Weekly art tip: Drawing folds!
Hope you guys enjoy it I’ve put a lot work to make this ^^
I tried to make it as simple as possible :)
Need a bigger serving of practice? Check out the 19-paged worksheet and .psd practice file!
The difference between a beginner’s comic and an experienced artist’s comic comes down to the details, and one of the biggest “invisible” details is proportion.
How does an artist utilize page and panel layout, negative space, word balloons and composition to their best advantage? This Shingworks tutorial covers all of this information, and the 19-page supplement worksheet and comic proportion analysis template .psd takes it a step further and teaches you how to analyze real comics so that you can apply these principles to your own comics :]
My Patreon tutorials are unlocked to the public 6 months after their original publication month. You can find the full high-resolution archive of monthly tutorials at my Patreon! Thanks again to my Patrons for supporting me in the creation of my own comics, The Meek and Mare Internum.
My recent free-to-read tutorials on Tumblr:
Worldbuilding!
Understanding Patreon & Building A Patreon
Grow Your Brand
Acting for Comics
Researching for Comics
Writing for Webcomics
Coloring with Masks
This month’s Patreon tutorial: Webcomics 101
And as usual, thanks very much for not deleting my text~~
Kimono drawing guide ½, by Kaoruko Maya (tumblr, pixiv, site). Booklet is available in pdf for ¥ 900 here.
Here you can see:
female kimono and yukata (note how the juban underwear peeks when in kimono + how belts differ)
male yukata and kimono (note how the juban underwear peeks when in kimono)
dressing up: male (kimono is not closed yet) and female (kimono closed with datejime belt and ready to put on obi)
differences between female and male kimono once dressed (note how the collars and belts set)
common drawing mistakes (compare with previous picture: shoulders lines are too defined, there is a double hem, collars are narrow, belt is not at the right place etc)
women back collar (the lower the sexier) and men back collar (close to the nape)
back and sleeves differences between men and women
collars and sleeves and view of how kimono drapes around body
Furisode back (long sleeves kimono) and formal furisode obi knot example
can you give a run down on skintones?
In painting skin tones, a lot of the time I see people choose colors that are over-saturated or unbalanced. There isn’t really an exact art to this that I can explain—you just need to get a feel for what saturation balance you need for that particular skintone. Here are some examples of what I usually pick.
As you can see, I used different base colors (orange, reddish, yellow) for the skin shades in all three examples. The reason for this is because all skin tones have a different base color besides just Light, Medium, and dark. Some people divide them into categories of “warm” and “cool.” Pantone has some really good examples and references for this.
Another big part about drawing and painting skin tones that a lot of people forget is how skin thickness affects color variation. The presence of bone, blood, and muscle underneath the skin affects its colors. This is especially noticeable on the face.
The colors here are a little exaggerated to show my point, but with a little adjusting and blending…
Voila! Subtle, but more realistic.
Our skin is the largest organ on our body, and as our body’s first line of defense against the outside world, it’ll be covered with tiny details and imperfections. Things like sunburns, tans, freckles, scars, and facial hair all add character to your subject matter. Here are some examples!
TANS: Everyone tans differently, depending on your ethnicity and skin tone. Fair skinned folks tend to burn more than tan, which means you’ll need a more startling, eye-catching red.If you have a skin type that tends to tan more, the color will be more brown than red. For black skin tones, the tan is less red. (And while we’re on the subject: black people DO tan, so it’s important for you to put on sunscreen and be careful in the sun, too.)
Those are the areas that the sun tends to hit the most—and things like goggles, hats, and masks can change the shape of that area.
FRECKLES AND MOLES: Freckles are also products of the sun. Some people have freckles that stay year-round, while others have freckles that fade in the winter and return in the summer. Moles are skin cells that grow in a cluster instead of being spread throughout the skin. When exposed to the sun, they tend to darken. (Another note on skin health: if you have any oddly-shaped/colored moles, moles that have changed color, size, or shape, or anything of the sort, please check with your doctor!)
Freckles like to cluster around each other, sort of like stars, and they vary greatly in size. You can have a few freckles in one place, or a lot of freckles in multiple places. Most commonly freckled areas are your face, shoulders and neck, back, and forearms.
FACIAL HAIR: Facial hair also affects the colors of the face. For simplicity’s sake we’ll be using black hair, as it is the most noticeable. Facial hair usually grows in these areas, and can make the skin look blueish/grayish because of the darker hairs beneath the skin. If your hair is red, this also very noticeable.
There you go! That’s about all I can think of at the moment for skin tones. As always, references and practice are your best friend (and so is this neat little trick that pheberoni has.) Good luck with your arting!
your art are amazing and you're so talented! I would like to ask how to draw Castiel's wild chaotic sex hair:)
LMAO umm I think it’s easiest to part it on one side and then have it fan out from there with the front flipping up.
thank you!!