BEFORE PROCEEDING TO READ i want to clarify that this is my opinion and my take on his character before we get to know more about him in the manga. i know that the way i write about him is not what he really is, and that can cause conflicts but i am trying my best! contains small spoilers ahead! anyway hope you will enjoy!
Written on August 9th 2024. Posted on August 10th 2024. Edited on
Takiishi Chika is expressive only when he wants to be, but most of the time he is with that bored expression making it look like he is some kind of robot or haunted doll. As already known his face changes when he feels anger or when he fights with someone at his level or higher, it's when he gets happy and excited, because there is someone who will not bore him and keep up with the adrenaline.
He will not listen to anyone in whom he finds no interest. People can talk to him, but he will pay no attention to them. He will listen, catch a sentence here and there, and when someone mentions something that intrudes on him, he will listen without hesitation wanting to know more.
Strikes me as a type who is also very observant. Not only in a fight but when around people in a calm setting. Also intelligent, may not show it because he acts on impulse but everything is calculated.
Likes to light up fireworks when there's nothing better to do or people to fight. It's nice and something he can do on his own.
He likes to sit on the rooftop of buildings and look down on everything and everyone, either enjoying the view or the feeling of power. We again don't know why. But in Chapter 134: The Moment Longed For, when Endo Yamato receives a punch to his face because he stopped Chika's sudden charge at Umeniya, the conversation goes as such "But hey, Umemiya told us to go to the roof with him. It's been ages since we have been there. You like the roof don't you?" and then Chika freezes agreeing with what Edno said "Right. That's true." Then he walks past Umemiya telling him to go there, leaving everyone behind.
The question here is why Chika likes roofs so much, and what exactly does Furin's rooftop that Umemiya wants to show him? My mind directly goes to the garden. Is it to see one's growth despite its roots? What if Chika used to take care of the garden too? I know, it's a laughable idea and seems impossible but what if? So many questions, but not many answers. This is normal, seeing as how their battle is just beginning and the characters' internal and external conflicts are yet to emerge.
As stated, he is violent and short-tempered, he would never let anyone or anything block him from doing what he wants, it doesn't matter if it was a friend or an enemy. He is capable of destroying everything in his path. But personally, I think he won't hit someone if there's no reason to or if he isn't provoked in some way.
He doesn't care about the others, he only cares for himself and his enjoyment.
Of course, he knows many people and many people know him. But he isn't close with anyone besides Endo Yamato, even if they are childhood friends and their friendship is weird, Chika just lets Endo do whatever he wants — buy him clothes, paint his nails, find him opponents. He probably never asked for him to do such things but Chika knows how devoted the tattooed fool is to him, and so he played along. That leads me to a theory that he was spoiled as a child, that's why he doesn't question Endo, because he is used to getting what he wants and if something goes in his way, he will eliminate it.
Endo stated that Takiishi "began to fizzle out when he left Furin" meaning he was slowly losing his spark and maybe fighting out of boredom and not excitement. Chika is "The Strongest Man in Furin History". Probably in his first year, there wasn't anyone worthy enough to keep up with his pace and cause that fervor to ignite his flames.
Two years later when he dropped out of Furin Highschool he became a shadow and it was a few in the school who knew the truth about him, including Umemiya, the person Chika probably wanted to fight from the start.
In Chapter 142: Revelation, we see Takiishi in Endo's memories, and he has always been so aggressive towards the world, but unfortunately, we still don't know the reason why — perhaps a family conflict that indicates him being abused as a child; himself being bullied and then turning into a bully, or he was a prodigy too doing everything before other kids his age making him develop faster and he took advantage of that. So many theories. Hope we know in the future! [this part will be edited once his backstory is out]
God complex which may also be associated with mania or a superiority complex. Someone with a god complex may exhibit no regard for the conventions and demands of society and may request special consideration or privileges. GD is linked to Narcissistic personality disorder (NPD) with a diminished ability to empathize with other people's feelings. Even tho we don't see Takiishi being 'in love' with himself, he only cares about himself, and thus I will say he is probably narcissistic but not to such an extent.
But here I think the right word which should be used is Egoist — a self-centered, selfish person or arrogantly conceited person. Egoism comes in different forms as there are several reasons as to why someone may act in their own self-interest, such as ethics or rationality. The three main types of egoism are physical egoism, ethical egoism and rational egoism.
1. Physical Egoism
This type of egoism refers to the basic, instinctual drive for self-preservation and personal survival. It is often associated with natural instincts and physical needs, such as hunger, thirst, and the avoidance of pain. Physical egoism emphasizes the inherent tendency of living beings to prioritize their own physical well-being and survival above all else. In this view, self-interest is rooted in biological imperatives.
2. Ethical Egoism
Ethical egoism is a normative theory that suggests some individuals act in their own self-interest. It is a prescriptive approach, meaning it provides guidance on how people should behave. Ethical egoism posits that morally right actions are those that maximize one's own welfare. Unlike physical egoism, which is based on natural instincts, ethical egoism is a philosophical stance arguing that self-interest should be the guiding principle of moral decision-making.
3. Rational Egoism
Rational egoism posits that it is rational for individuals to act in their own self-interest because doing so leads to the best outcomes for themselves. This form of egoism is based on the idea that reason, rather than mere instinct or moral obligation, should guide self-interested behavior. Rational egoism suggests that acting in one's own long-term interest is not only logical but also the most reasonable course of action for achieving happiness and success. It often involves considering the consequences of actions and making choices that best serve one's goals in a rational, calculated manner.
In conclusion:
Takiishi Chika is impulsive, violent, and primarily concerned with his own physical needs and desires, aligning most closely with physical egoism. He doesn't seem to consider the long-term consequences of his actions, nor does he follow a moral code that dictates acting in his self-interest in a socially constructive way, which would be characteristic of ethical or rational egoism.
The behavior could be indicative of several potential mental health conditions or personality disorders, but it's important to note that diagnosing someone, especially when a real person requires a qualified mental health professional. However, I am not a professional and I am doing this only for my entertainment in the fictional world. There are a few possibilities that might align with the characteristics of Takiishi Chika.
1. Antisocial Personality Disorder (ASPD):
Individuals with ASPD often exhibit a disregard for the rights of others, lack of empathy, and can be prone to aggressive, violent behavior. They may engage in fights, show little concern for the safety or feelings of others, and may be manipulative or deceitful.
2. Borderline Personality Disorder (BPD):
While not always violent, people with BPD may experience intense emotional reactions, including anger and aggression. They can also have a pattern of unstable relationships, self-harming behaviors, and fear of abandonment, which might be linked to masochistic tendencies.
3. Intermittent Explosive Disorder (IED):
This disorder is characterized by sudden, explosive outbursts of anger or violence that are disproportionate to the situation. The person might feel a sense of relief after the outburst but may also feel remorse or regret later.
4. Sadistic Personality Disorder:
Although not recognized in the DSM-5, some traits could align with what was previously considered Sadistic Personality Disorder. This involves deriving pleasure from the suffering of others, which could explain sadistic tendencies.
Chika's behaviour is explosive or volatile sadism. This type of sadism is characterized by sudden outbursts of aggression and violence, often triggered by frustration or when the person feels someone is in their way. Individuals with this type of sadism tend to lack empathy, and their violent behavior can be unpredictable and intense.
In addition, his potential sadomasochistic tendencies suggest he might derive some pleasure from both inflicting pain on others (sadism) and experiencing pain themselves (masochism). This combination can make his behavior particularly volatile, as he may be drawn to situations that allows him to express both these desires.
5. Conduct Disorder (in younger individuals):
If the individual is younger, this could be a sign of Conduct Disorder, characterized by aggressive behavior, a lack of empathy, and a disregard for rules or the rights of others. This condition in youth can sometimes progress to Antisocial Personality Disorder in adulthood.
6. Narcissistic Personality Disorder (NPD):
While not typically associated with overt physical violence, individuals with NPD can display aggression when their ego is threatened. They may lack empathy and be manipulative or exploitative in relationships, only caring about others when it benefits them.
7. Psychopathy:
A more severe form of ASPD, psychopathy involves a profound lack of empathy, superficial charm, and often a tendency toward manipulative and violent behavior. Sadistic tendencies may also be present.
8. Post-Traumatic Stress Disorder (PTSD):
Individuals with PTSD may experience anger as a response to trauma reminders or as part of the hyperarousal symptoms. Irritability and angry outbursts. Feeling constantly on edge or easily startled.
PTSD develops after exposure to a traumatic event, and anger can be a coping mechanism or reaction to perceived threats.
9. Trauma and Childhood Experiences:
Anger issues can also stem from unresolved trauma, especially if it occurred during childhood. People who have experienced abuse, neglect, or abandonment may develop anger as a defense mechanism. Difficulty trusting others, leading to anger in relationships. Feeling easily threatened or provoked. Chronic irritability or anger without a clear cause.
This is all I can think of when I did my research. Chika definitely has something traumatic happened to him or he was someone's trauma.
But there can be a scenario with him just being born like that even if love and kindness were shown to him. We will know more once Satoru Nii drops his full backstory like he did with Endo and Umemiya.
TAKIISHI CHIKA'S CHARACTER IN MY WRITING STYLE
I don't want to make him too out of character for the sake of the people who like or will like him, as I want them to have the best experience while reading any of my works that includes him.
In many of my drabbles readers will get to see him being more soft towards the female character or his girlfriend as stated in the most scenarios. He is being vulnerable towards you. It is simply the way I imagine him when he gets to like someone who catches his attention: he wants to know everything, is being possessive, is more expressive, making space in his heart only for you, though his ego and pride would no go down but instead they will go up because he has something the others don't.
As I stated earlier, he will not listen or look at anyone in whom he finds no interest. That being said, and as a cliché as it sounds, you are different, he wants to have you to either a) play with you until you break or b) learn about the way you are making him feel, because his heartbeat only rises when he fights.
When Takiishi Chika learns to love, or at least tries, he realizes that he can tolerate people who get in his way, meaning he tolerates you and is extremely important for him to see you everyday. And if his nonchalant behaviour is due to a trauma, you are his free therapy.
I saw people who think he doesn't talk much, again he does, he chose to who, how and when. Even if it's one word, sentence or a punch, he will talk.
In my opinion the way he loves is unique, everyone has their own way to express their longing for the other. He doesn't know what love is, its a new term in his vocabulary, and you teach him the ways of being soft and tender.
He is protective of you, very fond by the way you show him how to do things and he acts on instinct. If he wants a kiss, he will get one no matter what. If he wants get intimate or just to initiate a physical touch, he without thinking twice would. Takiishi Chika is not a person who waits, unless necessary, because when he wants something he will make sure to have it. If he wants you he will get you. He is the living prime of "If he wanted, he would."
But then again he has another dark, manipulative and toxic side. Again he is not good or used to expressing his emotions that well, if he wanted to hurt you, unintentionally or not, he would. I know I'm repeating myself a lot with words, but it's true. Was it with a real or non-existent person, if they wanted to, they would do anything to or for you.
This is mostly what I have to say about him, in hopes of your understanding and if you got to the end of this long post, thank you! Takiishi Chika is not that complex of a character, he is pretty easy to understand in my opinion, as long you want to do it.
But it's my profile, my own way to express myself amd how i view a certain character. I would be happy if someone wants to discuss further issues with our blazing inferno Chika <3
And as the manga will continue and more will be understood, I will give it my best to describe and write not only about Chika, but also about all the other characters. I hope this was a hopeful guide to answer questions if you even had one.
Thank you Chika nation for the support, and thank you for reading and following through my writing journey! More is yet to come (。・ω・。)ノ♡
Apparently nobody did this meme with them yet (as far as I'm aware) sooooo here
how i look at my characters existing in peace knowing that their happiness is just pages away from being taken
So, I've been writing a blind character who cooks. So far, I've written him as being someone who relies a lot on routine and habit, who navigates the kitchen by touch and by memory. He's a bit rigid, and insists on using his own tools, which are color coded (he can see them up close with what residual vision he has) and marked with braille, but I was wondering what other tools a blind person might use when cooking.
I don’t know where and when your story takes place, so what is used might change depending on the character. Here are some options to get you started. There are many tools and techniques devoted to making cooking easier. I don’t know as much about the subject, so I’ll do my best. Please add any other ideas in the notes.
First, the creator @canseecantsee on YouTube and TikTok is an excellent resource. She has lots of videos showcasing how she cooks and does various daily tasks. She demonstrates the use of many tools, such as heat resistant gloves and high contrast items. Here is a video in which she demonstrates chopping vegetables.
Notice the high contrast items such as the yellow chopping board and purple knife. In the video, she demonstrates use of the towel or a place mat beneath the cutting board to prevent slipping. As she cuts a cucumber, tomatoes, and onions, she also uses a technique that allows her to feel the edge of the item so that she knows where she wants to cut and how thick the slices will be.
Here is a video by TheBlindLife showcasing his accessible kitchen. He has excellent points on the importance of contrast, from color contrast to shape contrast. The video includes
bump dots
labels
high contrast colors of tools
high contrast plates and bowls
talking scale and thermometer
heat resistant gloves
and alternatives for glass cups
High contrast is important and can be created by being mindful of the kind of countertops or tables used. For example, in the video, there is a triangular plate that is decorated like a pizza slice. Eating on this plate might cause food to get lost visually, especially food that has the same colors as the plate. Much like the plate, counters or tablecloths with busy patterns might cause items to be harder to see due to lack of contrast. Plain counters, tables, or tablecloths make items stand out more.
Additionally, creating contrast between surfaces and the items on them is helpful. The table is a dark wood? Light plates, bowls, and cups it is. The counter is plain white? The plates and bowls are a dark color.
For glass cups, the video offers solid, colorful plastic cups that offer better contrast. The fact that glasses are clear makes them even more of a challenge and colorful plastic alleviates that concern. However, if someone wants to use glass cups, they can use some that are either made with colorful glass or have color somewhere on them. This might help depending on the contrast and lighting.
In addition to memory, your character can also use labels and various markers. Sharpie, different colors and shapes, textural elements like bump dots, actual Braille or large print labels, tape, stickers, string, or ribbon. Label makers are great, but plenty of other options exist, particularly considering the aesthetic the kitchen has. He may also enjoy decorating this way since he has residual vision. Ribbons tied around containers of sugar, salt, and flour can be cute and functional.
A few other ideas after searching cooking stuff:
talking items, such as a blender, rice cooker, or microwave oven
marking speed on electric mixers or other devices
talking, high contrast, or large print timers
funnel or liquid level indicator
Braille or large print labeled measuring cups
individual bowls for portions, such as soup, rice, sauces, proteins, etc. Different shapes, sizes, or color could also indicate what food item typically goes in what bowl.
You can also come up with other ideas by thinking about what your character would use and how that might be done more easily. While I prefer characters use blindness techniques and assistive devices, people also naturally make things easier for themselves through organization and creating their own labels. A person who cooks might also be able to distinguish certain ingredients by smell or texture.
Another tip I have is to watch blind content creators on social media. Chances are, some of them show themselves cooking or discuss how they do it.
Lighting is also going to be a big deal. The kitchen will need good lighting, both overhead and under cabinets. Natural lighting is also great, although this is not as reliable or constant.
What he uses might also depend on various factors such as income; how often a character cooks; amount of available space; time period and setting; cultural practices around cooking, eating, and utensils used; access to the blind community; willingness to use assistive devices for blind people; any internalized ableism or ableism from family; and level of vision.
Hope that helps.
trash pandas
lindocas
since honkai impact and honkai star rail will collab, I need these four to meet
she finally can eat RM's cakes yaaay
✄ For a newspaper ad, Kill la Kill scriptwriter Kazuki Nakashima wrote a short introduction for Ryuko from Ryuko’s perspective. In the introduction, Ryuko reveals that she’s been alone for as long as she can remember and “only [she] could protect [herself].” She then talks about Senketsu, noting that it’s strange that she’s wearing him (perhaps especially because she’s been alone so long and has never particularly trusted anyone else?), but finishes by saying that how Senketsu makes her look doesn’t matter so long as she comes out a winner: “That’s the spirit of Ryuko Matoi.”
✄ Ryuko is very much depicted as a Japanese delinquent (and she describes herself accordingly in episode 8). Her initial outfit and Senketsu are clearly modeled after sukeban, “girl boss,” a term used to describe the culture of the rebellious schoolgirl gangs that began appearing in Japan in the 1960s and 1970s. These all-girl groups would modify their school uniforms, wearing Converse sneakers, cutting their blouses short, and so on. Interestingly, even prior to Kill la Kill, when Ryuko more resembles a “typical” high school girl, she still wears different-colored socks than the other girls, much like sukeban would.
✄ Ryuko’s appearance also takes some cues from Sukeban Deka, a series from which Kill la Kill draws a ton of inspiration from (perhaps most obviously, the first ending sequence of the series is a straight-up homage to a Sukeban Deka ending sequence). Particularly, take note of the red glove.
✄ Ryuko’s initial jacket, too, is associated with rebellion and delinquency. The jacket is known as a sukajan, which was initially a specially-embroidered “souvenir jacket” that American soldiers brought home from Japan after World War II. However, in the 1960s, the sukajan became a symbol of defiance, representing a rebellion against the growing popularity of the American “preppy” styles in Japan. Sukajan were then connected with gangs and criminals.
✄ Even Ryuko’s speech is indicative of her delinquency and rebellious attitude. Ryuko (I believe) uses ヤンキー語文法 (yankii (yankee) speech), a crude, disrespectful manner of speaking (which the English dub tries to convey with Ryuko’s considerable potty mouth, her tendency to cut the “g’s” off her verbs, her usage of words like “ain’t,” etc.) Here is an excellent discussion of yankii speech (and its similarities/differences to yakuza speech), which also references this blog post here that delves further into yankii speech.
✄ However, Ryuko is also depicted rather sweetly even at the start. In the first episode, she steals a delivery bike to make an escape, which is fitting of a delinquent. Later in the episode, though, she returns the bike back to where she’d taken it with a note reading, “My deepest apologies for borrowing without permission.”
✄ The “JK2″ sticker on Ryuko’s guitar case is meant to say that she’s in her second year of high school. As Japanese high schools begin at the tenth grade, Ryuko is then an eleventh grader (an American junior), and she still has one year of high school left. As revealed in the OVA, Ryuko (and Mako) will attend Rinne-Dou High School in Kanagawa for that last year. (Interestingly, Gamagoori attended Rinne-Dou Junior High before transferring to Honnouji Academy.)
✄ The other sticker on Ryuko’s guitar case is of Kuri-chan, the main character of a classic, 4-panel manga series of the same name. Kuri-chan is apparently Ryuko’s favorite mascot character.
✄ At the Complete Script Book Event in 2014, it’s revealed that Ryuko doesn’t go to university after graduating from high school, getting a job immediately upon graduation instead. It’s said that “it’d suit [Ryuko] to be a babysitter or something like that” because she “probably can’t do jobs that force her to work with customers, but she is good with kids.”
✄ In episode 7, when Ryuko throws her bath bucket at the Mankanshokus, you can see that she uses Timotei shampoo (and rinse).
✄ In episode 6, Ryuko is shown brushing her teeth with a bunny toothbrush. The Kill la Kill artbook SUSHIO CLUB LOVE LOVE KLKL has a page dedicated to the “Toothbrushes of the Mankanshoku Family” that includes illustrations of Ryuko, Mako, and Mataro’s toothbrushes. (Ryuko’s is the bunny, Mataro’s is the eyepatch cat, and Mako’s is the bear (?))
✄ By episode 5, Ryuko is shown using a personalized bowl with her name on it while eating dinner at the Mankanshoku’s.
✄ At Anime Expo 2014′s Kill la Kill panel (6th post from the top), it’s revealed that from what Ryuko saw of her father’s killer, she deduced that the killer had to be a high school student of around 17. As such, Ryuko spent six months going from high school to high school before finally getting to Honnouji Academy.
✄ The series suggests that Ryuko becomes so convinced that Satsuki killed her father that she reworks her memories to change the Nui-like silhouette she remembers to a figure that more resembles Satsuki instead.
✄ As a series that loves wordplay and puns, Ryuko’s name is surely filled with meaning. Folks who know much more than me have written about this, so I’ll point to this post and this post that discuss some Ryuko name meanings. I will say, though, that one of the most prominent meanings I see behind Ryuko’s name is “abandoned child” (which no doubt refers to how Ragyo literally threw Ryuko away), since the 流 (ryuu) of Ryuko’s name is a kanji that represents ideas of “washing away” and “forfeiting.” (And the 子 (ko) represents “child.”) That said, though, it was explained at the Connichi Kill la Kill panel in 2014 that “Before my body is dry” is Ryuko’s theme because the kanji 流 (ryuu) represents “fluid” and 子 (ko) represents “child” and Ryuko “is a child who is easily influenced by others and thus loses her way quickly.”
✄ Though Ryuko is widely understood as a big lemon eater, she’s actually only depicted with lemons three times within the series and in official, non-concept art (as far as I’m aware): as a part of her introduction in episode 1, in the first opening sequence, and on CD art for the first volume.
✄ In contrast, Ryuko is shown eating/with croquettes many, many times throughout the series (episodes 2, 5, 7, 22), and the disc art for the final volume (9) even depicts her holding up a croquette.
✄ In fact, as revealed at the Complete Script Book Event in 2014, Ryuko’s favorite food is actually gameni, a dish of chicken and vegetables.
✄ That same event also revealed that Ryuko’s least favorite food is konnyaku, “because it reminds her of Uzu,” whose family owns a konnyaku business (and who is kind of obsessed with konnyaku himself). Funnily enough, though, Ryuko seems to enjoy eating konnyaku in the second Drama CD.
✄ In the first Drama CD, Ryuko claims that she’s excellent at cramming, but when it comes to cramming for a big group exam coming up at Honnouji Academy, she ends up sleeping for nearly a week in the library instead of studying. Listen to her dramatic apology to her teammates from about 3:47 - 4:00 here.
✄ The first Drama CD also features Ryuko “correctly” understanding that Satsuki’s eyebrows aren’t truly thick.
✄ In Track 3 of the second Drama CD, Ryuko and Senketsu make a daring escape through Guts’s butt.
✄ The third Drama CD features a bizarre plot where a sentient Life Fiber bug, Minomushi, creates a white T-shirt body for himself that Mako finds. Minomushi then drains Mako’s energy, transferring her consciousness into his T-shirt body (which Mako can then control). (I think.) (Yes, Kill la Kill is batshit.) The Mako/Minomushi T-shirt proceeds to attach itself to the Elite Four, resulting in a bunch more batshit scenarios where Mako speaks through the Elite’s voices. When Mako speaks through Uzu, Ryuko gets super creeped out when “Uzu” tries to treat her like Mako would, dodging “Uzu’s” hug and telling “Uzu” to not call her “Ryuko-chan.”
✄ In the fourth Drama CD, which takes place immediately after Ryuko learns of her Life Fibers and her relation to Ragyo, she falls unconscious desperately trying to convince herself that she’s human.
✄ The lyrics for many of Kill la Kill’s vocal pieces suggest that they are about Ryuko. Though nothing has been officially confirmed (as far as I am aware), it seems clear that “Before my body is dry” is a duet between Ryuko and Senketsu, “Till I Die” and “Suck your blood” are songs from Senketsu to Ryuko, “I want to know” is from Isshin to Ryuko, and “New World Symphony” and “Light your heart up” are from Mako to Ryuko. I’ve also heard conflicting information that “Ambiguous,” the show’s second opening, is either entirely from Satsuki to Ryuko or half Ryuko to Senketsu and half Satsuki to Ryuko, and I’d make a case that “Sirius,” the first opening song, is one from Ryuko to Senketsu. The first ending song, “Sorry, I Can’t be a Good Child,” I would also argue to be from Ryuko’s perspective.
✄ On the disc art for volume 8, Mako is shown pushing Ryuko and Satsuki together (perhaps because Ryuko is shy and needs a little help to be sisterly with Satsuki?)
✄ Akira Amemiya’s illustration of Ryuko and Senketsu having fun at the beach (which first appeared in the 49th issue of Nyantype magazine in late 2013) later became two official cards for the Kill la Kill card game and a figurine, which might maybe imply that “Senketsu’s Date with Ryuko” is a canon event.
✄ Similarly, there is a plethora of animator art featuring Ryuko that isn’t officially canon to her character but is still fun to consider. For instance, character designer/animator Sushio draws quite a bit of post-series Ryuko/Mako, animator Kengo Saito once created a comic in which Ryuko works part-time at a clothing store, and something that never fails to get my heart aching is Sushio’s depiction of little Ryuko celebrating a happy Christmas with her father.