hey you. yes, you. the one with the moody playlists, the 73-tab Pinterest board, and a half-written draft that just keeps…vibing in circles.
if you’ve ever written 10k of immaculate vibes but couldn’t tell anyone what your story is about, this post is for you. because here’s the thing: ✨ aesthetic is not a substitute for stakes. ✨
let’s talk about how to keep your ✨vibes✨ and actually have a plot that moves. no ✧ fluff ✧ just structure, character arcs, and some lovingly blunt advice from your local writeblr gremlin (me).
🌊 1. aesthetic is a result, not a premise
the most common mistake i see is starting with a vibe as the story. like:
“sad girls on the beach in 1996”
“a cursed forest full of dead gods”
“a pastel academic rivalry with secrets and sexual tension”
cool. great. love that for you. but… what’s the story? what’s happening?
✨vibes = setting + mood + tone. ✨plot = choices + consequences + change.
your aesthetic can inspire the story (please keep making playlists. i love them). but don’t confuse the feel of your world with the function of your plot. start with tension. stakes. character flaws. emotional damage. that’s the engine. the aesthetic is the paint job.
🎯 2. define your “emotional throughline”
okay, so you’ve got an aesthetic. what’s the emotional core of it? your plot should orbit a single emotional question, like:
will this character ever let themselves be known?
what does it take to unlearn loyalty?
is love worth destroying something sacred?
start with that. then attach aesthetic scenes to it.
🧩 pro tip: aesthetic scenes are more powerful when they contradict or complicate your emotional throughline.
ex: your story’s about loneliness? show them at the loudest, busiest party. story’s about grief? show them smiling in photos while everything breaks behind the lens.
aesthetic is stronger with irony. contrast. juxtapositions. don’t just bathe the reader in vibes. weaponize them.
💥 3. let your aesthetic hurt your characters
whatever your aesthetic is--soft academia, vaporwave horror, regency witchcore, don’t make it just a backdrop. make it an obstacle.
your setting should create problems. friction. conflict.
if it’s a sleepy coastal town: what’s festering beneath the quiet?
if it’s a hauntingly beautiful forest: what does it take from people?
if it’s a cursed mansion: what happens to the girls who stay too long?
every time you design a pretty place or moody visual, ask: ❓ how does this setting test my characters’ beliefs or desires?
because then your aesthetic drives the story forward instead of just decorating it.
📚 4. develop plot like a playlist: structure the escalation
your aesthetic playlist has structure, right? (don’t lie. i know you’ve got a specific song for act 3 heartbreak.)
plot works the same way. it’s not a mystery. it’s escalation.
you want a structure? here’s a dead-simple one:
give your main character a desire (internal & external)
give them a reason they can’t have it (flaw, fear, lie)
make them try anyway (rising stakes)
make it cost them something (midpoint shift)
force them to change or break (climax)
let that change play out (falling action / resolution)
that’s it. apply that structure to your vibey little story and suddenly it’s a book.
👁🗨 5. plot is what they do - vibe is how it feels
don’t choose one. you can have both.
you can have a soft lighting scene on a rooftop and the secret betrayal reveal. you can have dreamy prose and broken character dynamics. you can give me worldbuilding so lush it smells like petrichor and rot and still give me a plot twist that leaves me feral.
you just need to be intentional.
every scene = a purpose. every aesthetic = an angle. every image = tied to stakes, desire, or change.
✨ that’s the difference between “ooh pretty” and “oh my god i can’t stop thinking about this story.” ✨
💌 so in conclusion:
start with an emotional arc
let your aesthetic scenes earn their place
make your world fight your characters
escalate, escalate, escalate
and stop hiding a lack of plot under “vibe” like a glittery throw blanket over a broken chair
you’ve got this. now go write the beautifully messy, aesthetic and emotionally devastating story you were meant to.
i believe in you.
🧃rin t.
P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages 👀 you can grab it here for FREE:
Official Dates
We're happy to announce the dates for this year's writing event‼️
Prompts will be released on the 1st of July
The event officially opens on the 1st of August and will run until the 30th of September.
While the event runs between August and September, it will remain open for any late submissions. But note, any work submitted after the 30th of September might not be featured here on this page, and will not be included in the round up that follows immediately after. It will, however, be included in future round ups or "Favourite Pick" events.
In the following weeks leading up to the 1st of July, we'll be reminding everyone of the event rules. All important information will be available on this page or the AO3 Collection.
Any further questions don't hesitate to pop us an ASK, and either @guin-ramble or @thecrazyknight will get back to you.
(Emotional meltdowns that don’t look like meltdowns, but absolutely are)
The “Smiling Too Much” Grief Your character’s entire world is on fire, and they’re asking if anyone wants more wine. That’s not denial, it’s an effort to hold the damn pieces together. Smile like a glue gun. Watch them crack.
The “Not Crying At the Funeral” Breakdown They don't shed a tear. They organize everything. Perfect speech. Perfect outfit. But a week later, they scream into the laundry basket over a missing sock. That’s the moment. That’s the eulogy.
The “Silent Dinner Table” Fight No yelling. No slamming doors. Just chewing. Clinking silverware. The kind of silence that tastes like metal. Let the reader feel the air shrink.
The “Polite but Dead Inside” Apology They say “Sorry” because it’s expected, not because they’re ready. Their voice doesn’t crack. Their eyes don’t meet yours. This isn’t healing. This is a peace treaty with no peace.
The “I Don’t Want to Talk About It” Detour The one where they ask about your day mid-sob. Redirect. Deflect. “Let’s not talk about me.” That’s rage choked by shame. Write it like it’s shoving itself into a smaller box.
The “Obsessively Productive” Meltdown New projects. New hobbies. Suddenly they’re running marathons, baking sourdough, fixing the garage door. Because if they sit still for one second, they’ll break. Keep the camera on them when they finally sit.
The “Unsent Letters” Grief They write it all down. Every damn emotion. Then burn it. Or delete it. Or hide it in a shoebox under their bed. It’s not for closure. It’s to let the ghosts know they were seen.
The “I’m Fine” That Echoes Delivered too fast. Too sharp. You could bounce a quarter off it. “I’m fine” isn’t fine. It’s the dam cracking. Listen to the echo. Let another character hear the hollowness.
The “Hyper-Logical Rant” Rage They argue with spreadsheets. With perfect bullet points. Cold rage—like ice, not fire. “I’m not mad, I’m just saying…” But that’s a lie. They’re volcanic under that clipboard.
The “Laughing in the Middle of the Breakdown” Moment That bitter, hysterical laugh. The kind that sounds more like sobbing with teeth. Let it come at the worst time. Let it shock even them. That’s emotion refusing to stay boxed in.
I refuse to stop posting these. They’re perfect!!!
(no ✨vibes✨, just structure, stakes, and first-sentence sweat)
hello writer friends 💌 so you opened a doc. you sat down. you cracked your knuckles. maybe you even made a playlist or moodboard. and then… you stared at the blinking cursor like it personally insulted your entire bloodline.
here’s your intervention. this post is for when you want to write chapter one, but all you have is aesthetic, maybe a plot bunny, maybe a world idea, maybe nothing at all. here’s how to actually start a book, from structure to sentence one.
—
🌶️ STEP 1: THE SPICE BASE ~ “WHAT’S CHANGING?”
start with this question:
what changes in the protagonist’s life in the first 5–10 pages?
doesn’t have to be earth-shattering. they could get a letter, lose a job, run late, break a rule, wake up hungover in the wrong house. what matters is disruption. the opening of your book should mark a shift. if their day starts normal, it shouldn’t end that way.
🏁 opening chapters are about motion. forward movement. tension. momentum. if nothing is changing, your story isn’t starting, you’re just doing a prequel.
—
⚙️ STEP 2: THE CRUNCHY BITS - CHOOSE AN ENTRY POINT
there are 3 classic places to start a novel. each one works if you’re intentional:
The Day Everything Changes most popular. you drop us in right before or during the inciting incident. clean, fast, efficient.
pro: immediate stakes con: harder to sneak in worldbuilding or character grounding
The Calm Before the Storm starts slightly earlier. show the character’s “normal” life, then break it. useful if the change won’t make sense without context.
pro: space to introduce your character’s routine/flaws con: risky if it drags or feels like setup
The Aftermath drop us in after the big event and fill in gaps as we go. works well for thrillers, mysteries, or emotionally heavy plots.
pro: instant drama con: requires precision to avoid confusion
📝 pick one. commit. don’t blend them or you’ll write three intros at once and cry.
—
🧠 STEP 3: CHARACTER FIRST, ALWAYS
readers don’t care about your setting, your magic system, or your cool mafia politics unless they’re anchored in someone.
in the first scene, we need to know:
what this person wants
what’s bothering them (externally or internally)
one trait they lead with (bold, anxious, calculating, naive, etc.)
that’s it. just one want, one tension, one vibe. no bios. no monologues. no “they weren’t like other girls” essays. put them in a situation and show how they act.
—
⛓️ STEP 4: OPEN WITH FRICTION
first scenes should create questions, not answer them.
there should be tension between:
what the character wants vs. what they’re getting
what’s happening vs. what they expected
what’s being said vs. what’s being felt
you don’t need a gunshot or a car crash (unless you want one). you need conflict. tension = momentum = readers keep reading.
—
✏️ STEP 5: WRITE THE FIRST SENTENCE - THEN IGNORE IT
okay. now you write it.
no pressure. you’re not tattooing it on your soul. this isn’t the final line on the final page. you just need something.
tricks that work:
start in the middle of an action
start with a contradiction
start with something unexpected, funny, or sharp
start with a small lie or a weird detail
💬 examples:
“The body was exactly where she’d left it - rude.” “He was already two hours late to his own kidnapping.” “There was blood on the welcome mat. Again.” “They said don’t open the door. She opened it anyway.”
once you’ve got it? keep going. don’t revise yet. don’t edit. just build momentum.
you can come back and make it ✨iconic✨ later.
—
📦 BONUS: WHAT NOT TO DO IN YOUR OPENING
don’t start with a dream
don’t info-dump lore in paragraph one
don’t give me three pages of your OC making toast
don’t try to sound like a Victorian cryptid unless it’s on purpose
don’t introduce 7 named characters in one scene
don’t start with a quote unless you are 800% sure it slaps
be weird. be sharp. be specific. aim for interest, not perfection.
—
🏁 TL;DR (but make it ✨useful✨)
something in your MC’s life should change immediately
pick a structural entry point and stick to it
give us a person, not a setting
friction = good
first lines are disposable, just make them interesting
and if you needed a sign to just start the damn book, this is it.
💌 love, -rin t.
P.S. I made a free mini eBook about the 5 biggest mistakes writers make in the first 10 pages 👀 you can grab it here for FREE:
How a Character’s Anger Can Show Up Quietly
Anger doesn’t always slam doors. Sometimes it simmers. Sometimes it cuts.
╰ They go still. Not calm... still. Like something is pulling tight inside them.
╰ They smile, but their eyes? Cold. Flat. Done.
╰ Their voice gets quieter, not louder. Controlled. Measured. Weaponized.
╰ They ask questions they already know the answers to, just to watch someone squirm.
╰ Their words are clipped. Polite. But razor-sharp.
╰ They laugh once. Without humor. You know the one.
╰ They leave the room without explanation, and when they come back? Different energy. Ice where fire was.
Correct :)
writing is hard when you’re emotionally attached to a character who hasn’t spoken in 30k words and might be imaginary even inside the story but you keep defending them in your notes like they’re your cousin on trial
This is not slow burn. This is oh-no-I-accidentally-fell-for-you chaos with a side of emotional whiplash...
⭑ They suddenly become weirdly aware of everything that person does. Chews their pen? Heart attack.
⭑ They insist they’re “just friends” but act like they’ve been married for 40 years.
⭑ Their friends all know. The mailman probably knows. They don’t know.
⭑ They make fun of the other person flirting with people. Then sulk. Then deny they’re sulking.
⭑ They get flustered over the dumbest things. A smile. A shared drink. A hand on the shoulder.
⭑ They remember everything about them... dog’s name, birthday, and act like it’s totally casual.
⭑ Their voice gets weird around them. Higher. Quieter. Rougher. It’s never consistent.
⭑ They get competitive. They don’t know why. (It’s jealousy. Surprise.)
⭑ They notice new clothes. New hair. New earrings. And absolutely say nothing while staring too long.
⭑ They get mad when other people point it out. Mad and embarrassed. The “shut up” is always immediate.
never forget how they gave you distance when u needed love
just a heads up to my fellow writers out there that AO3 is currently fighting off bots commenting on people’s works to tell them that AO3 will delete their fics “due to the works being deprecated”, and the deletion will affect their accounts unless the authors delete the fics themselves first. IT IS A SCAM. AO3 will NOT delete your works. please do NOT fall for these bots!
I’ve been told the reason why these bots are doing this is due to copyright infringement issue where they’re trying to steal your works (possibly to train AI but this is just a guess) ‼️‼️‼️and once you deleted your fics, it will be either very difficult or impossible for you to claim ownership of your own fics when they were already deleted.‼️‼️‼️
a reminder that AO3 will never contact you through your comments section (in case they claim to be one of the moderators). AO3 will only contact you through your email address which you use to register your account, and it will be from AO3’s official handle. not some sketchy ass @
so if you get a comment telling you you should “delete your works to protect your account because AO3 is doing blah blah blah” report that comment. don’t delete your works.
PLEASE DO NOT FALL FOR THESE SCAM.
(Without Making Them Walking Tragedies)
╰ Start with the scar, not the stabbing. Everyone talks about what happened to your character (The Big Trauma) but honestly? It’s the aftermath that matters. Show me the limp, not the bullet wound. Show me the way they flinch at kindness or double-check locks three times. The wound shapes them more than the event ever did.
╰ Don't make them "Sad All The Time" People with deep hurts aren’t just dramatic sob machines. They make bad jokes. They find weird hobbies. They have good days and then get wrecked by a song in a grocery store. Layers, my friend. Pain is complex and it sure as hell isn’t aesthetic.
╰ Let them almost heal and then backslide. Real healing isn’t linear. One good conversation doesn’t erase ten years of bottled-up grief. Your character might think they’re over it, and then one tiny thing, a smell, a phrase, a look, knocks them right back into the hole. Make them earn their healing. Make us ache for them.
╰ Give them armor and show the cracks. Maybe it’s sarcasm. Maybe it’s perfectionism. Maybe it’s taking care of everyone else so no one notices they're broken. Whatever mask they wear, show us the hairline fractures. Let us catch the moments where they almost drop the act.
╰ Don’t turn their trauma into their only personality trait. Yes, they’ve been through hell. But they also love spicy chips and bad reality TV. They have dumb crushes and secret dreams. A tragic backstory isn’t a substitute for a full human being. Let them be more than the worst thing that ever happened to them.
╰ Let their wound warp their decisions. People protect their wounds. Even badly. Especially badly. They might sabotage good relationships. Or push away help. Or cling too tightly. Make their past live in their choices, not just their flashbacks.
╰ Don’t make the world validate them for existing. Not everyone is going to understand your wounded character. Some people will misunderstand them. Blame them. Get frustrated. And honestly? That’s real. Let your character find their people, after facing the ones who don’t get it. It’s so much sweeter that way.
╰ Wounds can make them kinder—or crueler. Pain changes people. Some become protectors. Some become destroyers. Some do both, depending on the day. Let your character’s hurt make them complicated. Unpredictable. Human.
╰ Don’t heal them just to tie a neat bow on your story Sometimes the best ending is messy. Sometimes the healing is just starting. Sometimes it’s just hope, not a full recovery montage. That’s okay. Healing is a lifelong, terrifying, brave process—and readers feel it when you respect that.
i have two personalities when im writing. one is "omg this is the easiest thing in the world. i just pumped out 3k words without any trouble" and my other one is "if i write another goddamn word im gonna throw my computer out the window and jump after omg why are they still talking"
Hiya! I’m Atlas, I’m the host! Hopefully my alters will act nicely on Tumblr. :P Hiii!! I’m Candi, I’m a Child alter (or Atlas says dat, I don’t understand it :< ) I LOVE CANDYYY!! I’m Rex. I’m the persecutor. Or that’s what Atlas calls me, but I kinda think he’s just stupid. I’m Percy! I’m probably the most normal out of the shitshow we run!
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