For Me, I Try To Replace Words Like Said With Something More Specific, But Only If The Dialogue Needs

For me, I try to replace words like said with something more specific, but only if the dialogue needs it. So like:

“I hate you,” he said.

can be a lot less effective in an argument scene than,

“I hate you!” he shouted.

So advice #1 is add specificity so you can paint the image that you want your readers to have. If I’m struggling to find the specific word I want to use I’ll sometimes try OneLook Thesaurus, but honestly sometimes the simple ones you think of first work best (he shouted vs he vociferated, yk?)

But sometimes you don’t even need the specificity in the dialogue tag to make the image clear, you can focus on description and leave the dialogue standing on its own, like:

Tommy gripped Clarence by the collar, his nostrils flaring.

“I hate you!”

As long as it’s clear who’s speaking, stand alone dialogue can be really effective and it’s smth I’ve had recommended to me before. So advice #2 would be to simply drop some of the said’s or ask’s that aren’t doing much for your dialogue. (But this doesn’t mean it’s automatically better to cut out all of them, especially if some of those tags do a lot of work for the pacing of your dialogue, it’s really up to your own judgement as the all-knowing author)

And advice #3 is just that writers notice the said’s and ask’s way more than a reader ever does, bc to a reader those words tend to become part of the landscape of what they’re reading and feel very natural but if you choose a synonym of said that feels really out of place, then they’ll definitely notice it

So overall I’d say don’t get too in your head about it :)

Having a lot of said’s and ask’s is totally normal, it’s really just up to you if you think they’re not doing enough work to paint the picture you want or if it might be punchier to have to dialogue be without tags! Might even be worth it to look at a piece of writing you really like to see that author’s balance of said/asked vs more specific tags vs no tags at all, especially to note which ones you, as a reader, like the most

Hope this helps and best of luck with your novel!!

I'm using said and asked way to many times in my writing. Where do you all get your synonyms from??

And don't tell me 'Google'

More Posts from Bi-focal12 and Others

7 months ago

love cheery child & grumpy old person family dynamics. honestly there’s smth so caring abt the grandparent having a lot of lived experience compared to the child having virtually none, and them both sharing their own kind of wisdom with the other

i’ve been thinking abt it a lot since writing the last chapter of my jjk fic Little Troubles (<- ao3 link here for those who are curious) bc right now it’s really just about Yuuji and his grandpa (and sukuna being forced along for the ride lol)


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8 months ago

hi!

i figured it was about time I do a blog intro, so hello! its so lovely to have you here! I'm bi_focal on ao3 and this blog is a mix of writing content, fandom, and fake tweets :)

Writing content can be found under the #writeblr tag (which includes fanfic updates) and my most recent fics are:

-Little Troubles (Itadori & Sukuna, WIP)

-summer daze (katsuki-centric Coraline AU, WIP)

-this rabbit has fainted (bkdk, complete)

The fandoms I'm mostly active in rn are MHA, idolish7, & JJK but there are plenty more that will probably make appearances as well

The fake tweets I make are for MHA and i7 (mostly MHA) and they’re under both #fake tweets and #incorrect quotes (*and these are rated teen for language and occasional innuendos!)

I'd love to interact with you, especially about writing things, so feel free to send me an ask!!


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9 months ago

what is everybody's favourite dinosaur


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3 months ago

Ooh I really like the idea of placing your writing day at the end of the week so you always have something to look forward to, that’s such a sweet ritual :)

I’ve been wanting to try out flash fiction Friday’s as well so maybe I’ll give that a shot!

Thanks so much for the suggestions and best of luck with your semester!!!

trying to find the time/energy to write now that the semester has started up again is not going to be as easy peasy as i thought lol

writers, pls reblog with your fav writing rituals/habits! i love getting inspired by seeing what works for other people :)

3 months ago

March 50k novel challenge update

Hi everyone! Now that there are a few more people joining, I wanna re-cast this poll to double check we're all on the same page! Original post with all the details is here, and if anyone seeing this is interested in joining you are more than welcome to! pls just leave a comment to lmk :)

Also! Now would be a good time to start thinking about how you typically spend the hours in your day so you can decide how to best incorporate writing time into your schedule in March (personally, im gonna have to spend a lot less time aimlessly scrolling and procrastinating schoolwork lol)

Options for the platform to coordinate this on are:

1- tumblr

2- discord

If you vote for #1 and want this challenge to use the tumblr communities feature pls leave a comment specifying your preference!

taglist for participants: @queengmine2crayon @bluedaelyn @caffinatedcastiel @spookylittlemegan @brightshaw-shipper @superabi1997 @lauravanarendonkbaugh @relentlesslycravingsummer @mayarii-darling

*shoot me a comment if you'd like to be added or dropped from the taglist


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7 months ago

Magical Anime Girl- i7 ficlet

genderqueer questioning nagi, pre-slash nagimitsu, based on that one scene where mitsuki tries to throw out all of nagi's merch (943 words)

still looking for an i7 beta reader, esp if you have a good grasp on the character personalities! and ofc id be more than happy to beta some of your stuff in return (for any fandom or original) so message me if interested!

Nagi had thought he’d confessed something, sitting on his knees while Mitsuki stared down with a blinding vengeance from Nagi’s bed, the both of them surrounded by boxes half-filled with his prized Magical Cocona keepsakes. 

Mitsuki had taken Nagi’s trademark magical stick from its place on the wall and brandished it with all the grace of a valiant knight from the stories Nagi’s father used to tell him as a child. Pointing the barrel of the wand at Nagi’s face like a steel-tipped sword, Mitsuki had said, “I know you’re more than just a womanizing anime nerd.”  

The words I know filled Nagi’s ears like static. 

“More than when you’re with girls or watching anime, when you’re dancing with us you smile the brightest.”

I know, I know, I know. 

“I know because I’ve been watching you,” Mitsuki had said, and Nagi thought that maybe he knew, too. 

Maybe he and Mitsuki were the same. 

Mitsuki set aside his sword- the magical stick returned gently to Nagi’s sheets instead of the box of to-be-thrown-out things- and he kneeled, too, bringing their faces close together. All the animosity from earlier felt washed away like the evening tide and Nagi’s water-worn eyes had shone, reflecting back the sudden gentleness he was faced with. 

No one who’d known had ever been gentle about it. 

Mitsuki smiled. 

“Man, you sure are handsome up close.”

The breath of those words on Mitsuki’s lips tipped Nagi further onto his knees like a young tree caught in the throes of a hurricane. 

I know. 

So Nagi steeled his trembling, windswept body and confessed. He’d confessed that he felt beautiful like the magical girl Cocona. Like elegance in velvet dresses and silk ruffles and perfectly pink princesses locked away in high towers, waiting to be rescued. 

(I must confess…I am beautiful.)

Mitsuki frowned, rising suddenly to make a dumpster shot of one of the Magical Cocona figurines displayed by Nagi’s bedside. 

“I was ready to listen but all you wanted to do was brag?” Mitsuki exclaimed incredulously, the words that had escaped Nagi’s lips too cowardly to confess anything at all. 

“I’m a beautiful man,” Nagi tried again. Beautiful, not handsome, but the hard lines in Mitsuki’s forehead clearly said Nagi’s message wasn’t getting through. Mitsuki didn’t really know so Nagi switched tactics, trying his luck with the other truth Mitsuki might have been referring to. “I’ve had girlfriends, but never boyfriends.”

Nagi had never had this. Japanese boys crowding into his space 24/7 and admiring his face, admiring him aloud, kneeling on his bed like a specter of divine judgment and leaning closer than they’d ever really need to be. 

“You’re my first,” Nagi said, hoping that this was known, at least. These secret feelings, barely beginning to bloom, expressed only in the suggestive asides Nagi’s meager vocabulary could manage.  

Nagi realized too late he’d slipped into the plural you but Mitsuki didn’t hesitate in the slightest before correcting the words Nagi had placed so purposefully at his feet, so perhaps this wasn’t the truth Mitsuki knew, either. 

(You mean, your first friends?) 

And the members of idolish7 were Nagi’s first friends, like Mitsuki assumed, so Nagi hung his head and agreed, grateful that his cowardice and incompetence had at least allowed him to retain his dignity a little while longer. 

Nagi had weathered the crashing wave of anger like he always did, misplaced as it was this time, and Mitsuki had gentled once more. 

Then Mitsuki called him cute and helped Nagi right the storm of his room and he smiled when Nagi began explaining the pure perfection that was the MagiCona series and Nagi felt…warm, in a way he didn’t usually allow himself to. 

He softened his body language until he felt more himself, mimicking the easy femininity of the magical anime girls he so admired, and Mitsuki never blinked. So maybe Nagi could allow himself this wordless honesty. Here, in his room spun with silk and safety that Mitsuki had stayed to help him rebuild even if he didn’t know.  

And at night, after MagiCona had aired and everyone else was asleep, Nagi could allow himself- herself? Perhaps themself- to imagine that Mitsuki had known something else and stayed to help Nagi rebuild all the same. 

*

Manager knew, Nagi thought. Or she at least suspected. 

Somehow girls always did, and that was part of why Nagi liked them so much. Tsumugi Takanashi was a beautiful woman, and Nagi told her so often, but he didn’t desire that sort of connection from her. 

“There’s a Magical Cocona themed planner being released today, isn’t there?” Manager asked as they strolled past the Zero arena. “Should we stop at a bookstore after we visit the salon?”

This connection, though- this easy friendship unafraid to wade away from masculinity was something Nagi wouldn’t trade for the world.  

“Oh, yes!” he cheered. “Magical Cocona! Yay!”

And maybe when Nagi found the words for a real confession, Manager would be the first to hear them, her gentle understanding a lighthouse in the swirling storm Nagi would finally admit existed within his head. 

“Are you okay, Nagi-san? You have an odd expression on your face…”

Nagi extended his hand, fingers curling upward, while the other rested gently on his own chest. Manager carefully placed her hand in Nagi’s and laughed as she was twirled, skirt billowing out in a beautiful circle. 

“I’m fantastic!” 

Nagi lightly squeezed Manager’s hand before letting go. 

“As long as you’re sure,” she said. 

“I am,” Nagi replied, smiling. “We’re going to get Magical Cocona today!”

And the baby steps were important. The magical girl Cocona assured him of this.


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4 months ago

personally, i definitely think that these phrases stand out a lot more to the writer than to the reader, but if you feel like those comparison phrases are adding up too much or getting a bit clunky, I’d recommend experimenting with metaphors rather than trying to look for replacements for “like” or “as”

to a reader, something like “her smile was like the rising sun” is super easy to read and can do a lot of work communicating theme and mood and details about the character (or narrator, depending) but switching it up to something more complex like “her smile was akin to the rising sun” can make a reader pause and go ‘huh that’s a little awkward’ unless that’s the style of language you’ve been writing in the whole time

that said, i think the simplest way to cut down on similes if you have too many (or don’t enjoy how they affect the flow of your sentences) is to use metaphors. they can help cut down that barrier between a character comparing two things (e.g. her smile & the rising sun) and instead appeal directly to a reader’s senses or their understanding of the world, so that the comparison just becomes part of the scene itself

for example, I was reading Sally Rooney’s Normal People during the unit on comparisons for a writing course I took and some that stood out to me were how she described “rain silver as loose change in the glare of traffic” and how that rain “[whispered] on slick roof tiles”

the first quote is a simile while the second is a metaphor, but both of them are making comparisons (the first comparing rain & loose change, leaning on a readers visual reference for shiny coins and implying that the narrator thinks these two things are alike) while the second one compares the sound of rain to the sound of whispering by making it part of the scene description directly. rather than say “it was as if the rain whispered on slick roof tiles” Rooney broke down the barrier that similes sometimes put up by directly appealing to the reader’s senses instead (sound here, instead of sight) and that’s effective bc a reader can very easily understand what it means for rain to whisper without the author having to put in a lot of work looking for a natural way to say “the rain seemed as if it was whispering on slick roof tiles”

and sometimes similes just work better than metaphors. it really depends but, as the author, you get to choose what works for you and what doesn’t

these kind of considerations can be hard to remember when you’re in the middle of writing, too, but the editing phase can be a great place to turn some similes into metaphors (or to decide that you like all your similes and to leave them be!)

i know a lot of my writing involves me writing exactly what I mean, and then scaling it back in the editing phase so that I’m showing what I mean instead of stating it all outright- and in that process a lot of similes end up incorporated in different ways (either by using metaphors instead or by dropping the comparison altogether and leaning more on body language and or theme to draw out the ideas and impressions i want a reader to get) so maybe that strategy could work for you too?

i got a little long-winded here but I hope this helps!

As a newer writer, I'm struggling to use similes in more ways other than by phrases like "like", "seeming as", "as if" or other versions of these three.

What are some of the other, if any, ways to compare something to something else, to avoid a book turning mundane?


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bi-focal12 - love and peace ✌️
love and peace ✌️

writeblr | fake mha tweets | 🏳️‍🌈 | ao3 happy to chat!

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