected and Hardison tried to go for the gun and- and- and...

Nate follows Parker to the end of the alleyway and Eliot looks sick. Hardison isn't looking any better. Parker is crying. She's begging Nate to help.

He does. He convinces the EMT's that they are his adopted kids that ran away for three days. Somehow they don't question him. They take Hardison and Eliot in. Nate tells the doctors to keep them in the same room. He knows how protective Eliot is.

Somehow- they survive.

...Okay. That's all I got. 🙃