Bunnyoftheapocalypse - Bunny Of The Apocalypse

"She is neither pink nor pale, and she never will be all mine; she learned her hands in a fairy-tale, and her mouth on a valentine."

#sebastian stan#

The Falcon and the Winter Soldier | 1.03 “Power Broker”

It's my 15 year anniversary on Tumblr 🥳

collarme:

(via dirtypicturesturnmeon)

I told Miyazaki I love the “gratuitous motion” in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are.

“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”

Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.

“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.

But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.

— Roger Ebert in conversation with Hiyao Miyazaki

Entrapta: An unstable portal is the only thing that would account for all the anomalies. The portal exists somewhere in our world, and as long as it’s still open, it’s going to keep destabilizing reality, making things disappear faster and faster, until, bam, there’s nothing left!

Entrapta: [loud, delighted cackling]

Entrapta, after an ‘oh right’ pause: (solemn tone) Which is a bad thing.

me: I’ve known Entrapta for a week, but if anything happened to her I would kill everyone in the video media industry and then myself.