I Truly Believe That None Understood The Doctor More Than Rory Williams The Man That Never Shied Away

Me, finishing a long X-men rant: — so yeah, my love for Gambit is now making me want to learn card tricks!

My date: I get that. If there’s anyone who’s made me want to learn card tricks though it’s Kaz Brekker.

Me:

Okay, but hear me out - In the movie, the sequence of the scenes where Elphaba learns about the horrific treatment of Animals and then meets Fiyero is soooo important. This transition between the two scenes highlights an emotional turning point for Elphaba. Dr. Dillamond's revelations intensify her awareness of injustice, leaving her searching for a way to act. Enter Fiyero, who not only contrasts the bleakness of the previous scene with his carefree presence but also will ultimately influence Elphaba's growth. As we know, eventually Fiyero is a foil to encourage Elphaba to transform her ideals into action, giving her the courage to make her voice heard. The scene order underscores how pivotal Fiyero's presence is in shaping Elphaba's journey from bystander to the unlimited badass she becomes later on. And Jonathan Bailey's version of Fiyero is much softer and is given a lot more space to be kind than stage!Fiyero, and I just really love how that, in contrast to the cruelty described in the previous scene just highlights the differences but also ties them together for Elphaba's story.

Pixar did not have to go as hard as they did with the Kronos Unveiled scene in The Incredibles (2004), yet they did anyway and gave us one of the best scenes in modern cinema. Literally cannot stop thinking about how good this scene is, from the animation to the build up to the soundtrack.

I don’t think I truly understood how dark this scene - and this film - was a child: Syndrome is systematically and strategically luring in superheroes and killing them off in order to test and improve his Omnidroid design… these people were not only supers but they also had family and loved ones too, just like Bob, and one day they would have just disappeared because chances are they weren’t telling people where they were going because it was "top secret" and against the law. They thought they were doing something good, like helping the people in the island, while also getting to relive their glory days, perhaps even paving the way for superheroes to make a proper comeback… only for Syndrome to kill them in cold blood.

Most of these people can actually be seen at Bob and Helen’s wedding in the beginning of the film - they weren’t just random supers, they were their friends, people they worked alongside and cared about. It’s even worse when you realise that Bob probably blames himself because, after all, Buddy/Syndrome was his biggest fan and he dismissed him by not letting him help.

The relief on Bob’s face when he realises Syndrome doesn’t know where Helen is - meaning he also doesn’t know where their children are because he didn’t realise they were married at this point - is so realistic and gut wrenching to see. The relief contrasting with the anguish of knowing how much danger they and their entire family could have been in the entire time without even knowing...it's so well-done, you can literally feel it.

It’s also worth noting that originally the next target wasn’t Mr Incredible but Frozone - that was who Mirage was trailing, hence why his location is “known”. Imagine if she/Syndrome hadn’t realised that Mr Incredible was with him and they’d lured Frozone in instead as planned; he would have gone to the island to fight the Omnidroid 8 in a volcano setting. We saw how being in the burning building dehydrated Frozone and made it impossible to use his ice powers - presumably it would have been the same in the middle of a lava filled volcano, and he’d have been slaughtered just like the other superheroes before him.

This scene shows an entire generation of superheroes - Bob, Helen and Lucius’ generation - wiped out all because Syndrome felt slighted by his hero as a child, because he internalised that slight and let it drive him to revenge. And, if we take into account the deleted alternate opening scene, it’s mentioned that superheroes "aren't supposed to breed” - meaning there’s a likelihood that Violet, Dash and Jack-Jack are among the very few supers of the next generation. I know that it's deleted and so not really canon, but it's definitely a concept to consider, I think.

Then there's the fact Syndrome named the project "Kronos" - Kronos was a God who overthrew his own father in order to take over his rule, and then he ate his own children to prevent them doing the same thing to him. It feels like it reflects Syndrome once looking up to Mr Incredible and even saying "I could be your ward!", meaning Mr Incredible adopting or fostering him - the project name is a metaphor for Syndrome destroying the Supers, especially Mr Incredible, who he viewed as a father figure. The Omnidroids he built killed two birds with one stone: not only was he able to acquire the data to upgrade the robot to its final design, but it also eliminated the real super heroes and so left him as the last remaining "superhero", even though his powers are man-made, not something he was born with.

Not only did he want to become the only remaining superhero by killing the real ones in revenge, he also planned to sell his inventions at some point so everyone can be super - because "when everyone is super, nobody is". It's like a final blow to the memory of the superheroes he had killed.

I've talked too much about this scene but God... I love it so much more as an adult because it's just so chilling to think about. I'm sure other people can put it much more articulately than I just tried to, but I just really wanted to appreciate this scene.

rip jamie tartt you would've loved challengers (2024)

oh my fucking god she's my girlfriend don't touch him

on brothers

[ jewish literacy, rabbi joseph telushkin / the bear 2x06 + 2x10 / east of eden, john steinbeck / succession 3x09 / “brothers,” kevin atwater / the west wing 6x16 / prison break 5x04 / greywaren, maggie stiefvater / boy (2010) / “he ain’t heavy, he’s my brother,” the hollies ]

The og failmarriage

Childhood obsessions do NOT go away. They lie dormant, waiting to take over again.