You held me close before you stabbed me.
I guess there are people close by
Who keep you at a sword's length
So they get to use it.
Your kisses tasted an awful lot like war
And I will not be your white flag anymore.
Our fights felt like the earth shaking,
Felt like war cry;
The silence felt like an interstice between two tragedies.
Our kisses grew shorter
And interruptions became devastating
Until you finally struck and won the battle,
Won the war.
There's blood between us now
And one tragedy in all of this silence//
It has been a year since we last talked.
Hands held breaths,
Claimed themselves to be Gods today;
Said:
Here lies a body-
And the life within,
Both held in my grasp.
We do not have the habit of letting go;
Even in infanthood
They taught us how to hold things,
Clutch them tight,
For anything given the chance of leaving
Will run away from you.
I have gone through life
Holding things that do not embrace me back;
I have the cuts to prove it.
Sometimes, we cut parts of ourselves
Just to watch something heal.
What are hands
If not something that holds
Another thing;
Another person,
Another body?
Sometimes hands let things fall,
Get tired of holding so much of
What does not want to stay;
Hands look in the mirror,
Ask themselves what have they become,
What have they done?
All that blood and all that glory:
You can not wash away either.
I once wrote a poem.
And the poem strangled me.
I wrote another
And it held me.
How do you know who is here for the slaughter
And who will embrace you,
Unless you see their hands
Reach for you?
You know you cherish them
When their absence aches-
A non-existence of ache
That attaches itself to you.
And sometimes we cherish those
Who slaughter us.
Like God.
Or the hands of our lovers.
I think the kindest thing a God could do
Would be to leave us alone;
To not stand there, peer over our heads,
Look into us, quite so literally-
Not keep a track of the actions,
Of intentions;
Or disapprove what we became.
Gods bring catastrophes
We are not ready for;
Bring forth wreckage,
Not knowing what to do;
Gods cause so much damage;
I mean Hands.
Hands reaching for things
They do not know how to hold yet.
Perhaps Hands should leave things be,
Unclench those fists,
See how much there is
To simply caress.
A.G.
Do not let flowers bloom in place of your words. Speak Up. No more shrinking yourself, staying quiet, being worried if you'll step on someone else's toes. They will shred you and they will like it, enjoy it even. Speak Up. Scream. Let it be known that you are here, you are here and alive and you sure as fuck will ensure that they know it. Speak the fuck up. No more hiding.
Important Reminders
And how do we forget all this glory around us?
They are having a tickle war like they always do; his small body curled into itself, trying to tuck it within its own bounds, to not have to bear this joyful torture.
They are not people anymore, they are two shrieks of laughter. They are an odd sight to look at: a tall girl, almost a woman, and a toddler of six; an unlikely friendship that looks bizarre but radiates so much joy you cannot help but feel warm.
The girl turns into things she isn't; just for this boy, she turns into a sunny disposition, a pleasant version of herself and she has the gentlest voice. She has hands that do not hurt, she has eyes that smile and she is bubbles of laughter come to life.
The boy comes back year after year to meet his sister; they aren't really siblings, they are distant cousins but there is a lot of love here. And where there is so much love, you feel obliged to put a label. So they were brother and sister, and the oddest duo of the lot. As the years pass by, she sees her brother transform into things she resents; no longer a sweet child, he throws tantrums and uses his hands and fists like the men do. But he isn't a man yet, he is just a little boy.
He is nine and he already thinks it is okay to do things you do not like others doing; he thinks that it is okay to destroy what isn't yours because you could not have it or to scream and cry until you hand him what he asked for. These are trivial things, he is just a child after all.
She walks in on the boy destroying something that isn't his and he throws things at her, makes her mad. He takes pleasure in irritating her; she can tell; he takes her things and claims them as his and she lets him. She feels something come over her; makes her way towards him and traps him in her hold. She tickles his neck and she scratches him.
The boy is screaming and crying and she is devastated. She sees herself transform into things she thought she would never become. She sees an image of her lineage in her. Is this what we inherit?
Suddenly, she is small again. She is not herself, she is the little boy. She is nine, she is seven, she is five years old. She knows she is small so she bites the hands of those who reach out because her fists are still a little girl's fist, even though the size of the fight in her is quite big.
She doesn't recognize herself anymore.
Is this what we inherit?
No.
It runs in the family but this is where it stops.
Bless the hands that fed us, and may there be scars on those who harmed us. May we never become the things that hurt us.
She is twenty-five years old now. And there is an odd friendship in her life that no one understands, but there is a lot of love there. There is a little brother waiting for her.
I was not the broken thing anymore.
I cried and fought and fell
And scratched and clawed
My way back from hell.
I made an armour out of this body,
Grew my heart into a soldier,
Marched to once friendly lines
To cut off all ties
And fought you off
With all my might.
You weren't here anymore
And I grew myself a garden,
Planted my heart in its bosom;
Took the armour out to let it rust,
Felt the sunlight burn my thick skin,
And I almost could feel the years turn,
And could almost feel myself turn to dust.
Do you think that if you love a certain thing, it is supposed to be constant throughout and it loses its charm when it stops being exactly that?
I think that the idea of loving an entity as it changes and transforms is much more endearing than going "Oh. This doesn't resemble what I initially fell for."
I think that especially with people, you have to know that they're constantly moving and they are experiencing things, and they change. To hope that something stays exactly as it was when you fell in love with it doesn't sit right with me. Haven't you changed? Do we have the right to tell something to remain stagnant when we aren't?
I think I personally have a skittish attitude towards things that remain constant; on the other hand, change feels so natural. I think I see it in this light: to be with someone or something as it changes is to get to discover more things to love, new things to love about them. I also believe that there are certain things that always remain the same. Even when the person is entirely someone different, there is always a set of habits or a preference or something specific to just this one person, that still remains constant. I find myself fascinated by the fact that even after this landslide of a change, there are moments where you can see them be the person you first go to know or how even after such an elaborate transformation, there are things that still somehow remain the same.
I think there are tiny constants even in the grandest of transformations. I quite ardently believe that people are much more endearing when they embrace their changes rather than thinking that the people who loved them when they were someone else will stop doing so as they grow into another person. I think that if the people you know do not fit the life of who you want to be or who you have become, you should let them go. So no, I do not think that anything I love owes me the grave burden of being in a state of constant; in a state of stagnancy.
-Anika