Long Forgotten - Submitted By SeesawSiya

so I downloaded a new art program recently

It’s called Krita. Maybe you’ve heard of it, but in case you haven’t, seriously, check it out! It’s really nice!

The best way I can describe this program is that it’s a combination of Easy Paint Tool SAI and Photoshop. And the best part is the program is completely free to download from their website. I think what I like most about it is that not only does it have a Stablizer like SAI does, but it has practically all the tools I ever use from Photoshop. Not saying it’s going to replace SAI or PS for me (at least not yet; I’m still learning my way around Krita lol), but it’s probably the only thing I’ve ever found that is coming close to doing it.

I put some screenshots under the cut!

Keep reading

sorry for any grammar mistakes

long time without a tutorial… I tried to explain my general process of working here, hope someone will find it useful :)

i tried to make a tut on how i draw bodies but it came out as a mix between me trying to make sense of my lazy technique and general art tips??

i get overwhelmed by complex scheming and sketching so i try to sketch with the least lines/shapes possible.

if you find this method too difficult-dont worry. ive had years of practice and ive developed a lot of shortcuts for myself, so this might be like reading the notes of a student who has their unique set of abbreviations.

hope that helps tho??

broadfields asked you: Could you possibly do a mouth tutorial? Unless you’ve already done so. In that case, possibly pointing me in the right direction? :]

Lower Lights - Submitted by Dagyoimpcool

#F9FEEE #D1E0D4 #A8C0B5 #751821 #301423

How To Draw Better In 2 Minutes

Clothing Folds & Creases by Louie del Carmen

HIIRAREFS: Basic and Intermidiate guide to colouring in

What better day to end the year then with a basic guide to colouring- This is for beginners or intermediate artists. Colouring is a big part to an art piece, whether you decide to use colours or not, that’s up to you, but for the most part, having some knowledge on appliance of colour will really help you out!

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ARTISTS WITH AN INSPIRING KNOWLEDGE OF COLOUR APPLICATION! Please take the time to have a look at other artists work so that you ca research and get inspired!

Gullacass: Uses brights, dulls and pastels to create brilliant guro, pop and macabre pieces| DA + TUMBLR

TinyCalcium: Old friend of mine who explores brights and mustard colours and places them as a foundation for their work | TUMBLR

BeastPop: Talented with opposing and Triwheel colours. Outstanding cell-shading, and knows how to flexibly bend colour form to their will in popart. | DA

H0stel: Fantastic composition of light direction and applies colour to bodies based on ambient occlusion. | TUMBLR

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COLOUR SLANG: I use some strange slang to express colour types and shades as well as groups. Although they may not be canonically correct, I will use these terms to describe colour palates to the best of my ability! Analogous: Colours that are near or adjacent to each other on the colour wheel, EG: Red and Orange

Oppositional/complimentary: Colours that are opposed or opposite from each other on the colour wheel, EG: Cherry and Green

Triadic: Colours that form a triangle on the Colour wheel, EG: Cyan, Magenta and Yellow. These three colours when mixed together will make black.

Arrowtype/Quadcolour: Four colours, that generally form an arrow shape on the colour wheel.

Tetradic: Colours that form a rectangle or square in the colour wheel

Neons: The very brightest you can get a colour, be careful where you use them as they can look ugly together at the most. Try to use neons when you are adding bright glowing objects to your piece. Neons are great for highlights.

Brights: Slightly washed Neons. Appropriate if you have characters that are colourful.

Washed: Very washed brights with a hint of grey. These are also useful for colourful characters.

Pastels: Colour with white in them to make them seem light.

Baby Pastel: Pastel with even more white in them, good for subtle highlights.

Darks: Colour with black added to them. Used mostly for lineart.

Mustards: Colours with dark grey added to them

Earthen: Colours with brown added to them

Warm and Cool colours: Warm colours are colours that range fromMagenta to Yellow. Cool ones range from Lime to Fuchsia.

Straight tones: A greyscale palate. or a straight scale of one colour from black to it’s neon form.

Warm and cool tones: Warm tones are a greyscale mixed with warm colours and cool tones are greyscale mixed with cool colours.

Skintones: Warm washed or pastel colours generally used to colour in skin, but they don’t have to be warm at all! ( I will not show you a palate for this however)

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WHAT TO AVOID WHEN COLOURING: beginner artists, tend to go ahead and start by colouring their line art with neon and mustard colours. Neons are not necessarily good for base colours unless the character has a glow.

I often see lazy attempts to shade, often a beginner artist with use an airbrush and use black and white to shade and highlight their piece. This is not very effective, and I’m sorry to say… It’s kind of gross as well. Try to avoid being lazy. If you have a piece that has bold black lines, avoid using soft shading and airbrushing at this point of time.

Black and white isn’t always the best option when colouring in your piece, but it also depends on the style you are trying to convey. If you plan on only using straight tones to colour in a piece, black and white is good.

A GOOD BASIC WAY TO COLOUR For this basic tutorial I will show you a nice way to colour in a piece with bold lines. I will be using Minty’s Classic character as an example.

Begin with using brights that have been washed down a little and washed skin tones if your character is human based. Avoid using neons or mustards if you are able. If there is white on the character, such as the white on an eyeball or the teeth, consider using baby pastels. For Minty’s eyeballs I have used a baby pastel blue. I have chosen to use a darker and more washed version for her Irises.

With you foundation colours placed down, use a washed warm colour for the skin tone, such as a salmon. If the character’s hair or fur is warm coloured, use a pink or red orange to shade that as well. Use the cell shading technique. This may mean you will have to erase some of your shading so be sure to do this on another layer. For your baby pastels, you can use a regular pastel to shade it. For Minty’s eyes I have used pastel blue and lowered the opacity by a little.

For Highlights, I have chosen to use baby pastel yellow. I wanted the piece to be warm.

Applying a light airbrush over the top of the piece makes it feel a little softer. I have also applied the airbrush over the initial borders to create colour bleed, giving a very subtle reflective approach.

Colouring your line art layer, particularly if you have bold lines, can really make a piece look more interesting! I like to leave the overall outline black. You can gradient and bleed colour in your line art as well

Light tracing is a technique lots of artist’s use, where they run a sharp line of highlight next to line art to divide borders.

This looks a lot nicer than the black and white shading, doesn’t it!? __________________________________________

This is a very very simple guide to applying colour to your piece! If This helped, please reblog and share this guide around!

If you have any questions or feedback, don’t be afraid to send me a message!

Genice, can you give me some advice with hands? The hands i draw sometimes end stiff and ugly. Also hands in perspective, because sometimes they end too big or small. Thanks!

i mostly got better at drawing hands by just practicing how to draw them a lot!what i would do is draw a pose or two over and over again (maybe at slightly different angles and stuff) first with reference, and then draw them again without looking at anything to see how much i can draw from my mind, and then go back and forth between the two until i get enough of a “feel” to draw a certain pose decently without relying on reference. i think after a while you kind of develop patterns in the way you draw hands and from there it becomes easier to draw different hand poses and stuff from scratch

to make the hands you draw look less awkward/stiff, i think it helps to focus more on the overall flow of the composition and silhouette of the hand rather than getting all the details in and anatomy right and stuff in the initial stages

when drawing hands in perspective i think it helps to visualize them as 3d shapes

to get the foreshortening right (aside from using perspective guides and whatnot) i like to just draw the hand first, and then eyeball the perspective and adjust its size and position until it looks right

(select with lasso tool > ctrl+t to transform +right click for more transform options)

another thing i do is take reference pictures with my ipod (any camera works tbh. i just find using a mobile device to be more convenient)by holding the camera close to my hand i can get a really exaggerated perspective like this:

it’s nice because i can get the ref for the exact pose and angle i’m looking for without having to do a lot of internet fishing

Check out Color Supply! The site has inspirational colour palettes from designers & illustrators around the world!

It’s got some tips and tricks about picking colours. They also have a Hex Colour Palette Generator!

(Thanks to @magnetholic for showing us!)