Reblog If You Think It’s Okay To Platonically Say “I Love You” To Your Friends

Christmas sucks, because the Camaro is cold.

Billy watches his breath form little clouds. That's the only reason. He's got everything he needs right here. A blanket, a book and a bottle of his best friend Jack. Maybe he'd like a cookie, it's the holidays after all, but he's got to stay in shape anyway and can't give Neil a reason to push him around some more.

There's a knock on his window. It's a tall man with a beard and glasses, wearing an ushanka.

"I know what you're doing, boy."

"What the fuck, dude?" Billy frowns. Christmas sucks, because the wrong people won't leave him alone. There's a little kid inside him that's scared. Scared of strangers, scared of men that are even taller than his dad.

"You're plotting something. I know, I know, they build that fancy ass Starcourt mall, the peak of capitalism and you'd just like to take it down, right?"

Billy blinks. Wonders if he's half asleep already, caught in some weird fever dream. "What?"

The guy laughs. "Sorry, that was just a test."

"A test," Billy echoes. Are there any normal people living in Indiana? "For what?"

"To see if you're safe to talk to," the man says if Billy is the biggest idiot missing the most obvious thing in the world.

It doesn't make any sense to him. Billy hasn't ever been safe, how would he know what that means? And why would a stranger care? He's probably crazy, the kid inside him whispers. He's bigger than Neil and crazy.

"You know, your car is really nice and all. But it's Christmas and you've been here for four days and..."

"Have you been watching me?" Billy sits up, clinging onto the little bit of rage lighting up inside him. It's warming him a little.

"The usual observation of unusual occurrences in the area my friends live in." The man shrugs. "I've got a warehouse in Sesser. It's warm."

"A what?" His rages gets overwritten by more confusion.

"There will be pirozhki." The man seems to think a moment. "You can invite Steve! You like Steve, right?"

The man has been watching him. Steve met him here two days ago. Did he seem them? God, Billy is such an idiot. Meeting at the quarry, thinking no one would see. Billy is so dead.

"It's fine," the man says. "You like Steve, I like Alexei."

"Who's that?" Billy asks. His head is dizzy, like he already drank that bottle of whiskey.

"My..." The guy pauses. "My Steve, I guess."

Oh. He never met anyone who was... like that. Like him. It's a comforting thought. Like a blanket. Billy probably shouldn't go to stranger's warehouses, but Christmas sucks - because the Camaro is cold and he'd really like not to be alone.

"I'll talk to Steve first," Billy says. He doesn't want to end up murdered in some place called Sesser.

The man nods. "It's good not to trust easy."

Billy snorts. Yeah, tell him about that. He wonders if he's about to spend Christmas with a crazy guy and his partner. And whatever pirozhki are.

"I don't even know your name."

"Murray."

Murray stretches out his hand.

"Billy."

Billy takes it.

‘… and mostly researching ways to become immortal,’ Tom hears himself blabbing. He’s absolutely rat-arsed; evidently he’d underestimated Slughorn’s dedication to hedonism. The booze is strong.

‘Why the fuck would you want that?’ Harry mumbles, shoving Tom further into the musty dark of a cramped broom cupboard. Tom doesn’t know how they got here. ‘Not dying? Walking ‘round … but you’re just a fuck pile of zombie bones?’

‘Obviously,’ it takes a few tries for Tom to properly pronounce that word, ‘I’ll have to be healthily immortal. I just don’t know how.’

‘But you’ve already made your first Horcrux. No point denying, Tom, I know you have.’

Tom squints at Harry. In the low light, he can just make out the softened outline of his cheeks; his lips.

Tom forgets what he’s supposed to interrogate Harry about.

‘Dying is bad,’ he settles lamely. ‘Dying is – you’re everything, and then you’re nothing.’

Harry doesn’t speak for a while, he just looks at Tom, his breath ghosting Tom’s skin.

‘Boom – then nothing,’ Tom stresses. He wants Harry to understand.

‘Okay,’ Harry whispers, like he’s letting Tom in on a grand secret, ‘but sometimes you come back because somebody needs you so much.’

Tom shakes his head. ‘No one’s come back for me,’ he says, too drunk not to wallow in self-pity.

And Harry – to his intense dismay – pulls him into a tight hug, fingers digging into his back.

‘No,’ Tom complains, ‘not this.’

Secretly he thinks it’s not all that bad. Harry’s warm, lithe body a comfortable weight against his own. Harry’s hair, soft and springy and tickling his neck. Harry’s clean, masculine scent; of his body soap and the leather gear he wears to Quidditch practice …

‘You’re wrong,’ Harry says softly, his voice sounding muffled against Tom’s pullover. ‘I did.’

15052024 | @microficmay | nothing & everything

If the garden it all ends with isn’t the garden of Crowley's and Aziraphale's cottage, I'll combust into flames.

Doodles || TMR /LV🐍

It's time...we're edging the sleep

Link to the full pdf document HERE (includes links)

What This Is:

A collaborative, grassroots initiative for fans of Markiplier and The Edge of Sleep to promote the newly released TV show on Amazon Prime Video to raise awareness and generate attention that will drive supporters and casual viewers alike to watch the show.

Why This Exists:

Fans of the hit podcast and followers of Markiplier (Mark Fischbach) have been anticipating the TV adaptation for years since it was announced in 2021 and have been waiting to watch the show since then. However, after radio silence since nearly after filming completed, the long-awaited show is now being dropped on Amazon Prime early—before any official promotion starts.

Many fans disagree with the confusing treatment of an adaptation they have been wanting to watch for years, the haphazard amount of pre-release promotion for the show, and the increasingly high benchmarks of instant success placed on creative material, regardless of origin, that challenges the ability of new ideas and stories to thrive and grow.

This collection of suggested guiding materials is intended to serve as a starting point for fans and advocates in taking matters into our own hands and promoting the show we want to succeed, to open doors for future creative projects for all sorts of innovators, and to bring attention to the current challenging creative environment that stifles new projects before they have a chance to shine.

CRITICAL TAKEAWAY (if you read nothing else):

Stream The Edge of Sleep on Amazon Prime Video if you can and TALK ABOUT THE SHOW. Talk about it and anything else covered in this guide as much as you can, because every bit of chatter matters in allowing this project to succeed.

(More info on steps you can take to help under the page break, or check out the full doc linked above for everything!)

Most Important Steps To Take:

Stream The Edge of Sleep on Amazon Prime Video, as well as add it to your watchlist and like the show on the platform to enhance performance metrics.

The full pdf document has information later on detailing how to access Amazon Prime Video as well as information on low-cost pricing and deals for gaining access to Prime Video, and how to use “Watch Party” mode to stream with others.

You can “like” the show even if you don’t have Prime Video and just have a basic Amazon account! Even small metrics like this impact both the front and backend impressions viewed by corporate employees.

Use the hashtags #TheEdgeofSleep and #TheEdgeofSleeponPrime on social media sites where hashtags are applicable in sharing material about the show. Share or make anything you can—memes, art, discussions of the story, pictures, edits, or even just posts saying you’re watching the show. Truly, it all matters and helps!

It’s important to use both tags or at the very least, the second one indicating the streaming platform. It identifies WHAT the show is and WHERE to find it, which is helpful information for those stumbling across The Edge of Sleep for the first time. Additionally, using the name of the platform frequently attracts attention for Prime Video, which can reflect back positively on the show in the eyes of the company if The Edge of Sleep is the source of the discussion.

Although it can be laborious to type out “The Edge of Sleep” every time and thus impulse says to abbreviate in both discussion and hashtags to “TEOS/teos,” this can hinder effectiveness as it is not a recognizable acronym to non-fans and might impact the potential of the full “The Edge of Sleep” title to trend on any social platform.

Share the show with anyone and everyone you think would like it, offline and in person. A personal recommendation will always be more impactful than any ad—everyone is an “influencer” to someone! Also, be sure to rate the show or add it to your watchlist anywhere you can—including on Amazon Prime Video itself through the like function on the show page, as well as on third-party sites like IMDB or TV Guide.

Not sure how to recommend the show to someone? The brief synopsis, “fast facts,” and “pitch” suggestions in the HELPFUL REFERENCE section of the full pdf document might help, along with thoughts of enthusiasm for the show, original podcast, or any of Mark’s other projects mixed in!

Sites like IMDB allow you to rate shows and films for free, even if you haven’t gotten the chance to watch them yet.

Most Important Thing To Remember:

JUST HAVE FUN!!! This is about promoting the show we’ve waited for and want to succeed, opening the door for more projects we want to see, but also just about getting together as a community and making cool stuff!

Again, you can find all this info and more resources in the full Strategy doc linked here. Go forth and sleedge △

3 components of worldbuilding:

1. The author’s kinks

2. The author’s power fantasy

3. The author’s political agenda

Plot and logic optional

Greg Sage was born on October 21, 1951 in Portland, Oregon. He is an American guitarist, vocalist, and songwriter who is best known for being the primary songwriter of the Portland-based seminal punk rock group, Wipers.

Greg Sage’s fascination with recording began at a young age. In the 7th grade, Sage acquired a professional disc-cutting lathe with which he would cut records for himself and his schoolmates. This early experience not only sparked his interest in music but also laid the foundation for his innovative approach to recording and producing music.

Sage founded Wipers in Portland in 1977. Sage’s dark, reflective lyrics and his unorthodox arrangements quickly gained Wipers a cult following; likewise, their music has since had a profound influence over many forthcoming artists over the the almost five decades since their inception. Some have defined Sage’s musical approach as “substance-over-style” as well as “intricate”, “honest”, and so it goes.

Beyond his work with the Wipers, Sage has also pursued a solo career, releasing records such as Straight Ahead (1985), and Sacrifice (For Love) (1991). He operates his own label, Zeno Records, out of Phoenix, Arizona where he currently resides. Sage continues to influence new generations of musicians with his innovative approach to production and songwriting.

Klimt + The Addams Family