Hi I'm green, I've been lurking for a long while now. Whump has been something I have enjoyed reading/watching/writing for as long as I can remember but I've always been to scared to post my own, so here's my attempt!
Yet another day of seeing people with ADHD call themselves crippled even though they aren’t fucking physically disabled
Okay. I hear the shippers, I really do. But this beautiful man could act across from a rubber house plant and there’d be chemistry. You know it’s true.
just had an idea for a weeping monk kinktober fic called came a lot. if u need me i'm edging the weeping monk
╰ Sighing
Not just “he sighed.” That’s lazy. Give us the why behind the air. Is it the kind of sigh that deflates their whole chest, like they’ve been holding the world on their lungs? Or one sharp exhale through the nose, all frustration and fed-up energy? Maybe it’s quiet—barely audible. Maybe they don’t even realize they’re doing it. But the room shifts a little when they do. Sighs can mean “I give up,” or “finally,” or “not this sh*t again.” Just depends on what’s dragging at their ribs.
╰ Shivering
This isn’t just about cold. A character can shiver in a warm room if they’re scared enough. Maybe their skin prickles before it starts, like tiny goosebumps racing up their arms. Maybe it hits in a full-body tremble, their breath catching like something primal in them just screamed “danger.” Or maybe it’s subtle, like a soft internal quake they’re trying not to show. It’s the kind of movement that betrays the truth they won’t say out loud.
╰ Trembling Hands
Shaking hands are so intimate. They’re not dramatic—they’re revealing. It’s the way their fingers fumble to light a cigarette. The way they have to tuck their hands under their thighs so no one sees. Maybe they keep reaching for the glass but can’t quite get a grip. Or maybe they do grip and the tremor runs through the whole glass like a warning. It’s not about the shake. It’s about the fact they wish they weren’t shaking at all.
╰ Clenching Fists
This one? Its tension incarnate. And it doesn’t always mean someone’s about to punch something. Sometimes they ball their fists just to keep from crying. Or because they’re trying so hard not to say something they’ll regret. Look for the subtleties: white knuckles, nails digging into palms, fists flexing open and closed like they’re trying to wring out emotion. It’s control. Rage. Determination. Or the act of stuffing all that inside a cage of fingers.
╰ Biting Nails
It’s more than “they’re nervous.” It’s compulsion. Habit. A survival tic. They might not even realize they’re doing it—just fingers to mouth, chewing down without looking, like their body’s trying to chew through the waiting. Maybe their nails are ragged. Maybe they flinch when they bite too deep. Maybe it’s the sound, the soft click of teeth and nail in a dead-silent room. It’s vulnerability dressed up as fidgeting.
╰ Tapping Fingers
This is the soundtrack of a restless mind. Is the rhythm sharp? Fast? Jittery? Are they tapping with one finger like a countdown—or all five, like a rainstorm on the table? They might not even notice. But other people do. Someone asks them to stop, and they bristle. Or they stop mid-tap when someone says the wrong thing, and that silence? That silence is loud. Tapping fingers are rarely idle. They’re keeping time with the character’s thoughts.
╰ Pacing
Pacing isn’t just walking back and forth—it’s the body trying to outrun a thought. They stand. They sit. They stand again. They move because stillness feels like being buried alive. Maybe their footsteps are soft, barefoot across carpet. Or hard-soled and echoing through a hallway like a threat. Maybe they walk a perfect loop, over and over. Maybe it’s erratic, jerking toward the door, away, toward again. Their mind is spinning, and their body’s just trying to keep up.
╰ Slumping Shoulders
This isn’t just a posture change—it’s the moment the weight wins. Shoulders that sag say “I lost.” Or “I’m done.” Or “Please don’t ask me to care anymore.” Maybe they slump in a chair and stare at the floor. Maybe they’re standing, but something in them folds anyway. Their spine’s still straight, but their shoulders fall like scaffolding giving way.
╰ Tilting Head
Simple movement—loaded meaning. They tilt their head when someone says something that doesn’t quite click. Or when they’re trying to listen harder, like angling their body will help them hear the truth under the words. Maybe the tilt is sharp and skeptical, like “You sure about that?” Or soft and curious, like “I’m trying to understand.” Or just a little too slow, too drawn out—like a predator sizing up prey. It’s instinctual. And it always means they’re paying attention.
╰ Rubbing Temples
This one screams I’m trying to hold it together. It might be frustration. Migraine. Bone-deep exhaustion. They press fingers to their temples like they’re physically trying to squash the problem before it leaks further into their head. Maybe their fingers circle gently, trying to soothe themselves. Maybe it’s two fingers, firm pressure, eyes closed, jaw clenched. It’s the gesture of someone whose brain won’t shut up—and whose body knows it.
Here's Squirrel/Percival as an actual squirrel!
And there's more, but I'll post the others throughout the week so I don't run out of content.
And tomorrow is Mink Weeping Monk/Lancelot day! @lancedoncrimsonwings
Mandatory 1 year anniversary / #SaveCursed art.
i think in a modern au. many arthurian characters are banned from every single fast food chain ever. all for different reasons of course
Writer’s block isn’t a myth. It’s real. It’s rude. And it shows up exactly when you don’t want it to—like an ex at your book launch. Here’s how to yeet it into the void:
Seriously. Lower the bar. Bury the bar. Let the bar rot in the forest. Write badly on purpose. Be cringe. Be free. You can’t fix a blank page, but you can edit a disaster.
Tired: typing in the same doc for hours. Wired: scribbling in a notebook like a Victorian ghost. Inspired: recording a voice memo like a sleep-deprived cryptid explaining your plot to future you.
Stuck on Chapter 5? Write Chapter 9. Write the ending. Write that one scene with the knife and the rain and the betrayal. You can stitch it all together later like Frankenstein’s monster.
Go outside. Touch grass. Watch a movie. Read a book not in your genre. Eavesdrop at a coffee shop. Ideas in = ideas out.
“Write 100 words and you get a cookie.” “Finish this scene and you can scroll Pinterest for aesthetics.” Become your own treat-dispensing machine.
Your first draft is not the final product. It’s the mess you make before the magic. Let it be wild. Let it be ugly. Let it live.
Sometimes writer’s block is just burnout in a trench coat. Maybe what you need isn’t to write harder—it’s to rest, to dream, to let the well refill.
tl;dr: writer’s block can’t survive if you trick it into thinking you're just vibing. So vibe. Write weird stuff. Take breaks. Make art like no one’s watching (because no one is yet).
You’ve got this.
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