Ron DeSantis Just Kidnapped A 13-year Old Boy.

The tale of Lilith

There are a lot of accounts about the ‘demon-ness Lilith’, and her origin story leads a lot to be desired. Apparently, she was the first wife of Adam in Sumerian folklore, and because she did not want to be under Adam’s control any longer, and became, depending on which account you read, a vampire, a demon-ess, or a harlot, or all three, for not wanting to be apart of ‘God’s plan.’ The Sumerian accounts, taken from the 3rd millennium, were the first accounts of what happened to her before the biblical Hebrews surmised of her.

She is described as a ‘beautiful maiden’ but was believed to be a harlot, who once took a lover, offered no satisfaction to him, nor would she ever let him go. According to the Sumerian epic, dating from around 2000 B.C, ‘Gilgamesh and the Huluppu Tree’ and was ‘‘believed to appear to have human eyes. She is slender, well-shaped, beautiful, and nude, with wings, and owl feet. She stands erect on two reclining lions which are turned away from each other and are flanked by owls. On her head, she wears a cap embellished by several pairs of horns. In her hand, she holds a ring-and-rod combination. Evidently, this is no longer a lowly she-demon, but a goddess who tames wild beasts, and as shown by the owls on the reliefs, rules by night.’’

Apparently, the earliest mention of the ‘she-demon, whose name is similar to that of Lilith is found in the Sumerian king list which dates from around 2400 B.C. ‘‘It states, that the father of the great Gilgamesh was a Lilu-demon. The Lilu was one of four demons belonging to an incubi-succubae class. The other three were Lilitu (Lilith), a she-demon; Ardat Lili, or her handmaiden, who visited men in the night and bore them ghostly children. There is also the tale of the Irdu Lili, who was her male counterpart and would visit women and beget children by them. Originally these were storm demons, but because of a mistaken etymology, they came to be regarded as night demons. On one brief reference to Lilith in the Bible, Isaiah 34:14, in describing Yahweh’s (God) day of vengeance, says: The wild cat shall meet with the jackals, And the satyr shall cry to to his fellow, Yea, Lilith shall repose there, And find her a place of rest.’’

If you are talking about the human tragedy and climate disaster impacting Hawai’i ONLY in relation to tourism or your (postponed) vacation plans . . . therein lies the problem.

Hawai'i is not an "eat, pray, love" trip nor is she a cultural theme park.

Hawai’i is a collection of communities with deep indigenous roots and ancestral identities (many queer + colorful) that American + European colonizers once attempted to eradicate.

In the present day, empire-builders and colorblind colonizers are attempting to gentrify and commodify these ancestral spaces, not to benefit the indigenous, diaspora, and immigrant folks (folx) who steward and preserve those waterways and lands, but to protect the interests and properties of billionaires on vacation

Afronaut Note: This is not a discussion about policing language or shaming folks in your neighborhood who are sharing vacation pictures or lamenting their travel plans. This is about expanding our horizons to center decolonized, ancestral, and communal spaces. Imagine if after the Japanese tsunami (2011) or Hurricane Katrina (2005), people shared vacation pictures and complained about having to cancel their graduation trips.

Original post from @seedingsovereignty

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"Our culture has to be the core of our mana." Dr. Haunani-Kay Trask (1949 – 2021)⁠

A leader of the Hawaiian sovereignty movement & a fearless leader.⁠

Her memory is needed during these times. ⁠

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This is your reminder that Mahsa Amini's Kurdish name was Jina. The violence she faced wasn't just due to her being a woman, it was also because she was Kurdish. Kurdish people face ethnic cleansing and violence across the SWANA region and Turkey. Kurdish people are not allowed to use their Kurdish names under these regimes.

She wasn't allowed to use her real name in life, please at least grant her the mercy of using her true name in death.

Her name was Jina.

The Legend of the Holy Grail

The Grail legend is one of the most popular and reiterated myths told around the world. The legend is basically connected to the King Arthur tales as well, as the king and his noble knights embark on a heroic quest in search for the ‘Grail’, a shining cup claimed to be the sustainer of all life or a mysterious vessel that provides sustenance, which is guarded in a castle that is difficult to find.

The first Grail legend first appears in an unfinished romance called Perceval ou Le conte du Graal by Chretien de Troyes dated to about 1190. The basic outline would be the mysterious vessel being guarded in the castle, and the owner of that castle is sickly or unable to care for it; the surrounding land would almost always be barren, and the owner can only be restored if a brave knight finds the castle, and after seeing a ‘mysterious procession’, asks a certain question. If he fails at this task, everything will remain as before, and the search must begin again. After many adventures, the hero knight returns to the castle and asks the correct question which, hereby cures the king and restores the land. After, the knight succeeds the wounded monarch and becomes king instead, and becomes the guardian of the castle and its contents. The Crusades were the backdrop of this awesome tale, and the fall of Jerusalem occurred in 1187 just before the legend appeared as a literary motif, and Chretien’s romance was written at the behest of his patron, the crusader knight, Count Philip of Flanders.

‘‘In Chretien’s romance, the knight Perceval sees the grail during a feast at a mysterious castle controlled by the Fisher King, a lame man whom he had met before. Chretien calls the object simply ‘un graal’, and its appearance is just one of the unusual events which take place during the feast. Indeed at this time, Perceval is also shown a broken sword that must be mended. The two objects together, sword and grail, are symbols of Perceval’s development as a true knight. Chretien died before he could finish the romance, but the story was completed by other writers. The Continuations, as they are referred to in critical literature, expand several themes and the grail gradually acquires a more ‘sacramental’ character. The First Continuation is also incomplete and the author is unknown, but it can be dated before the year 1200. Besides Perceval, Gawain also has a grail adventure (the womanizing Gawain is the type of the perfect worldly knight and regularly forms a contrast to Perceval in these romances). During a procession which Gwain sees, ‘the rich grail’ (as it is now called) floats about the hall and provides food for all; the bleeding lance is later identified as the Lance of Longinus (the spear used by Longinus to pierce Christ’s side at the Crucifixion) and the broken sword belonging to a dead knight who is laid out of the bier. He who mends the sword will know the secrets of the grail castle (thereby strengthening the link between sword and grail.) Other medieval writers took up this theme; Burgandian poet, Robert de Boron, also wrote, at the behest of a crusader patron, the Lord of Montfacon, produced three romances, Joseph d’ Arimathie, Merlin, and Perceval. All these romances treat the grail theme, even into the context of Christ’ passion.’’

The Holy Grail legends are not only entertaining, with valiant heroes and dangerous but awesome quests, but they also speak of patience and knowledge that these heroes gain along the way. Perceval and Lancelot aren’t heroes because they are searching for a beguiled, golden chalice, but for greater understanding of themselves. These legends have been written and re-written for ages, and even in the modern years, people are still fascinated by the great quest for the Holy Grail. I know I am.

Sex Sells! Exploring the Music Industry.

NO. 1

From “Chapter Two: Hip Hop, Context, and Black Girlhood.” Counterpoints, vol. 399, 2012, pp. 16–31. ‘‘The hegemony where domination is maintained through contemporary democratic societies not through the use of force, but through winning the consent of the people.’’ How many times has Gen Z heard from educators, politicians, and parents alike that the rap genre today should be discouraged as the lyrics are filled with violence, exploitation, criminality, and sexual themes? The music industry understands that the culture of black and brown people perpetuates the idea of fighting against such domineering systems but, unfortunately uses those ideas against that very people. Major music artists such as Sean ‘Diddy’ Combs, Jermaine Dupri, and Percy ‘Master P’ Millers share a large majority of profits with major record labels, but the industry as a whole is ‘white controlled’. And if any rapper wants to be successful socially and financially, they will change their image and structure their performance, lyrics, and music videos to cater towards the ‘White imagination.’

NO. 2

But then there is the other side of the fence that believes that people are going to gravitate toward what they feel motivates them, inspires them, and utterly captivates them no matter the judgment that is unleashed. Regular people cannot change how the music industry operates, so it makes more sense for these rappers to make steady profits from these mega companies. Plus, it is not the responsibility of these rappers to enforce a cleaner message for children and young adults. New female rappers like Ice Spice, Megan the Stallion, Nicki Minaj, Doja Cat, and others are breaking the ‘glass ceiling’, and are widely successful and popular for their music. They are bringing more attention to the rap game and are paving the way for the next generation of female rappers, proving that they can be just as successful as their male counterparts, if not more. Their success is encouraging more women to pursue rap/hip-hop.

NO. 3

Most female rappers of the time today could not be where they are without honoring those who contributed to hip-hop and rap: young Black and Latino youth. From “Under Construction’: Identifying Foundations of Hip-Hop Feminism and Exploring Bridges between Black Second-Wave and Hip-Hop Feminisms, ‘‘In the late 1970s and 1980s, hip-hop was. in part, a response to the class exclusivity of the New York disco scene and the growing gang culture of inner-city New York. Initially, the culture was created as a social and recreational space for the working-class and poor folk who had been pushed to the fringe of society and forgotten. Gradually, hip-hop emerged in the recreational space but also in which to voice contempt for the living conditions of the economically and racially marginalized. From its inception, hip-hop has represented resistance to contemporary political and economic oppression that makes social marginalization possible.’’

NO. 4

As a woman of color and anthropologist, I completely understand both sides of the controversy of rap. As much as female rappers are breaking the rap game, so to speak, their lyrics perpetuate negative stereotypes of the Black community and hostile misogyny toward women. It is not the first time, nor will it be the last, for society’s judgments towards rap and the people who create it will be called into question, but there should at least be a conversation about it so that we can all have a better experience. Society itself holds a double-edged sword when it comes to this, as this music is appreciated by suburban white males, wanting to identify with a culture that is not there behind closed doors while belittling the culture and artists in the limelight. No matter the judgment and hypocrisy, these artists success speaks for themselves.

A hero can go anywhere, do anything, as long as he/she has the nerve!

Santa Muerte

NO. 1

A skeletal figure dressed in robes or dressed in the virgin’s shroud, Santa Muerte is both the Grim Reap-ress and the Angel of Mercy. She is the personification of death, and her full title, Nuestra Señora de la Santa Muerte as she is well known as, brings an ambiguous and malleable identity that is associated with healing, protection, and safe delivery to the afterlife by her devotees, as her following, especially in 21st century is being celebrated all over South America, but especially Mexico City to the United States and Canada.

NO. 2

Even though Christian missionaries and leaders condemned the religion, Santa Muerte ‘‘offers hope to a society threatened with hopelessness. In the colorful barrios of Mexican culture, the figure of Death is ubiquitous. With the lure and dangers of narco-culture, the violence among competing youth gangs, the haunting realities of an economy in collapse, and the gravel fight to survive in a Tepito marketplace; Mexicans face the reality of death on a daily basis. Santa Muerte, the image of death, protects them from uncertainties in their everyday lives. When Death is the only guarantee, it seems like Death is the only one to be trusted.’’ The worship of Santa Muerte began in the mid-20th century and was clandestine until the 1990s, were most prayers and other rites have been performed traditionally at home. Now in the 21st century, worship has become a more public thing. Santa Muerte has a male counterpart in the U.S, called the skeletal folk saints San La Muerte of Paraguay and Rey Pascual of Guatemala.

NO. 3

So, what caused the worship of Santa Muerte to become a massive, worldwide following? Drug violence, for one, and loss of faith in Christianity. ‘‘Former Mexican president Felipe Calderon’s declaration of war on the cartels in 2006 was received with praise by North American politicians, as in their view, it seemed that the Mexican government was finally taking a strong stand against the cartels and that there would be a swift resolution to the social problems associated with drug trafficking. This open war declared on the cartels resulted in an escalation of drug violence and forced several dramatic changes in the safety of Mexico and its already chaotic social scene. Military personnel, paramilitary groups, and the cartels have been fighting for control of the country and have created a state of panic in the border towns and beyond. The panic and violence in the north have begun to gradually make it’s way south and reach areas that were once ‘safe’. According to the BBC from 2006 to 2012, more than 50,000 individuals have died from drug-related violence. Amidst the drug-related instability, the once strong and influential Mexican Catholic Church has been losing credibility, support, and members. The loss of faith in the Catholic Church could be caused by many factors: general pessimism, individuals searching for other forms of faith, and the result of the church’s support for governing political parties.’’

NO. 4

Who is Santa Muerte? Anthropologists and historians J. Katia Perdigon Castaneda and R. Andrew Chestnut agree that the veneration of Santa Muerte is a combination of Catholic imagery and rituals from Meso-American pre-Hispanic gods and rituals. There is a common list of names for the goddess, such as Mi Nina, (My little girl), La Nina Bonita (the Pretty Girl), La Madrina (the Godmother), and Mi Amor (My Love)—adoring names that tighten the relationship between devotee and saint. There are darker allegations like Senora de la Sombras (Lady of the Shadows) or La Negra (the Black Lady). There is also La Hermana Blanca (The White Sister) and Hermana de la Luz (Sister of the Light). She is celebrated on the Day of the Dead, November 1st and 2nd. better known as Dia De los Muertos.

Whenever someone tries to claim that evolution is a lie, I send them a picture of platybelodon.

1. It’s an excellent example of transitional evolution.

2. It’s a mess who would intentionally do this and why

3. It makes them piss themselves a little.

“Evolution is just a theory-”

Mean World Syndrome

NO. 1

Mean World Syndrome is a theory the sociologist George Gerbner, creator of the Cultural Indicator’s Project, where three quarters of Americans believe in high level of crime, even though statistics show it is low. In the media, there is too much sex and violence, more so than the average person will ever see a day in their lives, and it has become repetitive, too routine, as the storytelling of violence seem ‘normal’. Since 1995, the demand for guns to ‘protect themselves’ has been at an all time high, and so is the fear, fear that everyone in the world is a suspect. But most importantly, is the image of the bad guys coming to get them. 2/3 of Americans get their information from the media, mostly the news, which creates negative stereotypes of minorities, who are seen as violent and aggressive.

NO. 2 Take for instance, Latina’s, who make up 15% in population in America, are portrayed by the media as aggressors, seen as ‘rapists and gangbangers’ or ‘murderers’. They are also the subject of illegal immigration, which all together creates dehumanizing effects. Then, there’s the vilification of Arabs and Muslims, as bloodthirsty terrorists, that are linked to violence and terror, and the subject of torture/ing of these people is ‘okay as long as it’s a good guy doing it’’. 39% of Americans actually believes that American-born Muslims are not loyal to the country’s ideals, and so not loyal to them. And finally, African-Americans are twice as likely to be seen as perpetrators. In the media, it is harmful showing black people as great middle/class, successful people, then as violent and aggressive in the next slide, as if to say some people choose that type of lifestyle, that they are simply a product of their environment. White people are five times more than likely to be criminalized by whites than black people, yet it’s not white people being shown almost everyday on the news for braking crimes.

The result of all this is the active fear in everyday Americans that makes us less likely to be compassionate, and more hardened to anyone and everyone. It also increases a high demand for national security, and believing that we have to lock these ‘criminals in cages where they belong.’

Cultivation Theory is the examination of the long term effects of television. Media cultivates a set of values, meanings, expectations, understanding, etc. which is the culture now in the modern century. Mass media replacement of community-based storytellers, it advances corporate interests (increasing profits and sales) since Americans spend a lot of time with the media. The effects are becoming more systemic and all encompassing. We need to start asking questions, like who is being represented in the media, who is the victim, and who is in the cast, and what are their fates. Who is generally casted as the good guy, and who is casted as the bad guy. We can look to the Media Database (IMDb) to see who is making the cultural object, and what is the main subject. Mean World Syndrome relates to this theory, through intersections of race, gender, ethnicity, criminal justice and the international border. We need to understand who is creating these TV shows/films, since America has such a global reach, it attracts the largest audience. Sociologists are not condemning media, but the constant repetition of ‘happy violence’—where in the film, show, or media, the good guy faces has a challenge, fights and action and explosions reoccurs, he stops the evil doer, saves the damsel, and the day is saved! It’s boring, cliché and the same story over and over again— and the various franchises and storylines springing from these corporations because it slows down progress and keeps negative stereotypes alive, some of them extremely damaging.