Resident Fandom Over-thinker Here! Did Ford Hand Weave Those Bill Tapestries Himself Or Did He Have Them

headcanon: ellegaard once built an egg launching machine gun and absolutely demolished magnus with it after he called her 'elleggaard' one too many times, and as a result uncracked eggs are no longer allowed in boomtown

~~~

Every day I long to shake roughly 3/4 of the fandom by the shoulders and shout at them that any relationship Bill and Ford had was horrifically abusive

@sillygooberatlas That's worrisome tbh.

Wait, are you Ford or Bill in this scenario? (Or Stan or the kids, I suppose)

I think the Billford ship makes Bill's perspective in Gravity falls really funny. Your boyfriend banishes you, you come back twenty years later to some weird little boy immediately demanding you go after Standford Pines aka your ex but it's not him it's his loser brother and then you get your ass beat by his loser great-niece and nephew and then it happens again and then your ex finally comes back and you finally achieve godhood and you and him can finally have psychosexual mindgames together, and you finally get the ultimate privilage of being able to enter his mind again so you can become omnipotent and then it's his fucking loser brother again and then he fucking kills you.

Infinity Train is wild. Like, you can either face your insecurities or start a cult.

mixing concrete with chicken stock instead of water to give it a richer flavor profile

i can't believe my very first art post here is minecraft story mode shitpost

Mabel's perspective in Sock Opera is equally, if not more sympathetic than Dipper's: An Essay

Most people generally wouldn't consider Mabel to have a terribly sympathetic plotline in Sock Opera, even those of us who don't necessarily feel that she's horribly selfish. I think that's because, from a narrative perspective, her plotline is (as it so often is) shafted in favour of Dipper's, and from a viewer's perspective, Dipper's makes more sense. We, as viewers want to know who the author is. We, as viewers, know that Gabe is inevitably going to turn out to be some variety of impossible, and we know that the Author of the Journals is a major mystery. However, from Mabel's perspective, none of this is true, because she doesn't have the luxury of knowing she is in a TV show. Even if you take out Gabe, her perspective still makes perfect sense.

At the beginning of summer, Dipper found this journal, and Mabel has generally been pretty happy to go along with his adventures as the journal has led them, but it's clear she doesn't have the same degree of fascination with it. Maybe she may have been a little intrigued by who the Author is, she's probably a bit curious, but not to the same extent. By the time of Sock Opera, she's probably reasonably ready for the Journal fixation to be over, considering that they nearly all got killed by a shapeshifter trying to find the author. She knows that trying to investigate the author is dangerous--Stan warned them away from the supernatural, they've all nearly died multiple times, but Dipper cannot be stopped. And now Dipper has decided to spend hours and hours and hours, forgoing sleep, sitting in front of a screen, typing in passwords. The fact that Mabel tries to drag him away from it is a good thing--anyone with a relative who spends excessive amounts of time in front of a computer can tell you that. Generally, having someone close to you become deeply fixated to the point of obsession with anything can be challenging, however in Mabel's case, Dipper has become obsessed to the point of prioritising getting into the laptop above anything, and this isn't just a regular hyperfixation: this is a hyperfixation that has nearly gotten them both (plus their loved ones) nearly killed multiple times in the last few weeks. It's absolutely the responsible, good thing for Mabel to do to not enable that behaviour.

And then if you add the puppet show back into the equation, then yes, it is kind of ridiculous of Mabel to put on a whole show of that kind of magnitude just for a boy (regardless of whether the boy deserves it), however, as viewers we must accept that this is, in fact, thoroughly within character for Mabel, who is kind of ridiculous. Any kind of production of that size is a huge commitment, especially if you've given yourself a week to work, and I'm not remotely bothered by the fact that Mabel has to get everyone involved on this. And to Mabel's credit, she does try to help Dipper as soon as he appears to her in puppet form, she just isn't immediately willing to stop the show. Back in high school, my drama class did a play that I mostly wrote, mostly managed and also had a small acting role in (yes, I was an overachiever in drama), and let me tell you, it would have taken a lot to have gotten me to call off the show halfway through, much less publicly sabotage it. A demon threatening the lives of one of my siblings? Probably yes. That probably would have done it. And Mabel does allow the thing that she poured blood, sweat and tears into to go literally up in flames in front of everyone, once she realises that's what she has to do (and personally, I don't think that there's anything wrong with not immediately being willing to drop everything for this. It's not like Dipper doesn't dig in his heels about doing what's best until the very last possible second). I don't know why people insist it's not 'technically a sacrifice', because while, yes, obviously Dipper's life was more important, and she 100% made the right choice, it's not easy to wreck something you worked hard on in front of people.

All this is to say that although it's easy to become irritated at Mabel during this episode because she's hindering Dipper's ability to figure out who the author is, it's also very easy not to realise that she has a thoroughly reasonable perspective, simply because the narrative puts greater emphasis and attention of Dipper's perspective.

Protect them ❤️❤️❤️✨✨✨✨

next summer twins

Mini comic about Pacifica’s DD&D journey