*Y/N's Room In Hotel Obsidian*

y/n: I’m kind of crushing on someone, but I’m worried about telling you who it is, because you’re not going to like it.

obi wan: Just rip the bandage off.

y/n: It's Anakin.

obi wan: Put the bandage back on.

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PSA: bot comments are taking over ao3

The above examples have been provided with the authors' permission to demonstrate what these look like.

Basic rundown:

They are all 3 sentences long

Perfect grammar, capitalization, and punctuation

Like absolutely flawless English teacher-style writing with only a single exclamation mark, ever

No mentions whatsoever of character names, settings, situations, or anything that could be tied to the story

The usernames may be identical to people who exist on ao3, but the name is not clickable, and no profile is associated with it EXCEPT when you directly search for that name. What this means: the comments come from an unregistered (not logged in) reader, bots scrape the site for real usernames, attach that to the comment, and post

Please spread the word about this so authors can filter comments and report them accordingly

There has been some speculation about why this is happening at all, and the best guess is that this is a feature that AI-training story-scraping tools are implementing to try and make their browsing traffic look legitimate

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House x m!reader

mostly angst , house isnt allowed happiness

You were the case he shouldn’t have taken.

Not because it wasn’t interesting—God no, you were fascinating. A rapid, degenerative decline with no clear cause, organs failing like dominoes, bloodwork that didn’t make sense. A real puzzle.

But you were also charming. Razor-sharp. Witty in a way that felt intentional—like you were sparring with him, not trying to impress. You didn’t flinch at his sarcasm, didn’t soften around the edges like most patients did. You met him eye to eye and made him feel seen, which was worse than being ignored.

And now you were dying.

No diagnosis. No answers. Just a firm deadline hanging over you like a guillotine.

House stood at the foot of your hospital bed, watching the slow, mechanical rise and fall of your chest. The monitors beeped softly—too softly. The air felt wrong without your usual quips, your dry smile, your “what do you want now, more blood?”

You hadn’t woken up all day.

Wilson entered quietly. “You know you can’t fix this one.”

House didn’t look at him. “People said the same about cancer. Then someone invented chemo. Maybe I’ll invent something in the next twenty-four hours.”

Wilson was quiet a moment, watching him. “You’re not angry because you can’t solve the case.”

House’s shoulders stiffened.

“You’re angry because it’s him.”

House finally turned, expression cold. “I’m angry because I’m surrounded by idiots who can’t figure out what’s killing a man in front of them.”

“You can’t figure it out.”

The silence between them stretched. Wilson, as always, wasn’t afraid to twist the knife.

House swallowed thickly and turned back to you. “He was making jokes about death three days ago. Asked me if I’d write his eulogy and call everyone at the funeral idiots.”

“That sounds like him.”

“He said he’d haunt me. Said he’d rattle my cane at night just to piss me off.”

House's voice caught at the end, almost imperceptibly. He cleared his throat like he could swallow the grief.

“You cared about him.”

“I don’t care.” The words came too fast. Too loud. “He’s a patient. A dying patient. Dying patients die. That’s what they do.”

“Greg—”

“He’s going to die, and I’m not going to cry over someone I’ve only known two weeks.”

Wilson looked at him for a long moment, then sighed and left.

House stood alone at your bedside, silence pressing down on him like gravity. His hand hovered above yours but never touched.

“I hate you for being smart,” he said quietly. “I hate you for being funnier than me. I hate you for looking at me like you saw right through all of it.”

Your breathing hitched in your sleep. Just slightly.

House leaned in, the tiniest crack in his voice:

“I hate that it's going to suck when you die.”

The room smells like antiseptic and late afternoon sun. You’re propped up in bed, barely able to sit upright without your lungs burning like you’ve run a marathon. Every breath feels like it takes negotiation. The beeping monitors have become your ambient soundtrack.

Then the door creaks open, and Thirteen walks in with something big cradled in a to-go box, grinning like she’s just broken the rules. Because she has.

You raise an eyebrow. “Please tell me that’s not what I think it is.”

She plops it down on the tray table with ceremony. “Bacon double cheeseburger. Extra onion rings. Triple patty. I threw in a milkshake just to make nurses yell at me later.”

You let out a weak, hoarse laugh. “This is gonna kill my cholesterol.”

She doesn’t laugh back right away. Just smiles. Softly. The kind that doesn’t quite reach her eyes.

You both know what this is. Not recovery. Not hope. It’s a parting gift. Something indulgent and alive, for someone who's already fading. It means: you mattered. It means: we’re saying goodbye, but not with tears just yet.

Your fingers tremble as you reach for a fry, and Thirteen gently helps you bring it to your lips. It tastes like everything you’ve been denied—grease, heat, life.

You chew slowly. “Tell House he still owes me a better eulogy.”

Thirteen nods, her voice thick. “He’ll pretend he doesn’t care.”

You manage a smirk. “He’ll write it anyway.”

And you both sit in the fading sunlight, sharing the best worst meal of your life.

God, this is such a soft, aching scene. The slow procession of goodbye, disguised in humor and shared memories. Here's how that might look:

You're not sure who sends out the signal, but somehow, one by one, they all come.

Foreman is first. Ever the professional, even now. He checks your chart, updates your IV with practiced hands. You pretend not to notice the way he lingers, as if fixing the machines might fix you too. He doesn’t say much—never really did—but his hand rests on your shoulder longer than necessary when he leaves.

Taub sneaks in next, looking like he’s trying not to be caught. He sits at your bedside, cracks a joke about how *you* should’ve been the one cheating death, not him cheating on his wife. It’s dark, but you both laugh. You knew way too much about that man's love life by now. He leaves behind a sudoku book you can’t focus on, but it smells faintly of his cologne and cigarette smoke. Comforting, in a weird way.

Chase comes just after sunset, sunlight haloing his golden hair. He grins as he flops into the chair beside you, casual as ever.

“You’re my favorite dying guy, you know,” he says.

You grin, weakly. “You’re my favorite Aussie. Don’t tell Hugh Jackman.”

He chuckles, and the sound almost breaks you. “You don’t get many people like you. Smart, sharp. Didn’t let House get away with shit.”

“He’s still gonna win.”

“Maybe.” Chase’s smile falters a little. “But you made it hard for him. He liked you.”

You nod, eyes fluttering closed for a moment. “That’s the nicest insult I’ve ever gotten.”

He squeezes your hand before leaving, thumb tracing a slow arc across your knuckles. “Get some rest.”

The room is quiet when Wilson finally steps in.

No dramatic entrance. No clipboard. No comforting lie.

Just Wilson, clutching a coffee he hasn’t touched, standing in the doorway like he’s afraid crossing the threshold will make it real.

You manage a small smile. “Didn’t think you’d come. Thought you hated watching people die.”

“I do,” he says softly, closing the door behind him. “But I hate missing the chance to say goodbye more.”

He walks over, sits down where Chase sat before him. His eyes are tired. Red-rimmed. You don’t mention it.

There’s a long silence.

Then, his voice cracks like something inside him finally gave way. “I really wish it was cancer.”

You don’t flinch. You don’t laugh. You just nod, slow and steady, because you do understand.

Cancer, at least, comes with a playbook. Chemo. Radiation. Clinical trials. Wilson’s entire life has been about fighting it, taming it, coaxing one more month, one more year, out of the cruel beast.

But you—your body’s unraveling in ways no one can name. There’s no script. No treatment. Just time, and not much of it.

“I know,” you whisper. “Me too.”

He puts the coffee down. Takes your hand like it’s glass.

“You’re not alone,” he says, voice thick. “Even if you want to be. You’re not.”

You nod again. It’s all you can do.

And for a long time, neither of you speaks. He just holds your hand, thumb brushing over your pulse, as if willing it to stay.

You’re barely there when he comes.

Not that you weren’t expecting it—House was always late from what you've heard. To consults, to court, to apologies. You weren’t sure he’d show at all.

The door creaks open. A moment passes. Then the telltale thump of his cane on tile. Steady. Slow.

You don’t bother opening your eyes.

“Thought you were done with the case,” you rasp, voice more breath than sound. The words tug at your cracked lips, forming a crooked smile.

There’s a pause. Then—

“I don’t like unfinished puzzles.”

He says it like it’s a joke. Like it’s still just another day, another file. But the pause that follows is heavy.

He walks closer, and when he sits, the leather of the chair creaks under his weight. You hear him breathe out, shaky. Like he’s been holding it the whole way here.

Your breath rattles in your chest. You manage to crack one eye open—just enough to see the gray in his stubble, the pinch in his brow.

“You look like hell,” he mutters.

“Mirror,” you wheeze, “must be broken.”

House huffs a breath that might’ve been a laugh. He leans forward, elbows on his knees. Doesn’t touch you. Doesn’t need to.

“I ran your bloodwork again,” he says, almost absently. “Still nothing. No 'miracle.' No screw-up. You’re… you’re really dying.”

There’s something unspoken at the end of that sentence. And I can’t stop it.

You let your head roll slightly toward him. “You mad at me for it?”

“No,” he says. Too quickly. Then quieter, “Yes.”

He rubs a hand over his mouth, then down the back of his neck. He looks at you like maybe if he stares hard enough, you’ll get better just to spite him.

Then, finally, he says the thing that’s been clogging his throat the whole time:

“I don’t want you to go.”

And God, it’s not romantic. It’s not tender. It’s raw and bitter and laced with all the things House can’t say right. But it’s real.

You cough, and it hurts like hell, but you manage to smile again. “You’ll have to… find a new favorite terminal case.”

“Already told the others,” he says. “You’re irreplaceable. You bastard.”

You close your eyes, and for a moment, the pain slips beneath the surface. House stays. Silent. Watching. Waiting.

And for once, he doesn’t try to fix it.

He just stays.

Your grip is barely there, papery and trembling in his palm, but House doesn't let go.

He never does things like this. Never lingers. Never touches unless it's necessary—or cruel. But here he is. Sitting at your bedside with his calloused fingers wrapped around yours, thumb brushing idly over your knuckles.

You’re more shadow than substance now. Skin yellowed with jaundice, eyes glassy, voice a thin, rasping ghost of what it was. But when you smile, he feels it like a punch to the gut.

“I should get you a hooker,” he says, voice rough, grating. Still House. Still a dick.

You wheeze a laugh that dissolves into a wet, painful cough. “Only… if it’s one of the expensive ones.”

“Oh, naturally,” he says, faux-casual. “None of that street corner crap for you. I’m talking… a high-end escort. Ivy League education. Can quote Tolstoy while choking on your—”

You squeeze his hand. Barely. But it’s there.

“God, I’m gonna miss your mouth.”

House swallows hard. Looks away.

“Don’t,” he says.

You smile again, smaller this time. Sleepier. It’s all slipping now. Moments draining like sand in the glass.

“You were an asshole from the moment I got admitted.”

“Consistent branding,” he murmurs.

“But you held my hand.”

He looks down at where your fingers are intertwined. Doesn’t answer right away. Then, softly:

“Yeah. Don’t tell anyone. Ruins my reputation.”

Your breath hitches, not from emotion but exhaustion. He can hear it. Feels it. The end’s so close now it buzzes in the air like static.

Still, he doesn’t let go.

Doesn’t move.

Just stays. Holding on for as long as he can.

Your chest hurts more now, a pressure that suffocates rather than aches. It’s sharp, like a thousand needles, each breath a ragged gasp you can’t quite catch. The monitors beside you beep in a steady, heartless rhythm, their sound growing louder and more frantic with each passing moment.

House’s face has morphed into something you didn’t think was possible. His usual cocky, sarcastic demeanor has melted into something raw. Something… afraid. His eyes flick to the monitor, then to you, back and forth, as though willing it all to stop, willing time to go backward, for you to just wake up from this.

You can see it in the twitch of his fingers, the flex of his jaw. He wants to save you. He wants to break every rule, every order, and fight for your life as if it’s one more case to solve. But he can’t. Not this time.

You can’t hold back a weak cough, the sound of it pathetic and wet, escaping your lips in a desperate attempt to make it better—but there’s nothing left to save.

“I—” He stops. His breath catches. “I could—”

“House…” Your voice is barely a rasp, a shadow of sound. It’s hard to form the words, hard to make them come together in your failing throat.

He doesn’t finish the sentence. He doesn’t need to.

You know what he wants to say. I could break the rules. I could fight for you. I could save you.

But you signed a DNR. A part of you—the part that really knew it all along—is grateful for that. Grateful that you won’t have to endure any more pain. That you’ll be allowed to go. To leave this behind. Without being hooked to machines or held hostage by the life you’ve outlived.

You squeeze his hand—weakly, pathetically, but you do it. The touch is almost nothing. But it’s everything.

“I’m here,” he says, voice thick with something—grief, regret, tenderness—maybe all of it. His thumb brushes over the back of your hand, something like a prayer.

“I’m sorry,” he mutters. A whisper. Too quiet. But you hear it.

You blink slowly, feeling your body grow heavier, the world dimming at the edges. It’s time. You know it is. But you want him to know, somehow, that you’re okay with this. That it’s okay for him to let you go.

With a final, shaky breath, you exhale the words you’ve never said before, not like this.

“I’m not scared.”

His hand tightens around yours in the final moments. He doesn’t say anything. He doesn’t have to. There’s nothing left to say as the heart monitor flatlines and the machines scream in silence.

But he stays there, holding your hand, because that's the only thing he knows to do when the one person he couldn’t save slips away from him.

---

Annoying

Five Hargreeves x Reader

Summary: It’s no secret Five finds you annoying. In fact, he frequently tells you this. Maybe he even goes too far. But when someone else insults you, Five realizes that only he’s allowed to do that. Reader is gender neutral.

Warnings: Hurtful comments said to the reader

Word Count: 3500

A/N: I’m alive! So long story short, I lost the motivation to write for a while which caused my spontaneous hiatus. I honestly wasn’t sure if I would post anything again. But then, I rediscovered comfort in writing, especially when it’s about my best boys. 

My posting from now on may be a bit sporadic as I’m back in school but I do intend to keep posting.

Anyway, here’s my favourite grumpy boy as a treat!

Five Hargreeves had gotten used to working at the Commission. He still hated every second of it: the job, the people, the killings. But he had adapted, just like he had in the apocalypse, and had fallen into a familiar routine that made the situation easier to swallow. He had finally accepted his job and made peace with it. That is, until you came along.

You also work at the Commission as a field agent and until recently, Five didn’t even know of your existence. Then one day, you came into his office and tried to chat with him. He was bewildered of course and told you to get the hell out of his face. But his rude words didn’t deter you. Instead, you asked him if he wanted to be your partner in the field. Again, Five was shocked and told you absolutely not. Unfortunately, you don’t seem to take no as an answer.

Every day since then, you kept popping into his life. Every day you would make nice with him, do him favours, and were overall friendly with him. Every day, he offered you nothing but a cold shoulder. Every day you asked him to be your partner and every day he told you no.

It was extremely aggravating to say the least. He tried to report you to the Handler but she told him you were doing nothing wrong. She even made some suggestive comments that made Five regret ever going to her for help. So he was on his own.

Except none of his usual moves worked. You never shied away from his negative presence. If he blinked away, you would somehow find him again. There seemed to be no way to remove you from his life.

He’s sitting in his office working when he hears a sound he has come to dread. “Knock knock,” you say as you open his door, not waiting for a response. He once asked you, “What if I was doing something private?” but that only made him flush at the accidental implication and you laughed.

“Not now,” he mumbles, not taking his eyes off his work.

“Yes now,” you say, entering the room and taking a seat on the other side of his desk. He doesn’t know why he hasn’t just removed the chair since the only person who ever used it was you. “I brought you coffee!”

This causes him to glance up, only a little, and what a mistake that turns out to be. There you sit, a beaming smile spread across your face. Your eyes tend to light up when you smile, bringing attention to how stunning they are. Thoughts like these make him feel queasy, at least that’s what he’s deeming it to be. His face also tends to heat up and his breathing acts funny. He’s considered a few times that he was sick, but every test indicated otherwise.

This is another thing that bothers him so much about you. You bring unknown feelings that Five has never experienced before, and he hates feelings, let alone unfamiliar ones.

“The answer is still, and always will be, no,” he says blankly, his eyes focused on his computer but he isn’t paying attention to what’s on the screen.

“But I haven’t even said my pitch yet!” you complain. Without looking, he knows you’re looking at him with big puppy dog eyes. He would never admit, even to himself, that they affect him. “I think today’s speech is much better—”

“Doesn’t matter, still a no.”

You ignore him and clear your throat. “As your partner—”

“Stop.”

“I would bring you freshly made coffee every morning, just the way you like it,” you continue. He decides to stop talking to you altogether. With concentration, he’s able to read the words on the screen and continue typing. “You can still take lead on the missions, though you’ll find I’m fairly skilled on the field. This will also reduce the danger of getting hurt, and if one of us does get hurt, the other can patch them up.”

It is a pain to tend to my own wounds, Five thinks before mentally berating himself. He’s supposed to be ignoring you. And besides, he’s been taking care of himself for years, he’s used to the difficulties by now.

“Another bonus, is that with me as your partner, the Handler won’t be on you as much,” you say, and despite himself, he listens. “She’ll know that someone else has their eyes on you, and with my reputation, she’ll trust me with it.”

Now that actually sounds desirable. The Handler is always checking in on him and keeping a watchful eye on his actions. She knows he’s a good agent, he’s proved that by now, but she still worries that he might betray them. This makes him a loose canon in her eyes. Plus, with her attention elsewhere he’ll be able to make more progress on his secret project to return to his family—

Stop it, he tells himself. This is exactly what you want. You actually have him considering the possibility of becoming partners. The more your voice fills his ears and the more he thinks about what it would mean to have you as a partner, the more his face starts to burn.

He can feel himself losing control over his emotions and he panics. Clearly, ignoring you is not the solution.

“That’s enough!” he yells, causing you to pause mid-sentence. He looks over at you to see your wide eyes staring at him. For the first time, he sees a crack in your positive shield. He continues. “God, just stop already. I am so sick and tired of you groveling at my feet, it is so annoying. Why won’t you get this through your head? I am never partnering with anyone, especially not with you! So for the last time, leave me alone!”

A deadly silence fills the room. Five is panting from his outburst and when his anger recedes, he finds he’s shocked at himself. He’s never had an outburst like that, never yelled like that before. Sure he gets angry and frustrated all of the time, but he hardly ever yells and his words are never that venomous. He just got so riled up with his emotions…

You also seem shocked. You try to cover it up, but he can still tell. You seem unsure of what to say and your usual peppiness seems to have vanished as well. Five isn’t sure how to feel. He also isn’t sure of what to do.

You then clear your throat. “Well then,” you say, trying to piece yourself together. “You seem busy so I should go.” You grin but its wobbly and it doesn’t meet your eyes. And despite himself, he feels sorry. You wordlessly stand up and exit his office.

The silence remains and Five is left frozen. After a moment, he shakes his head and tries to feel unbothered by what just happened.

†††

A few hours have passed since his conversation with you, and Five is out of coffee. He blinks to the Commission’s break room but then he sees you there. You’re standing at the counter with your back to him and in a moment of panic, he blinks to behind a wall just around the corner from the break room.  

He curses silently. He can’t believe that he’s hiding from you after earlier. Maybe he just doesn’t want to deal with your emotions. Or maybe he’s hiding from his own.

He’s about to just toughen up and deal with it when he hears someone else entering the room. “Y/N, how nice to see you,” he hears someone say. He looks to see a woman approaching you. Five thinks he’s seen her around but doesn’t recognize her. He’s tried not to make friends here or fill his mind with useless information. This means he only knows a few people including you and the Handler.

“Cassandra,” he hears you say in a bitter tone. He frowns. He’s never heard you speak like that.

“How have you been?” Cassandra asks and Five doesn’t know why, but she sounds ingenuine despite her cheery tone. He also suspects her smile to be too friendly.

“Fine.” You don’t even look over at her as you continue whatever you were doing at the counter. It isn’t like you to be short with people, and Five wonders if it’s because of what he said.

“I heard you got in trouble with the Handler this morning,” Cassandra says. Oh shit, Five thinks. He isn’t sure if that happened before or after he yelled at you but either way, he doesn’t envy your morning.

“Yup,” is your only response. Cassandra doesn’t seem satisfied by your response. She walks over and leans against the counter next to you.

“That must have been awful. I hope she doesn’t fire you soon,” she says with false concern. You still don’t glance her way. You simply nod your head absentmindedly as your focus remains locked on the kettle in front of you, waiting for the water to boil. Cassandra just keeps talking. “Are you still bugging Agent Five about being his partner?”

Five’s ears begin to burn as the conversation steers towards him. Now more than ever, he thinks he should leave this private conversation, but his feet remain glued to the floor. What does he care? he tries to tell himself, but it doesn’t work.

He watches as you grip the counter tightly. Unfortunately, Cassandra also seems to notice and she takes that as an answer. “Aw you poor thing,” she says, putting her hand on your shoulder only for you to shrug it off.

“Look Cassandra,” you say, your voice filled with agitation. “I’ve had a really bad day, if you could just—”

“I can only imagine,” the woman says, and Five is starting to really dislike her. “It must be hard, getting rejected day after day. I’m surprised you haven’t given up.”

“Fuck it.” You push yourself off the counter. You turn around and Five ducks back around the corner. “I’ll come back later.”

There’s a moment of silence before, “Do you know why he keeps rejecting you?” Five risks a glance to see that you’ve turned back around.

“What?” you say, surprised by the question.

“It’s the same reason why all of the others rejected you,” she says, which takes Five by surprise. He didn’t know there were others. An illogical flare of jealousy rises in him before he stomps it out.

“You’re annoying,” she says, her tone one of false sympathy. “No one wants to be around you. You come on way too strong and, sweetie, you reek of desperation.”

“S-stop,” you say, in shock but also seemingly hit by a bullet of emotions. Even Five is surprised.

“You’re just a nuisance,” Cassandra says. “A pest that no one can get rid of. That’s why you’ve never found a partner and that’s why you never will. I mean, who could like you let alone stand you?”

“Cassandra…” you say and Five can hear the quiver in your voice. He doesn’t know why, but the sound makes his chest tighten.

“Face it, Y/N,” she says, now standing right in front of you. “You were always meant to be alone.” Finally, Five can’t take it anymore. He walks out from around the corner and glares at Cassandra. He finds himself loathing her. Only he is allowed to call you annoying.

Cassandra glances past you and looks surprised to see him there. Just like that, she has on her friendly looking face again. “Oh hey there Fi—” she starts to say to him.

“Get out,” he spits at her. Her eyes widen at his venomous tone but decides to listen, scurrying away. It’s nice to see his fearful reputation precedes him. There’s a silence that settles in the room once she’s left. You seem to be frozen in place, not even turning to face him. He isn’t sure what to do himself, whether to somehow approach you or to ignore you entirely.

Luckily, his decision is made for him as you wordlessly walk back up to the counter towards the kettle. Five clears his throat, trying to rid himself of this awkward feeling, and walks up beside you.

He doesn’t address you, after all he normally isn’t the one to start the conversation. Which is why it’s so odd when you don’t. The two of you move about silently, completing your individual tasks. He finds he can’t even look at you, for the downtrodden look on your face still inflicts pain upon him. Finally, after an agonizing amount of time, you speak.

“Five,” you say, also clearing your throat. “I, uh, I have some good news for you.”

He sees that you’re trying to plaster on your usual happy appearance but it’s broken and he can see right through it.

He expects you to say something along the lines of “I forgive you for earlier” or “I made you some coffee.” He expects you to forgive him and act as normal. He did not, however, expect your actual words.

“I will no longer be bothering you with my presence.” Normally, these words would send him jumping for joy. After all, this is what he’s been wanting. But after the conversation he overheard, something gave him pause.

“Oh?” he says, at a loss for words as he is caught off guard.

“Yeah,” you say with a forced smile. “I’ve realized that I haven’t been respecting your feelings, as you have made it more than clear that you don’t want me as a partner and that you never will.”

He hears your voice crack towards the end and he can’t help but compare your words to Cassandra’s. “Yes I uh…I appreciate that,” he says, hesitant with his words. He isn’t sure what to make of all of this.        

“Right,” you say, straightening yourself. You pick up your mug and turn to fully face him. He tries to ignore the shine of incoming tears in your eyes. “See you around. And uh, sorry for bothering you.”

Before he can say anything else, you turn and exit the room, leaving Five in a state of uncertainty.

†††

When Five walks into work the next morning, he’s not on edge like he usually is. He normally expects you to greet him on his way to his office, but there’s no sight of you. After Five recovered from his shock, he decided he should be happy about the situation. Sure, he didn’t want you to get hurt, but he got what he wanted.

He settles into his office and gets to work. He reaches to take a sip of his coffee when he realizes there’s nothing there. Oh, right. You normally got his morning coffees for him. Not a big deal, he thinks. If anything, this shows what a nuisance you had been for changing his routine.

Throughout the next couple of days, he starts to realize what an impact you had made on him. For one, the coffee doesn’t taste as good, which is odd. Then he noticed his plant started to die. Five didn’t even know he had a plant. He got rid of it and suddenly felt that his office was colder. He knows it’s illogical, but he didn’t realize how it brightened the room.

And most of all, he found his normal routine to be rather dull. Normally, you would interrupt his work and give a small relief to the boring workload. His room is quieter than ever and the days start to blend together.

But this is what he wanted wasn’t it? To finally be on his own? It’s not like he missed your ramblings, or the sound of your laugh, or your happy disposition, or the way you brightened his day. No. He’s better off alone…

He doesn’t even believe himself. He scowls. How could he let this happen? How could he let someone in and affect him so much to a point where he missed them? He thinks about ignoring his feelings and soldiering on, as is his way, but the thought of going on like this for God knows how long makes him reconsider.

Goddamn you.

†††

He had never seen your office before. He didn’t even know you had an office up until now. He thought, a bit conceitedly perhaps, that he was the only field agent with an office. Maybe you weren’t exaggerating when you said you were good.

Your door is left open, possibly to be more inviting and welcoming. It’s perfectly you. Five looks in to see your head down, writing something at your desk, and takes a moment to consider you. God, he had missed you. He feels a little excited just seeing you there. Is he that lonely and desperate?

He knocks on your door and stands in the doorway. You lift your head and your eyes widen in surprise to see him. He tries not to look uncomfortable under your gaze.

“Oh! Hey Five,” you say, cautiously. You’re not as bubbly around him anymore, almost afraid to scare him off. He doesn’t like it. “What can I do for—”

Before you can finish, Five drops a file onto your desk. You look at him in surprise. There’s a silence. “What’s this?” you ask.

“Read it,” he snaps at you, his nerves getting the better of him. You open the file and he sees surprise overtake your whole face.

“This…this is a request to have me as your partner,” you say quietly, not knowing how to react.

“This has nothing to do with your pestering, by the way,” Five says. “I thought about it and came to my own conclusion that a partner would be beneficial. I thought since you were already willing, it was the simpler choice.”

As he speaks, he watches your disbelief change into joy and a bright smile returns to your face. It’s almost infectious.

“This is incredible,” you say. And then something changes and your smile drops into a frown, which makes him upset. Not that he was doing this for you, but he thought you’d be happy. “But I thought…I thought I annoyed you. What changed?”

He feels guilt tug at him. It seems his outburst stuck with you. “I…might have overreacted the other day. You do annoy me, but I didn’t mean it like that.” You nod at this and he senses it isn’t enough to convince you. Fuck it. He’s already in this deep. “I suppose, as a gesture of good faith as your new partner, and only for this occasion…I owe you an apology.”

Your eyes shoot up at him and he falters. Then he clears his throat and prays no one else is around to hear this. “I am…sorry, for any hurt my outburst may have caused you.” He could count on one hand the number of times he has genuinely apologized to someone. But apparently it works, as your frown is gone.

“Oh, um, thank you,” you say, unsure how to respond to his sudden change in character. There’s an awkward pause before you smile. You hold out your hand and say, “Partners?”

It’s such a sweet gesture of forgiveness that Five finds his mouth twitching upwards. “Partners,” he says, shaking your hand. He ignores the sparks he feels when his hand touches yours. But he has been sentimental for far too long.

He ends the handshake and clears his throat once more. “To be clear, this is not an official contract, you still have to sign the paper,” he says but the smile cannot be erased from your face.

“Yes, of course! I will handle that right away,” you say. “This is so exciting! You will not regret this.”

“I better not,” he says. “This doesn’t change anything between us, we’re not friends.”

“Yet,” you say with a cheeky smile. He is much more relieved to see you acting as your normal self again.

“Y/N I’m serious—”

“Yeah, yeah, I know. This is going to be so fun,” you giggle, seemingly ignoring what he just said. “Thank you.”

You’re looking up at him, a soft smile on your lips and a twinkle in your eye. He falters again as he feels heat rising in his cheeks. He looks away.

“No need to thank me, just make sure that request is signed and submitted.”

“Aye, aye, cap’n,” you salute him and he takes this as his cue to leave. He turns and you call out, “See you around!”

He doesn’t respond, or rather he can’t. He’s already starting to regret this and not because of the reason you think. Seeing you all happy and excitement caused his heart to swell with a feeling he isn’t familiar with. He doesn’t like this unknown territory and change. But he has to admit…

It felt kind of nice.

---

The Midnight Subway

Pairing: Five Hargreeves x GN!Reader

Deranged Five my beloved ❤️ They massacred your character

(this is not canon compliant in the slightest; prepare for gross misinterpretation of Five's new powers)

Summary: You are the only passenger on the timeline subway. You've met many iterations of the same traveler, but he never comes back. Until he does, and he finally asks the right questions. He claims to know how to stop the apocalypse, and all he needs is your help, but is he worth leaving behind all you know?

Word count: 3.6k

(AN: Confession: I never watched season 4 because I saw what a trainwreck it turned out to be, so this is very VERY loosely based in canon. Also the relationship between Five and Lila doesn’t exist because Genuinely What The Fuck. Basically I saw the vague concept of a time subway and ran with it.)

He’s covered in blood again.

He is more often than not.

In the middle of wiping arterial spray off his face with a handkerchief, he notices you, and surprise and suspicion flit over his face. Not a version of him that’s met you before, then. You’ve met him… eleven times now? All different versions from different timelines. All tired. All old beyond their years.

They get off at the same stop every time and never get back on.

This one’s wearing his school uniform. You’ve never seen him dressed like that before. His hair is long like the rest of them, though, strands hanging over his narrowed eyes.

“Who the hell are you?”

You blink. He’s not usually so aggressive. “I’m just a passenger.”

“How did you get here?”

You shrug. “Stepped off the station platform, I think.” It was a long time ago, except it wasn’t. You’ve been riding this subway for a very long time, except you haven’t. Your mind is filled with a hundred thousand identical minutes of staring out the window at the blurred lights, but you look exactly the same as you did when you boarded. “Hey, what year is it for you?” Sometimes he says something truly outrageous.

He ignores your question in favor of trying to pull open the subway doors, but they don’t budge. He curls his hands into fists. Blue light crackles around them and he pushes, but nothing happens.

You clear your throat. “Unfortunately, that won’t work. You’ll just have to wait until we get to your stop.”

“What do you mean, my stop?”

“I don’t know. I think you just have to feel it.”

“Well, aren’t you cryptic.” He rolls his shoulders and angles his chin, a tell you’ve noticed he does just before attacking. Sure enough, out comes the gun from his pocket. He angles it square at your forehead and snaps, “Explain. Now.”

“I can’t.” You raise your chin, daring him to shoot. You’re not sure if people can die on the subway. You’re not sure if you can die. You’re not sure that you don’t want to. “Obviously I’ve never felt it.” You gesture pointedly at your seat. “I’ve been here a long time.”

“How long?”

“Time doesn’t really exist here.”

For a moment it’s obvious that he’s internally debating whether or not to shoot you. “Fuck.” He shoves the gun back into his pocket. “When’s the next stop, then? I need to get off, I need to save my family. There’s an apocalypse—”

“I know,” you say gently. He’s always worried about one apocalypse or the other, always running from a million different ways to end the world. “You might as well sit. There’s no way to stop the train. It’ll stop when it’s meant to.”

“No. No, I don’t have time for this.” He shakes his head. “I’m finding a way out. You can rot here for all I care.”

“I won’t,” you say serenely. Until the timelines implode, you’ll continue to ride the subway. And once they do, you probably still will. It exists outside of the continuum. All that will change, you think, is that there will be no more stops. It’ll just be one long subway ride for eternity. If not, then at least you’ll go out painlessly.

He sighs and looks around for anyone to commiserate, but there’s only you. Without so much as a goodbye, he’s stalking away in that little ramble that reminds you sometimes of an adolescent bear: a dangerous beast that thinks it’s as large as it will be, not as it is now.

He slams the door to the next compartment. You sigh and scratch the cheap paint on the pole to your right. Sometimes he stays longer, sits down in a seat across from you and asks questions meant to seem casual, but you always know they're an interrogation.

You'll see another him soon enough. There's no indication of time on the subway—if it was real, it would be in an underground tunnel, and the only light comes from the flickering fluorescents above and the occasional tunnel light through the window. Days don't pass with the indication of a sun and moon. You're not sure if you've ever even slept. So you're not sure how long it will be before another shows up. Once two showed up at the same time and tried to kill each other. At least the survivor was nice enough to drag the body away before he got off.

Some time later you feel the subway shudder. You tilt forward slightly as it starts to slow down and eventually stop. Both sides of the doors open to a nondescript subway station, and the train repeats its usual monotone monologue. Time for him to get off, then. Maybe there's a difference in the destinations depending on which side you choose, but probably not. You're pretty sure the subway knows what its riders need.

An hour, a day, or a year passes, and the door to the next compartment opens. He steps through again. This one is wearing the same schoolboy uniform, and he doesn't look surprised to see you.

In fact, he's strangely intent.

"There's no one else on this train," he says, and you realize this is the same boy you just saw.

He came back.

He's never come back before.

Something stirs inside of you, something you haven't felt in a long time. It's still trapped beneath the blanket of dull apathy you've nurtured for so long, but its shape starts to rise in your throat.

"So why are you here? How are you here? Who even are you?" He stands in front of you close enough that you can see blood on the side of his neck that he didn't wipe off.

"I told you before. I got on. Why didn't you get off at your stop?" He's never stayed on the train longer than he has to. He's never stayed.

"This isn't a subway you can just 'get on.'" He uses finger quotes. "Do you work for the Temps Commission?"

"No," you say slowly. "I don't know what that is."

Abruptly he sits down across from you, loosens his tie, and asks, "What day were you born?"

"What a strange question. I don't know."

"You don't know an awful lot."

"I was born sometime in the fall of 1989," you say. "Sometime in September, I think, or maybe early October. That's what they estimated at the orphanage, anyway."

He sits back and runs a hand through his long hair. "You don't know."

"What do I not know."

"Who you are." He looks at you curiously. "That's why you keep ignoring the question."

You snort. It's not even very funny, but you haven't had anything to find amusing ever since you stepped on the platform. What a relief to learn that you can still laugh. Of all the things the universe stole from you, laughter isn't one of them. "Of course I know who I am. I'm one of you."

"What?"

"Or I was supposed to be." He still looks confused, so you elaborate, "One of the umbrellas."

"How do you know about that?"

"I didn't grow up on the train. I got on when I was nineteen. I saw your team all over the news growing up." A familiar hurt pangs in your stomach. "Why was I the only one your father didn't adopt?"

He lets out a long breath, then says, "Jesus." He stands up, then sits back down. “Well, if it makes you feel better, you weren’t the only one. Reginald only needed seven. He made forty-three.”

“Oh.” You slouch a little in your seat. It’s comforting to know that your exclusion wasn’t personal. You and thirty-five other kids hadn’t been found. Had their parents kept them? They probably had families. And even though the Umbrella Academy’s families hadn’t kept them, at least they had each other.

It’s comfortable to sink back into self-pity.

“So what can you do? Do you have a name, at least?”

“Of course I have a name,” you say, and tell him what it is. “Funny you ask me that when you’re the one that doesn’t. Is this where you went when you died?”

“No.” A shadow crosses over his face. “I went somewhere much worse.”

“Sorry,” you say after a pause. It seems like the appropriate response. You haven’t had a real conversation in a while. Or maybe you had the last one yesterday, just before stepping onto the subway.

“So what can you do?”

“Change time.”

“Excuse me?”

“How do you think I made it here?”

Technically, time broke when you and Five were born, bunching into little pockets like the one you made your home. When he jumped through time, though, he started the branching of realities.

The only real difference between you two is that you can manipulate time, and he can get in and out of it. That's not to say that he doesn't have its own influence over it, though.

"I made this little pocket of time into a circle, and around and around we go.” You spin your finger in the air. “But it’s because of you that it looks like a train. Five, who do you think broke the timeline in the first place?”

He stares at you, speechless.

“I didn’t mean to,” you say defensively. “And you didn’t know what you were doing.”

“That’s—just so—how does that make any sense? People are still dying! My family will die!” Instead of the gun, this time he pulls out a switchblade and flips it open. The tip glints under the fluorescents.

This has never happened before. The Fives never come back. They’ve never asked the right questions. After all, you’re not hiding anything.

“You can’t kill me,” you say wearily.

“I can try,” he growls, and lunges.

Here, you exist constantly. It's a circle and it's one stationary point. The track is an ouroboros, and the train isn't even moving. Five lunges and he doesn’t, and your throat splits and it doesn’t, and blood spills all down your front and it doesn't. You choke as it rushes out, and—

There is no blood. No cut. Five is back in his chair holding the switchblade, and you’re still in yours.

“You can’t surprise me,” you say apologetically. “I’ve seen everything. Before you even try to kill me I’m stopping you.”

“I’ll figure out a way,” he growls.

The subway grinds to a halt. You look around, surprised, when the brakes squeal. That’s never happened before. The announcement over the speakers is so gravelly you can barely understand a word.

The doors open. Five looks between you and the exit several times, then makes his decision.

“I’ll be back,” he promises. Threatening, like that’s supposed to scare you. You’d be glad for the company, you think. You’ve been sitting in silence for so long.

He steps off the train and the doors whoosh closed.

The ride starts again, and you fall back into the comfortable lull of the engine’s rumbling.

Some time later, the subway stops again. Its words are still garbled through the speakers. Technically, no time exists here, but you're pretty sure these intervals are out of the ordinary. Are they affecting the subway?

It starts back up again, and the connecting compartment's door opens. In walks a new Five. He's wearing the same schoolboy uniform as the last—you think. Instead of a spray of blood on his face and collar, though, he's completely soaked in it, like he drained a hundred bodies and bathed in their entrails. His hair is soaked flat against his head, and his teeth are red when he bares them.

"I'm back," he growls.

It's the same Five.

He came back again. No one's ever come back for you even once, let alone twice.

"What did you do?" Your stomach twists. You're not squeamish, but this is... a lot.

"I went to a diner," he huffs and sprawls in the chair across from you. The gaudy faux-velvet seat drinks the blood up greedily. "Met a lot of alternate versions of me."

"Did you kill them all?" you ask, horrified. Some of them had been polite. Gentle, even, beneath their hard exteriors.

"They had given up," he snarls. "They wanted me to give up on saving my family. I haven't spent decades of my life fighting for them to do that." A manic light shines in his eyes. "One of them made brisket."

Your lips twitch. "You're not a fan of brisket?"

"I like brisket fine," he says, giving you an annoyed side eye. "What I didn't like was their attitude."

"So you killed them all."

"Yes."

Well, at least he remains secure in his decisions.

“So I broke the timelines?”

“We both did.”

“So we’re the only ones with a chance of mending them.”

“I don’t think that’s possible.”

“Why not?” he challenges. “You said you made a pocket of time—this pocket of time—a circle. Why can’t you fix it?”

“Because our birth was what broke it in the first place,” you say sharply. “I don’t want to die.”

“You’re so selfish you wouldn’t sacrifice yourself for the world?”

“The world’s never done anything for me,” you say. Cruel foster home after foster home, orphanage between them, minimum wage paychecks kept in a box beneath your bed because you couldn’t open a bank account without guardian permission as a minor, and an abrupt stint at being homeless the moment you aged out of the system. You couldn’t afford housing even on the highest-paying job that would hire you. You couldn’t afford a college degree to get a better job. No, the world never did a thing for you. That’s why you left in the first place. “It’s not my responsibility to save it. Besides, you’d have to die, too. Are you willing to make that sacrifice?”

“For my family, in a heartbeat,” he says immediately. “I’ve killed plenty of people to save them. What’s another two more?”

“It doesn’t matter anyway,” you sigh. “For as long as we exist here, the timelines stop branching.”

“What?”

“I already did the world a favor by leaving, but you kept breaking it by jumping through time.”

“If you won’t come willingly, I’ll force you.”

“You could certainly try.”

“I’m leaving.” He stands abruptly.

You sigh as he does, accompanied by the train's distorted, "Arriving now—doors clear at—see you—"

What a miracle that he visited you thrice. The company should tide you over for a long while yet.

You sit for a while, just looking at the blood stain he left on the chair across from you. Eventually it starts to stink, or maybe that’s just in your head. Either way, looking at it makes your stomach turn.

Ever since you got on the train and sat down, you’ve never switched seats. It’s almost a surprise that you can stand up. You clutch the pole close to you for balance when the floor vibrates underneath your feet just slightly with the force of the train’s engine.

You head across the compartment and sit in a seat facing away from the bloodstain, but the back of your neck prickles. It’s in the shape of Five’s body, and you can’t stop picturing it coming together as a facsimile of a person, a terrible lumbering blood-shadow creeping up on you.

You jump to your feet and whirl around, but it’s just a bloodstain.

You can’t stay here, but you don’t know what the next compartment looks like.

Will it be exactly the same? Will it be completely different?

It's the same, and for some reason you can't bring your feet to stop moving. You pass through that car, then the next. They're all the same, except none have the bloodstain that Five left on his seat. Would it still be there if you were to return? Can you even go back?

You can't stop opening the doors, but the train never slows. You want to get off. You want to explore more of this inbetween space.

You want to find the Five that came back for you.

You give up after a hundred compartments and stand in the middle of one, clutching the nearest pole for dear life, barely swaying with the train's gentle movement. The train was always an escape for you, but now it seems more like a trap. One that you sprung on yourself without knowing how to get out.

Do you even want to get out?

The air shifts, and you turn just in time to see the bag close over your head.

Five drags you away from the pole and slams you into a seat. Something poking out of it digs into your back. You can only see the faint light filtering through the bag, and that makes you hyperfocused on Five's hands on your shoulders.

"I figured it out," he snarls, the sound so close he must not be more than an inch from your face. "You and everyone else that gave up were wrong. There's a way to save the world and save my family, so you're going to get off this train now, or you get off the train in thirty minutes after I cut off each of your fingers and feed them to you and you beg me to stop you."

You suck in a breath. It's one of his more graphic threats for sure. Oddly enough, you can't see how this will play out. The bag over your head means you can't see where the blows will come from.

For the first time in a long time, you're scared.

Your mouth opens without knowing what to say. You're saved by a screech of static. The train announces, "Congratulations! All passengers—to a book club—third compartment in any direction—Ben will see you there."

The pressure of Five's hands disappears from your shoulders, and you hear hurried footsteps. He never tied the bag, so you rip it off in time to see him pass through the door to the next compartment.

Your pulse bounds in your throat. That announcement was new, and makes the train sound much more sentient than any train ought to. You're supposed to be the one in charge of this pocket dimension, but what if you're not? What if someone else has been calling the shots this whole time?

You chase after Five. At least with him, you know what he wants. You know how to appease him. He doesn't go out of his way to hurt people, at least, though he doesn't seem to think of himself as anything more than a killer.

You only catch a glimpse of his heel in the next compartment. You start to run. What if the doors lead you to separate cars, and you never see him again? The only person that ever came back for you, and he did it four times.

You're still running when you make it to the third compartment, and you run straight into Five's back. He doesn't even seem to notice it, apart from stumbling a bit. He's too busy staring openmouthed at the man sitting down. His hair is a little bit longer than it was when you saw him last.

The stranger has dark hair and glasses, and there's a book forgotten on his lap. He looks just as surprised to see Five as Five is to see him.

Five chokes out, "Ben?"

Oh. Ben Hargreeves. Number six of the Umbrella Academy. The Horror. He always seemed so gentle when you saw him on TV, at least when he wasn't covered in blood.

"Five." Ben puts the book to the side and stands. Five is already striding towards him, and they collide into a tight hug.

Seconds later, Five pulls away and demands, "What are you doing here?"

"I don't know." Ben shrugs. "I woke up on this subway a couple days ago with this book."

A muscle twitches in Five's jaw. "And instead of trying to find a way out, you started to read it?"

Ben says, "It seemed like the right thing to do." His eyes slide past his brother and land on you. "Who's this?"

You introduce yourself and Ben's eyes widen. "That's you?"

"What do you mean?"

"It's hard to explain. It's just... you exist in this subway." The way he says exist sounds like he means something bigger. Deeper. He just doesn't know the right words for it, because there might not be any. "I was waiting for you to find me."

"Why?"

"It felt right."

What on earth does that mean? If it felt right for him to wait for you, why didn't it feel right for you to seek him out? Why did it take you decades or minutes to chase after Five and bump into Ben? None of it makes sense.

Five grabs Ben's sleeve. "Hold on to me." He looks at you and says firmly, "You have to let go."

"Let go of what?"

"You know what. The reason you got on the train in the first place. Y/N, you have to let go."

Your lips tremble. "I don't want to."

"I know. But you have to." Five's hand takes yours. He squeezes it comfortingly. "I need you for this. Won't you come with me?"

You take a deep breath.

And you let go.

Five x Reader Taglist

@statsvitenskap @dare-the-punisher @thespian-anon @ask-veronica-sawyer-heathers @fivegallaghers @ggclarissa @akiyamakuro @featuringcone9 @badluckqueen @littleamoux

My requests are open! As always, let me know if there's anything you particularly want to read!

---

𝐧𝐨𝐭 𝐤𝐧𝐨𝐰𝐧 𝐨𝐫 𝐬𝐞𝐞𝐧

Things between you and Peter change with the seasons. [17k] 

c: friends-to-lovers, hurt/comfort, loneliness, peter parker isn’t good at hiding his alter ego, fluff, first kisses, mutual pining, loved-up epilogue, mention of self-harm with no graphic imagery

｡𖦹°‧⭑.ᐟ

Fall 

Peter Parker is a resting place for overworked eyes, like warm topaz nestled against a blue-cold city. He waits on you with his eyes to the screen of his phone, clicking the power button repetitively. A nervous tic. 

You close the heavy door of your apartment building. His head stays still, yet he’s heard the sound of it settling, evidence in his calmed hand. 

“Good morning!” You pull your coat on quickly. “Sorry.” 

“Good morning,” he says, offering a sleep-logged smile. “Should we go?” 

You follow Peter out of the cul-de-sac and into the street as he drops his phone into a deep pocket. To his credit, he doesn’t check it while you walk, and only glances at it when you’re taking your coat off in the heat of your favourite cafe: The Moroccan Mode glows around you, fog kissing the windows, condensation running down the inner lengths of it in beads. You murmur something to do with the odd fog and Peter tells you about water vapour. When it rains tonight, he says it’ll be warm water that falls. 

He spreads his textbook, notebook, and rinky-dink laptop out across the table while you order drinks. Peter has the same thing every visit, a decaf americano, in a wide brim mug with the pink-petal saucer. You put it down on his textbook only because that’s where he would put it himself, and you both get to work. 

As Peter helps you study, you note the simplicity of another normal day, and can’t help wondering what it is that’s missing. Something is, something Peter won’t tell you, the absence of a truth hanging over your heads. You ask him if he wants to get dinner and he says no, he’s busy. You ask him to see a movie on Friday night and he wishes he could. 

Peter misses you. When he tells you, you believe him. “I wish I had more time,” he says. 

“It’s fine,” you say, “you can’t help it.”

“We’ll do something next weekend,” he says. The lie slips out easily. 

To Peter it isn’t a lie. In his head, he’ll find the time for you again, and you’ll be friends like you used to be. 

You press the end of your pencil into your cheek, the dark roast, white paper and condensation like grey noise. This time last year, the air had been thick for days with fog you could cut. He took you on a trip to Manhattan, less than an hour from your red-brick neighbourhood, and you spent the day in a hotel pool throwing great cupfuls of water at each other. The fog was gone just fifteen miles away from home but the warm air stayed. When it rained it was sudden, strange, spit-warm splashes of it hammering the tops of your heads, your cheeks as you tipped your faces back to spy the dark clouds. 

Peter had swam the short distance to you and held your shoulders. You remember feeling like your whole life was there, somewhere you’d never been before, the sharp edges of cracked pool tile just under your feet. 

You peek over the top of your laptop screen and wonder if Peter ever thinks of that trip. 

He feels you watching and meets your eyes. “I have to tell you something,” he says, smiling shyly. 

“Sure.” 

“I signed us up for that club.” 

“Epigenetics?” 

“Molecular medicine,” he says. 

The nice thing about fog is that it gives a feeling of lateness. It’s still morning, barely ten, but it feels like the early evening. It’s gentle on the eyes, colouring the whole room with a sconced shine. You reach for Peter’s bag and sort through his jumble of possessions —stick deodorant, loose-leaf paper, a bodega’s worth of protein bars— and grab his camera. 

“What are you doing?” 

“I’m cataloguing the moment you ruined our lives,” you say, aiming the camera at his chin, squinting through the viewfinder. 

“Technically, I signed us up a few days ago,” he says. 

You snap his photo as his mouth closes around ‘ago’, keeping his half-laugh stuck on his lips. “Semantics,” you murmur. “And molecular medicine club, this has nothing to do with the estranged Gwen Stacy?”

“It has nothing to do with her. And you like molecular medicine.”

“I like oncology,” you correct, which is a sub-genre at best, “and I have enough work without joining another club. Go by yourself.” 

“I can’t go without you,” he says. Simple as that. 

He knew you’d say yes when he signed you up. It’s why he didn’t ask. You’re already forgiven him for the slight of assumption. 

“When is it?” you ask, smiling. 

—

Molecular medicine club is fun. You and a handful of ESU nerds gather around a big table in a private study room for a few hours and read about the newer discoveries and top research, like regenerative science and now taboo Oscorp research. It’s boring, sometimes, but then Peter will lean into your side and make a joke to keep you going. 

He looks at Gwen Stacy a lot. Slender, pale and freckled, with blonde hair framing a sweet face. Only when he thinks you’re not looking. Only when she isn’t either. 

—

“Good morning,” you say. 

Peter holds an umbrella over his head that he’s quick to share with you, and together you walk with heads craned down, the umbrella angled forward to fight the wind. Your outermost shoulder is wet when you reach the café, your other warm from being pressed against him. You shake the umbrella off outside the door and step onto a cushy, amber doormat to dry your sneakers. Peter stalks ahead and order the drinks, eager to get warm, so you look for a table. Your usual is full of businessmen drinking flat whites with briefcases at their legs. They laugh. You try to picture Peter in a suit: you’re still laughing when he finds you in the booth at the back. 

“Tell the joke,” he says, slamming his coffee down. He’s careful with yours. He’s given you the pink petal saucer from the side next to the straws and wooden stirrers. 

“I was thinking about you as a businessman.” 

“And that’s funny?” 

“When was the last time you wore a suit?” 

Peter shakes his head. Claims he doesn’t know. Later, you’ll remember his Uncle Ben’s funeral and feel queasy with guilt, but you don’t remember yet. “When was the last time you wore one?” he asks. “I don’t laugh at you.” 

“You’re always laughing at me, Parker.” 

The cafe isn’t as warm today. It’s wet, grimy water footsteps tracking across the terracotta tile, streaks of grey water especially heavy near the counter, around it to the bathroom. There’s no fog but a sad rattle of rain, not enough to make noise against the windows, but enough to watch as it falls in lazy rivulets down the lengths of them.

Your face is chapped with the cold, cheeks quickly come to heat as your fingers curl around your mug. They tingle with newfound warmth. When you raise your mug to your lips, your hand hardly shakes.

“You okay?” Peter asks. 

“Fine. Are you gonna help me with the math today?” 

“Don’t think so. Did you ask nicely?” 

“I did.” You’d called him last night. You would’ve just as happily submitted your homework poorly solved with the grade to prove it —you don’t want Peter’s help, you just wanted to see him. 

Looking at him now, you remember why his distance had felt a little easier. The rain tangles in his hair, damp strands curling across his forehead, his eyes dark and outfitted by darker eyelashes. Peter has the looks of someone you’ve seen before, a classical set to his nose and eyes reminiscent of that fallen angel weeping behind his arm, his russet hair in fiery disarray. There was an anger to Peter after Ben died that you didn’t recognise, until it was Peter, changed forever and for the worse and it didn’t matter —he was grieving, he was terrified, who were you to tell him to be nice again— until it started to get better. You see less of your fallen, angry angel, no harsh brush strokes, no tears. 

His eyes are still dark. Bruised often underneath, like he’s up late. If he is, it isn’t to talk to you. 

You spend an afternoon working through your equations, pretending to understand until Peter explains them to death. His earphones fall out of his pocket and he says, “Here, I’ll show you a song.” 

He walks you home. The song is dreary and sad. The man who sings is good. Lover, You Should’ve Come Over. It feels like Peter’s trying to tell you something —he isn’t, but it feels like wishing he would. 

“You okay?” you ask before you can get to your street. A minute away, less. 

“I’m fine, why?” 

You let the uncomfortable shape of his earbud fall out of your ear, the climax of the song a rattle on his chest. “You look tired, that’s all. Are you sleeping?” 

“I have too much to do.” 

You just don’t get it. “Make sure you’re eating properly. Okay?” 

His smile squeezes your heart. Soft, the closest you’ll ever get. “You know May,” he says, wrapping his arm around your shoulders to give you a short hug, “she wouldn’t let me go hungry. Don’t worry about me.” 

—

The dip into depression you take is predictable. You can’t help it. Peter being gone makes it worse. 

You listen to love songs and take long walks through the city, even when it’s dark and you know it’s a bad idea. If anything bad happens Spider-Man could probably save me, you think. New York’s not-so-new vigilante keeps a close eye on things, especially the women. You can’t count how many times you’ve heard the same story. A man followed me home, saw me across the street, tried to get into my apartment, but Spider-Man saved me. 

You’re not naive, you realise the danger of walking around without protection assuming some stranger in a mask will save you, but you need to get out of the house. It goes on for weeks. 

You walk under streetlights and past stores with CCTV, but honestly you don’t really care. You’re not thinking. You feel sick and heavy and it’s fine, really, it’s okay, everything works out eventually. It’s not like it’s all because you miss Peter, it’s just a feeling. It’ll go away. 

“You’re in deep thought,” a voice says, garnering a huge flinch from the depths of your stomach.

You turn around, turn back, and flinch again at the sight of a man a few paces ahead. Red shoulders and legs, black shining in a webbed lattice across his chest. “Oh,” you say, your heartbeat an uncomfortable plodding under your hand, “sorry.” 

“Why are you sorry? I scared you.”

“I didn’t realise you were there.” 

Spider-Man doesn’t come any closer. You take a few steps in his direction. You’ve never met before but you’d like to see him up close, and you aren’t scared. Not beyond the shock of his arrival. 

“Can I walk you to where you’re going?” Spider-Man asks you. He’s humming energy, fidgeting and shifting from foot to foot. 

“How do I know you’re the real Spider-Man?” 

After all, there are high definition videos of his suit on the news sometimes. You wouldn’t want to find out someone was capable of making a replica in the worst way possible. 

You can’t be sure, but you think he might be smiling behind the mask, his arms moving back as though impressed at your questioning. “What do you need me to do to prove it?” he asks. 

He speaks hushed. Rough and deep. “I don’t know. What’s Spider-Man exclusive?” 

“I can show you the webs?” 

You pull your handbag further up your arm. “Okay, sure. Shoot something.” 

Spider-Man aims his hand at the streetlight across the way and shoots it. He makes a severing motion with his wrist to stop from getting pulled along by it, letting the web fall like an alien tendril from the bulb. The light it produces dims slightly. A chill rides your spine. 

“Can I walk you now?” he asks. 

“You don’t have more important things to do?” If the bitterness you’re feeling creeps into your tone unbidden, he doesn’t react. 

“Nothing more important than you.” 

You laugh despite yourself. “I’m going to Trader Joe’s.” 

“Yellowstone Boulevard?” 

“That’s the one…” 

You fall into step beside him, and, awkwardly, begin to walk again. It’s a short walk. Trader Joe’s will still be open for hours despite the dark sky, and you’re in no hurry. “My friend, he likes the rolled tortilla chips they do, the chilli ones.” 

“And you’re going just for him?” Spider-Man asks. 

“Not really. I mean, yeah, but I was already going on a walk.” 

“Do you always walk around by yourself? It’s late. It’s dangerous, you know, a beautiful girl like you,” he says, descending into an odd mixture of seriousness and teasing. His voice jumps and swoons to match. 

“I like walking,” you say. 

Spider-Man walking is a weird thing to see. On the news, he’s running, swinging, or flying through the air untethered. You’re having trouble acquainting the media image of him with the quiet man you’re walking beside now.

”Is everything okay?” he asks. “You seem sad.” 

“Do I?” 

“Yeah, you do.” 

“Maybe I am sad,” you confess, looking forward, the bright sign of Trader Joe’s already in view. It really is a short walk. “Do you ever–” You swallow against a surprising tightness in your throat and try again, “Do you ever feel like you’re alone?” 

“I’m not alone,” he says carefully.

“Me neither, but sometimes I feel like I am.” 

He laughs quietly. You bristle thinking you’re being made fun of, but the laugh tapers into a sad one. “Sometimes I feel like I’m the only person in the world,” he says. “Even here. I forget that it’s not something I invented.” 

“Well, I guess being a hero would feel really lonely. Who else do we have like you?” You smile sympathetically. “It must be hard.” 

“Yeah.” His head tips to the side, and a crash of glass rings in the distance, crunching, and then there’s a squeal. It sounds like a car accident. Spider-Man goes tense. “I’ll come back,” he says. 

“That’s okay, Spider-Man, I can get home by myself. Thank you for the protection detail.” 

He sprints away. In half a second he’s up onto a short roof, then between buildings. It looks natural. It takes your breath away. 

You buy Peter’s chips at Trader Joe’s and wait for a few minutes at the door, but Spider-Man doesn’t come back. 

—

I don’t want to study today, Peter’s text says the next day. Come over and watch movies? 

The last handholds of your fugue are washed away in the shower. You dab moisturiser onto your face and neck and stand by the open window to help it dry faster, taking in the light drizzle of rain, the smell of it filling your room and your lungs in cold gales. You dress in sweatpants and a hoodie, throw on your coat, and stuff the rolled tortilla chips into a backpack to ferry across the neighbourhood. 

Peter still lives at home with his Aunt May. You’d been in awe of it when you were younger, Peter and his Aunt and Uncle, their home-cooked family dinners, nights spent on the roof trying to find constellations through light pollution, stretched out together while it was warm enough to soak in your small rebellion. Ben would call you both down eventually. When you’re older! he’d always promise. 

Peter’s waiting in the open door for you. He ushers you inside excitedly, stripping you out of your coat and forgetting your wet shoes as he drags you to the kitchen. “Look what I got,” he says. 

The Parker kitchen is a big, bright space with a chopping block island. The counters are crowded by pots, pans, spices, jams, coffee grounds, the impossible drying rack. There’s a cross-stitch about the home on the microwave Ben did to prove to May he could still see the holes in the aida. 

You follow Peter to the stove where he points at a ceramic Dutch oven you’ve eaten from a hundred times. “There,” he says. 

“Did you cook?” you ask. 

“Of course I didn’t cook, even if the way you said that is offensive. I could cook. I’m an excellent chef.” 

“The only thing May’s ever taught you is spaghetti and meatballs.” 

“Hope you like marinara,” he says, nudging you toward the stove. 

You take the lid off of the Dutch oven to unveil a huge cake. Dripping with frosting, only slightly squashed by the lid, obviously homemade. He’s dotted the top with swirls of frosting and deep red strawberries. 

“It’s for you,” he says casually. 

“It’s not my birthday.” 

“I know. You like cake though, don’t you?” 

You’d tell Peter you liked chunks of glass if that was what he unveiled. “Why’d you make me a cake?” 

“I felt like you deserved a cake. You don’t want it?” 

“No, I want it! I want the cake, let’s have cake, we can go to 91st and get some ice cream, it’ll be amazing.” You don’t bother trying to hide your beaming smile now, twisting on the spot to see him properly, your hands falling behind your back. “Thank you, Peter. It’s awesome. I had no idea you could even– that you’d even–” You press forward, smushing your face against his chest. “Wow.” 

“Wow,” he says, wrapping his arms around you. He angles his head to nose at your temple. “You’re welcome. I would’ve made you a cake years ago if I knew it was gonna make you this happy.” 

“It must’ve taken hours.” 

“May helped.” 

“That makes much more sense.” 

“Don’t be insolent.” Peter squeezes you tightly. He doesn’t let go for a really long time. 

He extracts the cake from the depths of the Dutch oven and cuts you both a slice. He already has ice cream, a Neapolitan box that he cuts into with a serrated knife so you can each have a slice of all three flavours. It’s good ice cream, fresh for what it is and melting in big drops of cream as he gets the couch ready.

“Sit down,” he says, shoving the plates with his strangely great balance onto the coffee table. “Remote’s by you. I’m gonna get drinks.” 

You take your plate, carving into the cake with the end of a warped spoon, its handle stamped PETE and burnished in your grasp. The crumb is soft but dense in the best way. The ganache between layers is loose, cake wet with it, and the frosting is perfect, just messy. You take another satisfied bite. You’re halfway through your slice before Peter makes it back. 

“I brought you something too, but it’s garbage compared to this,” you say through a mouthful, hand barely covering your mouth. 

Peter laughs at you. “Yeah, well, say it, don’t spray it.” 

“I guess I’ll keep it.” 

“Keep it, bub, I don’t need anything from you.” 

He doesn’t say it the way you’re expecting. “No,” you say, pleased when he sits knee to knee, “you can have it. S’just a bag of chips from Trader–”

“The rolled tortilla chips?” he asks. You nod, and his eyes light up. “You really are the best friend ever.” 

“Better than Harry?” 

“Harry’s rich,” Peter says, “so no. I’m kidding! Joking, come here, let me try some of that.” 

“Eat your own.” 

Peter plays a great host, letting you choose the movies, making lunch, ordering takeout in the evening and refusing to let you pay for it. This isn’t that out of character for Peter, but what shocks you is his complete unfiltered attention. He doesn’t check his phone, the tension you couldn’t name from these last few weeks nowhere to be felt. You’re flummoxed by the sudden change, but you missed him. You won’t look a gift horse in the mouth; you won’t question what it is that had Peter keeping you at arm’s length now it’s gone.

To your annoyance, you can’t stop thinking about Spider-Man. You keep opening your mouth to tell Peter you talked to him but biting your tongue. Why am I keeping it a secret? you wonder. 

“Have something to tell you.” 

“You do?” you ask, reluctant to sit properly, your feet tucked under his thigh and your body completely lax with the weight of the Parker throw. 

“Is that surprising?” 

“Is that a trick question?” 

“No. Just. I’ve been not telling you something.” 

“Okay, so tell me.” 

Peter goes pink, and stiff, a fake smile plastered over his lips. “Me and Gwen, we’re really done.” 

“I know, Pete. She broke up with you for reasons nobody felt I should be enlightened right after graduation.” Your stomach pangs painfully. “Unless you…”

“She’s going to England.” 

“She is?” 

“Oxford.” 

You struggle to sit up. “That sucks, Peter. I’m sorry.” 

“But?” 

You find your words carefully. “You and Gwen really liked each other, but I think that–” You grow in confidence, meeting his eyes firmly. “That there’s always been some part of you that couldn’t actually commit to her. So. I don’t know, maybe some distance will give you clarity. And maybe it’ll break your heart, but at least then you’ll know how you really feel, and you can move forward.” You avoid telling him to move on. 

“It wasn’t Gwen,” he says, which has a completely different meaning to the both of you. 

“Obviously, she’s the smartest girl I’ve ever met. She’s beautiful. Of course it’s not her fault,” you say, teasing.

“Really, that you ever met?” Peter asks. 

“She’s the best girl you were ever gonna land.“ 

He rolls his eyes. “Yeah, I guess so.” After a few more minutes of quiet, he says, “I think we were done before. I just hadn’t figured it out yet. Something wasn’t right.” 

“You were so back and forth. You’re not mean, there must’ve been something stopping you from going steady,” you agree. “You were breaking up every other week.”

“I know,” he whispers, tipping his head against the back couch. 

“Which, it’s fine, you don’t–” You grimace. “I can’t talk today. Sorry. I just mean that it’s alright that you never made it work.” You worry that sounds plainly obvious and amend, “Doesn’t make you a bad person. You’re never a bad person, Peter.” 

“I know. Thank you.” 

“You’re welcome. You don’t need me to tell you.” 

“It’s nice, though. I like when you tell me stuff. I want all of your secrets.” 

You should say Good, because I have something unbelievable to tell you, and I should’ve said it the moment I got home. 

Good, because last night I met the bravest man in New York City, and he walked me to the store for your chips. 

Good, because I have so much I’m keeping to myself.

You ruffle his hair. Spider-Man goes unmentioned. 

— 

He visits with a whoop. You don’t flinch when he lands —you’d heard the strange whip and splat of his webs landing nearby. 

“Spider-Man,” you say. 

“What’s that about?” 

“What?” 

“The way you said that. You laughed.” Spider-Man stands in spandexed glory before you, mask in place. He’s got a brown stain up the side of his thigh that looks more like mud than blood, but it’s not as though each of his fights are bloodless. They’re infamously gory on occasion.

“Did you get hurt?” you ask. You’re worried. You could help him, if he needs it. 

“Aw, this? That’s a scratch. That’s nothing, don’t worry about it. I’ve had worse from that stray cat living outside of 91st.” 

You look at him sharply. 91st is shorthand for 91st Bodega, and it’s not like you and Peter made it up, but suddenly, the man in front of you is Peter. The way he says it, that unique rhythm. 

Peter’s not so rough-voiced, you argue with yourself. Your Peter speaks in a higher register, dulcet often, only occasionally sarcastic. Spider-Man is rough, and cawing, and loud. Spider-Man acts as though the ground is a suggestion. Peter can’t jump off the second diving board at the pool. Spider-Man rolls his shoulders back in front of you with a confidence Peter rarely has. 

“What?” he asks. 

“Sorry. You just reminded me of someone.” 

His voice falls deeper still. “Someone handsome, I hope.” 

You take a small step around him, hoping it invites him to walk along while communicating how sorely you want to leave the subject behind. When he doesn’t follow, you add, “Yes, he’s handsome.” 

“I knew it.”

“What do you look like under the mask?”

Spider-Man laughs boisterously. “I can’t just tell you that.” 

“No? Do I have to earn it?” 

“It’s not like that. I just don’t tell anyone, ever.” 

“Nobody in the whole world?” you ask. 

The rain is spitting. New York lately is cold cold cold, little in the way of sunshine and no end in sight. Perhaps that’s all November’s are destined to be. You and Spider-Man stick to the inside of the sidewalk. Occasionally, a passerby stares at him, or calls out in Hello, and Spider-Man waves but doesn’t part from you. 

“Tell me something about you and I’ll tell you something about me,” Spider-Man says. “I’ll tell you who knows my identity.” 

“What do you want to know about me?” you ask, surprised. 

“A secret. That’s fair.” 

“Hold on, how’s that fair?” You tighten your scarf against a bitter breeze. “What use do I have for the people who know who you are? That doesn’t bring me any closer to the truth.” 

“It’s not about who knows, it’s about why I told them.” Spider-Man slips around you, forcing you to walk on the inside of the sidewalk as a car pulls past you all too quickly and sends a sheet of dirty rainwater up Spider-Man’s side. He shakes himself off. “Jerk!” he shouts after the car. 

“My secrets aren’t worth anything.”

“I doubt that, but if that’s true, that makes it a fair trade, doesn’t it?” 

He sounds peppy considering the pool of runoff collecting at his feet. You pick up your pace again and say, “Alright, useless secret for a useless secret.” 

You think about all your secrets. Some are odd, some gross. Some might make the people around you think less of you, while others would surely paint you in a nice light. A topaz sort of technicolor. But they aren’t useless, then, so you move on. 

“Oh, I know. I hate my major.” You grin at Spider-Man. “That’s a good one, right? No one else knows about that.” 

“You do?” Spider-Man asks. His voice is familiar, then, for its sympathy. 

“I like science, I just hate math. It’s harder than I thought it would be, and I need so much help it makes me hate the whole thing.” 

Spider-Man doesn’t drag the knife. “Okay. Only three people know who I am under the mask. It was four, briefly.” He clears his throat. “I told one person because I was being selfish and the others out of necessity. I’m trying really hard not to tell anybody else.”

“How come?” 

“It just hurts people.” 

You linger in a gap of silence, not sure what to say. A handful of cars pass you on the road. 

“Tell me another one,” he says. 

“What for?” 

“I don’t know, just tell me one.” 

“How do I know you aren’t extorting me for something?” You grin as you say it, a hint of flirtation. “You’ll know my face and my secrets and even if you tell me a really gory juicy one, I have no one to tell and no name to pair it with.” 

“I’m not showing you anything,” he warns, teasing, sounding so awfully like Peter that your heart trips again, an uneven capering that has you faltering in the street. 

Peter’s shorter, you decide, sizing him up. His voice sounds similar and familiar but Peter doesn’t ask for secrets. He doesn’t have to. (Or, he didn’t have to, once upon a time.) 

“Where are you going?” Spider-Man asks. 

“Oh, nowhere.” 

“Seriously, you’re out here walking again for no reason?” 

“I like to walk. It’s not like it’s dark out yet.” You’re not far at all from Queensboro Hill here. Walking in any direction would lead you to a garden —Flushing Meadows, Kew Gardens, Kissena Park. “Walk me to Kissena?” you ask. 

“Sure, for that secret.” 

You laugh as Spider-Man takes the lead, keeping time with him, a natural match of pace. It’s exciting that Spider-Man of all people wants to know one of your useless secrets enough to ask you twice. The attention of it makes searching for one a matter of how fast you can find one rather than a question of why you’d want to. It slips out before you can think better of it. 

“I burned my wrist a few days ago on a frying pan,” you confess, the phantom pain of the injury an itch. “It blistered and I cried when I did it, but I haven’t told anyone about it.” 

“Why not?” he asks. 

He shouldn’t use that tone with you, like he’s so so sorry. It makes you want to really tell him everything. How insecure you feel, how telling things feels like asking for someone to care, and half the time they don’t, and half the time you’re embarrassed. 

You walk past the bakery that demarcates the beginning of Kissena Park grounds across the way. “I didn’t think about it at first. I’m used to keeping things to myself. And then I didn’t tell anyone for so long that mentioning it now wouldn’t make sense. Like, bringing it up when it’s a scar won’t do much.” It’s a weak lie. It comes out like a spigot to a drying up tree. Glugs, fat beads of sound and the pull to find another thing to say.

“It was only a few days ago, right? It must still hurt. People want to know that stuff.” 

“Maybe I’ll tell someone tomorrow,” you say, though you won’t. 

“Thanks for telling me.”

The humour in spilling a secret like that to a superhero stops you from feeling sorry for yourself. You hide your cold fingers in your coat, rubbing the stiff skin of your knuckles into the lining for friction-heat. The rain has let up, wind whipping empty but brisk against your cheeks. Your lips will be chapped when you get home, whenever that turns out to be. 

“This is pretty far from Trader Joe’s,” he comments, like he’s read your mind. 

“Just an hour.” 

“Are you kidding? It’s an hour for me.” 

“That’s not true, Spider-Man, I’ve seen those webs in action. I still remember watching you on the News that night, the cranes. I remember,” —you try to meet his eyes despite the mask— “my heart in my throat. Weren’t you scared?”

“Is that the secret you want?” he asks. 

“I get to choose?” 

Spider-Man throws his gaze around, his hand behind his head like he might play with his hair. You come to a natural stop across the street from Kissena Park’s playground. Teenagers crowd the soft-landing floor, smaller children playing on the wet rungs of the climbing frame. 

“If you want to,” he says. 

“Then yeah, I want to know if you were scared.” 

“I didn’t haveI time to be scared. Connors was already there, you know?” He shifts from one foot to the other. “I don’t think I’ve ever thought about it before. I wasn’t scared of the height, if that’s what you mean. I already had practice by then, and I knew I had to do it. Like, I didn’t have a choice, so I just did it. I had to save the day, so I did.” 

“When they lined up the cranes–”

“It felt like flying,” Spider-Man interrupts. 

“Like flying.”

You picture the weightlessness, the adrenaline, the catch of your weight so high up and the pressure of being flung between the next point. The idea that you have to just do something, so you do. 

“That’s a good secret.” You offer a grateful smile. “It doesn’t feel equal. I burned myself and you saved the city.” 

“So tell me another one,” he says. 

—

Maybe you started to fall for Peter after his Uncle Ben passed away. Not the days where you’d text him and he’d ignore you, or the days spent camping outside of his house waiting for him to get home. It wasn’t that you couldn’t like him, angry as he was; there’s always been something about his eyes when he’s upset that sticks around. You loathe to see him sad but he really is pretty, and when his eyelashes are wet and his mouth is turned down, formidable, it’s an ache. A Cabanel painting, dramatic and dark and other. 

It was after. When he started sending Gwen weird smiles and showing up to the movies exhilarated, out of breath, unwilling to tell you where he’d been. Skating, he’d always say. Most of the time he didn’t have his skateboard. 

You’d only seen them kiss once, his hand on her shoulder curling her in, a pang of heat. You were curdled by jealousy but it was more than that. Peter was tipping her head back, was kissing her soundly, a fierceness from him that made you sick to think about. You spent weeks afterwards up at night, tossing, turning, wishing he’d kiss you like that, just once, so you could feel how it felt to be completely wrapped up in another person. 

You’d always held out for Peter, in a way. It was more important to you that he be your friend. You were young, and love had been a far off thing, and then one day you suddenly wanted it. You learned just how aching an unrequited love could be, like a bruise, where every time you saw Peter —whether it be alone or with Gwen, with anyone— it was like he knew exactly where to poke the bruise. Press the heel of his hand and push. The worst is when he found himself affectionate with you, a quick clasp of your cheek in his palm as he said goodbye. Nights spent in his twin bed, of course you’ll fit, of course you couldn’t go home, not this late, May won’t care if we keep the door open —the suggestion that the door being closed might’ve meant something. His sleeping arm furled around you. 

Now you’re nearing the end of your second semester at ESU, Gwen is going to England at the end of the year, and Peter hasn’t tried to stop her, but he’s still busy. 

“Whatever,“ you say, taking a deep breath. You’re not mad at Peter, you just miss him. Thinking about him all the time won’t change a thing. “It’s fine.” 

“I’d hope so.” 

You swing around. “Don’t do that!”

Spider-Man looks vaguely chastened, taking a step back. “I called out.” 

“You did?” 

“I did. Hey, miss, over there! The one who doesn’t know how to get a goddamn taxi!” 

“I like to walk,” you say. 

“Yeah, so you’ve said. Have you considered that all this walking is bad for you? It’s freezing out, Miss Bennett!” 

“It’s not that bad.” You have your coat, a scarf, your thermal leggings underneath your jeans. “I’m fine.” 

“What’s wrong with staying at home?” 

“That’s not good for you. And you’re one to talk, Spider-Man, aren’t you out on the streets every night? You should take a day off.” 

“I don’t do this every night.” 

“Don’t you get tired?”

Spider-Man’s eyelets seem to squint, his mock-anger effusive as he crosses his arms across his chest. “No, of course not. Do I look like I get tired?” 

“I don’t know. You’re in a full suit, I can’t tell. I guess you don’t… seem tired. You know, with all the backflips.” 

“Want me to do one?” 

“On command?” You laugh. “No, that’s okay. Save your strength, Spider-Man.” 

“So where are you heading today?” he asks. 

There’s a slip of skin peeking out against his neck. You’re surprised he can’t feel the cold there, stepping toward him to point. “I can see your stubble.” 

He yanks his mask down. “Hasty getaway.” 

“A getaway, undressed? Spider-Man, that’s not very gentlemanly.” 

You start to walk toward the Cinemart. Spider-Man, to your strange pleasure, follows. He walks with considerable casualness down the sidewalk by your left, occasionally letting his head turn to chase a distant sound where it echoes from between high-rises and along the busy street. It’s cold and dark, but New York is hectic no matter what, even the residential areas. (Is there such a thing? The neighbourhoods burst with small businesses and backstreet sales, no matter the time.)

“Luckily for you, crime is slow tonight,” he says. 

“Lucky me?” You wonder if your acquainted vigilante flirts with every girl he stalks. “You realise I’ve managed to get everywhere I’m going for the last two decades without help?” 

“I assume there was more than a little help during that first decade.” 

“That’s what you think. I was a super independent toddler.” 

Spider-Man tips his head back and laughs, but that laugh is quickly squashed with a cough. “Sure you were.” 

“Is there a reason you’re escorting me, Spider-Man?” you ask. 

“No. I– I recognised you, I thought I’d say hi.” 

“Hi, Spider-Man.” 

“Hi.” 

“Can I ask you something? Do you work?” 

Spider-Man stammers again, “I– yeah. I work. Freelance, mostly.” 

“I was wondering how you fit all the crime fighting into your life, is all. University is tough enough.” You let the wind bat your scarf off of your shoulder. “I couldn’t do what you do.” 

“Yeah, you could.” 

He sounds sure. 

“How would you know?” you ask. “Maybe I’m awful when you’re not walking me around. I hate New York. I hate people.” 

“No, you don’t. You’re not awful. Don’t ask me how I know, ‘cos I just know.” 

You try not to look at him. If you look at him, you’re gonna smile at him like he hung the moon. “Well, tonight I’m going to be dreadfully selfish. My friend said he’d buy my movie ticket and take me out for dinner, a real dinner, the mac and cheese with imitation lobster at Benny’s. Have you tried that?” 

Spider-Man takes a big step. “Tonight?” he asks. 

“Yep, tonight. That’s where I’m going, the Cinemart.” You frown at his hand pressing into his stomach. “Are you okay? You look like you’re gonna throw up.” 

“I can hear– something. Someone’s crying. I gotta go, okay? Have fun at the movies, okay?” He throws his arm up, a silken web shooting from his wrist to the third floor of an apartment complex. “Bye!” he shouts, taking a running jump to the apartment, using his web as an anchor. He flings himself over the roof. 

Woah, you think, warmth filling your cold cheeks, the tip of your nose. He’s lithe.  

Peter arrives ten minutes late for the movie, which is half an hour later than you’d agreed to meet. 

“Sorry!” he shouts, breathless as he grabs your hands. “God, I’m sorry! I’m so sorry. You should beat me up. I’m sorry.” 

“What the fuck happened?” you ask, not particularly angry, only relieved to see him with enough time to still catch the movie. “You’re sweating like crazy, your hair’s wet.” 

“I ran all the way here, Jesus, do I smell bad? Don’t answer that. Fuck, do we have time?” 

You usher Peter inside. He pays for the tickets with hands shaking and you attempt to wipe the sweat from his forehead with your sleeve. “You could’ve called me,” you say, content to let him grab you by the arm and race you to the screen doors, “we could’ve caught the next one. Why were you so late, anyways? Did you forget?” 

“Forget about my favourite girl? How could I?” He elbows open the doors to let you enter first. “Now shh,” he whispers, “find the seats, don’t miss the trailers. You love them.” 

“You love them–”

“I’ll get popcorn,” he promises, letting the door close between you. 

You’re tempted to follow, fingers an inch from the handle. 

You turn away and rush to find your seats. Hopefully, the popcorn line is ten blocks long, and he spends the night punished for his wrongdoing. My favourite girl. You laugh nervously into your hand. 

—

Winter 

Spider-Man finds you at least once a week for the next few weeks. He even brings you an umbrella one time, stars on the handle, asking you rather politely to go home. He offers to buy you a hot dog as you’re walking past the stand, takes you on a shortcut to the convenience store, and helps you get a piece of gum off of your shoe with a leaf and a scared scream. He’s friendly, and you’re getting used to his company. 

One night, you’re almost home from Trader Joe’s, racing in the pouring rain when a familiar voice calls out, “Hey! Running girl! Wait a second!” 

Him, you think, as ridiculous as it sounds. You don’t know his name, but Spider-Man’s a sunny surprise in a shitty, wet winter, and you turn to the sound with a grin.

He jogs toward you. 

You feel the world pause, right in the centre of your throat. All the air gets sucked out of you. 

“Hey, what are you doing out here? Did you get my texts?” 

You blink as fat rain lands on your face. 

“You okay?” Peter asks, Peter, in a navy hoodie turning black in the rain and a brown corduroy jacket. It’s sodden, hanging heavily around his shoulders. “Come on, let’s go,” —he takes your hand and pulls until you begin to speed walk beside him— “it’s freezing!” 

“Peter–”

“Jesus Christ!” 

“Peter, what are you doing here?” you ask, your voice an echo as he drags you into the foyer of your apartment building. 

Rain hammers the door as he closes it, the windows, the foyer too dark to see properly. 

“I wanted to see you. Is that allowed?” 

“No.” 

Peter takes your hand. You look down at it, and he looks down in tandem, and it is decidedly a non-platonic move. “No?” he asks, a hair’s width from murmuring. 

“Shit, my groceries are soaked.” 

“It’s all snacks, it’s fine,” he says, pulling you to the stairs. 

You rush up the steps together to your floor. Peter takes your key when you offer it, your own fingers too stiff to manage it by yourself, and he holds the door open for you again to let you in. 

Your apartment is a ragtag assortment to match the one next door, old wooden furniture wheeled from the street corners they were left on, thrifted homeward and heavy blankets everywhere you look. You almost slip getting out of your shoes. Peter steadies you with a firm hand. He shrugs out of his coat and hangs it on the hook, prying the damp hoodie over his head and exposing a solid length of back that trips your heart as you do the same. 

“Sorry I didn’t ask,” Peter says. 

“What, to come over? It’s fine. I like you being here, you know that.” 

All your favourite days were spent here or at Peter’s house, in beds, on sofas, his hair tickling your neck as credits run down the TV and his breath evens to a light snore. You try to settle down with him, changing into dry clothes, his spare stuff left at the bottom of your wardrobe for his next inevitable impromptu visit. You turn on the TV, letting him gather you into his side with more familiarity than ever. Rain lays its fingertips on your window and draws lazy lines behind half-turned blinds. You rest on the arm and watch Peter watch the movie, answering his occasional, “You okay?” with a meagre nod. 

“What’s wrong?” he asks eventually. “You’re so quiet.” 

Your hand over your mouth, you part your marriage and pinky finger, marriage at the corner, pinky pressed to your bottom lip, the flesh chapped by a season of frigid winds and long walks. “‘M thinking,” you say. 

“About?” 

About the first night in your new apartment. You got the apartment a couple of weeks before the start of ESU. Not particularly close to the university but close to Peter, your best, nicest friend. You met in your second year of High School, before Peter got contacts, ‘cos he was good at taking photographs and you were in charge of the school newspapers media sourcing. You used to wait for Peter to show up ten minutes late like clockwork, every week. And every week he’d barge into the club room and say, “Fuck, I’m sorry, my last class is on the other side of the building,” until it turned into its own joke. 

Three years later, you got your apartment, and Peter insisted you throw a housewarming party even if he was the only person invited. 

“Fuck,” he’d said, ten minutes late, a cake in one hand and a whicker basket the other, “sorry. My last class is on–”

But he didn’t finish. You’d laughed so hard with relief at the reference that he never got the chance. Peter remembered your very first inside joke, because Peter wasn’t about to go off to ESU and meet new friends and forget you. 

But Peter’s been distant for a while now, because Peter’s Spider-Man. 

“Do you remember,” you say, not willing to share the whole truth, “when you joined the school newspaper to be the official photographer, and you taught me the rule of thirds?” 

“So you didn’t need me,” he says. 

“I was just thinking about it. We ran that newspaper like the Navy.” 

Peter holds your gaze. “Is that really what you were thinking about?” 

“Just funny,” you murmur, dropping your hand in your lap and breaking his stare. “So much has changed.” 

“Not that much.” 

“Not for me, no.” 

Peter gets a look in his eyes you know well. He’s found a crack in you and he’s gonna smooth it over until you feel better. You’re expecting his soft tone, his loving smile, but you’re not expecting the way he pulls you in —you’d slipped away from him as the evening went on, but Peter erases every millimetre of space as he slides his arm under your lower back and ushers you into his side. You hold your breath as he hugs you, as he looks down at you. It’s really like he loves you, the line between platonic and romantic a blur. He’s never looked at you like this before.

“I don’t want you to change,” he whispers. 

“I want to catch up with you,” you whisper back. 

“Catch up with me? We’re in the exact same place, aren’t we?”

“I don’t know, are we?” 

Peter hugs you closer, squishing your head down against his jaw as he rubs your shoulder. “Of course we are.” 

Peter… What is he doing? 

You let yourself relax against him. 

“You do change,” he whispers, an utterance of sound to calm that awful bruise he gave you all those months ago, “you change every day, but you don’t need to try.” 

“I just… feel like everyone around me is…” You shake your head. “Everyone’s so smart, and they know what they’re doing, or they’re– they’re special. I don’t know anything. So I guess lately I’ve been thinking about that, and then you–”

“What?” 

You can say it out loud. You could. 

“Peter, you’re…” 

“I’m what?” he asks. 

His fingers glide down the length of your arm and up again. 

If you're wrong, he’ll laugh. And if you’re right, he might– might stop touching you. Your head feels so heavy, and his touch feels like it’s gonna put you to sleep. 

He’s Spider-Man. 

It makes sense. Who else could have a good enough heart to do that? Of course it’s Peter. It explains so much about him, about Peter and Spider-Man both. Why Peter is suddenly firmer, lighter on his feet, why he can help you move a wardrobe up two flights of stairs without complaint; why Spider-Man is so kind to you, why he knows where to find you, why he rolls his words around just like Pete. 

Spider-Man said there are reasons he wears his mask. And Peter doesn’t tell you much, but you trust him. 

You won’t make him say anything, you decide. Not now. 

You curl your arm over his stomach hesitantly, smiling into his shirt as he hugs you tighter. 

“I was thinking about you,” he says. 

“Yeah?” 

“You’re quieter lately. I know you’re having a hard time right now, okay? You don’t have to tell me. I’m here for you whenever you need me.” 

“Yeah?” you ask.

“You used to sit on my porch when you knew May wouldn’t be home to make sure I wasn’t alone.” Peter’s breath is warm on your forehead. “I don’t know what you’re worried about being, but I’m with you,” he says, “‘n nothing is gonna change that.” 

Peter isn’t as far away as you thought. 

“Thank you,” you say. 

He kisses your forehead softly. Your whole world goes amber. He brings his hand to your cheek, the thought of him tipping your head back sudden and heart-racing, but Peter only holds you. You lose count of how many minutes you spend cupped in his hand. 

“Can I stay over tonight?” he utters, barely audible under the sound of the battering rain. 

“Yeah, please.” 

His thumb strokes your cheek. 

—

Two switches flip at once, that night. Peter is suddenly as tactile as you’ve craved, and Spider-Man disappears. 

He’s alive and well, as evidenced by Peter’s continued survival and presence in your life, but Spider-Man doesn’t drop in on your nightly walks. 

You take less of them lately, feeling better in yourself. Your spirits are certainly lifted by Peter’s increasing affection, but now that you know he’s Spider-Man you were waiting to see him in spandex to mess with his head. Nothing mean, but you would’ve liked to pick at his secret identity, toy with him like you know he’d do to you. After all, he’s been trailing you for weeks and getting to know you. Peter already knows you. Plus, you told Spider-Man secrets not meant for Peter Parker’s ears. 

You find it hard to be angry with him. A thread of it remains whenever you remember his deception, but mostly you worry about him. Peter’s out every night until who knows what hour fighting crime. There are guns. He could get shot, and he doesn’t seem scared. You end up watching videos on the internet of the night he ran to Oscorp, when he fought Connors’ and got that huge gash in his leg. His leg is soiled deep red with blood but banded in white webbing. He limps as he races across a rooftop, the recording shaky yet high definition. 

It’s not nice to see Peter in pain. You cling to what he’d said, how he wasn’t scared, but not being scared doesn’t mean he wasn’t hurting. 

You chew the tip of a finger and click on a different video. Your computer monitor bears heat, the tower whirring by your thigh. Your eyes burn, another hour sitting in the same seat, sick with worry. You don’t mind when Peter doesn’t answer your texts anymore. You didn’t mind so much before, just terrified of becoming an irrelevance in his life and lonely, too, maybe a little hurt, but never worried for his safety. Now when Peter doesn’t text you back you convince yourself that he’s been hurt, or that he’s swinging across New York City about to risk his life.

It’s not a good way to live. You can’t stop giving into it, is all. 

In the next video, Spider-Man sits on a billboard with a can of coke in hand. He doesn’t lift his mask, seemingly aware of his watcher. You laugh as he angles his head down, suspicion in his tight shoulders. He relaxes when he sees whoever it is recording. 

“Hey,” he says, “you all right?” 

“Should you be up there?” the person recording shouts. 

“I’m fine up here!” 

“Are you really Spider-Man?” 

“Sure am.” 

“Are you single?” 

Peter laughs like crazy. How you didn’t know it was him before is a mystery —it couldn’t sound more like him. “I’ve got my eye on someone!” he says, sounding younger for it, the character voice he enacts when he’s Spider-Man lost to a good mood.  

Your phone rings in the back pocket of your jeans. You wriggle it out, nonplussed to find Peter himself on your screen. You click the green answer button. 

“Hello?” Peter asks. 

You bring the phone snug to your ear. “Hey, Peter.” 

“Hi, are you busy?” 

“Not really.” 

“Do you wanna come over? I know it’s late. Come stay the night and tomorrow we’ll go out for breakfast.” 

“Is Aunt May okay with that?” 

“She’s staring at me right now shaking her head, but I’m in trouble for something. May, can she come over, is that allowed?” 

“She’s always allowed as long as you keep the door open.”

You laugh under your breath at May’s begrudging answer. “Are you sure she’s alright with it?” you ask softly. “I don’t want to be a burden.” 

“You never, ever could be. I’m coming to your place and we’ll walk over together. Did you eat dinner?” 

“Not yet, but–”

“Okay, I’ll make you something when you get here. I’ll meet you at the door. Twenty minutes?” 

“I have to shower first.” 

“Twenty five?” 

You choke on a laugh, a weird bubbly thing you’re not used to. Peter laughs on the other side of the phone. “How about I’ll see you at seven?” 

“It’s a date,” he says. 

“Mm, put it in your calendar, Parker.” 

—

Peter waits for you at the door like he promised. He frowns at your still-wet face as he slips your backpack from your shoulder, throwing it over his own. “You’re gonna get sick.” 

“I‘ll dry fast,” you say. “I took too long finding my pyjamas.” 

“I have stuff you can wear. Probably have your sweatpants somewhere, the grey ones.” Peter pulls you forward and wipes your tacky face. “I would’ve waited,” he says. 

“It’s fine.“

“It’s not fine. Are you cold?” 

“Pete, it’s fine.” 

“You always remind me of my Uncle Ben when you call me Pete,” he laughs, “super stern.” 

“I’m not stern. Look, take me home, please, I’m cold.” 

“You said it wasn’t cold!” 

“It’s not, I’m just damp–” Peter cuts you off as he grabs you, sudden and tight, arms around you and rubbing the lengths of your back through your coat. “Handsy!”

“You like it,” he jokes back, his playful warming turning into a hug. You smile, hiding your face in his neck for a few moments. 

“I don’t like it,” you lie. 

“Okay, you don’t like it, and I’m sorry.” Peter gives you a last hug and pulls away. “Now let’s go. I gotta feed you before midnight.” 

“That’s not funny.” 

“Apparently, nothing is.” 

Peter links your arms together. By the time you get to his house, you’ve fallen away from each other naturally. May is in the hallway when you climb through the door, an empty laundry basket in her hands. 

“I see Peter hasn’t won this argument yet,” you say in way of greeting. Peter’s desperate to do his own laundry now he’s getting older. May won’t let him. 

“No, he hasn’t.” She looks you up and down. “It’s nice to see you, honey. And in one piece! Peter tells me you’ve been walking a lot, and I mean, in this city? Can’t you buy a treadmill?” she asks. 

“May!” Peter says, startled. 

“I like walking, I like the air,” you say.

“Can’t exactly call it fresh,” May says. 

“No, but it’s alright. It helps me think.” 

“Is everything okay?” May asks, putting her hand on her hip. 

“Of course.” You smile at her genuinely. “I think starting college was too much for me? It was hard. But things are settling now, I don’t know what Peter told you, but I’m not walking a lot anymore. You know, not more than necessary.”

She softens her disapproving. “Good, honey. That’s good. Peter’s gonna make you some dinner now, right?” 

“Yeah, Aunt May, I’m gonna make dinner,” Peter sighs, pulling a leg up to take off his shoes. 

Peter shouldn’t really know that you’ve been walking. He might see you coming back from Trader Joe’s or the bodega on his way to your apartment, but you haven’t mentioned any of your longer excursions, and everybody in Queens has to walk. That’s information he wouldn’t know without Spider-Man. 

He seems to be hoping you won’t realise, changing the subject to the frankly killer grilled cheese and tomato soup that he’s about to make you, and pushing you into a chair at the table. “Warm up,” he says near the back of your head, forcing a wave of shivers down your arms.

He makes soup in one pan, grilled cheese in the other, two for him and two for you. Peter’s a good eater, and he encourages the same from you, setting a big bowl of tomato soup (from the can, splash of fresh cream) down in front of you with the grilled cheese on a plate between you. You eat it in too-hot bites and try not to get caught looking at him. He does the same, but when he catches you, or when you catch him, he holds your eye and smiles. 

“I can do the dishes,” you say. You might need a breather. 

“Are you kidding? I’m gonna rinse them, put them in the dishwasher.” Peter stands and feels your forehead with his hand. “Warmer. Good job.” 

You shrug away from his hand. “Loser.” 

“Concerned friend.” 

“Handsy loser.” 

”Shut up,” he mumbles. 

As flustered as you’ve ever seen, Peter takes your empty dishes to the kitchen. When he’s done rinsing them off you follow him upstairs to his bedroom and tuck your backpack under his bed. 

You look down at your socks. Peter’s room is on the smaller side, but it’s never been as startlingly small as it is when Peter’s socked feet align with yours, toe to toe. Quick recovery time, this boy. 

“There’s chips and stuff on my desk. Or I could run to 91st for some ice cream sandwiches if you want something sweet,” he says. 

You lift your eyes, tilt your head up just a touch, not wanting him to think you’re in his space no matter how strange that might be, considering he chose to stand there. “I’m all right. Did you want ice cream? We can go if you want to, but if you want to go ’cos you think I do then I’m fine.” 

“That’s such a long answer,” he says, draping an arm over your shoulder. “You don’t have to say all of that, just tell me no.” 

“I don’t want ice cream.” 

“Wasn’t that easy?” he asks. 

“Well, no, it wasn’t. Saying no to you is like saying no to a puppy.” 

“Because I’m adorable?” 

“Persistent.” 

“Yeah, I guess I am.” He drapes the other arm over you. The soap he used at the kitchen sink lingers on his hands. 

“Peter…?” you murmur. 

“What?” he murmurs back. 

You touch a knuckle to his chest. “This– You…” Every quelled thought rushes to the surface at once —Peter doesn’t like you as you desire, how could he, you aren’t beautiful like he is, aren’t smart, aren’t brave, no exceptional kindness or goodness to mark you enough for him. It’s why his being with Gwen didn’t hurt; she made sense. And for months now you’ve wondered what it is that made him struggle to be with her. And sometimes, foolishly, you wondered if it was you. But it’s not you, it’s never you, and whatever Peter’s trying to do now–

“Hey, you okay?” he asks, taking your face into his hand. 

“What are you doing?” 

“What?” He pushes his hand back to hold your nape, thumb under your ear. “I can’t hear you.”  

You raise your voice. “Why did you invite me over tonight?” 

“‘Cos I missed you?” 

“I used to think you didn’t miss me at all.” 

Peter winces, hurt. “How could you think that? Of course I miss you. What you said to May, about college being hard? It’s like that for me too, okay? I miss you all the time.” 

You bite the inside of your bottom lip. “…College isn’t hard for you.” 

“It’s not easy.” He frowns, the fallen angel, his lips an unsure brushstroke. “What’s wrong? Did I say the wrong thing?” 

You’re being wretched, you know, saying it isn’t hard for him. “You didn’t. Really, you didn’t.” 

“But why are you upset?” he implores, dark eyes darker as his eyebrows tug together.

“I’m not–”

“You are. It’s okay, you can be upset. I just want you to feel better, you know that?” He settles his hands at the tops of your arms. Less intimate, but something warm remains. “Even if it takes a long time.” 

“I’m fine.” 

“You’re not fine.”

“How would you know?” you finally ask. 

Peter stares at you. 

“I know you,” he says carefully, “and I know you aren’t struggling like you were, but that doesn’t mean it didn’t happen or that you have to be a hundred percent better now.” 

“I didn’t realise that I was,” you say, licking your lips, “‘til now. I didn’t get that it was on the surface.”

Peter pulls you in for a gentle hug. “I’m here for you forever, and I’ll make it up to you for not noticing sooner,” he says, scrunching your shirt in his hand.

After the hug, he tells you to change and make yourself comfortable while he showers. So you put on your pyjamas and climb into Peter’s bed, head pounding as though all your energy was stolen in a fell swoop. You press your nose to his pillow and arm wrapped around his comforter, gathering it into a Peter sized lump. The shower pump whines against the shared wall. 

Things aren’t meant to be like this. You thought Peter touching you —holding you— was the deepest of your desires, but you feel now exactly as you had before he started blurring the line, needing Peter to kiss you so badly it becomes its own kind of nausea. Why are you still acting like it’s an impossibility?

When he comes back, you’ll apologise. He hasn’t done anything wrong. He does keep a secret, but don’t you keep one too? He’s Spider-Man. You’ve had deep, complicated feelings for him for months. They are secrets of equal magnitude, and are, more apparently, badly kept. 

You wish you could fall asleep. Your heart ticks in agitation.

Peter returns as perturbed as earlier. 

“Are you sure there’s nothing wrong?” he asks, raking a hand through his hair. A towel hangs around his neck. 

“I’m sorry for being weird.” 

“You’re not weird,” Peter says, bringing the towel to his hair to scrub ruthlessly. 

“It’s just ‘cos things have been different between us.” And, you try to say, that scares me no matter how bad I wanted it. because you’re not just Peter anymore, you’re Spider-Man. I’m only me, and I can’t do anything to protect you.

Peter gives his hair a long scrub before draping the towel on his desk chair. He rakes it messily into place and sits himself at the end of the bed. You sit up. 

“Yeah, they have been. Good different?” he asks hesitantly. 

“I think so,” you say, quiet again. 

“That’s what I thought.” 

“I don’t want you to feel like I don’t want to be here. I just worry about you.” 

Peter uses his hands to get higher up the bed. “Don’t worry about me,” he says, “Jesus, please don’t. That’s the last thing I want from you, I hate when people worry about me.” 

You curl into the lump of comforter you’d made. Peter lets himself rest beside you, his back to the bedroom wall, tens of Polaroids above him shining with the light of the hallway and his orange-bulbed lamp. His skin is glowing like it’s golden hour, dashes of topaz in his eyes, his Cupid’s bow deep. How would it feel to lean forward and kiss him? To catch his Cupid's bow under your lips?

You brush a damp curl tangled in another onto his forehead. 

You lay there for a little while without talking, listening to the sound of the washing machine as it cycles downstairs. 

“Am I going too fast?” Peter murmurs. 

You press your lips together, shaking your head minutely. 

“Is it something else?” 

You don’t move. 

“Do you want me to stop?” he asks. 

“No.”

Peter rewards you with a smile, his hand on your arm. “Alright. Let me get this blanket on you the right way. You’re still cold.” 

You resent the loss of a shape to hold when Peter slips down beside you and wrangles the comforter flat again, spreading it out over you both, his hand under the blankets. His knuckles brush your thigh. 

He takes a deep breath before turning and wrapping his arm over your stomach, asking softly, “Is this alright?” 

“Yeah.” 

He gives you a look and then lifts his head to slot his nose against your temple. “Please don’t take this in a way that I don’t mean it, but sometimes you think about things so much I worry you’re gonna get stuck in your head forever.” 

“I like thinking.” 

“I hate it,” he says quickly, a fervent, flirting cadence to his otherwise dulcet tone, “we should never do it ever again.” 

“I’ll try not to.” 

“Would you? For me?” 

You laugh into his shirt, feeling the warmth of your breath on your own nose. “I’ll do my best.” 

“Good. I’d miss you too much if you got lost in that nice head of yours.” 

You relax under his arm. You aren’t sure what all the fuss was about now that he's hugging you. “I’d miss you too.”

May comes up the stairs about an hour later. To her credit, she doesn’t flinch when she finds you and Peter smushed together watching a DVD on his old TV. He’s holding your arm, and you’re snoozing on his shoulder, half-aware of the world, fully aware of his nice smells and the shapes of his arms. 

“Door open,” she says. 

“Not that either of us want it closed, May, but we’re adults.” 

“Not while I’m still washing your clothes, you’re not.” 

He snorts. “Goodnight, Aunt May. The door isn’t gonna close, I promise.” 

“I know that,” she says, scornful in her pride. “You’re a good boy.” She lightens. “Things are going okay?” 

Peter covers your ear. “Goodnight, Aunt May.” 

”I have half a mind to never listen to you again. You talk my ear off and I can’t ask a simple question?” 

“I love you,” Peter sing-songs. 

“I love you, Peter,” she says. “Don’t smother the girl.” 

“I won’t smother her. It’s in my best interest that she survives the night. She’s buying my breakfast tomorrow.” 

“Peter Parker.” 

“I’m kidding,” he whispers, petting your cheek absentmindedly. “Just messing with you, May.” 

You smile and curl further into his arms. His voice is like the sun, even when he whispers.  

—

To your surprise, Spider-Man comes to find you after class one evening. A guest lecturer had talked to your oncology class about click chemistry and other molecular therapies against cancer, and the zine book she’d given you is burning a hole in your pocket. Peter is going to love it. 

You pull it out and pause beside a bench and a silver trash can, the day grey but thankfully without rain. The pages of your little book whip forcefully in the wind. It’s chemistry, sure, but it’s biology too, wrapping your and Peter’s interests up neatly. If it weren’t for Peter you doubt you’d love science as much as you do. He’s always been good at it, but since you started college he's been a genius. Watching him grow has encouraged you to work harder, and understanding the material is satisfying, if draining. You take a photo of the middle most pages and tuck the book away, writing a quick text to Peter to send with it. 

Look! it says, LEGO cancer treatment!! 

The moment you press send a beep chimes from somewhere close behind you, all too familiar. You turn to the source but find nobody you know waiting. Coincidence, you think, shaking yourself and beginning the trek to the subway. 

But then you hear the tell tale splat and thwick of Spider-Man’s webbing. 

You wait until you’re at the alleyway between Porto’s Bakery and the key cutting shop and turn down to stop by one of the dumpsters. 

“Spider-Man?” you ask, shoulders tensed in case it’s not who you think. 

“What are you doing?” he asks.

You gasp as he hops down in front of you, his suit shiny with its dark web-pattern caught by the grey sunshine passing through the clouds overhead. “Shit, don’t break your ankles.” 

“My ankles?” He laughs. He sounds so much like Peter that you can only laugh with him. What an idiot he is for thinking you don’t know; what a fool you’d been for falling for his put upon tenor. “They’re fine. What would be wrong with my ankles?” 

“You just dropped down twenty feet!” 

“It’s more like thirty, and I’m fine. You understand the super part of superhero, don’t you?” 

“Who said you’re a superhero?” 

“Nice. What are you doing down here?” 

“I was testing my theory. You’re following me.” 

“No, I’m visiting you, it’s very different,” he says confidently. 

“You haven’t come to see me for weeks.” 

“Yes, well, I–” Spider-Peter crosses his arms across his chest. “Hey, you’re the one who told me to take a day off.” 

“I did tell you to take a day off. It’s not nice thinking about you trying to save the world every single night. That’s a lot of responsibility for one person to have.” 

“But it’s my responsibility,” he says easily. “No point in a beautiful girl like you wasting her time worrying about it. I have to do it, and I don’t mind it.” 

“Do you flirt with every girl you meet out here in the city?” you ask, cheeks hot. 

“No,” he says, fondness evident even through the mask, “just you.” 

“Do you wanna walk me home? I was gonna take the subway, but it’s not that far.” 

Spider-Man nods. “Yeah, I’ll walk you back.” 

He doesn’t hide that he knows the way very well. He takes preemptive turns, crosses roads without you telling him to go forward. You can’t believe him. Smartest guy at Midtown High and he can’t pretend to save his life. 

“Are you having a good semester?” he asks. 

“It’s getting better. I’m glad I stuck with it. I love biology, it’s so fucking hard. I used to think that was a bad thing, but it makes it cooler now. Like, it’s not something everyone understands.” You give him a look, and you give into temptation. “My best friend got me into all this stuff. I used to think math was hopeless and science was for dorks.” 

“It’s definitely for dorks.” 

“Right, but I love being one.” You offer a useless secret. “I like to think that it’s why we’re such great friends.” 

“Me and you?” Spider-Man asks hoarsely. 

“Me and Peter.” You elbow him without force. “Why, do you like science?” 

“I love it…” 

“You know, I really like you, Spider-Man. I feel like we’ve been friends for a long time.” You’re teasing poor Peter. 

He doesn’t speak for a while. He stops walking, but you take a few steps without him. When you realise he’s stopped, you turn back to see him. 

Peter’s gone so tense you could strike him with a flint and catch a spark. It’s the same way Peter looked at you when he told you about his Uncle, a truth he didn’t want to be true. Seeing it throws a spanner in the works of all your teasing: you’d meant to wind him up, not make him panic. 

“What’s wrong?” you ask. “Can you hear something?” 

“No, it’s not that…” He’s masked, but you know him well enough to understand why he’s stopped. 

“It’s okay,” you say. 

“It’s not, actually.” 

“Spider-Man.” You take a step toward him. “It’s fine.”

He presses his hands to his stomach. The sun is setting early, and in an hour, the dark will eat up New York and leave it in a blistering cold. “Do you remember when we first met, the second time, we swapped secrets?” 

“Yeah, I remember. Useless secret for another. I told you I hated my major. It’s not true anymore, obviously. I was having a bad time.” 

“I know you were,” he says, emphasis on know, like it’s a different word entirely. 

“But meeting you really helped. If it weren’t for you, for Peter,” —you give him a searching look— “I wouldn’t feel better at all.” 

“It wasn’t his fault?” he asks. “He was your friend, and you were lonely.” 

“No–”

“He didn’t know what was going on with you, he didn’t have a clue. You hurt yourself and you felt like you couldn’t tell anybody, and I know it wasn’t an accident, so what was his excuse?” His voice burns with anger. “It’s his fault.” 

“Of course it wasn’t your fault. Is that what you think?” You shake your head, panicked by the bone-deep self loathing in his voice, his shameful dropped head. “Yes, I was lonely, I am lonely, I don’t know many people and I– I– I hurt myself, and it wasn’t as accidental as I thought it was, but why would that be your fault?” 

“Peter’s fault,” he says, though his head is lifted now, and he doesn’t bother enthusing it with much gusto. 

“Peter, none of it was your fault.” You cringe in your embarrassment, thinking Fuck, don’t let me ruin this. “I was in a weird way, and yes, I was lonely, and I really liked you more than I should have. You didn't want me and that wasn’t your fault, that’s just how it was, I tried not to let it get to me, just there were a lot of things weighing on me at once, but it really wasn’t as bad as you think it was and it wasn’t your fault.” 

“I wasn’t there for you,” he says. “And I’ve been lying to you for a long time.” 

“You couldn’t tell me, right? Spider-Man is your secret for a reason.” 

“…I didn’t even know you were lonely until you told him. He was a stranger.” 

You hold your hands behind your back. “Well, he was a familiar one.” 

Peter reaches out as though wanting to touch you, but your arms aren’t in his reach. “It’s not because I didn’t want you.” 

“Peter,” you say, squirming. 

He steps back. 

“I have to go,” he says. 

“What?” 

“I have to– I don’t want to go,” he says earnestly, “sweetheart, I can hear someone calling out, I have to go. But I’ll come back, I’ll– I’ll come back,” he promises. 

And with a sudden lift of his arm, Peter pulls himself up the side of a building and disappears, leaving you whiplashed on the sidewalk, the sun setting just out of view.

—

You fall asleep that night waiting for Peter. When you wake up, 5AM, eyes aching, he isn’t there. You check your phone but he hasn’t texted. You check the Bugle and Spider-Man hasn’t been seen. 

You aren’t sure what to think. He sounded sincere to the fullest extent when he said he’d come back, but he didn’t, not ten minutes later, not twenty. You made excuses and you went home before it got too dark to see the street, sat on the couch rehearsing what you’d say. How could Peter think your unhappiness was his fault? Why does he always put the entire world on his shoulders?

Selfishly, you worried what it all meant for his lazy touches. Would he want to curl up into bed with you again now he knows what it means to you? It’s different for him. It isn’t like he’s in love with you… you’d just thought maybe he could be. That this was falling in love, real love, not the unrequited ache you’d suffered before. 

But maybe you got everything wrong. All of it. It wouldn't be the first time. 

—

You and Peter found The Moroccan Mode in your senior year at Midtown. The school library was small and you were sick of being underfoot at home. When you started at ESU, you explored the on campus coffeehouse, the Coffee Bean, but it was crowded, and you’d found yourself attached to the Mode’s beautiful tiling, blues and topaz and platinum golds, its heavy, oiled wooden furniture, stained glass lampshades and the case full of lemony treats. The coffee here is better than anywhere else, but the best part out of everything is that it’s your secret. Barely anybody comes to the Mode on purpose. 

You hide in a far corner with a book and an empty cup of decaf coffee, a slice of meskouta on the table untouched. Decaf because caffeine felt a terrible idea, meskouta untouched because you can’t stomach the smell. You push it to the opposite end of the table, considering another cup of coffee instead. It’s served slightly too hot, and will still be warm when it gets to your chest. 

The sunshine is creeping in slowly. It feels like the first time you’ve seen it in months, warming rays kissing your fingers and lining the walls. You turn a page, turn your wrist, let the sun warm the scar you gave yourself those few months ago, when everything felt too big for you. 

Looking back, it was too big. Maybe soon you’ll be ready to talk about it.  

The author in your book is talking about bees. They can fly up to 15 miles per hour. They make short, fast motions from front to back, a rocking motion. Asian giant hornets can go even faster despite their increased mass. They consider humans running provocation. If you see a giant hornet, you’re supposed to lay down to avoid being stung. 

You put your face in your hand. Next year, you’ll avoid the insect-based electives. 

Across the cafe, the bell at the top of the door rings. Laughter falls through it, a couple passing by. The register clashes open. A minute later it closes. 

You don’t raise your head when footsteps draw near. A plate is placed on the table, pushed across to you, stopping just shy of your coffee. 

“Did you eat breakfast?” Peter asks quietly. 

His voice is gentle, but hoarse. 

You tense. 

“Are you okay?” he asks, not waiting for your answer to either question. “You don’t look like yourself. Your eyes are red.” 

You lift your head. Wet with the beginnings of tears, you see Peter through an astigmatic blur. 

“What are you reading?” He frowns at you. “Please don’t cry.” 

You shake your head. Your smile is all odd, nothing like his, no inherent warmth despite your best effort. “I’m okay.” 

He nudges you across the booth seat and sits beside you. His arm settles behind your shoulders. He smells like smoke and soap, an acrid scent barely hidden. “Can you tell me you didn’t wait long for me?” 

“Ten minutes,” you lie. 

“Okay. I’m sorry. There was a fire.” He rubs your arm where he’s holding you. “I’m sorry.” 

“Will you go half?” you ask, nodding to the sandwich he’s brought you. It’s tough sourdough bread, brown with white flour on the crusts and leafy greens poking between the slices. You and Peter complain about the price. You’ve never had one. He passes you the bigger half, holding the other in his hand without eating. 

“I know you’re hungry,” you say, tapping his elbow, “just eat.” 

You eat your sandwiches. Now that Peter’s here, you don’t feel so sick —he’s not upset with you. The dull pang of an empty stomach won’t be ignored. 

Peter puts his sandwich down, which is crazy, and wipes his fingers on the plates napkin. You’ve never seen him stop before he’s done.

“It was in the apartments on Vernon. I– I think I almost died, the smoke was everywhere.” 

You choke around a crust, thrusting the rest of your half onto the plate. “Are you hurt?” you ask, coughing. 

He moves his head from side to side, not a shake, but a slow no. “How long have you known it was me?” he asks, curling his hand behind your back again, fingers spread over your shoulder blade, a fingertip on your neck. 

You savour his touch, but you give in to your apprehension and stare at his chest. “The night you caught me outside in the rain in November. You called me ‘running girl’. The way you said it, you sounded exactly like him. I turned around expecting,” —you whisper, weary of the quiet cafe— “Spider-Man, and I realised it’s him that sounds like you. That he is you.” 

“Was that disappointing?” 

“Peter, you’re, like, my favourite person in the world,” you whisper fervently, your smile making it light. You laugh. “Why would that be disappointing?” 

“I thought maybe you think he’s cooler than me.” 

“He is cooler than you, Peter.” You laugh again, pleased when he scoffs and draws you nearer. “I guess you’re the same person, right? So he’s just as cool as you are. But why would being cool matter to me? You know I like you.” 

“You flirted pretty heavily with Spider-Man.”

“Well, he flirted with me first.” 

You chance a look at his face. From that moment you can’t look away, not from Peter. You like when he wears that darkness in his eyes, the hint of his rarer side so uncommonly seen, but you love this most of all, Peter like your best memory, the way he’s looking at you now a picture perfect copy of that moment in a swimming pool in Manhattan with cracked tile under your feet. His arms heavy on your shoulders. You didn’t get it then, but you’re starting to understand now.

“I’ve made a mess of everything,” he says softly, the trail his hand makes to the small of your back leaving a wake of goosebumps. “I haven’t been honest with you.” 

“I haven’t, either.” 

“I want to ask you for something,” Peter says, a fingertip trailing back up. He smiles when you shiver, not teasing, just loving. “You can say no.” 

“You’re hard to say no to.” 

“I need you to talk to me more,” —and here he goes, Peter Parker, flirting and sweet-talking like his life depends on it, his face inching down into your space— “not just because I love your voice, or because you think so much I’m scared you’ll get lost, but I need you to talk to me. We need to talk about real things.”

We do, you think morosely. 

“It’s not your fault,” he adds, the hand that isn’t holding your back coming up to cup your cheek, “it’s mine. I was scared of telling you for stupid reasons, but I shouldn’t have let it be a secret for so long.” 

“No, I doubt they’re stupid,” you murmur, following his hand as he attempts to move it to your ear. “It’s not easy to tell someone you’re a hero.”

His palm smells like smoke. 

“That’s not the secret I meant,” he says. 

You take his hand from your face. Peter looks down and begins pressing his fingers between yours, squeezing them together as his thumb runs over the back of your hand.

“So tell me.”

The sunshine bleeds onto his cheek. Dappled orange light turning slowly white as time stretches and the sun moves up through a murky sky. “You want to trade secrets again?” he asks. 

“Please.” 

“Okay. Okay, but I don’t have as many as you do,” he warns. 

“I find that hard to believe.” 

“I don’t. It’s not a real secret, is it? I’ve been trying to show you for weeks, we…”

He tilts his head invitingly. 

All those hand-holds and nights curled up in bed together. Am I going too fast? You know exactly what he means; it really isn’t a secret.

“I’ll go first,” he says, lowering his face to yours. You try not to close your eyes. “I’ve wanted to kiss you for weeks.” He closes his eyes so you follow, your breath not your own suddenly. You hold it. Let it go hastily. “What’s your secret?” 

“Sometime I want you to kiss me so badly I can’t sleep. It makes me feel sick–”

“Sick?” he asks worriedly. 

You touch the tip of your nose to his. “It’s like– like jealousy, but…” 

“You have no one to be jealous of,” he says surely. He cups your cheek, and he asks, “Please, can I kiss you?” 

You say, “Yes,” very, very quietly, but he hears it, and his smile couldn’t be more obvious as he closes the last of the distance between you to kiss you.

It isn’t the sort of kiss that kept you up at night. Peter doesn’t hook you in or tip your head back, he kisses gently, his hand coming to live on your cheek, where it cradles. It’s so warm you don’t know what to make of him beyond kissing him back —kissing his smile, though it’s catching. Kissing the line of his Cupid’s bow as he leans down. 

“I’m sorry about everything,” he mumbles, nose flattened against yours. 

You feel sunlight on your cheek. Squinting, you turn into his hand to peer outside at the sudden abundance of it. It’s still cold outside, but the Mode is warm, Peter’s hand warmer, and the sunshine is a welcome guest. 

Peter drops his hand. “Oh, wow. December sun. Good thing it didn’t snow, we’d be blind.”

“I can’t be cold much longer,” you confess. “I’m sick of the shitty weather.” 

“I can keep you warm.” 

He smiles at you. His eyelashes tangle in the corners of his eyes, long and brown. 

“Did you want my meskouta?” you ask. 

Peter plants a fat kiss against your brow. 

You let the sunshine warm your face. Two unfinished sandwich halves, a mouthful of coffee, and a round slice of meskouta, its flaky crumb and lemon drizzle shining on the table. You would ask Peter for his camera if you’d thought he brought it with him, to take a picture of your breakfast and the carved table underneath. You could turn it on Peter, say something cheesy. This is the moment you ruined our lives, you’d tease.

“You never told me you met Spider-Man, you know.” 

You watch Peter lick the tip of his finger without shame. “They could make a novella of things I haven’t told you about,” you murmur wryly. 

Peter takes a bite of meskouta, reaching for your knee under the table. He shakes your leg a little, as if to say, Well, we’ll work on that. 

—

Spring

“Sorry!”

“No, it’s–”

“Sorry, sorry, I’m– shit!”

“–okay! All legs inside the ride?”

“I couldn’t find my purse–”

“You don’t need it!” Peter leans over the console to kiss your cheek. “You don’t have to rush.” 

“Are you sure you can drive this thing?” 

“Harry doesn’t mind.” 

“I don’t mean the car, I mean, are you sure you can drive?” 

“That’s not funny.” 

You grin and dart across to kiss his cheek, too. “Nothing ever is with us.” 

Peter grabs you behind the neck —which might sound rough, if he were capable of such a thing— and pulls you forward for a kiss you don’t have time for. “If we don’t check in,” —you begin, swiftly smothered by another press of his lips, his tongue a heat flirting with the seam of your lips— “by three, they said they won’t keep the room–” He clasps the back of your neck and smiles when your breath stutters. You squeeze your eyes closed, kiss him fiercely, and pull away, hand on his chest to restrain him. “And then we’ll have to drive home like losers.” 

Peter sits back in the driver's seat unbothered. He fixes his hair, and he wipes his bottom lip with his knuckle. You’re rolling your eyes when he finally returns your gaze. “Sorry, am I the one who lost her purse?” 

“Peter!” 

“I can’t make us un-late,” he says, turning the key slowly, hands on the wheel but his eyes still flitting between your eyes and your lips. 

“Alright,” you warn. 

He reaches for your knee. “It’s a forty minute drive. You’re panicking over nothing.” 

“It’s an hour.” 

Your drive from Queens to Manhattan is entirely uneventful. You keep Peter’s hand hostage on your knee, your palm atop it, the other hand wrapped around his wrist, your conversation a juxtaposition, almost lackadaisical. Peter doesn’t question your clinging nor your lazy murmurings, rubbing a circle into your knee with his thumb from Forest Hill to Lenox Hill. There’s so much to do around Manhattan; you could visit MoMA, Central Park, The Empire State Building or Times Square, but you and Peter give it all a miss for the little known Manhattan Super 8. 

It’s been a long time since you and Peter first visited. You took the bus out to Lenox Hill for a med-student tour neither of you particularly enjoyed, feeling out future careers. It’s not that Lenox Hill isn’t one of the most impressive medical facilities in New York (if not the northeastern USA), it’s that all the blood made him queasy, and you were panicking too much about the future to think it through. He got over his aversion to blood but chose the less hands-on science in the end, and you worked things through. You’re a little less scared of the future everyday. 

You and Peter were supposed to get the bus straight back home for a sleepover, but one got cancelled, another delayed, and night closed in like two hands on your neck. Peter sensed your fear and emptied his wallet for a night in the Super 8. 

The next morning it was beautifully sunny. The first day of summer that year, warm and golden. The pool wasn’t anything special but it was invitingly cool, blue and white tiles patterned like fish below; you clambered into the water in shorts and a tank top and Peter his boxers before a worker could see and stop you. 

It was one of the best days of your life. When you told Peter about it last week, he’d looked at you peculiarly, said, Bub, you’re cute, and let you waste the afternoon recounting one of your more embarrassing pangs of longing. A few days later he told you to clear your calendar for the weekend, only spilling the beans on what he’d done when you’d curled over his lap, a hand threaded into the hair at the nape of his neck, murmuring, Tell me, tell me, tell me. 

He’d hung his head over you and scrunched up his eyes. Cheater.

The best thing about having a boyfriend is that he always wants to listen to you. Peter was a good listener as a best friend, but now he has his act together and the secrets between you are never anything more than eating the last of the milk duds or not wanting to pee in front of him, he’s a treasure. There’s no feeling like having Peter pull you into his lap so he can ask about your day with his face buried in your neck, sniffing. Sometimes, when you text one another to meet up the next day, you’ll accidentally will the hours away babbling about school and life and things without reason. Peter has a list on his phone of your silliest tangents; blood oranges to the super moon, fries dipped in ice cream to the world record for kick flips done in five minutes. It’s like when you talk to one another, you can’t stop. 

There are quiet moments. You wake up some mornings to find him awake already, an arm behind you, rubbing at your soft upper arm, fingertip displacing the fine hairs there and trailing circles as he reads. He bends the pages back and holds whatever novel he’s reading at the bottom of his stomach, as though making sure you can see the words clearly, even when you’re sleeping. 

There are hectic, aching moments —vigilante boyfriends become blasé with their lives and precious faces. You’ve teetered on the edge of anxiety attacks trying to pick glass from his cheek with a tweezers, lamented over bruises that heal the next day. It’s easier when Peter’s careful, but Spider-Man isn’t careful. You ask him to take care of himself and he’s gentle with himself for a few days, but then someone needs saving from an armed burglar or a car swerves dangerously onto the sidewalk and he forgets. 

He hadn’t patrolled last night in preparation for today. 

“Did you know,” he says, pulling Harry’s borrowed car into a parking spot just in front of the Super 8 reception, “that today’s the last day of spring?” 

“Already?” 

“Tonight’s the June equinox.” 

“Who told you that?” 

“Aunt May. She said it’s time to get a summer job.” 

You laugh loudly. “Our federal loans won’t last forever.” 

“Harry’s gonna get me something, I think. Do you want to work with me? It could be fun.” 

You nod emphatically. It’s barely a thought. “Obviously I want to. Does Oscorp pay well, do you think?” 

Peter lets the engine go. The car turns off, engine ticking its last breath in the dash. “Better than the Bugle.” 

You get your key from the reception and find your room upstairs, second floor. It’s not dirty nor exceptionally clean, no mould or damp but a strange smell in the bathroom. There’s a microwave with two mugs and a few sachets of instant coffee. Peter deems it the nicest motel he’s ever stayed in, laughing, crossing the room to its only window and pulling aside the curtain. 

“There it is, sweetheart,” he says, wrapping his arm around you as you join him, “that’s what dreams are made of.” 

The blue and white tiled pool. It hasn’t changed. 

It’s about as hot as it’s going to get in June today, and, not knowing if it’ll rain tomorrow, you and Peter change into your swim suits and gather your towels. You wear flip flops and tangle your fingers, clanking and thumping down the rickety metal stairs to the pool. There’s nobody there, no lifeguard, no quests, and the pool is clean and cold when you dip your toes. 

Peter eases in first. Towels in a heap at the end of a sun lounger, his shirt tumbling to the floor, Peter splashes in frontward and turns to face you as the water laps his ribs. “It’s cold,” he says, wading for your legs, which he hugs. 

“I can feel it,” you say, the cool waters to your calves where you sit on the edge. 

“You won’t come in and warm me up?” he asks. 

You stroke a tendril of hair from his eyes. He attempts to kiss your fingers. 

“I’m trying to prepare myself.” 

“Mm, you have to get used to it.” He puts wet hands on your thighs, looking up imploringly until you lean down for a kiss. The fact that he’d want one still makes you dizzy. “Thank you,” he says. 

“You’ll have to move.” 

Peter steps back, a ripple of water ringing behind him, his hands raised. He slips them with ease under your arms and helps you down into the water, laughing at your shocked giggling —he’s so strong, the water so cold. 

Peter doesn’t often show his strength. Never to intimidate, he prefers startling you helpfully. He’ll lift you when you want to reach something too tall, or raise the bed when you’re on his side to force you sideways. 

“Oh, this is the perfect place to try the lift!” he says. 

“How will I run?” you ask, letting your knees buckle, water rushing up to your neck. 

Peter pulls you up. He touches you easily, and yet you get the sense that he’s precious with you, too. There’s devotion to be found in his hands and the specific way they cradle your back, drawing your chest to his. “I don’t need you to do a running start, sweetheart,” he says, tilting his head to the side, “I’ll just lift you.” 

“Last time I laughed so much you dropped me.” 

“Exactly, you laughed, and this is serious.” 

The world isn’t mild here. Car horns beep and tyres crunch asphalt. You can hear children, and singing, and a walkie talkie somewhere in the Super 8’s parking lot. The pool pumps gargle and Peter’s breath is half laughter as he pulls you further from the sidelines, ceramic tiles slippery under your feet. In the distance, you swear you can hear one of those songs he likes from that poor singer who died in the Wolf River. 

He’s a beholden thing in the sun; you can’t not look at him, all of him, his sculpted chest wet and glinting in the sun, his eyes like browning honey, his smile curling up, and up. 

“You’re beautiful,” he says. 

You rest an arm behind his head. “The rash guard is a good look?” 

“Sweetheart, you couldn’t look cuter,” he says, hands on your waist, pinky on your hip. “I wish you’d mentioned these shorts a few days ago. I would’ve prepared to be a more decent man.” 

“You’re decent enough, Parker.” 

“Maybe now.” 

“Well, if things get too hot, you can always take a quick dip,” you say. 

You’re teasing, but Peter’s eyes light up with mischief as he calls, “Oh, great idea!” and lets himself drop backwards into the water. You pull your arm back rather than go with him. You can’t avoid the great burst of water as he surges to the surface. 

He shakes himself off like a dog. 

“Pete!” you cry through laughs, wiping the water from your face before the chlorine gets in your eyes. 

“It just didn’t help,” he says, pulling you back into his arms, “you know, the water is cold, but you’re so hot, and I actually got a pretty good look at them when I was under, and you’re just as pretty as I remembered you being ten seconds ago–”

“Peter,” you say, tempted to roll your eyes. 

Water runs down his face in great rivers, but with the dopey smile he’s sporting, they look like anything but tears. “Tell me a secret?” he asks, dripping in sunshine, an endless summer at his back. 

A soft smile takes your lips. “No,” you say, tipping up your chin, “you tell me one first.”

“What kind of secret?” 

“A real one,” you insist. 

“Oh…” He leans away from you, though his arms stay crossed behind you. “Okay, I have one. Ask me again.” 

You raise a single brow. “Tell me a secret, Peter.” 

He pulls your face in for a kiss. His hand is wet on your cheek, but no less welcome. “I love you,” he says, kissing the skin just shy of your nose. 

You’re lucky he’s already holding you. “I love you too,” you say, gathering him to you for a hug, digging your nose into the slope of his neck as his admission blows your mind. “I love you.” 

Peter wraps his arms around your shoulders, closing his eyes against the side of your head. You can’t know what he’s thinking, but you can feel it. His hands can’t seem to stay still on your skin. 

The sun warms your back for a time. 

Peter lets out a deep breath of relief. You lean away to look at him, your hand slipping down into the water, where he finds it, his fingers circling your wrist. 

“That’s another one to let go of,” he suggests. 

He peppers a row of gentle kisses along your lips and the soft skin below your eye. 

You and Peter swim until your fingers are pruned and the sun has been blanketed by clouds. You let him wrap you in a towel, and kiss your wet ears, and take you back to the room, where he holds your face. 

“I’ll start the shower for you,” he says, rubbing your cheeks with his thumbs, each stroke of them encouraging your face from one side to the other, just a touch, ever so slightly moved in the palms of his hands. 

“Don’t fall asleep standing up,” he murmurs. 

Your eyes close unbidden to you both. “I won’t.” 

He holds you still, leaning in slowly to kiss you with the barest of pressure. Every thought in your head fades, leaving only you and Peter, and the dizziness of his touch as he lays you down at the end of the bed. 

｡𖦹°‧⭑.ᐟ

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Tumblr Top 5: Hottest Horror Movie Characters

Enter the sick and twisted minds of @wearewatcher's Shane Madej and Ryan Bergara as they countdown their top five hottest, steamiest, most sopping wet horror movie characters, with a little help from unofficial official Tumblr mascot, Coppy.

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Y/N: I’ve been dropping them the most insanely obvious hints for like a year now. No response. Peter : Wow. They sound stupid. Y/N: But they’re not. They’re really smart actually. Just dense. Peter : Maybe you need to be more obvious? Like, I don’t know… “Hey! I love you!” Y/N: I guess you’re right. Hey Peter , I love you. Peter : See! Just say that! Y/N: Holy fucking shit. Peter : If that flies over their head then, sorry Y/N, but they're too dumb for you. Y/N: Peter .

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