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Masterlist

Last Updated: 11/15/2018 10:46pm  added “Between The Lines: Part Two”

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Useful Writing Resources

This is an extensive list of resources for every problem you could come across while writing/planning/editing your novel. Use it well;)

{ *** } Indicate a Highly Reccommended Resource

Planning/outlining Your Work

How To Outline ***

Zigzag Method : Creating Plots

How to Plot a Romance Novel 

Seven Great Sources of Conflict for Romances 

Let’s talk about brainstorming

Writing Something With Meaning ***

Past Or Present Tense? : How To Decide

Writing Your Work

How To Write A Fabulous Chapter #1 ***

How to Build a Romance Thread in Your Story 

The Big Book Of Writing Sex ***

6 Ways to Get Your Readers Shipping Like Crazy 

Romance Writing Tips ***

20 Tips for Writing Lovable Romance Novel Heroes

7 Ways To Speed Up Your Writing *** 

80+ Barriers to Love: A List of Ideas to Keep Romantic Tension High 

9 Romance Writing Mistakes to Avoid 

Removing the Creeps From Romance

19 Ways to Write Better Dialogue ***

50 Things Your Characters Can Do WHILE They Talk ***

How To Write Action And Fight Scenes

10 Steps To Write Arguments

9 Ways To Write Body Language

Writing Good Kissing Scenes

Writing Murders

Create And Control Tone ***

Tips for Writing Ghost Stories

Incorporating Flashbacks

12 Tips To Avoid Overwriting ***

Characters

Behind the Name

Top Baby Names

Looking for a name that means a certain thing? ***

7 Rules of Picking Names

Most Common Surnames ***

Minor Character Development

Writing Antagonists, Antiheroes and Villains

Characters With Enhanced Senses

5 Tips to Help You Introduce Characters

How Do You Describe a Character?

How To Write Child Characters

36 Core Values For Building Character

Questions To Answer When Creating Characters ***

4 Ways to Make Readers Instantly Loathe Your Character Descriptions

5 Ways to Keep Characters Consistent

Character Archetypes

25 Ways To Fuck With Your Characters

Building Platonic Relationships Between Female Characters

9 Simple and Powerful Ways to Write Body Language 

33 Ways To Write Stronger Characters

Conveying Character Emotion 

How to Make Readers Love an Unlikable Character…  

How to Create Powerful Character Combos

How To Describe A Character’s Voice ***

Describing Clothing And Appearance ***

Career Masterpost ***

Creating Your Character’s Personality ***

Character Flaws ***

Editing

DON’T EDIT>>> REWRITE THE WHOLE THING FIRST

Ultimate Guide To Editing Each Aspect Of Your Work ***

Why You Would Read Your Novel Out Loud ***

Grammar and Punctuation ***

How To Write A Captivating First Sentence

10 Things Your Opening Chapter Should Do: A Check-List for Self-Editing ***

Saving Your Story: Finding Where It Went Wrong

How To Condense Without Losing Anything

The Stages Of Editing

Dialogue/Description Balance

3 Proofreading Tips

The Short Story Form

Chapter & Novel Lengths

Anatomy Of A Novel : Chapters and Parts ***

How To Write Chapter After Chapter Until You Have A Book ***

Where Chapter #2 Should Start

Step By Step Guide To Editing Your Draft

Writing Tool: CTRL-F (How And Why You Should Use It) ***

How To Kill A Character

25 Steps To Edit The Unmerciful Suck Out Of Your Story

5 Ways To Make Your Novel Helplessly Addictive ***

Setting

{Setting} How To Describe Setting In Your Stories ***

20 Questions To Enhance Setting

How To Bring Your Setting To Life

Miscellaneous Resources You Can Use In Between

How to Write from a Guy’s POV 

The Emotional Wounds Thesaurus

Text To Speech Reader

Compare Character Heights 

A Visual Dictionary of Tops

Writers Helping Writers

7 Tricks To Imrove Your Writing Overnight

Work Out/ Word Count : Exercise Between Writing ***

Most Important Writing Tips ***

Let’s talk about diversity in novels

Letting Go Of Your Story

Keeping A Healthy Writing Schedule And Avoiding Procrastination ***

How To Create A Good Book Cover

Write or Die

Tip of my Tongue

Character Traits Form

Online Thesaurus

Writing Sketchy/Medical/Law

Coma: Types, Causes, etc

Tips for writing blood loss

Gunshot Wound Care

Examples of Hospital Forms

Common Legal Questions

The Writer’s Forensics Blog

Brain Injury Legal Guide

Types of Surgical Operations

Types of Mental Health Problems

A Day in the Life of a Mental Hospital Patient

Global Black Market Information ***

Crime Scene Science

Examining Mob Mentality

How Street Gangs Work

Writers’ Block Help/ Productivity

Story Plot Generator

@aveeragemusings ‘ Cure To Writers’ Block ***

50 Romance Plot Ideas

Reading Like A Writer ***

Defeat Writers’ Block

Writing In A Bad Mood ***

Writers Block

When You’ve Lost Motivation To Write A Novel ***

What To Do When The Words Won’t Flow ***

9 Ways To Be A More Productive Writer

“I Cannot Write A Good Sentence Today” (How To Get Over It) ***

Real Writing Advice ***

Info You Need To Know & Words You Didn’t Think Of

A Writer’s Thesaurus ***

Words To Describe… ***

Words & Phrases To Use In Your Sex Scenes ***

Colors (An Extensive List Of Colors)

List Of Kinks & Fetishes ***

List Of Elemental Abilities

inkarnate.com : World Creator And Map Maker For Your Imaginary Setting

Body Language Phrases

List Of Legendary Creatures

How To Write Magic

Hairstyle References

Hemingway : Writing Checker

Body Types: Words To Describe Bodies and How They Move Around

Poisonous Herbs and Plants ***

The Psychology of Color

The Meaning behind Rose color

Types of Swords

Color Symbolism

How a handgun works

How to Write a Eulogy

Types of Crying

Avoiding LGBTQ Stereotypes ***

Superstitions and More

The 12 Common Archetypes

Language of Flowers

12 Realistic Woman Body Shapes

Using Feedback And Reviews

Turning Negative Reviews Into Positive Ones ***

Proofreading Marks : Easy Symbols To Make Reviewing/Feedback Easier ***

Authonomy Teen Ink Figment Fiction Press ReviewFuse

These Are Trusted Critique Sites ;)

Some words to use when writing things:

winking

clenching

pulsing

fluttering

contracting

twitching

sucking

quivering

pulsating

throbbing

beating

thumping

thudding

pounding

humming

palpitate

vibrate

grinding

crushing

hammering

lashing

knocking

driving

thrusting

pushing

force

injecting

filling

dilate

stretching

lingering

expanding

bouncing

reaming

elongate

enlarge

unfolding

yielding

sternly

firmly

tightly 

harshly

thoroughly

consistently

precision

accuracy

carefully

demanding

strictly

restriction

meticulously

scrupulously

rigorously

rim

edge

lip

circle

band

encircling

enclosing

surrounding

piercing

curl

lock

twist

coil

spiral

whorl

dip

wet

soak

madly

wildly

noisily

rowdily

rambunctiously

decadent

degenerate

immoral

indulgent

accept

take

invite

nook

indentation

niche

depression

indent

depress

delay

tossing

writhing

flailing

squirming

rolling

wriggling

wiggling

thrashing

struggling

grappling

striving

straining

How to write a kiss

Rebloggable version, as requested by davrosbro. :)

Oooh!  Yes!  I love kisses.  Kisses are where it all starts ;).

Okay, first, remember that kiss is much, much more than just lips.  It is lips, but also tongues, teeth, eyes, faces, hands, noses, bodies, heartbeats,  breath, voice- and most importantly, a kiss is emotions.  A kiss without emotion is just wet mushy lips stuck together.  Ew.  Gross.  The most important part of a kiss isn’t the how, but the who- because of the emotions between the two people.

Okay so:

lips- Lips can slide, glide over each other smoothly, or they can be chapped and rough and dry and get stuck on each other.  They can match, top-to-top and bottom-to-bottom, or they can overlap, with one person’s top or bottom lip captured between the other person’s lips (yummy).  If there is lipstick or chapstick there is lipstick or chapstick flavor, otherwise, lips don’t have a taste (can you taste yours?).  Lips also can smack- the sound of two of them coming together or pulling apart, because they’re wet and warm and soft. 

tongue- Tongues are always wet, and always warm.  They’re very versatile.  They can trace over lips, teeth, or another tongue.  They can be smooth and graceful or teasing and flicking.  When tongues are involved, there is drool.  It’s only sexy when you like the person you’re kissing, or else it’s kinda gross. :P

teeth- teeth can clack together awkwardly, or teeth can bite down sensually.  A person biting their own lip is cute, a person biting another’s lips is sexy.  A person biting gently is sensual, a person biting roughly is sexual. 

eyes- Eyes can be wide open with surprise, half-lidded with desire, fully closed with pleasure.  Eyes can gaze lovingly, lustfully, wistfully, hungrily, seductively- it all depends upon the emotions of your characters.  Have them do whatever you like, but don’t leave them out- give them at least a mention!

faces- Faces are what the lips are attached to.  Noses bump, cheeks flush, ears turn red, foreheads either wrinkle or relax.  Kisses can leave lips, quite easily, and become kisses on chins, cheeks, noses, foreheads, ears, necks, throats.  Kisses on noses or foreheads are cute and adorable, kisses on cheeks are sweet, kisses on chins, ears, and throats are very sexual.  And a kiss on the lips can be all of those! <3

hands- Hands are super-important.  In order to describe a kiss, usually you want to also describe the hands.  Where are they?  Does one character have on on the back of the other’s head or back, holding them close?  Are they on someone’s shoulders pulling them near, or pushing them away?  Fingers brushing someone’s cheek or palms grabbing someone’s ass convey two very different kinds of situations, even if the kiss itself is exactly the same.

noses- Noses are annoying.  They easily get in the way, especially for first kisses!  People have to tilt their head to one side or the other, and if they don’t, noses bump.  I’d only mention noses if a kiss is supposed to be awkward or uncertain or nervous.

bodies- bodies are either close together, or far away.  Someone can be surrounded comfortingly by someone’s arms, or terrifyingly trapped by them.  Bodies are warm or hot, they are calm or nervous, relaxed or tense.  Body language says a lot.  Is your character pulling away, or moving closer?

heartbeat- Hearts can beat fast or slow, and that’s about all they can do- but there are lots of reasons why they do!  A heart can beat fast with fear or excitement or nervousness; a heart can pound with lust or race with terror or sing with joy.  Hearts can glow, cower, or shatter.  When you really want to drive the emotions of a character home, mention the heart.

breath- To me, the most consuming part of a kiss is the breath.  The air that someone else has just breathed going deep into your lungs is very intimate.  Lips and tongues don’t have a taste, but breath does.  Each person’s breath tastes different, smells different, and surrounds a person differently than anyone else’s breath.  Breath can be warm and sweet, breath can be hot and sexy, breath can be hot and frightening.  It is something that is very present and should not be left out.  A lot of writers leave breath out.  And it’s so important; it’s the most intimate part of a kiss.  Someone else is breathing into your lungs, and it’s either heaven or it’s hell.

voice- Voice conveys much, even without words.  A voice can groan, whimper, gasp, moan, catch, whine, scream, sigh.  Voice can convey emotion powerfully, and while some kisses are silent, usually they’re not. 

emotion-  Emotion is the most important- and the thing you try not to say.  You want to describe it, through all of the things above, so that it’s perfectly clear what your characters are feeling, without you ever using the “feelings words”.  If they’re in love, their bodies will lean close, their eyes will smile, their voices will giggle softly.  If they’re nervous, their palms will sweat, their noses will bump, their voices will shudder.  If they’re afraid, their muscles will be tense, their faces will grimace, their lips will not open.  Emotion is the color that you keep inside your mind as you write; it’s the base line that drives the description behind everything else you say.

Wow, that was a lot!  Gosh I hope it wasn’t too much!  Keep in mind not every kiss has all these things- this is just a list of things to consider when writing a kiss, and based on how long of a kiss you want to make.  Keep in mind that typing “they kissed for a long time”…that’s six words, it takes half a second to read, so that’s a short kiss!  If you want a long kiss, you need long sentences that make the reader linger. 

So maybe to start off, pick three things on the list to describe in your first kiss.  Don’t try to do it all- that would be too much for even the most epic kiss.  Just pick what’s most important to this particular scene, to these particular characters, and describe those parts along with the lips, and you’ve got yourself an awesome, emotional kiss. <3

Dean Winchester Imagines

Reassuring Mark of Cain!Dean.

Date with Dean, resulting in a jealous Jo.

Alpha/Teacher!Dean and Omega/Student!Reader.

Dean being turned into a woman.

Dean masking his feelings for vamp!Reader with fake hate.

Dean masking his feelings for vamp!Reader with fake hate. (Part 2)

Teen!Dean and Teen!Reader cuddling at the roof while watching the sunset.

Reader flirting with a guy and Dean getting jealous.

Teen!Dean and Teen!Reader dated during high school and you got pregnant. Only for Dean to find out ten years later.

Dean comforts self conscious Reader, ending up confessing his feelings.

Teen!Reader being comforted by, boyfriend, current age!Dean.

A waitress insulting plus size!Reader and Dean defending you.

Not believing Sam when he reveals you Dean’s feelings for you.

Dressing up as a sexy librarian to get back at Dean for teasing you for reading a lot.

Becoming a demon when Dean became one and hunting down Sam.

Dean being jealous of your crush on Patrick Stump.

Dean falling in love with you while being with Lisa.

Teaching Dean how to slow dance.

Dean giving you a piggyback.

Dean comes just in time to save you, his fiancee, from burning on the ceiling.

Dean gets a video from your phone while on a hunt only to see you, his wife, being tortured.

Hipster, teen, Dean with many tattoos.

You sing Good Enough, by Evanescence, to Dean at your wedding day.

Imagine waking up after an accident and coming face to face with Dean, your favorite Supernatural character, and according to him boyfriend of years.

You are a princess and fall in love with your father’s knight, Dean Winchester, even though you are forbidden to.

You babysit your neighbor’s, and best friend, Dean Winchester’s child while he is out on dates while trying to hide how hurt you are by it because you have feelings for him.

Dean fantasizing about you and your lips when you bite them in front of him.

Imagine Dean having to choose between shooting Yellow Eyes possessing you or letting him go and lose your daughter.

Imagine Dean being a famous artist and you are his model.

Imagine you having The Mark of Cain instead of Dean.

Imagine Dean losing his sight at a hunt and realizing he was all this time in love with you.

Imagine being an aspiring writer and Dean is the editor of your future book. He may be more interested in you than the the book, though.

Imagine being a dancer at the Dancing with the stars and Dean is jealous of the dances you do with guys.

Imagine being partners in crime with Dean.

Imagine being partners in dance class with Dean.

Imagine Dean having to give up you and your daughter, erasing your memories, to save you. (Part 1)

Imagine Dean seeing you and your daughter after years, and you having gained your memories, but lots of things have changed. For the worse for him.(Part 2)

Imagine Dean telling you what the Darkness told him and you feeling conscious about yourself and your relationship.

Imagine being Italian and extroverted and going at a bar and getting hit on which makes Dean jealous.

Imagine Dean catching you reading fanfiction about you and him.

Imagine losing your memory because of an injury at a hunt and Dean being heartbroken because he has feelings for you.

Imagine having an operation and Dean being there for you all the time.

Imagine being biracial and giving birth to yours and Dean’s child.

Imagine Dean finding out you are Lucifer’s daughter.

Imagine being Dean’s wife and having to be the one to hold back your crying daughter as she asks for him when he’s away on hunts.

Imagine being sent in the 1950 with Dean and having to dress up accordingly so that you fit in till you leave.

Imagine being a demon and falling in love with Dean. He, after a year, finds out and you try to convince him you mean no harm.

Imagine every person having a unique tattoo that matches that of their soulmates. Yours is similar to Dean but you two act like you hate each other. Only for you one day to meet a guy that has a similar tattoo as yours. The result is Dean getting worried that he’s going to lose you.

Imagine finally meeting the man you’d been having dreams about ever since you were young and fell in love with, Dean Winchester. Your soulmate.

Imagine being with the Winchesters ever since the beginning. You suddenly go missing only to return much later with Benny. Though Dean is more relieved to see you safe.

Imagine accidentally killing Lisa but later making a deal to bring her back. Dean was in the beginning furious with you but then feels guilty and devastated because he lost you.

Imagine accidentally killing Lisa and Dean being furious with you. You later sell your soul to save her and the brothers find you being ripped apart by hellhounds and they are devastated. (Part 2)

Imagine accidentally killing Lisa but later making a deal to bring her back. Dean was in the beginning furious with you but then feels guilty and devastated because he lost you. (Part 3)

Imagine accidentally killing Lisa but later making a deal to bring her back. Dean was in the beginning furious with you but then feels guilty and devastated because he lost you. (Part 4)

Imagine Dean showing up 6 years after you two spent a night together, only to find you pregnant with his child. ( Part 1 )

Imagine Dean showing up 6 years after you two spent a night together, only to find you pregnant with his child. ( Part 2)

Imagine being a sweet and innocent angel and dating Dean. Unknown to you are your older brother’s, Castiel’s, threats to Dean.

Imagine being best friends with Dean but having deep feelings for each other. When one day he comes back to the bunker to find you almost dead, he looses it.

Imagine loosing your mother to cancer and Dean comforting you about it.

Imagine Dean buying your daughter a puppy for Christmas.

Imagine Dean taking pictures of your growing baby bump.

Imagine having your first fight with Dean and storming off without telling anybody, only for him to be really worried.

Imagine Dean, your best friend and crush, pretending to be your boyfriend for your sister’s wedding.

Imagine the Winchesters hunting you, Harley Quinn (as is your job name), but you cannot help but take a liking to the older Winchester. Shamelessly flirting with him. Only for him to feel the same in the end.

Imagine being on a plane with Dean and him freaking out and you comfort him with kisses and soft touches.

Imagine your and Dean’s twin babies getting sick and him wanting Castiel to heal them but you don’t, insisting they should build up defences.

Imagine dying because of  hunt gone wrong and Dean singing to you ‘Hey Jude’ while he holds you in his arms.

Imagine catching Dean reading fanfiction about the two of you.

Imagine trying to study but Dean won’t let you because he has other things in mind.

Imagine Dean Wincheter being your boss and flirting with you because he has feelings for you.

Imagine Dean being jealous of your crush on Tony Stark.

Imagine trying to write fanfiction but Dean won’t stop barging in and asking questions.

Imagine Dean teaching you how to shoot.

Imagine being in a relationship with young Dean and him thinking of running away from the life with you.

Imagine going to see your favorite rockstar Dean Winchester live and he can’t stop staring at you while singing.

Imagine being in a secret relationship with your boss, Dean Winchester.

Imagine Dean picking you up from work, only to find out your boss is an asshole.

Imagine going skinny dipping and Dean seeing you.

Imagine Dean asking you to take a shower with him every time after a difficult hunt.

Imagine Dean being in love with you but denying it because he wants you to live your life.

Imagine being Amara’s sister and Dean’s true soulmate.

Imagine having to hide in a small place with Dean and it suddenly getting very uncomfortable.

Imagine Dean’s reply when Sam asks him what you’re doing sleeping inside the Impala sleeping half naked while they’re washing it.

Imagine surprising Dean with the best gift on his birthday.

Imagine taking care of Dean when he’s drunk, only for him to say things he really shouldn’t. (Part 1)

Imagine taking care of Dean when he’s drunk, only for him to say things he really shouldn’t. (Part 2)

Imagine taking care of Dean when he’s drunk, only for him to say things he really shouldn’t. (Part 3)

Imagine taking care of Dean when he’s drunk, only for him to say things he really shouldn’t. (Part 4)

Imagine taking care of Dean when he’s drunk. Only for him to say things he really shouldn’t. (Part 5)

Imagine taking care of Dean when he’s drunk. Only for him to say things he really shouldn’t. (Part 6)

Imagine taking care of Dean when he’s drunk. Only for him to say things he really shouldn’t. (Part 7)

Dean doing everything to protect you when he finds out you’d been taken by demons.

Imagine Dean throwing his jacket over you as a blanket when you’re sleeping on the backseat of the Impala

Imagine demon Dean kidnapping you because he wants you all to his own.

Imagine demon Dean kidnapping you because he wants you all to his own.(Part 2)

Imagine living in a world where everybody has soulmates and you don’t know untill their last words, before they die, are marked on your skin. Yours is Dean Winchester and when everything is revealed it’s too late.

Imagine being a cop and interogating Dean when he gets arrested, only for him to not stop flirting with you.

Imagine Dean not being able to sleep after you left him.

Imagine Dean accidentally revealing you two had been dating during a dinner.

Imagine Dean seeing you in his clothes and realizing how he actually is in love with you.

Imagine the look on Dean’s face when you tell him the bed broke after you two had sex on it.

Imagine Dean meeting you and falling in love with you. Only problem is he is with Lisa as he promised to Sam before he died.

Imagine demon Dean being your soulmate.

Imagine getting zapped to the Supernatural universe and meeting Dean.

Imagine Dean, your best friend,  realizing you’d been in love with him all along. Something he’d been hiding for long as well.

Imagine being Sam’s old friend and they need your help during a hunt. Only for Dean to immediately start hitting on you when he meets you.

Imagine the Qareen appearing to Dean with your form because it is you his heart truly desires.

Imagine being in love with Dean but he has no idea, so he keeps bringing other girls over. Not knowing how he’s hurting you.

Imagine having feelings for your teacher, Dean Winchester.

Imagine being in high school and getting pregnant and your friends treating you differently. Dean, the father of the baby, comforts you.

Imagine knowing Dean has feelings for you but still flirting with the bartender to make him jealous.

Imagine possessed Sam lying to you that Dean doesn’t have feelings for you like you do for him.

Imagine trying for another kid with Dean, who wants a boy, but it ends up being a girl. You’re afraid he’ll be sad but he’s not at all.

Imagine demon Dean being ordered to kill you because you are a half angel and half demon but he doesn’t because he has developed feelings for you.

Imagine Sam comforting you because you are pregnant with Dean’s child and you’re scared he won’t want it. However he overhears you and thinks the kid is Sam’s.

Imagine getting turned into a werewolf and Dean asking you to turn him to so that you can be together.

Imagine demon Dean chasing you and Sam around the bunker.

Imagine Sam fnding a pregnancy test box and telling Dean, your boyfriend, who freaks out because they think you are pregnant. In the end he gets sad when he finds out you’re not.

Imagine the last thing you say before you die is ‘I love you’ to Dean who was your best friend but you had feelings for.

Imagine Dean wanting to see you as soon as he wakes up in the hospital.

Imagine Dean thinking about you whenever someone mentions the people they are in love with, even if you are just friends.

Imagine joining the army and Dean being your captain that acts like a jackass sometimes, although he actually cares.

Imagine Dean not wanting Amara to meet you because he is afraid she will do something to you, because of the feelings he has for you.

Imagine demon Dean coming to see you when you are asleep because he still has feelings for you, like when he was human.

Imagine Dean trying to be cool around you to impress you but failing miserably at it.

Imagine meeting Dean at a bar and hooking up, although you both want to know each other more. Only you find out the next day that he is your new teacher.

Imagine meeting Dean at a bar and hooking up, although you both want to know each other more. Only you find out the next day that he is your new teacher. (Part 2)

Imagine Dean moaning your name while with another woman, without even realizing it.

Imagine getting injured during a hunt and Dean getting worried for your life.

Imagine Dean wanting you to play with him all the time when he swaps minds with a dog.

Imagine Dean refusing to leave your side when you get infected by the fog.

Imagine dying temporarily because you got infected and Dean loses it, unable to pull himself together.

Imagine Casifer visiting you on the bunker because he wants to talk to you and spilling Dean’s feelings for you.

Imagine Dean being jealous over your crush on Chris Evans.

Imagine demon Dean often talking about you in his sleep even when he is with other women.

Imagine Sam wanting to comfort Dean about the Darkness by mentioning you and saying this…

Imagine Chuck telling Dean that he knows about his feelings and dreams for you.

Imagine Chuck revealing to Dean who never stopped loving you that you are not dead like they thought. (Part 1)

Imagine Chuck revealing to Dean who never stopped loving you that you are not dead like they thought. (Part 2)

Imagine Dean realizing that Amara can’t control him when you are in the same room because his love for you far surpasses everything else.

Imagine Casifer flirting with you while he stays at the bunker, making Dean jealous.

Imagine Dean confessing to Mary that he is in love with you.

Imagine bidding Dean goodbye before he goes to face Amara.

Imagine Dean being in the military and you give him a hickey.

Imagine Dean being in the military and you give him a hickey. (Part 2)

Imagine having a crush on Dean and him being turned into a teen and getting really flustered around you.

Imagine having a crush on Dean and him being turned into a teen and getting really flustered around you.(Part 2)

Imagine Dean having feelings for you but trying to not let it show.

Imagine Dean having feelings for you but trying to not let it show. (Part 2)

Imagine Dean begging you not to leave him, because he’s in love with you.

Imagine bringing your boyfriend for the Winchesters to meet and Dean not approving because he is jealous.

Imagine Dean getting jealous when a policeman hits on you during a case because he secretly likes you.

Imagine Dean meeting you in one of the cases and Sam pointing out to him how he developed feelings for you without knowing it.

Imagine falling in love with Dean, one of your father’s knights, and him fighting to win your hand because he feels the same.

Imagine Dean being turned on by you dressing up as a princess and he being your knight.

Imagine Dean being jealous of your crush on Bucky.

Imagine having a miscarriage and Sam trying to comfort you and Dean, the father of the child.

Imagine being turned on by Dean in a leather jacket.

Imagine taking Dean to the dentist. The result is something you would never expect.

Imagine your father’s two loyal knights competing for your, the princess’s, heart.

Imagine Dr Strange sending you into the Supernatural universe where you meet Dean.

Imagine your gift to Dean for Christmas being a pair of baby shoes.

Imagine Dean being jealous of how close you are with Stefan.

Imagine being in a secret relationship with one of your father’s knights and being torn when they tell you are going to marry another man. (Part 1)

Imagine your father’s two loyal knights competing for your, the princess’s, heart. (Part 2)

You are Sam and Dean’s teen sister and you get drunk at a party.

You are Dean’s 18-year-old daughter and think that he does not care about you. Only for him to prove you wrong.

Imagine introducing your half-siblings Oliver and Thea Queen to your half-brothers Sam and Dean.

Imagine being partners with Dean and Sam and being sent in a universe where they are proud members of the ghostfacers.

Imagine being Sam’s and Dean’s 10-year-old sister and being really smart so you can help them on hunts.

Imagine your brother’s Sam and Dean surprising you on your birthday.

Imagine spending some quality time with your brothers, Sam and Dean.

Imagine being the Winchesters’ sister and going on a hunt in secret, only to find them there too.

Imagine being Dean and Sam’s little sister and Amara bringing you back instead of Mary.

Imagine visiting Jurassic World with Dean and Sam and meeting Owen Grady who flirts with you instantly. Making Dean jealous, of course.

You work at Jurassic world and Dean and Sam come to visit the place. Dean starts instantly flirting with you which causes Owen to be jealous.

You work at Jurassic world and Dean and Sam come to visit the place. Dean starts instantly flirting with you which causes Owen to be jealous. (Part 2)

Imagine when the Winchesters hug they pull you in without a thought, giving you the chance to make an important announcement. Just like Dean does.

Imagine Dean being jealous when you have a date and failing in hiding it.

Imagine Dean bonding with your daughter who has a soft spot for him and not missing a chance to flirt with you.

Imagine sharing a bed with Dean and changing while you think he’s sleeping but he’s really just watching you.

Imagine Dean watching you take care of a baby and realizing he wants to have a family with you when it’s all over.

Imagine being a cop and sent in another mission to arrest Dean again who you are secretly dating.

Imagine being roommates with Dean since you were in college and now sharing a house.

Imagine being in a secret relationship with your father’s best friend, Dean Winchester. (Part 1)

Imagine being in a secret relationship with your father’s best friend, Dean Winchester. (Part 2)

Imagine being in a relationship with your teacher Dean Winchester.

Imagine being a maid and the prince, Dean Winchester, falling in love with you.

Imagine Dean having feelings for you and flirting but you are completely oblivious to it.

Imagine Dean not missing a beat to tag along, when he finds out Cas will meet you, because he has feelings for you but you have no idea.

Imagine Castiel helping you put the baby crib together becaue your boyfriend, Dean, is away trying to find a ring to propose.

Imagine Dean confessing to you how he feels after almost losing you in a hunt, even if he thinks he’s unworthy of you.

Imagine Dean, your best friend, getting in a fight for you because he actually is in love with you.

Imagine Dean admitting his favorite look on you is when you wake up.

Imagine lifeguard Dean saving you from drowning.

Imagine opening the door to find Jared and Jensen on your door posing as FBI agents. Only it isn’t actually them.

Imagine doctor Dean Winchester flirting with you while coming to check up on you on the hospital.

Imagine demon!Dean beating a guy up to death because he touched you and he got jealous. (Part 1)

Imagine demon!Dean beating a guy up to death because he touched you and he got jealous. (Part 2)

Imagine Dean trying to find excuses to spend more time with you because he is scared  to confess that he has feelings for you.

Imagine Dean having feelings for you and not approving of your boyfriend because he is jealous.

Imagine Dean meeting your parents while you spend the weekend in your old home and realizing he wants to have a family with you.

Imagine Jack spilling to you what Dean thinks, and practically feels, of you when he reads his mind.

Having a talk with Team Free Will’s female versions.

Dean, Sam and Castiel as dogs in our universe.

Imagine your neighbor, Dean Winchester, getting jealous when he sees a guy leave your house in the morning when your parents are gone on a trip. (Part 1)

Imagine your neighbor, Dean Winchester, implying there are more things he can to you than the boy you had over a few days ago. And going into detail. (Part 2)

Imagine changing in your room while your neighbor, Dean Winchester, is watching from his own window. (Part 3)

Imagine going for a swim in a bikini to tease your neighbor, Dean Winchester, who has been doing the same all day. (Part 4)

Imagine your neighbor, Dean Winchester, suggesting all the things he can do to you in return to you implying the things you want him to do when your parents are gone. (Part 5)

Imagine your neighbor, Dean Winchester, teasing you with his scruff and lips when he knows you fantasize about him and in return you show him how dirty you can and have been for him. (Part 6)

Damon in 2.01:

“You’ve gotta be kidding me”: the rug gets torn out from under him.  He thought Elena kissed him, thought that this was why she believed he was worth saving, because she was in love with him, only to find out all at once that not only is that not what happened, but that it was his first love fooling him again.

“I’m just gonna ignore the bitch”: he plays this off as a strategic move, but he also wants Katherine to feel all the rejection he did when he found out she left him, and, more importantly, he’s just not ready to face her.  He wants to pretend that nothing’s changed, that the main event is still Stefan wanting to fight him about Elena.  Because if he faces up to what’s going on, there’s a choice he has to make, and he wants to pretend like it’s already out of his hands.

“Now I’m hurt”: a day ago, Damon didn’t believe Elena would kiss him.  After he thanks her/Katherine, he kisses her cheek, and it’s only based on her body language communicating obvious willingness that he very very slowly goes in to kiss her on the lips, and he’s shocked that she kisses him back.  But now, the lines of reality are blurring for him - he knows it was Katherine, but believing that Elena kissed him momentarily put their relationship (and his relationship with Stefan) back into categories that he understands.  Everything was clear for him, and now he’s having trouble going back to the more complicated, nuanced world where Elena cares about him and wants him to be saved without being in love with him.  He’s hurt because he can’t remember how to be thankful for her love as it is; all he’s feeling is the loss of what he briefly thought he already possessed.

“Looks like Katherine’s trying to steal your guy, I mean it’s only fair, since I went after your girl”: this dialogue could have come straight out of History Repeating.  Possession, manipulation, revenge: these are Katherine’s categories.  

“I’ll forget everything and we can start over, this can be our defining moment”: although he kisses Katherine rather than kills her, his attempt to recreate the past doesn’t last longer than a couple seconds.  Even when he’s kissing her, he’s not letting her push him around (literally) like she used to - he wants her, wants her love, but on new terms.  He wants them to be equals, partners, wants them to trust each other, because he’s had the smallest taste of what that would be and he can’t go back.  He can’t be who he was, he wants to forgive everything and start over - and in the process, he’s more sweet, innocent Damon than ever before.  He’s asking for a relationship with Katherine - but on Elena’s terms.

“You can’t imagine that I’d believe that you want to, that what we’ve been doing here means something?”: Stefan’s been telling him nothing was real with Katherine for a whole season, Elena’s told him she’s surprised he thought she’d kiss him back, and now he’s had the final confirmation that Katherine never loved him.  Everyone’s trying to strip away the reality he sees and replace it with lies and emptiness.  He’s too afraid to trust Stefan’s offer to stand together, and so he goes back to Elena again, sure that if anyone loves him, she does, but he’s still too fragile for her being his friend to be enough.  He knows it’s not nothing, and so it must be romance, and she must be lying.  

“Lie about this”: he’s asking for a relationship with Elena, on Katherine’s terms.

“You wanna shut out the pain, it’s the easiest thing in the world”: there is nothing left.  Elena, everything he thought was good, has just repeated the killing blow of his worst enemy.  There is no hope, nothing trustworthy, nobody who really cares about him - Stefan, who’s trying to make peace with him, inadvertently took everything from him twice today.  And still Elena thinks he’s better than this, that he should be strong and good enough to just stop wanting her - well, he’ll prove her wrong once and for all.  Maybe he thinks Jeremy will come back as a vampire, maybe he doesn’t - he’s not thinking, he is blind emotion, and he doesn’t want Elena to have any power over him anymore, so he does something he knows she can’t forgive.  But he doesn’t, or can’t, shut out his feelings.  He pushed her away, but now all he feels is his regret for her grief.

Body Language: Eyes

So I stumbled across this really useful thing which I use for writing and wanted to share it with you all.

(source: changingminds.org)

The eyes are often called, with some justification, ‘the windows of the soul’ as they can send many different non-verbal signals. For reading body language this is quite useful as looking at people’s eyes are a normal part of communication (whilst gazing at other parts of the body can be seen as rather rude). When a person wears dark glasses, especially indoors, this prevents others from reading their eye signals. It is consequently rather disconcerting, which is why ‘gangsters’ and those seeking to appear powerful sometimes wear them.

Looking Up

When a person looks upwards they are often thinking. In particular they are probably making pictures in their head and thus may well be an indicator of a visual thinker.

When they are delivering a speech or presentation, looking up may be their recalling their prepared words.

Looking upwards and to the left can indicate recalling a memory. Looking upwards and the right can indicate imaginative construction of a picture (which can hence betray a liar). Be careful with this: sometimes the directions are reversed — if in doubt, test the person by asking them to recall known facts or imagine something.

Looking up may also be a signal of boredom as the person examines the surroundings in search of something more interesting.

Head lowered and eyes looking back up at the other person is a coy and suggestive action as it combines the head down of submission with eye contact of attraction. It can also be judgemental, especially when combined with a frown.

Looking Down

Looking at a person can be an act of power and domination. Looking down involves not looking at the other person, which hence may be a sign of submission (‘I am not a threat, really; please do not hurt me. You are so glorious I would be dazzled if I looked at you.’)

Looking down can thus be a signal of submission. It can also indicate that the person is feeling guilty.

A notable way that a lower person looks down at a higher person is by tilting their head back. Even taller people may do this.

Looking down and to the left can indicate that they are talking to themselves (look for slight movement of the lips). Looking down and to the right can indicate that they are attending to internal emotions.

In many cultures where eye contact is a rude or dominant signal, people will look down when talking with others in order to show respect.

Looking Sideways

Much of our field of vision is in the horizontal plane, so when a person looks sideways, they are either looking away from what is in front of them or looking towards something that has taken their interest.

A quick glance sideways can just be checking the source of a distraction to assess for threat or interest. It can also be done to show irritation (‘I didn’t appreciate that comment!’).

Looking to the left can indicate a person recalling a sound. Looking to the right can indicate that they are imagining the sound. As with visual and other movements, this can be reversed and may need checking against known truth and fabrication.

Lateral movement

Eyes moving from side-to-side can indicate shiftiness and lying, as if the person is looking for an escape route in case they are found out.

Lateral movement can also happen when the person is being conspiratorial, as if they are checking that nobody else is listening.

Eyes may also move back and forth sideways (and sometimes up and down) when the person is visualizing a big picture and is literally looking it over.

Gazing

Looking at something shows an interest in it, whether it is a painting, a table or a person. When you look at something, then others who look at your eyes will feel compelled to follow your gaze to see what you are looking at. This is a remarkable skill as we are able to follow a gaze very accurately.

When looking at a person normally, the gaze is usually at eye level or above (see eye contact, below). The gaze can also be a defocused looking at the general person.

Looking at a person’s mouth can indicate that you would like to kiss them. Looking at sexual regions indicates a desire to have sexual relations with them.

Looking up and down at a whole person is usually sizing them up, either as a potential threat or as a sexual partner (notice where the gaze lingers). This can be quite insulting and hence indicate a position of presumed dominance, as the person effectively says ‘I am more powerful than you, your feelings are unimportant to me and you will submit to my gaze’.

Looking at their forehead or not at them indicates disinterest. This may also be shown by defocused eyes where the person is ‘inside their head’ thinking about other things.

The power gaze is a short but intense gaze that is used to impose one’s will on another, showing power without aggression.

It is difficult to conceal a gaze as we are particularly adept at identifying exactly where other people are looking. This is one reason why we have larger eye whites than animals, as it aids complex communication.

People who are lying may look away more often as they feel guilty when looking at others. However, when they know this, they may over-compensate by looking at you for longer than usual. This also helps them watch your body language for signs of detection.

The acceptable duration of a gaze varies with culture and sometimes even a slight glance is unacceptable, such as between genders or by a lower status person.

Non-visual gaze patterns (NVGPs) involve rapid movements (saccades) and fixations while we are ‘inside our heads’, thinking. Rapid movements happen more when we are accessing long-term memory and fixations more when we are accessing working memory. This is useful to detect whether people are thinking about older events or recent events (or old events that are already brought to working memory).

Glancing

Glancing at something can betray a desire for that thing, for example glancing at the door can indicate a desire to leave.

Glancing at a person can indicate a desire to talk with them. It can also indicate a concern for that person’s feeling when something is said that might upset them.

Glancing may indicate a desire to gaze at something or someone where it is forbidden to look for a prolonged period.

Glancing sideways at a person with raised eyebrows can be a sign of attraction. Without the raised eyebrow it is more likely to be disapproval.

Eye Contact

Eye contact between two people is a powerful act of communication and may show interest, affection or dominance.

Doe Eyes

A softening of the eyes, with relaxing of muscles around the eye and a slight defocusing as the person tries to take in the whole person is sometimes called doe eyes, as it often indicates sexual desire, particularly if the gaze is prolonged and the pupils are dilated (see below). The eyes may also appear shiny.

Making Eye Contact

Looking at a person acknowledges them and shows that you are interested in them, particularly if you look in their eyes.

Looking at a person’s eyes also lets you know where they are looking. We are amazingly good at detecting what they are looking at and can detect even a brief glance at parts of our body, for example.

If a person says something when you are looking away and then you make eye contact, then this indicates they have grabbed your attention.

Breaking eye contact

Prolonged eye contact can be threatening, so in conversation we frequently look away and back again.

Breaking eye contact can indicate that something that has just been said that makes the person not want to sustain eye contact, for example that they are insulted, they have been found out, they feel threatened, etc. This can also happen when the person thinks something that causes the same internal discomfort. Of course, a break in eye contact can also be caused by something as simple as dried out contacts or any new stimulus in one’s immediate area, so it’s important to watch for other signals.

Looking at a person, breaking eye contact and then looking immediately back at them is a classic flirting action, particularly with the head held coyly low in suggested submission.

Long eye contact

Eye contact longer than normal can have several different meanings.

Eye contact often increases significantly when we are listening, and especially when we are paying close attention to what the other person is saying. Less eye contact is used when talking, particularly by people who are visual thinkers as they stare into the distance or upwards as they ‘see’ what they are talking about.

We also look more at people we like and like people who look at us more. When done with doe eyes and smiles, it is a sign of attraction. Lovers will stare into each others eyes for a long period. Attraction is also indicated by looking back and forth between the two eyes, as if we are desperately trying to determine if they are interested in us too.

An attraction signal that is more commonly used by women is to hold the other person’s gaze for about three seconds, Then look down for a second or two and then look back up again (to see if they have taken the bait). If the other person is still looking at them, they are rewarded with a coy smile or a slight widening of the eyes (‘Yes, this message is for you!’).

When done without blinking, contracted pupils and an immobile face, this can indicate domination, aggression and use of power. In such circumstances a staring competition can ensue, with the first person to look away admitting defeat.

Prolonged eye contact can be disconcerting. A trick to reduce stress from this is to look at the bridge of their nose. They will think you are still looking in their eyes.

Sometimes liars, knowing that low eye contact is a sign of lying, will over-compensate and look at you for a longer than usual period. Often this is done without blinking as they force themselves into this act. They may smile with the mouth, but not with the eyes as this is more difficult.

Limited eye contact

When a person makes very little eye contact, they may be feeling insecure. They may also be lying and not want to be detected.

In persuasion

Eye contact is very important for persuasion. If you look at the other person and they do not look back at you, then their attention is likely elsewhere. Even if they hear you, the lack of eye contact reduces the personal connection.

If you want to persuade or change minds, then the first step is to gain eye contact and then sustain it with regular reconnection.

Staring

Staring is generally done with eyes wider than usual, prolonged attention to something and with reduced blinking. It generally indicates particular interest in something or someone.

Staring at a person can indicate shock and disbelief, particularly after hearing unexpected news.

When the eyes are defocused, the person’s attention may be inside their head and what they are staring at may be of no significance. (Without care, this can become quite embarrassing for them).

Prolonged eye contact can be aggressive, affectionate or deceptive and is discussed further above. Staring at another’s eyes is usually more associated with aggressive action.

A short stare, with eyes wide open and then back to normal indicates surprise. The correction back to normal implies that the person would like to stare more, but knows it is impolite (this may be accompanied with some apologetic text).

When a person stares at another, then the second person may be embarrassed and look away. If they decide to stare back, then the people ‘lock eyes’ and this may become a competition with the loser being the person who looks away first.

The length of an acceptable stare varies across cultures, as does who is allowed to stare, and at what. Babies and young children stare more, until they have learned the cultural rules.

Following

The eyes will naturally follow movement of any kind. If the person is looking at something of interest then they will naturally keep looking at this. They also follow neutral or feared things in case the movement turns into a threat.

This is used when sales people move something like a pen or finger up and down, guiding where the customer looks, including to eye contact and to parts of the product being sold.

Squinting

Narrowing of a person’s eyes can indicate evaluation, perhaps considering that something told to them is not true (or at least not fully so).

Squinting can also indicate uncertainty (‘I cannot quite see what is meant here.’)

Narrowing eyes has a similar effect to constricted pupils in creating a greater depth of field so you can see more detail. This is used by animals when determining distance to their prey and can have a similar aggressive purpose.

Squinting can be used by liars who do not want the other person to detect their deception.

When a person thinks about something and does not want to look at the internal image, they may involuntarily squint.

Squinting can also happen when lights or the sun are bright.

Lowering of eyelids is not really a squint but can have a similar meaning. It can also indicate tiredness.

Lowering eyelids whilst still looking at the other person can be a part of a romantic and suggestive cluster, and may be accompanied with tossing back the head and slightly puckering the lips in a kiss.

Blinking

Blinking is a neat natural process whereby the eyelids wipe the eyes clean, much as a windscreen wiper on a car.

Blink rate tends to increase when people are thinking more or are feeling stressed. This can be an indication of lying as the liar has to keep thinking about what they are saying. Realizing this, they may also force their eyes open and appear to stare.

Blinking can also indicate rapport, and people who are connected may blink at the same rate. Someone who is listening carefully to you is more likely to blink when you pause (keeping eyes open to watch everything you say).

Beyond natural random blinking, a single blink can signal surprise that the person does not quite believe what they see (‘I’ll wipe my eyes clean to better see’).

Rapid blinking blocks vision and can be an arrogant signal, saying ‘I am so important, I do not need to see you’.

Rapid blinking also flutters the eyelashes and can be a coy romantic invitation.

Reduced blinking increases the power of a stare, whether it is romantic or dominant in purpose.

Winking

Closing one eye in a wink is a deliberate gesture that often suggests conspiratorial (‘You and I both understand, though others do not’).

Winking can also be a slightly suggestive greeting and is reminiscent of a small wave of the hand (‘Hello there, gorgeous!’).

Closing

Closing the eyes shuts out the world. This can mean ‘I do not want to see what is in front of me, it is so terrible’.

Sometimes when people are talking they close their eyes. This is an equivalent to turning away so eye contact can be avoided and any implied request for the other person to speak is effectively ignored.

Visual thinkers may also close their eyes, sometimes when talking, so they can better see the internal images without external distraction.

Damp

The tear ducts provide moisture to the eyes, both for washing them and for tears.

Damp eyes can be suppressed weeping, indicating anxiety, fear or sadness. It can also indicate that the person has been crying recently.

Dampness can also occur when the person is tired (this may be accompanied by redness of the eyes.

Tears

Actual tears that roll down the cheeks are often a symptom of extreme fear or sadness, although paradoxically you can also weep tears of joy.

Weeping can be silent, with little expression other than the tears (indicating a certain amount of control). It also typically involves screwing up of the face and, when emotions are extreme, can be accompanied by uncontrollable, convulsive sobs.

Men in many culture are not expected to cry and learn to suppress this response, not even being able to cry when alone. Even if their eyes feel damp they may turn away.

Tears and sadness may be transformed into anger, which may be direct at whoever is available.

Pupil Size

A subtle signal that is sometimes detected only subconsciously and is seldom realized by the sender is where the pupil gets larger (dilates) or contracts.

Sexual desire is a common cause of pupil dilation, and is sometimes called ‘doe eyes’ or ‘bedroom eyes’ (magazine pictures sometimes have deliberately doctored eyes to make a model look more attractive). When another person’s eyes dilate we may be attracted further to them and our eyes dilate in return. Likewise, when their pupils are small, ours may well contract also.

A fundamental cause of eye dilation is cognitive effort. When we are thinking more, our eyes dilate. This helps explain ‘doe eyes’ as when we like others people, looking at them leads to significant thinking about how we may gain and sustain their attention.

Pupils dilate also when it is darker to let in more light. Perhaps this is why clubs, bars, restaurants and other romantic venues are so dingy.

People with dark irises (the colored circle around the pupil) can look attractive because it is difficult to distinguish the iris from the pupil, with the effect is that their dark pupils look larger than they are. People with light irises make the pupils easier to see, so when their pupils actually do dilate then the signal is clearer to detect, making them more attractive ‘at the right time’.

The reverse of this is that pupils contract when we do not like the other person, perhaps in an echo of squint-like narrowing of the eyes. People with small pupils can hence appear threatening or just unpleasant.

Rubbing

When a person is feeling uncomfortable, the eyes may water a little. To cover this and try to restore an appropriate dryness, they person may rub their eye and maybe even feign tiredness or having something in the eye. This also gives the opportunity to turn the head away.

The rubbing may be with one finger, with a finger and thumb (for two eyes) or with both hands. The more the coverage, the more the person is trying to hide behind the hands.

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(Source)