1. The Character Of Demian

Let’s talk about the end of Canto IV and the identity of Dante

Let’s Talk About The End Of Canto IV And The Identity Of Dante

Summary :

-Introduction 1.New perspective on the character of Demian 2. Dante and Saint Exupéry 3.Sinclair and the snake: symbol of his incoming death 4. The stars = people 5. Make connections, find friends 6. But in the end what about the sheep?

At the end of canto IV (which was extraordinary) we were treated to a very interesting little “post credits” scene: Dante and Demian talking together and the latter saying a very interesting sentence:

Let’s Talk About The End Of Canto IV And The Identity Of Dante

« Just draw me a sheep later »

This sentence just awakened flashbacks of my high school years because this sentence is of course a reference to one of the most famous sentences of Saint-Exupery's Little Prince. In the “Little Prince”, the character of the same name asks the author, who is also the narrator and a character in the book, to draw him a sheep to protect his rose.

But what does this mean for Dante? It is still too early to come to a conclusion, but we can still look at several elements that this new information could highlight.

1. The character of Demian

Although Demian is, of course, inspired by the character of Demian from the book “Demian” by Herman Hesse, it could be possible that he is also inspired by the character of the Little Prince.

Why?

First, the sentence quoted above is a sentence resembling one that is spoken by the Little Prince in the book, as I said at the beginning. However, this is not the only resemblance between Demian and the Little Prince.

Just in terms of appearance we can see a similarity: the scarf that Demian wears around his neck could be a reference to the Little Prince's scarf which is often represented as floating, like Demian's.

Let’s Talk About The End Of Canto IV And The Identity Of Dante
Let’s Talk About The End Of Canto IV And The Identity Of Dante

Demian is also related to a character who is related to a snake. I am of course talking about the character of Emil Sinclair where we can see a snake behind him in his image.

Let’s Talk About The End Of Canto IV And The Identity Of Dante

Although the snake is mostly a reference to the original sin in Hesse's work, I can't help but think that this snake could also be a reference to the snake of “The Little Prince”.

2.Dante and Saint Exupery

But then if Demian is like the Little Prince and he asks Dante to draw him a sheep, would Dante be inspired by Saint-Exupery? Since it is him who draws a sheep to the Little Prince. Maybe…

It is interesting to note that the interactions between Demian and Dante are very similar to that of the Little Prince and Saint-Exupery:

Demian says cryptic things and responds in the same way to Dante's questions, who remain perplexed in front of him. Sometimes Demian ignores or does not even answer Dante's questions. It's very similar to the many scenes between the author and his blonde-haired friend, one asks many questions while the other responds in a "strange" way or ignores them altogether.

What is interesting is that Saint Exupery is the author and a character of his book which makes him a unique case. Plus it should remind you of someone: Dante from “The Divine Comedy”. Where the other 12 sinners are either inspired by a character or the author of their respective works, they are never inspired by someone who is both. Only Dante find themself in this case.

Another element supports this theory linking “The Little Prince” to Dante: the sentence they said to Sinclair when the latter was about to join Kromer:

Let’s Talk About The End Of Canto IV And The Identity Of Dante

Let’s Talk About The End Of Canto IV And The Identity Of Dante

These sentences are, I’m sure, a reference to a famous quote of another very important character in “The Little Prince”: the Fox

« Here is my secret. It is very simple: we only see well with the heart. What is essential is invisible to the eye. »

The fox explains that the true perception and understanding of things is not done through the eyes, but with the heart. He emphasizes that the very essence of things, their true value and beauty, can only be perceived by having an inner vision, an emotional connection.

But then, Dante would be the Fox?

As you can see I am more of the opinion that Dante are inspired by the author and not by the Fox but then why do they pronounce words belonging to the Fox. Well I think Dante said the fox’s words because they remembered them unconsciously because it was a moral that touched the narrator in “The Little Prince” and could have touched them in the same way. The Fox could belong to Dante’s past.

This would be why, I think, Demian repeats these words before intervening against Kromer, he recognised them.

3.Sinclair and the snake? A symbol of his incoming death?

A brief parenthesis on Sinclair. Demian says a very enigmatic sentence to Dante regarding Sinclair:

“When he becomes one with beautiful stars…”

Although I think this phrase refers to the fact that when Sinclair will able to see entirely with his heart and not his eyes, then he will "be one with the stars" I also have another interpretation.

This turn of phrase strongly reminds me of a passage from the book (WARNING! SPOILERS REGARDING THE END OF THE LITTLE PRINCE):

At the end of the book the little prince dies from the bite of the snake, thus leaving his body and now able to join B612 — his star. At that moment, the little prince joined the stars and "became" his star. In the book it is mentioned that when a person dies they become a star in the sky. This suggests an idea of ​​continuity and eternal presence beyond earthly life.

This supports the idea that the stars represent each existing individual but also that the stars symbolize the immortality of the soul.

So Sinclair should become a star and one with all the others by dying? Does this sentence announce his death?

Small additional detail: Sinclair strangely resembles the Little Prince from the little we know about him. The only physical detail we have of the Little Prince is that he looks like a child and has wheat-blonde hair.

Let’s Talk About The End Of Canto IV And The Identity Of Dante

So yes, blond hair is not the ultimate proof that Sinclair would also be linked to “The Little Prince” because it is not difficult to meet this criterion, as a proof Don Quixote could also very well correspond. But taking into account that Sinclair is already linked with Demian and has an element that distinguishes him from other sinners: the mark of Cain + these mysterious similarities between him and “The Little Prince”, it was worth mentioning.

Additionally, Sinclair is associated with the color green; the color that is often associated with the Little Prince because of his clothes. And the color green used for Sinclair is named: immature green, although this could be a reference to Sinclair's egg, hatching, self-development theme associated with Demian, why not considering that "immature" is a reference to the character of the Little Prince who can be seen as immature because he does not sound like an adult and behaves like a child even in the face of serious situations. I think it's worth looking into.

Also I thinh that this "theory" could also highlight a moment of Hell Chicken: I'm talking about when Sinclair's team (Faust and Outis in particular) comment on Sinclair's height and the various reasons why Sinclair isn't likely to grow taller than that. This comment about Sinclair's height implying that Sinclair remains small even for his age could be a clue to his connection to the Little Prince by making him look like "a child"

4. The stars

I would now like to address the theme of the stars, which is a very important element in the book as in Limbus Company, as Canto IV was able to confirm.

For the Little Prince, the stars are more than just bright spots in the sky. They symbolize the infinite and the inaccessible, awakening in him a feeling of wonder and escape. They offer him a sense of connection with something greater than himself, transporting him beyond.

If we want to connect the phrase "seeing with the heart rather than the eyes" and the stars, we can mention this passage:

The Little Prince observes the stars and says: "All these stars are mine. To me alone. They make me laugh every time I think about them."

It shows how the Little Prince finds meaning and a deep connection with the stars by seeing them with his heart, which allows him to feel joy and wonder. Strangely this is exactly what we saw in Canto IV, and at the same time its exact opposite.

When we were talking about the tale and the "tearful star" singularity, we could see that the stars were also seen as a symbol of hope and joy in the Limbus’ world as is the case for the Little Prince. However, K corp's singularity does the exact opposite of what the stars are for in The Little Prince: it cries in their place. Where the stars of “The Little Prince” are associated with joy, here it is associated with sadness. But is this really the case?

In truth, this star could also be seen as a mean to bring joy or at least to prevent people from feeling sadness by crying for them. This star would therefore be similar to the stars of the Little Prince in this sense.

However in "The Little Prince", the stars can also be interpreted as representing people in a metaphorical way. The Little Prince encounters various stars throughout his journey, and each of them is home to a unique person. It can be seen as a representation of the individuals he meets in his life. By focusing on the stars, Saint-Exupéry emphasizes the importance of human diversity and individuality. Each star and each person has an intrinsic value and contributes to the richness of the universe. The Little Prince himself learns to appreciate the uniqueness of each star, just as he learns to understand and love the different people he meets. This is something Dante are doing: they are learning to know the different sinners (and people) and to appreciate their uniqueness.

Each star, although distant and distinct, has a certain importance and its own identity. In the same way, each person we meet in our own existence is unique, with their own experiences, emotions and perspectives. Which is, I think, a very underlined subject in Limbus Company and that’s not all:

“I wonder,” he said, “if the stars are lit so that everyone can one day find their own.”

For Saint-Exupéry, the object of the quest, the star, is closely linked to the personality and experience of each of us.

“People have stars that are not the same.”

Guides, little lights, problems, precious metal… depending on whether you are a pilot, spectator, scientist or businessman. But for a star to become ours, for the Truth to make mystery beautiful as the invisible rose makes the star beautiful, it must become the seat of our most personal desire, the receptacle of our hopes and of our memories.

To inhabit our star with a meaning that is unique to us, to make it different and to be able to evoke it in the darkest night, it is essential to seek to know oneself with determination, like the Little Prince who "does not never gave up on a question once he had asked it.”

Knowing how to take the time to explore, to step aside “Straight ahead, you can’t go very far.” to be able to assess yourself.

This work on oneself to populate a star with one's hopes is not done without pain. It can bring more disappointment than pride and lead us, like the Little Prince, to cry over the banality of our character:

“I thought I was rich in a unique flower, and I only have an ordinary rose (...) it doesn’t make me a very great prince. And lying in the grass, he cried. That’s when the fox appeared.”

I find this process of acceptance and self-discovery reminiscent of Limbus Company's notion of E.G.O and Fathom of the E.G.O where each sinner learns to make peace with a part of themselves and break the cycle. He doesn't have to reject a part of himself or keep only the "good" in him. He learns to accept it and live with it to make it a source of light for his star, even if it sometimes has to go through a difficult acceptance of a truth or trying trials.

5. Make connections, find friends

I wonder if the notion of « taming » will be mentioned in Limbus Company?

The word « taming » does not have the same meaning as what we might give it on a daily basis. When the fox explains to the Little Prince what « taming » means, he says to him:

"It's something too forgotten, says the fox. It means creating links..."

Taming represents a process where one establishes a deep emotional connection with someone or something, and it is through this heart connection that one can truly see and understand.

The fox explains to the Little Prince the importance of taming, which involves investing time, attention and affection in creating deep and meaningful bonds with others.

The fox also emphasizes the responsibility that comes with taming by saying,

"You become responsible forever for what you have tamed."

The fox explains to the little prince that when you tame someone or something, you become responsible for this relationship. It emphasizes the importance of caring for those you love and cultivating lasting bonds.

Furthermore in "The Little Prince", the themes of loneliness and friendship take center stage.

The Little Prince often feels lonely during his interplanetary travels, as he is the only one of his kind and finds himself far from his planet and his beloved rose. However, as he encounters various characters, he discovers friendship and the power of human connection.

It is in particular thanks to his friendship with the fox that he understands the importance of emotional ties and the need to bond with others.

The book thus explores loneliness as a universal experience, while emphasizing the vital importance of friendship and human relationships in filling this feeling of emptiness. It reminds us that deep and sincere connections with others are essential for our growth and our understanding of the world around us.

So I may be a blind optimist but I feel like this idea fits well with Dante and the bus members:

Even if it's complicated and there's still a long way to go, each member of the bus are becoming close and are developping a bond that could be seen as a form of friendship. And after all as the fox said; it takes time, affection and attention to create this special bond. Every day Dante can sit a little closer to each Sinners respecting their rhythm as the little prince did for the fox.

However, this would mean that Dante could start to feel a sense of responsibility that accompanies the birth of this bond.

In fact, Dante already feels this responsibility but they associate it with their role as a manager who must guide their employees. However I think that Dante could soon see this feeling of responsibility as a feeling that accompanies what they have "tamed" and thus realize that it is not because they are a manager that they feel the need to take care of the Sinners but indeed because a lasting bond is borned between them.

6. But in the end, what about the sheep?

The sheep represents desire / expectations and creativity.

The metaphor of drawing according to Saint-Exupery tells us that, forced to live in a world of realism, we fail to guess and describe this Truth that attracts us: his attempts to realistically draw a sheep fail to satisfy the Little Prince’s desire.

The Little Prince does not only want a sheep, he wants a sheep capable of protecting his rose by eating the trees. Under the surface of this drawing hides the object of the Little Prince’s desire and therefore of our existence as he says in Chapter IV, strange when we know that Demian also asks us for a sheep in Canto IV

“When you want a sheep, it’s proof that you exist”

Would Demian then ask Dante to give him a solution to his problem of realizing his desire? Is this “Truth” linked to the quest of Dante regarding their memories, an attempt to regain the Truth and in a sense gaining back their existence?

The sheep could also be linked to the sacrificial lamb in the Bible, I don’t really know where this information could take us but since the sacred texts are at the core of Project moon’s works it’s always good to mention. Furthermore, the other common point between the Bible and “The Little Prince” is the fact that The Bible is the most translated book in the world but “The Little Prince” is the second one.

More Posts from Calitsnow and Others

3 years ago

Quieter time

Quieter Time

I am finally back after all the stress of the end of the year and the exams passed I took a little break. But here I am, ready to share many drawings with you in the following weeks.

So let's begin with an art of a young lilith :3, I miss her


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9 months ago
[Princess…
[Princess…

[Princess…

My valiant daughter…

You, yourself, must become the knight.]

I started this drawing when Aya was first compared to Bram's daughter in the manga but I never found the time to finish it, but the last chapter was like a sign that I had to .... I also put the draft because I like it a lot and I prefer the expression I gave Aya on this last one


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6 months ago

Let's talk about why Hong Lu’s left eye (his jade) is getting dimmer and what are the powers and characteristics of Jia Baoyu's jade in Dream of the Red Chamber.

Let's Talk About Why Hong Lu’s Left Eye (his Jade) Is Getting Dimmer And What Are The Powers And Characteristics

Today, I would like to discuss Dante’s mysterious phrase about Hong Lu, taking the opportunity to explore the jade of Jia Baoyu in more detail, especially its powers and the influence it exerts over Jia Baoyu. Here is the structure of the discussion:

Does the light of Hong Lu symbolize his break from his false reality?

Does the light of Hong Lu symbolize the end of his journey and his will to "live"?

The appearance of Jia Baoyu's jade and its powers + their loss and how they are regained

Its connection with Jia Baoyu

Brief conclusion

Does the light of Hong Lu symbolize his break from his false reality?

In Canto VII, a phrase from Dante naturally captured the attention of all Hong Lu theorists. Dante observes the following thing about Hong Lu’s eye:

"I noticed that the light in Hong Lu's left eye was growing dimmer, like light fading away as it sinks into the depths of the dark waters…"

But what does this mean? To answer that, we must first determine what this light signifies before interpreting its disappearance. For that, we need to consider the dialogue preceding Dante’s remark—the words of Hong Lu himself when he speaks about the sparkling in Don Quixote’s eyes:

"Isn't Don Quixote the most lucid one out of all of us?" "Her eyes, Dante. Always twinkling like two bright stars. They're so fascinating."

To Hong Lu, the glow in the eyes seems to be linked to clarity of mind and awareness. To him, Don Quixote is the most lucid of all because her eyes twinkle like two bright stars. Yet we know this is inaccurate, as Don Quixote is immersed in the illusion she created by erasing her memory at this point. So, it’s reasonable to suspect that Hong Lu's interpretation might be flawed.

This is also consistent with what we know about Hong Lu. Despite his frequent insightful observations and quick understanding of reality, his judgment can sometimes be clouded by his upbringing. After all, one of the first things we learn about him is that his view of the world and his interpretations can be distorted by his sheltered life.

Are we, therefore, dealing with a case where Hong Lu’s upbringing prevents him from perceiving the truth?

Don Quixote’s reality is an illusion, much like Hong Lu’s appears to be. But because he sees his form of reality reflected in Don Quixote’s, he can only conclude that Don Quixote’s twinkling eyes are an expression of clarity when it might actually be the opposite. This could foreshadow Hong Lu’s arc of breaking away from his past, family, and conditioning, realizing that what he associates with reality might be a lie, simply because he didn’t know any better.

After all, Dulcinea connects the term "naive" with Don Quixote’s twinkling eyes, (and "naive" is the adjective used for Hong Lu):

"I almost prefer that naive look from earlier. I still hated your eyes, twinkling or not, but…"

To clarify what “naive” implies, I like relying on The Walking Dead 4’s definition: Naive means you think a certain way because you don’t know the way it really is.

I find this perfectly matches how naivety is understood in the world of Limbus Company, even if we cannot be certain of that. But if we accept that this definition applies to “naive” in Project moon’s world, then being naive implies both innocence—almost childlike—and living in a lie or denial of reality.

Additionally, the emphasis on the sparkles might support the theory of the moonstone, or that Hong Lu is connected to the abnormality Yang, as it involves disregarding reality (to avoid mental breakdown). But we are not here to talk about that.

Thus, if Hong Lu is mistaken, and the twinkling represents disillusionment and denial of reality, then the more Hong Lu's eye sparkles, the more he’s immersed in illusion, a false sense of truth.

So, the first reason Hong Lu’s eye is dimming could be that he’s beginning to realize his reality wasn’t true, symbolizing the start of his awakening. After all, even Vergilius reacted with « … » to Hong Lu’s remark so it could mean that he knows that Hong Lu is in the wrong.

So, if the glow represents the jade influences on Hong Lu’s mental state and perception of reality, then the dimming of his jade’s light might signify that he’s starting to break free from this mental crutch. However this is not what I believe in…

Does the light of Hong Lu symbolize the end of his journey and his will to "live"?

What bothers me is that Dante describes the dimming of Hong Lu’s eye light in a rather pessimistic, almost fatalistic way, as though Hong Lu is fading along with his jade's light, loosing himself:

"I noticed that the light in Hong Lu's left eye was growing dimmer, like light fading away as it sinks into the depths of the dark waters…"

So, if this dimming light is a symbol of breaking free from an illusion why does Dante describe this so negatively with an emphasis on the idea of loosing Hong Lu? Maybe because, it is indeed a bad omen.

According to what Dulcinea says, Don Quixote's eyes were empty of light before when she was Sancho, this absence of twinkling at the time seems to be linked to the fact that Don Quixote/Sancho does not really believe in life and has already suffered too much from the latter. Dad Quixote then offers her a new life and hopes to bring those stars into her eyes by giving her a new family and then inviting her to participate in her adventures with him.

If we follow this analysis, then the light in Hong Lu’s eye equals his will to live and optimism about the future. So if this light is fading, does that mean Hong Lu is beginning to lose the will to live?

Well, yes, I think so... but in a very specific way.

Hear me out, Hong Lu’s eye is dimming because he’s aware his journey is nearing its end, that 7 of the 12 sinners have already regained their golden boughs, and that he may be the next:

Hong Lu’s day is ending, and it is reflected in his eye. I would even go so far as to say Hong Lu, in some way (without being aware of it), equates his return home with the end of his life (this life of new experiences and in the City, and this life with freedom).

So, this take is much more of a speculation than the last one, but if we stick with the idea that twinkling = will to live (forward) then Hong Lu started his journey in a new world with a bright eye with expectations and a desire to live new experiences, but he knows that one day he will have to return home, he knows that his journey will end one day and therefore it is normal that the closer Hong Lu gets to his golden bough moment the more the light of his eye fades, since this will be the end of his "new experiences".

Which could also echo Hong Lu's suicidal tendencies.

But then, why does Hong Lu’s eye produce sparks during Bloodfiend Hunter, Liu Story, and Yurodivy Story?

And it is now, that I would like to propose something. What if we separated the glow of Hong Lu’s eye and the sparks it produces: What if these two manifestations relate to different things? If Hong Lu’s glow reflects his mental state, then perhaps the sparks represent an effect of his jade’s power.

This leads me to discuss Jia Baoyu’s jade, both to support this analysis and to share information about the stone and its powers for those who might not have time to read the novel.

The appearance of Jia Baoyu's jade and its powers + their loss and how they are regained

In Chapter 8, Jia Baoyu’s jade is described as follows:

The size of a sparrow egg (about 22.5 mm)

Shining like a bright coppery cloud

Smooth and lustrous like marbled cream.

On the jade’s face is inscribed:

"Precious Gem of Spiritual Perception (also called Precious Jade of Spiritual Understanding). If thou wilt lose me not and never forget me, Eternal life and constant luck will be with thee!"

This means the stone is a talisman of protection and happiness. If Baoyu (or whoever holds it) keeps it close and never forgets it, they will be blessed with a long, prosperous life.

The reverse side reads:

"To exorcize evil spirits and the accessory visitations; to cure predestined sickness; to prognosticate weal and woe."

This inscription highlights the jade’s protective power: it can ward off evil, cure illness, and predict fortune or disaster. It is both a magical and prophetic object.

This ability is confirmed again in chapter 25 when a Taoist priest says:

“In your family, you have readily at hand a precious thing, the like of which is rare to find in the world. It possesses the virtue of alleviating the ailment, so why need you inquire about remedies?”

It is then revealed that it appears that the jade has lost some of its powers due to the dissipated life Baoyu has led; it has been polluted by music, lust, the pursuit of wealth, and other worldly distractions.

The monk then fix the jade and recites a poem reflecting the spiritual journey of the jade, as well as Baoyu's. In it, we are told:

The jade was once bound neither by heaven nor earth, existing in a state of spiritual purity undisturbed by human emotions (joy or sorrow).

However, upon entering the human world, it was exposed to disturbances. The jade is now tarnished by material elements ("the traces of powder and rouge stains"), symbolizing the carnal pleasures and temptations to which Baoyu has succumbed.

Finally, the monk predicts that, although the jade is currently trapped ("caged like a duck"), it will awaken from its "slumber," and once it fulfills its destiny, it will be freed.

[Little paranthesis]

I find the sentence used by the mond really interesting : "House bars both day and night encage thee like a duck" because it is really fitting for (yes Jia Baoyu but also) Hong's Lu's situation, especially with the use of the word "house".

[End of the little paranthesis]

Its connection with Jia Baoyu

The jade and Baoyu are interconnected and can be seen as one and the same, with each influencing the other. For instance, Baoyu's mood and emotions affect the appearance of the jade (its brightness), and the presence of the jade impacts Jia Baoyu's mental state (its absence renders him completely witless/foolish).

At one point in the novel, Jia Baoyu's jade shines particularly brightly when he believes he will marry Lin Daiyu (when he will actually marry Xue Baochai). This strong light seems to be triggered by Jia Baoyu aligning with his spiritual destiny.

All of this to say that even in the novel the glow of Jia Baoyu’s jade can mean several things at the time.

Brief conclusion

Returning to Hong Lu, I wonder if Project Moon has separated the manifestation of the jade's powers from the expression of its alignment with Hong Lu’s mental state: therefore, when there are small sparks, it indicates that his jade’s powers are manifesting, while the varying intensity of light would reflect a part of his mental state.

It would suggest that Hong Lu, as an individual, is gradually disappearing, maybe renouncing to his will, becoming a puppet entirely under his family's control. Indeed, when Jia Baoyu loses his jade and becomes completely foolish, his behavior shows that he is controllable and malleable; he is so witless that he cannot act independently and only repeats what he is told.

However, I can’t complete this analysis without mentioning that Jia Baoyu’s jade also loses its shine due to worldly influences, like music, lust, the pursuit of wealth, and other earthly distractions. So, does the city’s dark and horrific environment tarnish Hong Lu's jade?

Well, the issue is that, although the city is an apocalyptic world grounded in reality, it can’t truly be described as an environment where Hong Lu experiences lust or wealth, the false pleasures of life; which are what tarnish the jade in DOTRC.

On the contrary, he lives more of a life that Jia Baoyu begins to envy at one point in the novel because it is a life free from the obligations and facades imposed on him by his family. Therefore, what he is currently experiencing should not affect the brightness of his eye.

So, after all this blabla, I think that Hong Lu’s eye is gradually getting dimmer as the end of Hong Lu's journey approaches, which signifies the end of his new experiences and his return to a life of wealth but also to a life with his family and to how things used to be.

We could see this light fading away as an hourglass where the sand is slowly falling down but little by little there will be no more remaining sand at the top.

I fear that when this happens, by going back home, Hong Lu will lose all individuality and will, becoming docile and obedient as he seems to have always been at home. And he is accepting this and it is because he is accepting this that his eye is getting dimmer, it is reflecting Hong Lu’s decline.

I think that during Hong Lu’s Canto, one of the biggest challenges will not only be to retrieve the golden bough but also to convince Hong Lu to leave with us. It’s almost certain that when we reach his home, Hong Lu won’t be able to leave with us because, his family won’t allow it, and above all, he won’t want to either because he’ll convince himself that he can't and that his little trip is over.

I’d like to finish by saying that Hong Lu’s Rose Hunter EGO Corrosion could really be linked to this because we can see that Hong Lu in his corrosion has a hangman’s like rope around his neck, formed by his horse’s reins.

Let's Talk About Why Hong Lu’s Left Eye (his Jade) Is Getting Dimmer And What Are The Powers And Characteristics

Even if I want to analyse Hong Lu’s EGOs in another post I will just say that for me it is the symbol that Hong Lu is dependent of his (determined) fate and the will of the narrative (his family) even if it has to equal to his death (literally or figuratively or mentally we don’t know). I think it also means that even if Hong Lu believe being in control of his actions and decisions, in reality he is just following the lead of « his horse », the one conducting him, deciding where he is going — and so I think following his family’s wishes.

Voilà, thank you for reading!


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5 years ago

Hi. Just wanted to say that I love your art with the Captain and Cass (and I agree with your question at the end, I want him back so much)

Oh thank you :3, you are my first question! So to celebrate that, here is a teenager (?) cassandra with her long hair, smiling at her father, to clear your day even more ^^

Hi. Just Wanted To Say That I Love Your Art With The Captain And Cass (and I Agree With Your Question

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6 years ago
"Della Queen Of The Moon"

"Della queen of the moon"

[Repost following an involuntary erasure]


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2 years ago

Everyone pointed out that Kromer is staggered if you brought N-Corp Sinclair to fight her (which is such a neat detail) but I also want to point out that when N-Corp Faust uses the "whistles" passive skill, N-Corp Sinclair laughs and that laugh breaks my heart.


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3 years ago
I Just Saw The Little Teaser For The Song "Insane" By Alastor. It Made Me So Hyper That I Decided To

I just saw the little teaser for the song "Insane" by Alastor. It made me so hyper that I decided to post old drawings of outfits for Niffty that I had forgotten to post


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3 years ago
Well I Wanted To Publish This Drawing For The Release Of Chapter 55 Of Vanitas But The Latter Has Been

well I wanted to publish this drawing for the release of chapter 55 of Vanitas but the latter has been suspended. Thope the author will take her time and not overexert herself too much. In the meantime I congratulate Jun Mochizuki and the whole team for the end of Part 1 of the anime, I can't wait to see the Gevaudan arc with Astolfo, Jean- Jacques and Chloe! And yes so basically this drawing is supposed to be Chloe, whom always wanted to see in white but I saw according to the anime that her color is more black


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5 years ago

this part is so good yall im 

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calitsnow - Us weirdos have to stick together
Us weirdos have to stick together

Hi ! |She/her| If I'm not drawing I'm probably writing /please do not repost my art without crediting me/

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