>> [Margo] seems to be such a tightly wound individual. So I was wondering if you could talk to us a little bit about the roots of her tension. Because she seems like there’s so much repression, she’s holding so much in, but she expresses it through little moments that mean volumes when they come from her.
In season 1, there is this really kind of dynamite scene between Molly Cobb and Margo. And it’s right after a sim goes wrong, and Molly storms out, and Margo says, ‘What are you doing in there?’ And essentially, Margo says, ‘No no no, you have to be perfect.’ There is no room for air because, you know, a guy can mess up and he’s gonna get ten more tries. A woman messes up once, and that’s, you know, you’re done. So I think to a certain degree what you are seeing is that [...] Margo has to play things close to the vest. Because she knows […] she can’t make a mistake. So I think in some ways what you are seeing is her tracking something, or maybe something flickering across her eyes where there’s a little bit of reaction, but then she’s gotta cover that. And I think what’s been kind of interesting is that you see for three seasons how that evolves, as she becomes more and more powerful, and also more and more seasoned. I think sometimes, too, another interesting thing is as you become more experienced, there are certain things that maybe you show a little bit more about what you think, because you’ve seen so much and there really isn’t someone that is above you anymore. But then, in season 4, because Margo’s kind of thrown back to the bottom of the pecking order, she really has to keep everything buttoned up. And I also think that’s because Margo’s playing the most intense game of chess. Literally her life is at stake. And I think once she’s been interrogated and then becomes part of Roscosmos, she just never knows how the tectonic plates beneath her feet are shifting. I think that’s part of it, too – she doesn’t know how much of it is safe to share. She’s always been a very private person, but I think in season 4 it’s really– now I’m working for a woman who if you really cross her once, you’re gone. […] And that’s one of the reasons that I felt like it was so fun to play all of the scenes in episode 6, in the storage room. You get to see this picture of her, up close, where she’s not having to kind of mask what she thinks.
I am SO Excited for this!
JASON MANTZOUKAS in Series 19 of "Taskmaster"
That and I want to see how they fuck up the history of the Soviet space program. That shit is wild enough in reality.
OK here’s a really dumb kind of FAM shitpost but this thought just arrived in my mind. Based on the one canon line where he specifies the people who’ve been threatened, we’ve all fully run with the idea that Sergei’s family includes his mother, father, and two or more sisters, and he’s the only son in the family. But what if it’s actually like, “Oh, I do have a brother too but he’s an asshole, the KGB can have him.”
Sergei + being a smug bastard (complimentary)
Have we noticed that the book Sergei is reading while packing up in his office to return to the Soviet Union is Henry Miller's The Tropic of Cancer? A book so sexually explicit that it was actually banned in multiple countries. No wonder he quickly hides it under a pile of documents when Margo steps in to tell him about the O ring issue.
This idea will live rent free in my head.
I just want to see them happily retiring together, with him as a Battlestar Commander turned househusband, and her as the Secretary of Education, a working wife. Then, years later, a party asks her to run for presidency, and she gets elected, and they become the unstoppable power couple they are.
(Also not me, trying to write a fanfic where they first meet at the Galactica decommissioning ceremony and then fall in love. Adar regrets losing her, especially to an aging soldier he deems unworthy and socially inferior.
He even insults them, saying she's playing a matador, messing around with a Tauron bull, and trying to SA her. But she punches him in the face (because Bill taught her boxing skill), and it's all caught on camera. Suddenly, she's the talk of the town, praised for defending herself against assault and becomes the new face of #metoo.
And Tauron people all become fans of her because she chose to defend her Tauron partner and chose him over the frakking President of the Twelve Colonies himself. And baby Kyliegh Curran as Lenore Usher, may or may not be their granddaughter from Lee and Dee, who's so close to and loved by her grandparents <3
But since English isn't my first language and I'm so busy with work and adulthood, I don't even know if I could find time to continue drafting this shite. I just love Roslin x Adama in AUs without the attack soooo sooo bad.)
FOR ALL MANKIND — 2x08 ‘And Here’s To You’
Very clever. This will work for us.
Work the Problem.
Why is she dancing alone?! Get moving! Work out your problems on the dance floor!
Oy! Does anybody have a reblog (or whatever), or the original post of the Piotr Adamczyk scene screencap from Go Ahead Brother? The one where he's scruffy and asleep on a couch? I need it. For reasons.
EDIT! UPDATE! @lis5664 found it! Thank you!! See:
https://www.tumblr.com/nadia-el-mansours/767964283777712128/burritoagain-is-this-the-one-you-mean?source=share