R. - They/Them - Queer SF/F/Romance writer - Carrd with social media links.Avid fan of anything gay. This is my writing journal.
229 posts
characters dynamic that's like "they weren't in a relationship but they're definitely exes now"
villains who could have been protagonists in different circumstances? I live for that shit
rereading my own writing is just a constant fluctuation between "damn, girl, you wrote this? (affectionate)" and "damn, girl, you wrote this? (derogatory)"
oh you're touch starved? here eat up *fucking punches you*
My favorite ship dynamic is "they're both extremely stupid in completely different ways and extremely smart in completely different ways, but rarely is any of that useful because they just get extra double stupid when together"
LOVE character regression. love when characters get hurt and revert to their old ways as a way to deflect, cope, and recuperate. love when they get scared to make a difficult decision. love when it takes time and effort. it's going to be worth so much more when they get better.
you know what doesn’t get talked about enough in writing circles
completed story grief
That feeling you are left with when you have finished a long project - whether it is long because it contains a lot of words, or long because it took you a long time to write, or long because it took you a long time to start writing it - when you’re happy because you finished it but empty because it is finished. You took out all of the words that were inside of you, at least all of the ones that pertain to that story, and the relief that follows such an action can be devastatingly exhausting.
On top of just the empty feeling, there follows that bittersweet sense of understanding that this thing which has for so long been your companion is no longer just your companion, and that you have in some ways severed the ties with it, because you will not be writing it anymore. You might write other stories related to it. You might write stories in the same world. Or stories with the same characters. But THAT story is finished. That story has been taken out of you and put where it can be a part of everyone that reads it. That is unimaginably happy and sad at the same time.
So I just want to say, I guess, be nice to yourself after you finish a story. Yes it’s happy, yes it feels good. But if you also feel a little like you’ve just lost something, give yourself some time to process that, because in a way you did. It’s a happy loss, the sort of loss wildlife rescuers feel when an animal they saved is able to go back and be wild again. It’s a good, happy thing, but it’s also okay to take a little time to be sad and take care of yourself.
I will confess here that I do have a favorite ship dynamic its that one reddit aita comment that goes "esh. Youre clearly just enabling each Others mental illnesses and are both fucked up and are perfect for each Other. Just Please Never involve anyone else in what youve got going on, Please."
i LOVE the idea of "i can't win, but you can lose" in fictional confrontations it is SO fucking tasty. the human nature to self destruct and the human nature to survive by any means necessary combined at its finest.
If your plot feels flat, STUDY it! Your story might be lacking...
Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?
Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?
Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?
Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?
Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?
writing is about "what ifs". for example, what if i closed the word document and played sims 4 for five hours instead