jesus christ. fine. ill say it. im sleepy. im sleepy, okay? do you know what being sleepy does to a person? to their spirit? i should be pitied.
i am not joking we need to force teach cooking in schools. like. it is an essential thing for survival. do you know how easy it is to make things if you know even the bare bones shit about how cooking works. we need to teach teenagers how far you can take an onion and some other veggies it''s sad that people grow up not knowing how to prepare literally anything. and i'm not talking about oh this home ed class taught me how to make chicken nuggets at home i'm talking about learning the balancing of sweetness and acidity and saltiness and bitterness and shit like that and techniques and oil temperatures and how meats cook. it needs to be taught because it's literally not even that difficult and it matters so much
im going to complain for a sec about something arbitrary but as expected ppl rbing the news abt greece legalising gay marriage and adoption are being so unfunny abt it like "haha werent they always gay since ancient times" or "nice to see greece embracing tradition" straight up saw multiple people make references to aphrodite or the greek gods like can u shut up đ its not even funny you dont know anything abt this country
You know, an interesting tumblr transformation that's happened gradually, and which I've seen no one talk about: ask-culture has essentially dropped off to nothing.
By which I mean, asks used to be WAY more of the tumblr economy. They used to be more common to send, and receive, and see. They were integral to the collaborative, forum-like behavior of old tumblr communities, not even to speak on the HUGE number of ask-blogs that used to exist to only be interacted with in ask-form.
I'm not saying this in a vying-for-attention way but instead in an observational way: I used to get way way more asks in like 2015, even with a fraction of my follower count. I wonder if it's due to the homogenization of social media sites? There's a lot more of this divide between "content creator" and "consumer" instead of just a bunch of peer blogs who would talk to each other. "Asks" aren't really a thing on twitter, are they? And as I understand it, the closest thing to an "ask" on instagram or tiktok would be a creator screenshotting some comment and responding to it in a new reel or video or whatever those content mediums are. Are asks just too tumblr-specific? Is that aspect of the site culture dying out as more and more people converge to using all their social media sites in the same way?
Hello Everyone!
Today is the first day of the weeklong strike for a ceasefire in Gaza.
I have realized that I do not think the message has spread far, at least on this website. This might be due to the lack of internet in Gaza, it has been down for days. Not much can be said by the citizens there, it's like some people forgot about them. I encourage all of you to share this post, or make your own, letting everyone know about this strike. This is something that should transcend the aesthetic of your blog. My blog was a gimmick blog, but for this week, it is a blog for spreading information and awareness.
Bisan Odwa (@wizard_bisan1 on instagram) has called for this strike. She is a journalist from Gaza, who has been experiencing this horrid violence for 15 weeks. 107 days. 2568 hours.
These were the images she posted, calling for this strike:
Reblog this, share this. Do not stop until every supporter of Gaza knows what we must do this week.
Free Palestine, Free Gaza, Ceasefire now!
Note: Yes, this is a very long post.
I believe Jac Schaeffer is telling us a version of Macbeth. The ballad lyrics use a quote from the play âFair is foul and foul is fairâ. There is also the painting in Agathaâs living room â âMacbeth and the three witches" by Francesco Zuccarelli. The painting clearly meant something to Agathaâs consciousness and it feels like it was meant to be seen, whether foreshadowing or reflecting emotional state (I wrote more about it here). Yet, Jac herself has not mentioned Macbeth in her interviews even once, which is interesting.
A huge question explored (but not answered) in Macbeth has always been about who is in control of our actions. Do we have free will or is already written for us by someone else? Can only one person be held responsible, and if so â is it the doer or the enabler who is to blame?
A quick play summary: Macbeth is a play written by William Shakespear. It starts with Three witches telling the Scottish general Macbeth three prophecies: that he will be the Thane of Cawdor, that he will become a King of Scotland and that children of Banquo (his friend) will become kings. Shortly after, Macbeth really is appointed the Thane. Encouraged by his wife, Macbeth kills the king and becomes the new king. But he descends into paranoia, worried about the third prophecy, so he kills Banquo too. He seeks the witches out again, looking for reassurance. They show him 3 apparitions, which he interprets in his favour, giving him false sense of security. Civil war erupts to overthrow him and Macbeth is eventually killed.
When you compare the play with what weâve seen in the show, the parallels become more and more obvious, and I think we can even identify who the characters are meant to be. My interpretation is:
Teen = William Shakespear, the author
Agatha = Macbeth
Rio, Lady Death = Lady Macbeth (or Lady Macdeath?)
Banquo = Jen (but also Wanda)
The three witches = Alice, Evanora and Lilia (Maiden, Mother, Crone)
Detailed analysis:
Teen = William Shakespear
The first obvious connection is the shared name and the fact that Vision actually said he wanted to name his son after William Shakespear quoting âAll the worldâs a stage. All the men and women are merely players.â
This goes well with the implication that Billy has indeed âwrittenâ the Witches Road. I donât think he is deliberately controlling it though â I believe his intentions are just so strong that the Road reflects everything we see in his room. He set the frame but he is not in charge. In fact, it feels more like the influence comes from William Kaplan rather than Billy Maximoff.
It is worth noting that the Macbeth play is set in a morally ambiguous society that judges others in black and white, while allowing shades of grey for themselves â very reminiscent of Billyâs attitude about witches in ep.5 when he said he is not like them at all â immediately followed by him lashing out. Lilia also reminds him in ep.7 of how much in common he has with this idea of a witch that he so vehemently rejects. I think in the end, when he realises that he is both Billy and William, he will also understand that he is not just a âwriterâ, but also a âplayerâ of the story.
It is also interesting how there is no sun in the painting â similar to the perpetual night we see on the Road. The paintingâs interpretations often suggest that the dark sky represents the theme of death lurking around (fitting that Jen calls Rio a âcreepy lurkerâ). So I do believe that just as we have the symbolism of the Moon, there is also meaning to the Sun and the lack of it. This is why during Billyâs tarot reading, his card for âwhatâs missing?â is the Sun. At his bar mitzvah William Kaplan is in a white shirt. But when Billy returns home from the hospital, heâs wearing a stripy black and white top â but the white stripes are thin â only glimpses of William. Eventually Teen becomes this goth kid â suggesting that darkness has overtaken him. But in a promo we see him wearing a different top â again with black and white stripes but they are more equal and uniform. I think this symbolises that he realises he is both, Billy and William and itâs no longer murky to him. The Sun and the Moon are in balance. (And to that point â in ep.1 in Nickyâs bedroom we see wallpaper prominently showing both Sun and Moon elements. And the childâs drawing has the Sun at its centre)
Three Witches = Alice, Evanora and Lilia
This one is a more loose interpretation, but I think it ties well with the ongoing theme of âMaiden, Mother, Croneâ. In Macbeth, itâs the witches that open the play, portraying them as those mysterious but powerful witches, controlling the events. But throughout the play, the audience realises they might not be as powerful â in fact, it is questioned whether they actually have the power to make things happen, or they merely have the ability to see the future. Eventually, they have less and less presence, and are not even there when the prophecies are fulfilled â suggesting that they were merely an illusion of control.
The fact remains that the witches are literal harbingers of doom â with their symbolism of number three (that is also heavily explored in this show, post here). They did share the prophecies, giving Macbeth the information he didnât ask for. And later, when he comes for reassurance, they show him 3 more apparitions (well, 4, but he doesnât take the last one in). The significance here was that the message here was so vague and deceptive that it could have one of two completely opposite meanings â and their interpretation proves crucial to the final outcome. The apparitions were telling Macbeth to be afraid, but instead he read what he wanted to see. He left feeling reassured, secure and justified in his actions. Again, the witches could be represented here as being deceptive, driving Macbethâs demise. It feels like they had this insider knowledge that shouldâve shared with Macbeth that would completely change the context of the message. But they didnât and itâs a question if they ever even could.
Interestingly, in Act 3, Scene 5, the witches behave very differently to how they were before and it is believed that this is because this particular scene was not actually written by Shakespear but by the actors themselves â if true, this would be an excellent parallel to episode 5 (and Agathaâs wearing a jersey with no.3). I believe Agathaâs trial was hijacked by Vertigo from Salem Seven. There were many inconsistencies with the previous trials, but I think the biggest tell was that the aspect ratio didnât change â thus Vertigo taking over Billyâs story.
So, with all this in mind, I think that the showâs Three Witches are not active messengers to Macbeth/Agatha. Itâs more about her interpretation of what they each represent in terms of her own destiny. I linked this with the Mother, Maiden, Crone - i.e. the Triple Goddess Hecate because in the play she us actually the âbossâ of the Three Witches. Â
Letâs start with the obvious â the Mother element is Evanora, Agathaâs own mother who has always prophesised her that she will be evil. Then we have the Maiden. I think it makes sense that this is Alice. Not just because she is the youngest, but also because she serves as a fresh reminder to Agatha that she is actually evil, because she is the one who killed her. However, there is duality in here, because it is also an example that Alice protected Agatha BECAUSE Agatha was worthy of saving. That she didnât actually think of her as evil, especially when recognising Aliceâs own complicated history with her mother. Finally, we have the Crone â this Lilia, always complaining at how Agatha is the embodiment of the evil witch stereotype. And yet, in ep.7 Lilia gives Agatha an advice for her future â akin to a prophecy. Whether Agatha follows it or not, we donât know yet, but itâs important to show that Lilia chose to help Agatha in the end, showing her she accepted her.
Banquo = Jen (also Wanda)
In Macbeth, the character of Banquo is Macbethâs friend as is meant to serve as his foil â i.e. a person or thing that contrasts with and so emphasizes and enhances the qualities of another. Banquo has a lot of parallels with Macbeth and he is also present for the prophecies. Yet, he reacts differently to them as ultimately he is not interested in power.
So I think in the show, the foil is Jen â she is shown to be just as snarky and selfish as Agatha. She is also an exceptional witch that is at least a century old. But in the past she used her powers for the good before she became bound. She said she tried everything possible to unbind, but it seems she eventually accepted her fate, though she is still very much angry about it. Her business is false and people are harmed as a result, yet she knowingly continues that path.
This is parallel to Agatha, as we can predict that the myth of the witches road is her own fraud business, perpetuating it so she can steal power from the âundeservingâ witches, not caring she causes harm. She probably couldâve ended up similarly to Jen or worse, had it not been for Billy pushing them both down the Witches Road.
It is interesting that they both seemingly passed their trials and yet neither of them recovered their powers. They both believe someone else is responsible for this (and to be fair, I think in Agathaâs case she is right â Vertigo stole her trial). There are many more similarities we can notice, but I wonder what this means for the future. I wonder if there will be confrontation between the two of them. I think Jen will be able to resolve her inner conflict and exit the Road, and she will become the literal High Priestess (i.e. head of her own coven) â similar to Banquoâs character, whose children became the kings, not Macbeth.
An honourable mention to another foil couple from the past â Wanda.
Both Agatha and Wanda were powerful witches, misunderstood by the society (âthere will always be torches and pitchforks for ladies like usâ). Both lost their children, but dealt with them differently. Both are told they were destined to be bad â Evanora calls Agatha evil and Wanda is prophesised as the Scarlet Witch who will destroy the world. It is interesting to debate whoâs Macbeth and whoâs Banquo in this pairing â while Agatha didnât seem to be entirely under Darkhold influence, it was Wanda who eventually claimed Agathaâs power and the Darkhold, then become corrupted before her ultimate demise (and redemption).
Lady Macbeth = Lady Death
Lady Macbeth is the figure that often gets the full blame for Macbethâs crimes â people even going as far as absolving Macbeth from any fault (which I think in itself is a demonstration of internalised misogyny but hey ho). She is also seen practicing witchcraft, which served as another suggestion that she was the baddie in control.
She has this line that could be a nod to Rioâs dagger - âthat my keen knife see not the wound it makesâ. Perhaps a reflection that Rio doesnât want to see the pain that her actions as Death bring, thatâs why sheâs heavily dissociating with her powers, calling them âher jobâ.
When Macbeth is torn by the prophecies, he eventually decides that he will not kill the king. That very second, Lady Macbeth enters and very quickly manages to change his resolve. Later on, whenever he wavered, she was the one who would take over control. She was the ultimate enabler to his crimes, even getting the servants drunk, unlocking the Kingâs door, preparing the daggers etc.
She is seen as powerful but also completely loyal to Macbeth. She is devoted to the point that when she pleads with the spirits for his success, she offers them her own femininity (âunsex meâ) in return, i.e. the one thing that makes her her. She doesnât seek the power directly for herself  (though she would have it through his actions), immediately accepted Macbethâs prophecy, understood thatâs what he desired and supported him throughout. I think this probably reflects Agatha and Rioâs relationship really well. In ep.4 it is Rio who is impatient to âdo some damageâ.
However, despite his early signs of deep affection, as Macbeth descends into his downward spiral, he is less and less bothered by his wife. Eventually, he is the one to continue all the killings, and Lady Macbeth fades into a background. To the point where she eventually commits suicide from all the shame, yet Macbeth barely notices it. Perhaps that disconnection happened for Agatha and Rio too. Agatha was lost to Rio when she hid behind the dark magic and it was painful to her, after all these centuries.
Agatha = Macbeth
Finally, Agatha, just like in the show, represents the titular character. Even when committing murders, Hecate describes Macbeth as âa wayward son, spiteful and wrathful, who, as others do, loves for his own ends, not for youâ, which I think really represents what the creators are showing us here. The setting of the play is in a world where your rights donât matter â but instead it is the strongest that holds the power. Â
Macbethâs demise doesnât so much come from knowing the prophecies (because Banquo heard the same), but from his fatal flaw of ambition. He read the prophecies and apparitions how he wanted them to read. They were his imaginary permission to do the killings to reach the goal. After initial doubts, he convinced himself it was the right thing to do, he became âwickedâ and drove to his self-destruction.
(side note: there is also this ambiguity in the play, where there is mention of Macebthâs child, yet people think him childless, suggesting there is a story of child loss behind it â link with Nicholas Scratch?)
As explained above, the Three Witches serve as Agathaâs ingrained belief about her role. She is surrounded by number three, showing her as the harbinger of doom. She might not think this is who she is, but it is still the role she chose to play, and eventually it became self-fulfilling. Her fatal flaw is her addiction to power and she believes in that âmight, not rightâ world. So she has this wall around her and pursues that quest for power, because what else is there left? She is unapologetic about this, but we also start seeing the layers coming off.
I think the story in the show will ultimately come down to whether Agatha understands that she is the one standing in her own way and that she is not above the rules. That no matter the circumstances and the reputation and people enabling her, she is the one ultimately responsible for her own actions.
I think she will drive herself to self-destruction and will be willing to die to gain back her powers. I think she will be left on the Road so it is âAgatha all Aloneâ. However, there must be some growth from her Witches Road journey, so I think in her process, she will have some meaningful resolutions with others and actually help them escape the Road. And maybe this time she will even follow the rules.
I think this will make a mark on the others so that they will actually try to bring her back somehow. She might feel alone, but the power of the coven will be the one to save her.
For the writers struggling to rid themselves of the classic âsaidâ. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words).Â
1. Neutral TagsÂ
Straightforward and unobtrusive dialogue tags:Â
Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.
2. Questioning TagsÂ
Curious, interrogative dialogue tags:
Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.
3. Emotive TagsÂ
Emotional dialogue tags:
Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.
4. Descriptive TagsÂ
Insightful, tonal dialogue tags:Â
Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.
5. Action-Oriented TagsÂ
Movement-based dialogue tags:Â
Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.
6. Conflict TagsÂ
Argumentative, defiant dialogue tags:
Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.
7. Agreement TagsÂ
Understanding, compliant dialogue tags:Â
Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.
8. Disagreement TagsÂ
Resistant, defiant dialogue tags:Â
Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.
9. Confused TagsÂ
Hesitant, uncertain dialogue tags:
Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.
10. Surprise Tags
Shock-inducing dialogue tags:
Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.
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