To Anyone Who Is Having A Bad Day, I Give You This Hamster Wearing A Flower Hat.

A Tale of Obi-Wan becoming Anakin's father

Bonus:

Some dialogues are directly from discord server (especially Bonus Page 5). It's too funny to let it stays in the server so I decided to share with you all. I hope y'all enjoy! Thank you for reading!

One of the running themes in "humans are space orcs" circles is the idea that humans will bond with anything. I can think of plenty of stories of humans making friends with wild animals, alligators, predators, creatures that aliens would immediately recognize as too dangerous for contact. But I was reading a story about two orangutans released back into the wild today and there's a certain element to that story I haven't seen so often: humans will bond with animals regardless of whether the bond is reciprocal.

For every story of a human making friends with some unlikely creature, there are dozens of stories of conservation specialists tranquilizing animals, tending to their wounds or illness, and releasing them because they're too dangerous to handle consciously. Stories of tagging birds of prey and timber wolves and Siberian tigers. Fat Bear Week? Any of those bears would rip your face off without hesitation. But they're round and fluffy and intimidating and beautiful and we love them even though they hate us. We make an effort to protect our monsters, because we love our monsters.

Imagine an alien planet that's experiencing ecological degradation. Their flora is dying, and they can't figure out why. And, offhandedly, in a diplomatic mission, an allied planet mentions that humans have successfully reversed similar devastation on Earth. So they reach out and Earth sends some experts to check it out. And what do they suggest? Reintroducing an apex predator that used to be a scourge against alien settlements. The species still exists in other regions of the planet, but it is slowly disappearing outside of its native habitat.

The aliens are askance. They've told bedtime stories to their young of these creatures: how they tear apart their prey, how they've eaten their organs and rip apart their homes. Some suggest that it's a trick—that the humans are trying to prompt them into destroying themselves.

But there are many alien cultures on this planet, with many different stories and some of them agree. The world watches in anticipation as the humans help their predators. They seek them out, these fearless otherworlders, putting them to sleep and tending their wounds. They keep track of the beasts, not to harm them, but to protect them.

At first the doomsayers' prophecy seems to come true. The predators devour prey animals like a feast, like a slaughter to people who have never been so close to the circle of life. But then, slowly, not over months but over years, comes change. The prey no longer eat the leaves and buds of every tree; some are left to bloom and fall. The refuse rots in the dirt, and the floods cease as the soil grows thick with compost and rotted bone, thick enough to hold water. The shapes of rivers change to protect their surroundings from the rain. The pollinators rebound.

Decades later, other cities and nations begin to accept this human myth of "conservation." Champions arise, alien champions, now, who go into the depths of the wilderness and the seas to protect those predators from the apathy of time.

Not all of them make it. This is something else the humans teach. Sometimes the tranquilizers are not enough. Sometimes the timing is wrong. Sometimes accidents happen. And when they do, the aliens look to humans for an answer for why they should protect these creatures who have killed those they love?

"Because they knew the risks," the humans say. "Because they would be the first to speak to save them. Because they taught you to see the beauty in the wild and you must not close your eyes."

So, despite themselves, they don't.

Humans are space orcs, but humans are real fucking sneaky and don't tell anyone they're predators after realizing that other sentient species are all prey. It starts out as wanting to assimilate without any negative stigma, but eventually they realize that we're really alone as sentient predators.

So q human goes on a research ship and that ship gets stranded on a deathworld and everyone freaks put bc they don't know how to handle this but the human's just like 'build shelter, hunt food, start a fire' and they're all like 'hunt food???!!' And they human's like 'shit'.

So they see a human climb trees, throw shit, track prey and realize 'oh no, that thing could kill us' but the human's helping and they don't really have the man power to get rid of them.

And eventually they realize the whole pack bonding thing is stronger than the predatory instincts and are relieved

So. Hear 5. Nika. Loony Tunes Luffy, if you will. Tell us your thoughts on him and any potential meta? 👀 I’ve been aching to hear it from you since we first saw him go Full Silly Boy.

it's hard to answer this, because i have so many thoughts. i'm just going to try and start from the biggest points and move down.

i like gear five a lot, and i think this development feels very appropriate as a culmination of both luffy's character and the themes of one piece as a whole because of how it interacts with three extremely dominant motifs that have reoccurred throughout the story: freedom, laughter, and the sun.

from the very beginning of the story, luffy has acted, in small ways and big, as an agent of complete freedom. from his first meeting with coby to his breakout at impel down to the liberation of wano, what luffy does is destroy systems that control and oppress, if only because they are in his way. every strawhat is somehow trapped and held back from pursuing their own dreams when they meet luffy, and he frees them all, along with hundreds of others along the way, whether he's inspiring shirahoshi to venture outside or crushing yamato's manacles. his talent for this has always seemed almost preternatural.

luffy is not necessarily a benevolent person; he doesn't care much about helping people in the abstract. he's selfish. he values freedom for freedom's own sake, not because of any greater moral convictions. he doesn't think much about the negative knock-on effects of things like causing a mass breakout at impel down, and he doesn't really go around seeking out downtrodden and oppressed people to free out of a charitable or selfless instinct, nor does he really do anything because it's the right thing to do. he's dismissive of the idea that he might be a hero.

but because he is a completely uncontrollable free agent, and he doesn't really want anything but for himself and everyone he cares about to be completely free, he constantly collides with the systems of oppression that control his world, and when those collisions happen, it is the systems that fail, time and time again, because oppressive systems always do eventually. they can't withstand the light of day. and because he lives completely confidently and unapologetically, he is constantly inspiring others to do the same.

so by the time we are told about nika for the first time, we already know that what nika is said to do is what we've seen luffy doing for more than a thousand chapters: he frees people, and inspires them, and makes them laugh.

i also find luffy-as-nika to be very interesting and thematically appropriate when positioned in opposition to the various antagonists in one piece who have declared themselves to be gods, frequently some of its most tyrannical and oppressive villains- enel, the celestial dragons, doflamingo. all enslave and imprison people, robbing them of their freedom.

nika is a god of slaves, and a creature of liberation. the natural enemy, as rosinante might say, of that sort of megalomaniacal 'god.'

one piece has also consistently connected the theme of freedom, as embodied through luffy, with the sun since very early on. the sun pirates, former slaves, used the symbol of the sun to wipe away the brand of the celestial dragons. (and aren't i curious to know what jinbei might know about nika- he never did answer who's who's question about it.) the fishmen more broadly view the sun as something to be reached when they are truly free. on wano, the coming dawn is understood as the coming liberation. impel down and the florian triangle, places of indefinite imprisonment, are lightless dungeons where the sun doesn't reach. the sun is freedom.

and luffy has always been thoroughly sun associated, from the visual of his hat to his origin on dawn island in the east blue, to his ship, the thousand sunny.

finally, one piece has always placed a great deal of emphasis on smiles and laughter (laugh tale, joy boy, roger laughed, etc)- but that joy must be real. it can't be forced. we're told again and again, through koala, dressrosa's toys, and most obviously the victims of the failed SMILE fruits, that to force someone to smile, denying them the right to cry, is nothing less than an atrocity. people can't be forced to be happy- they should be happy because they're free.

luffy in gear five is laughing nigh-constantly, but it's just because he's having so much fun. unlike the victims of the SMILE fruits, his endless joy is genuine, because in this form, he is completely free- nobody can stop him, and nobody can control him. as he says himself, he can do whatever he wants.

i know that some people felt this moment was in some way a deus ex machina, but it just didn't feel that way to me, because of how well it plays on the story's established themes and trajectory, as well as concepts like devil fruit awakening having been established hundreds of chapters back.

luffy is the sun, the sun is freedom, freedom is joy. i think it makes total sense.

Wake up darlings new finished novel-length obikin fic just dropped AND it's an historical au

Moonlight Serenade by lemon_sprinkles

I'm so excited for this one that I slowed my text to speech program down to make it take approx 18 hours instead of approx 15. Time to SAVOUR.