are you ready to finally be somebody?
yah. its her. idk if I'm finished with this or not but there is another part for it. yes fantasy au is still rotting my brain
Mugler’s Spring 1997 Couture collection, also known as “Les Insectes,” is a landmark in the history of fashion, representing not just clothes but a vision of the future inspired by the natural world…
The collection was inspired by insects, their otherworldly forms, and their ability to evoke both fascination and discomfort. Mugler’s work explored how the natural world could be reinterpreted as seductive and almost alien-like armor for the body
painting this on the ceiling above my bed so it's the first thing i see upon waking in the morning and the last thing i see before falling asleep at night
Some belated photos from the "Fashioned by Sargent" exhibit at the MFA Boston. My pictures just don't do it justice! I'm not one for hyperbolics, but it literally took my breath away, even with the crowds of people everywhere.
evening dress by the House of Worth (c.1880); owned by Sarah Choate Sears, who Sargent painted in another dress in 1889
reflection of Ellen Terry as Lady Macbeth (1889); costume designed by Alice Comyns Carr and created by Ada Nettleship
evening dress with matching shoes by the House of Worth (c.1895)
Mrs. Charles E. Inches (Louise Pomeroy) (1887); dress made in 1887 and likely altered 1902. Louise was pregnant at the time of her portrait, and if you look very closely, you can see the dress skirt has adjustable panels to accommodate a changing body.
photos by me (@edwardian-girl-next-door)
Thierry Mugler's butterfly dress
Spring 1997
ཐི༏ཋྀ
I heart prey animal rage I love when characters are fucking insane with terror
they’ve been forcing us to write “customized notes” on every drink at work and now they’re having store meetings + coaching us on what we can and can’t write bc someone drew a pig on a cop’s coffee and tbh that’s on starbucks for not foreseeing this outcome.
qs reblog sideblog. assorted bric a brac. follows back from @quirinah
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