"At night, Nosferatu sinketh his fangs into his victim and feedeth on his blood - his hellish elixir of life."
Nosferatu: A Symphony of Horror (1922) - dir. F. W. Murnau
A page from the OMWF soundtrack CD insert
Cibo Matto in NYC photographed by Grégoire Alessandrini, 1990s
Okay I was thinking lately about the seemingly random sex scene in tlb right? But if you actually think about the deeper meaning of the movies and the fact the lost boys basically represented queerness and Star and Michael were rejecting that part of them, the scene where Michael asks what's wrong with him and then sleeps with Star makes so much more sense because they are both rejecting their own queerness.
Obviously this isn't worded the best but I'm y'all get my point and maybe explain it better
I unfortunately cannot appreciate the Buffybot for the comedic relief it is bc all I can ever think abt is willow spending hours desperately trying to recreate her best friend bc she refuses to accept she is gone.
Anselm Kiefer — Rapunzel (oil, emulsion, acrylic, shellac and lead, on canvas, 2017)
from Blot Out The Sun by Doug and Mike Starn
Concept art and sketches for 'Nosferatu, A Symphony of Horror' (1922) by architect and visual artist Albin Grau (1884–1971).
Star Wars concept art by Ralph McQuarrie.
from compute! magazine no. 166, july 1994.