As Far As Book-to-movie Adaptations Go, The Hunger Games Does A Pretty Good Job. But One Thing I Will

what is adolescence if not leaving and being left?

1. iain s. thomas | 2. alison zai @alisonzai | 3. @chloeinletters | 4. mikko harvey | 5. fleetwood mac | 6. the breakfast club (1985), john hughes | 7. lorde | 8. miranda july | 9. richard siken | 10. @mavra-matia | 11. homer | 12. amy hempel | 13. mitski | 14. katrin koenning | 15. freya ridings |

Part of why I dragged my feet on ever checking out JJK was the reputation I heard was that it's a BRUTAL grimdark story where ANYONE can DIE in a snap and the author says FUCK you. And after finally catching up with the anime that just... Isn't the tone at all?? Like, Game of Thrones, Gantz, Attack on Titan, etc other cornerstone grimdark reference points, I think one of their defining hallmarks is not just that characters die suddenly and violently, but that human life is nasty, brutish, and meaningless, and it's your own fault for being stupid enough to get attached.

Jujutsu Kaisen on the other hand, I don't know how you can look at one of the most recent casualties circa S2Ep20 of the anime where that character gets a full entire episode reminiscing about their childhood, and the moments and people that meant most to them, and come away thinking the author's intent was to treat life as meaningless. The amount of screen time devoted to the following character who gets badly maimed, the audience gets enthusiastically shoved neck deep into their insane kaleidoscopic passion that is never once undercut or subverted. Both of these characters, far from being callously snuffed out and dumped in the trash, were shown immense love. What we got was not a statement of their life being disposable, but a celebration of life, a reminder of who they are, what they cared about, what made them special, who they loved and who loved them and will remember them in turn.

This is a story about curses born of misery, hatred, and malice. It is also a story deeply concerned with dualism, especially when it comes to attachment and desire. Misery stems from worldly attachments, but it is not weak or foolish to become attached to things in this world. To love something is to set yourself up for the pain or anger of losing it, or sadness of having it denied. But that love is what makes life worth living anyway, and what makes it worth it to keep fighting. We as the audience are sad because we are attached to these characters who have met terrible fates. We see enough of them to be able to clearly picture the whole rich life they could have lived surrounded by friends and feel the sting of that path cut short. It is a story about how it was worthwhile knowing them well enough to be attached anyway, even if it meant unavoidable heartbreak.

This is true of both the human protagonists as well as the curses! Volcano Man and Mahito are ruthless killers who cruelly take lives without a thought. They also have hopes and dreams that they earnestly try to protect and follow through on, and face heartbreaking despair upon defeat. They feel pain just like we do, but must nevertheless be killed. Humans face pain through the very act of living, but nevertheless must live.

In true grimdark fiction there is rarely anything good in life for characters to return to once the battle is over. In Jujutsu Kaisen, on the contrary, there is enough good in life that we see it even amidst the battle. I can see that no other way than an expression of genuine affection. Truly bleak fiction leaves me wondering why everyone involved doesn't just put a gun in their mouth and be done with it. JJK provides an answer--because you'll get to laugh about ruining an expensive shirt, because you'll meet an acquaintance's hot mom, because the next human earthworm movie is coming out, because your favorite idol is doing a meet and greet this weekend, because maybe someday you'll finally go to Malaysia. There are many answers, and none of them are stupid.

Who are your favorite romantic relationship's couples from any media, can be books/ manga/ anime/movies/tv series/ etc (can be canon or non-canon)? Feel free if you want to write the reasons or not of why you love them...Thanks if you want to answer....

Well I sort of go into a binge mode for each romantic pairing? So one particular pairing will be top of mind for a certain period of time and then once it runs its course, I cling on to the next ship. And they're mostly gay. Because I'm gay 🤷‍♀️

All that being said, right now it's SatoSugu from Jujutsu Kaisen.

Yellow Flowers

Yellow is associate with hope in The Hunger Games. In the upcoming chapter 4, Katniss will remember eating dandelions and it giving her hope. The dandelions are linked to Peeta in Katniss' mind. He was looking at her when she saw them. (This will come up again in Mockingjay, if we get there.)

The yellow flowers come up again later. "Rue is a small yellow flower that grows in the Meadow. Rue. Primrose," Katniss thinks, explicitly linking Rue and Prim together.

Rue is a yellow shrub that can be decorative or used as an herb. There is "common" primrose and "evening" primrose. I believe Prim was named after evening primrose. It is also yellow and has some medicinal uses which is apt for Prim who wants to be a healer.

It's worth noting that katniss is white but has a yellow center. It's a flower but also edible, making it a bit more functional than rue or primrose (although rue can be used as an herb) to someone like our Katniss who is looking for food always. (Aren't we all?)

There is also one other character who is a yellow flower that Katniss will never explicitly link with hope but has a symbolic function in the novels: buttercup.

Buttercup the Cat is Prim's guardian. He and Katniss never get along but I always thought it was because they were too similar, both prickly and overprotective of Prim. He also prefers the Everdeen's old house in the Seam, like Katniss does, over the house in Victor's Village.

Buttercup is also a survivor. He doesn't die when Katniss attempts to drown him. He makes it through the firebombing of District 12. He somehow makes it back from District 13 to appear in 12 at the end of Mockingjay. Compare this to what Katniss goes through in the novels, how often she escapes death and her own difficult, winding road back to the house in the Victor's Village.

Anyway. TLDR, there are a lot of flower names in THG. I haven't even gotten to Posy (a "posy" is a bouquet of flowers) or Snow's unnatural, genetically engineered roses that are in opposition to the wildflowers like rue and evening primrose.

there is something significant that suzanne begins thg with an interaction between gale, katniss, and madge. and in that interaction, gale specifically calls out madge for having only five entries, implying that her chances of going to the capitol are nonexistent (thg, 12). or at least less than him, who has forty-two entries (thg, 13).

suzanne integrates this scene with madge in the novel to show (1) the class division throughout the district that creates animosity. and although gale knows that it is not her fault, that doesn't stop him from digging into her (thg, 13). and it also emphasizes (2) the illusion that some people are safe, or benefit in this system.

yet, you know who had also only five entries? just like madge? peeta. and prim only had one entry. the two people whose names were called that year. so when the reaping happens, it proves just one thing. no one is safe. not a merchant's son. not even a girl with only one slip in the bowl.

and it just goes to emphasize the theme that follows katniss's throughout the novel: who does this system benefit? one that she finally reaches her conclusion at the end: that "it benefits no one to live in a world where these things happen" (mj, 321). because no one is safe in a world where people murder children in order to solve their differences. and that means no one. not a capitolite. not a mayor's daughter. and not even a young medic whose sister has done everything in her power to keep her safe.

@lgbtqcreators creator challenge | book covers

TEEN MOVIES INSPIRED BY CLASSIC LITERATURE

Hannah Montana is fucked up because its entire POINT as a show is that children should be protected from fame and exploitation, but it stars a REAL little girl that's being exploited. Nearly every episode carries the looming threat of Miley being outed as Hannah and losing her peaceful teenage life to the ravages of fame. Her father in the show (played by her own father in real life) wisely protected her from the trauma of fame by making her wear a disguise and live a rather quiet, interview-free life. Meanwhile the REAL Billy Ray Cyrus sold his daughter to Disney Channel when she was 11 and forced her to read dialogue about how terrible it would be to face the public eye. Like... Jesus, dude. The fictional Robby Ray is 10x the father, and it's not even close. (It's also IMMENSELY funny that her dad doesn't use his real name in the show, while she does. Almost like he wanted a bit of a disconnect between his identity and his character. Something Miley didn't get.)

Epic: the musical poster~

GAHHH i cant stop listening to circe's songs ngl, this poster was a birthday gift for my gf and it turned out so good :)

I'm thinking about how Katniss describes the rock that Thresh uses to kill Clove. She compares its size to "a small loaf of bread." This is what I mean when I say I could talk about the bread symbolism for hours. It's actually insane that Thresh is saving her life here, but in Katniss' mind, it echoes Peeta. The first person who saved her. Peeta will always be the epitome of safety to her. God, it's just so—

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