I Don't Know How Many Of You Have Paid Attention To The JJK 0 Opening Song "Greatest Strength" But If

"It's a story about devouring and love just happens to look similar"

now I just rolled into this establishment but it seems to me that jujutsu kaisen is in fact entirely about cannibalism. eating fingers, eating curses, eating your twin inside of the womb, eating your twin outside of the womb. archaic power structures that needlessly burn out their own young. ancient spirits assimilating little girls. prison realms full of bones that slorp you up. the envelopment of a domain, like being in something’s stomach sloshing around inside it. this is not a story about love! it’s a story about devouring and love just happens to look similar.

Idk man....there's no trauma....

...it's not like the idea of there being a pairing where one person has mistreated the other in the past but grows up and genuinely apologizes and tries to atone for it is relatable to my childhood or anything....

...or that the idea of someone who yells at you and is pretty rough around the edges sometimes still loves and cares for you underneath it all even though they don't seem to know how to say it is something I desperately want to believe is true....

...and it's most certainly not that in a lot of ways both of them have been let down or adultified by many of the actual adults in their life and the older generation at large done fucked up with these kids and might be a little too relatable to my generation in general...

...hahaha it's definitely not any of those things...nope...no trauma here

what does bakudeku yaoi have to do with your trauma

Hi....If you don't mind, can I ask, what are your top 10 (or top 7) favorite media (can be books/ manga/ anime/movies/tv series)? Why do you love them? Sorry if you've answered this question before......Thanks....

Heyyy!

Well....funny thing actually. Jujutsu Kaisen is my first ever anime/ manga that I've explored. I did not know what I expected but it was NOT this. It's been a roller-coaster ride and I'm looking forward to watching more anime and reading more manga.

But outside of anime and manga, I'm actually a huge bookworm. I've posted a bit about the hunger games series, which I love from the depths of my heart. I'm technically a part of quite a few book fandoms but the hunger games has to be my favorite to discuss. I'm also a literature student, because I love analyzing and dissecting books and movies.

All of that being said, a top ten would be super hard to decide. But I'm going to go off the top of my head based on how I'm currently feeling and I'm going to stick to pop culture media (mostly). In no particular order

Avatar the Last Airbender series

Jujutsu Kaisen

Hunger Games series

The Book Thief

The Five People You Meet in Heaven

Hamilton (musical)

Love, Death and Robots

Gifted (movie, probably all time fav)

Percy Jackson books

The Mortal Instruments series

I'd be happy to get suggestions from people (also happy to give recommendations if you want!)

I get up and eat breakfast

The people in Gaza are starving

I sit and browse the internet

She was trapped in that car for 2 weeks

I take my medication and pain killers

Every hospital in Gaza has been bombed; there is no medicine

I go out and run errands

They were told the South would be safe

At night I sleep in my bed warm and safe

At night Israel is bombing Rafah; there's no where left to go

Protests Resources

Operation Olive Branch - adopt a Palestinian family to help them cross to Egypt, it costs thousand of dollars per person in order to leave. It's ok if you do not have money to donate, but please please keep reblogging

You know what's really ironic when it comes to Coriolanus Snow? It's the fact that according to The Ballad of Songbirds and Snakes, he garners attention and approval and finally mentorship under Dr. Gaul by pushing the idea of balancing humanity and spectacle in the hunger games. Make the tributes human enough to get attention and get people invested in the games. But make them spectacle enough that people don't look deep enough to question the games themselves. Make the competition human enough that people will pick sides and pour money. But make it spectacle enough that they don't protest their side losing.

It's the idea that paves his rise to power. But it's also the same thing that brings about his downfall. The spectacle of the hunger games gave a front and center platform to a naive but defiant girl from District Twelve to become the face of a revolution and the ultimate weapon against him. The measured humanity that he urged into the games got people to trust her word, trust her very image in ways that Snow had never anticipated. The balanced wielding of humanity and spectacle that Lucy Gray used to win her games is what Katniss used to end them, both enabled by Snow.

And here's the final kicker- the reason his brutally brilliant plan failed him in the end was because of the one thing Snow never took seriously enough to consider. The Districts. Snow had keen insight into how the people of the Capitol worked and thought. It allowed him to manipulate many of them. But he dismissed the role of the districts as inconsequential in the larger play of things. As long as they were kept suppressed, it didn't matter. And that's where his oversight cost him. He didn't consider the effects of the same humanity and spectacle when perceived by the districts. He didn't see how he was giving them the spark they were always looking for until the match had already been lit. The girl was already on fire. The Capitol was already burning. The snow was already melting.

#VoteBlue

Say what you want about Rick's writing choices but he cooked when he had each pjo book represent a myth and had each character represent a greek hero. I am not ashamed to admit that.

Watching the new Percy Jackson episode, and while by no means is the show perfect, I do love how they updated the blending of Greek mythology and the American Gothic for social commentary.

What I mean is Echidna, the mother of monsters, is some respectable-looking vaguely southern white woman who is able to convince the police on the train that three kids shattered a train window and used those institutions to isolate the kids so she can target them and scare them for the chimera's hunt. The way that the police especially treat Annabeth. Now, as a young black girl, she has to know how to ask if they're getting arrested, and gets called out by the police for her tone.

And then, at the St. Louis Arch, we see Grover upset because of the museum, which is basically a monument to Manifest Destiny (literally, there's a shot where the words are in full display in the background). And while they say, "Grover is upset because he doesn't like it when people hurt animals," they explicitly depict America's colonization and destruction of indigenous communities as The Bad Thing. It adds another layer of flavor for the whole "Pan is missing" - it's not just about Climate Change. It's about the extermination of indigenous groups (the centaurs they saw on the train, the reminder that there used to be more of them until humans started killing them). They say "humans" are bad, but they're showing us Western/American colonizers.

Also, a rare yet interesting moment of conflict between Annabeth as a daughter of Athena and Grover as a Satyr. Annabeth insists that the museum's commodifying and glorifying of American colonization is "not what the arch is actually about, it's about architecture and math," but Athena is the goddess who protects social institutions and a patron goddess of the state, law, order, industry, and war. The Industrial Revolution and Western social institutions definitely contributed to colonialism; just saying. We also see in this episode that Athena can be arrogant and cruel - letting a monster go after her own daughter because she was embarrassed.

Anyway, idk. Maybe I'm overthinking this but these were the things that popped out to me on first watch, and now that I think about them more, I would love a continuation of these kinds of themes and tropes in future seasons, if we get them.

They knew what he was the moment he opened his eyes. Or rather, what he would become. What they would make him.

When the word spread, they called him different things. A sign from above. A savior. The strongest sorcerer this world has seen in centuries. The pride of the Gojo clan. The wielder of the Six Eyes.

The titles were pretty, but they all meant the same thing. From the moment Gojo Satoru opened his eyes, he was a weapon.

A weapon does not need to love or be loved. Love is vulnerability. A weapon cannot be vulnerable.

A weapon does not need to care, only kill. When they tell you to. Whatever (or whoever) they tell you to. A good weapon asks no questions. A weapon does not care.

A weapon does not need to be happy. Happiness is having friends and laughing at stupid things and playing in the sun. Happiness us for children. A weapon is not a child.

Gojo Satoru was a weapon. The best one in centuries.

Until he wasn't.

Until Geto Suguru looked at his eyes like they were beautiful. Like he was beautiful. Weapons are not beautiful. But he looked at him like he was not a weapon. And he made him want to believe it.

And then they gave him the order to execute him. But the weapon was no longer a weapon. Weapons did not have hearts. Suguru may have left it bleeding and broken in the wake of his departure, but it was still the greatest gift he had given Satoru. A weapon did not know love or care or happiness. Satoru was not a weapon.