Lynn We Need You Posting On Tumblr

DOJA CAT Need To Know — 2021

♡ I  B E L I E V E  I N  M E ♡

Emily Dickinson, from her poem titled "1188," featured in The Emergency Poet

Alice Auaa autumn/winter 2013

LADY GAGA — MAYHEM (2025)

exploring panic!'s a fever you can't sweat out/live in denver boxset

a couple of years ago, i managed to snag this for $150, which is still crazy to me, and it's definitely my favorite thing i've ever owned. i feel like i haven't seen many people detailing the contents of it, and since it's such a cool relic, i wanted to share this beauty with everyone.

it comes with the live in denver dvd (left) and a fever you can't sweat out cd (right). the cover art and discs are SO fucking pretty and cool i'm so obsessed with them. i love how it really feeds into that 20s/30s theme they had going on this era.

then it has these 4 photo cards which are all such beautiful photos. the first one especially is one of my all time favorite panic photos. the b&w filter also fits this era so well.

this is a phenakistiscope. you stand in front of a mirror and spin it around while looking through the cracks so it looks like the girl is dancing (instructions are included on the back).

this is a tour program for the live in denver tour. it includes all the tour dates, as well as a guide to their discography. including pictures of the inside would exceed my image limit, so if anyone wants a post detailing this item, i'd be more than happy to post that!

self explanatory but it's a mask reminiscent of the but it's better if you do music video.

there's this SUPER cool poster that i'd love to hang up on my wall but i'm too scared to in case it ruins it. i'm actually so obsessed with this thing.

this is something else i can't include detailed pictures of due to the image limit, but honestly there isn't a lot of lore or super interesting stuff inside of it. however, i'd still be happy to detail it more in another post.

there's this GORGEOUS notebook that i'm also too scared to actually do anything with. it is actually quite a thick notebook. i looove the detail of the "PANIC!" barely visible in the middle of the pages.

now onto my absolute favorite part of this thing:

these cards for each song on fever are SO fucking cool and i love them so much. they're printed on really nice material too; they don't feel cheap and have this grainy feel to them too (idk how else to describe it) and it works so well. luckily i'm able to post individual pictures of each one.

so the back of all of them have the lyrics printed like that but i won't be able to post pictures of that for each one.

they just all encapsulate the theme of each song perfectly while also fitting so well with the aesthetic that they had this era. like my jaw dropped when i saw these for the first time. (side note: i'm not sure why they numbered intermission as number 12 when it should be 8 based on the album. i also don't know why they skipped introduction since they included intermission).

all in all, this is the coolest piece of merch a band has ever put out imo. like no one is doing it like this anymore. i'd been yearning for it since i was 14 so i'm so glad i was able to find it as such a steal of a price. i'll never shut up about owning it and if you're able to get your hands on it i cannot recommend it enough.

what a wonderful caricature of intimacy.

Via:

https://www.instagram.com/dresdendolls/

White Americans ... are terrified of sensuality and do not any longer understand it. The word “sensual” is not intended to bring to mind quivering dusky maidens or priapic black studs. I am referring to something much simpler and much less fanciful. To be sensual, I think, is to respect and rejoice in the force of life, of life itself, and to be present in all that one does, from the effort of loving to the breaking of bread. ... Something very sinister happens to the people of a country when they begin to distrust their own reactions as deeply as they do here, and become as joyless as they have become. It is this individual uncertainty on the part of white American men and women, this inability to renew themselves at the fountain of their own lives, that makes the discussion, let alone elucidation, of any conundrum—that is, any reality—so supremely difficult. The person who distrusts himself has no touchstone for reality—for this touchstone can be only oneself. Such a person interposes between himself and reality nothing less than a labyrinth of attitudes. And these attitudes, furthermore, though the person is usually unaware of it (is unaware of so much!), are historical and public attitudes. They do not relate to the present any more than they relate to the person.

--James Baldwin, The Fire Next Time, 1963