No Because It Was So Important For Roy To Be The One To Go After Isaac Because He’s The Reason Isaac

i think if we’re going to have conversations about consent we should talk about how consenting to something doesn’t necessarily mean it’s going to be a good experience, and having a bad experience doesn’t necessarily mean someone violated your consent. this can apply to a lot of situations but the two i’m thinking of right now are sex and transition.

you’re getting it on with someone. you enthusiastically consent to having sex with them. afterward, you feel a little weird about it. maybe even distressed. maybe they did something you didn’t enjoy and in the moment you just didn’t say anything. maybe you just realized after the fact that you were not in a good headspace for sex and now your mental health is declining. that doesn’t inherently mean the person you had sex with violated your consent. sometimes it just means you need to take a break from sex or work on communicating your needs or boundaries better during sex.

and with transition, i feel like this is something that gets consistently overlooked but like. there will never be zero detransitioners. there will always be people who decide that actually transition wasn’t right for them. they could have had the best most thorough doctors in the world who did everything by the book and got full informed consent at every step. and some people are still going to decide they don’t like the changes and wish they hadn’t transitioned. that doesn’t mean that the doctors violated their consent, and that doesn’t mean that transition shouldn’t be available to anyone. it just means that we need to have more resources available for folks who detransition.

regret does not automatically mean someone did something wrong. regret is simply one possible result of having bodily autonomy, and i think we need to get more comfortable with that.

Norm is absolutely one of my favourite characters in the Fallout universe. The fact he loves his family and wants what's best for them being what drives him to look for the truth of what has happened to them and why is fantastic. The ultimate difference between him and Chet, too, is a great show of his character. It began with him choosing to help his sister find their father and ends with him coming to the same realisation as she has – their father was not the man he said he was and much of their life has been a lie. Watching him decide to take the hunt for the truth into his own hands, even when it could be the end of him, is incredibly compelling.

What makes Norm so enjoyable to watch, too, is just how human he is. All of the characters in the show are that way, which is part of what makes it great (yes, even the ghouls as they were at one time human). The distress he feels at seeing what happened to Vault 32 being swept under the rug, and the anger he feels towards Betty and the others for doing it seemingly out of a desire for control and power more than anything else is tangible. The fact it drives him to take the risk of sneaking into Vault 31 shows his bold and couregous side, and also that it's driven by not only his own curiosities but his desire for the truth. It’s a great parallel trait he shares with Lucy and, as she comes to find out, their mother. The anger he feels towards his father and also the desperation he feels to survive are a great contrast of his truth seeking and his baser humanity.

All things considered, Norm's competing feelings of a desire for truth, a desire for safety, curiosity, and a love for his family are what make him a great character. The fact he shares those traits with Lucy but expresses them in different ways creates a strong parallel narrative for their characters, and also does a great job showing the two sides of courage. The fact neither he or Lucy are impervious or shy away from moments of weakness and subsiming emotion latch onto the naivety from their upbringing and also their humanity. With them both now having to reckon with the truth about their father, a reunion between them will I'm sure be great and also remind them that not all of their family members are bad. Reckoning with the truth about their mother and Lucy's love for her being what compelled her to end her suffering before breaking down at the gravity of it is another layer of complexity to their family dynamics that both of them will need time to sit with. The contrasting feelings of how they knew their father versus what they've come to learn about him serve well to separate them from others like Chet; where he, their cousin, chooses to remain wilfully ignorant, they chose to put aside their fears and look for a truth they knew was out there.

Chet is a coward because he chooses to ignore the truth he has seen with his own eyes.

Lucy is brave because she is willing to go to any and all lengths to find her father and is then willing to end the suffering her mother is under because of him; she is openly emotional and driven by that and the love she feels for her family and is horrified and shattered by her father being a different man than the one she had always known.

Norm is brave because he is willing to do anything for his sister and father and, when faced with the choice to stay in blissful ignorance, because he chooses to seek out the truth even when it could hurt him; he, too, doesn't shy away from the pain the truth about his father causes him and, like Lucy, has to learn to live with the competing memories of their father and the reality of who and what he is.

Hank is a coward because, while he goes to the extremes to attempt to preserve himself and his family, he refuses to accept the fact his actions have consequences for the way his children (and, previously, their mother) had seen him and instead tries to force things to go back to the way they were before his children could learn of his ability to be selfish.

And Rose was brave because she loved her children so much that she would and did do everything for them, even when she had to put her love for their father aside and risk herself so that she and her children could have a chance to live in truth rather than lies. Her children share that with her, even though they didn't know it, just as much as they share her love, empathy, and desire for the truth even when living in wilful ignorance could have been easier.

Tl;dr – the entire MacLean family being driven by love for each other but expressing it in different ways that ultimately drive them apart is not only great at showcasing the different sides of courage and cowardice but showing the way Lucy and Norm are so similar and are driven by their love for their family just as much as their desire for the truth and that neither Lucy or Norm shy away from their emotional and impulsive reactions to it presents them as not only fully human but two sides of the same coin; they are both couregous even though they take two different paths to the truth.

listen. i was yelling about this yesterday and i need to yell about it again.

im forever now thinking about how goose is basically canonized in top gun.

he's held up as this untouchable memory and bradley grows up both in the shadow of that, as well as trying to become that but hes not gonna be bc goose is a memory. hes stuck in time. he can be canonized to that extent because he will never change. he will never grow and make mistakes and that is sad. it is a tragic loss, a pure accident and nothing more. and it was so long ago that time has smoothed the rougher edges he has because goose was human. and bradley??

bradley will never be goose bc goose is long gone but people still look at him and think about his dad first in a lot of ways.

and like.

sure, there are parts of him that are his father bc goose is his dad, and there is some aspect of nature involved. and at which point does he end and goose begins and does he ever stand the chance of knowing when that is?

especially when his godfather looks at him with guilt in his eyes first and love second, even though he tries. and his mom (as far as we can tell) never moves on from that love?

bradley's been in both of their lives so much longer than goose ever did, but hes secondary to goose. they love him, and support him but the way they deal with things regarding bradley feels like they aren't seeing him. they're seeing the same ghost that hovers behind bradley and they're making decisions based on that.

their grief drives them. love for sure as well. but so much grief and that grief is once again used to put bradley secondary.

goose died in a freak accident so that means bradley needs to be saved. it doesn't matter what bradley wanted. it doesn't matter that a child can have the same dreams as their parents and not want to walk the same path. its not bradley trying to be a memory. its someone who grew u around that world and still wanted it.

and like, pulling the papers was never about bradley. it wasn't about wanting him to not join a system that would chew him up and spit him out. or talk about the very real dangers that come with the job, or how isolating it can be because of the travel involved.

they pulled the papers because they didn't want him to become goose. even when they claim to want to protect bradley. they are using the memory of goose to make it happen.

bradley never stood a chance of growing up without that shadow and it kinda makes me sad. hes haunting the narrative in so many ways, but hes also dragging bradley down as well.

One of my favorite things is that the top gun fandom unanimously agree that if Goose lived, having to deal with hangster aka icemav 2.0 might have killed him instead

Yeah I'd say ghost hunting for seven years even though you don't believe in ghosts so that your pal will give it his all fighting a puppet is equal exchange

my Mexican dad before we went to go see Wakanda Forever: so Namor, it means like “no love”? Is that part of his character?

me: no dad, that’s just been the character’s name since 1939.

Namor in the movie: so I took that as my name, “Namor,” the child without love!

my dad:

@keuhkopussirotta / fleabag / jamie anderson / holly warburton / richard siken / mitski / aracelis girmay by @heavensghost / philip pullman

Guys, the annual recap is finally here!!

Thinking about Jake being 'hot for teacher' and realizing (after the fact, post-canon when he finds out about who Mav is for Rooster for real) that all the mannerisms he found hot in Rooster first time they met (and still are part of why he finds him attractive) are Maverick's mannerisms but inherited

(The way he moves his hips, the way he bops his head when he plays piano, the way he clenches his jaw when he's frustrated or angry, the way he raises his eyebrows and just-barely-there smirks when he flirts, the way humms instead of saying yeah, the way he ruffles his partner's Jake's hair when he's being fondly affectionate, the way he makes his french toast, putting it in the toaster before marinating, the way he bits down on his tongue when he's thinking about something complicated, even the way he clears his sweaty face with his shirt is exactly like Mav's - he takes it out from the side, not the front like everyone would; that's all Maverick but in Rooster's version)

[Maybe Jake even gets a second blast of surprise when he realizes the way Bradley wears his shirts unbutton on the top directly mimics the Iceman, the way the admiral scratches behind Maverick's ear directly mimics the way Bradley's done it to Jake countless times, the way he eats his ice cream - scoping it around the base, then taking the syrup or sprinkles, then coming back to the base, then to the top - they way plates his meals in three equal parts, veggies, meat, carbs; that's all Iceman]

Rebecca and Roy giving each other a wake up call! TED LASSO (2x01 | 3x09)