Sometimes I Feel Like The Only One Who Never Bought For A Second That Gertrude Was This Doddering Old

Sometimes I feel like the only one who never bought for a second that Gertrude was this doddering old lady who was starting to go senile. She’s the previous archivist, our protagonists predecessor in the Magnus Institute, and only eleven episodes in, we were being told that Gertrude faced a horrible end. I never saw the archives being a mess as her being really disorganized and going all “Oh silly me”, I saw it as Jon walking in on her room-wide pin and thread conspiracy board without context.

TMA is so hilarious for introducing Gertrude from the perspective of someone who never knew her, letting us assume she was a confused, old lady losing her touch, only to then reveal she was a morally fucked up arsonist that tried to burn down her workplace, killed like two of her assistants, was an active menace to society and nuisance to all the Avatars, and arguably one of the most badass characters in the series.

More Posts from Angrykeese and Others

1 year ago
Why the cease-fire protest movement is good for democracy — and potentially for Democrats in November 
The Hill
The ongoing protest vote movement is reinvigorating the 2024 presidential primaries.

Though the nominees are locked in, the stakes of the remaining 2024 presidential primary elections are still gigantic. In fact, the health and evolution of American democracy may hang in the balance.

That’s because of this year’s protest vote phenomenon, as primary voters increasingly use their ballots to demand a permanent cease-fire in Gaza.

In previous uncompetitive primaries where the front-runner was a shoo-in, protest votes ran around 7 percent. This year, as it became apparent that more than 1 in 10 primary voters were casting protest votes for a cease-fire, the Biden administration “freaked out” and changed course.

A majority of likely voters polled, including 76 percent of Democrats, have consistently called for a permanent cease-fire in Gaza, but their demands went unheeded by U.S. policymakers. In fact, on Feb. 20, the U.S. vetoed a widely supported United Nations resolution calling for an immediate humanitarian cease-fire in Gaza.

Being deaf to voters’ foreign policy preferences is nothing new; it’s business as usual. The Constitution has no provision for national referenda on policy issues, and no formal mechanism to register voter preferences on policy issues in national elections, other than by voting for candidates. As democracy scholars have long observed, “the preferences of the average American appear to have only a miniscule, near-zero, statistically non-significant impact upon public policy.” 

But that pattern began to shift on Feb. 27, when more than 100,000 protest voters in the Michigan presidential primary checked “uncommitted” on their ballots, so delegates at the national convention would be free to call for a cease-fire. A week later, the Biden administration began calling for a six-week cease-fire. Then, as March primaries continued to rack up larger-than-expected numbers of protest votes, the U.S. dropped its opposition to a U.N. cease-fire resolution, allowing it to pass.

These are pyrrhic victories for Palestinians, as civilian casualties continue to mount in Gaza. On the other hand, protest voting may also be part of the reason why President Biden is disagreeing so publicly with Israeli leader Benjamin Netanyahu, and why Israel’s planned ground assault on Rafah, with its massive refugee camp, hasn’t happened yet. It may also have played a part in developments adjacent to Gaza, including Israel scaling back its counterattack on Iran under pressure from the U.S. and other allies, and the U.S. considering sanctions on an Israeli military unit occupying the West Bank. Whereas former President Trump vows lockstop support of Israel, Biden seems to be signaling willingness to pressure Israel to moderate its attacks in hopes of winning back protest voters’ support.

These signals may or may not have saved lives in Gaza. But they’re important and could yet have far-reaching consequences because they demonstrate protest voters are accomplishing something exceedingly rare in modern American history: moving the needle on U.S. foreign policy.

The shift began with the New Hampshire primary in January, when a small group of grassroots organizers mounted the Vote Ceasefire (VCF) campaign, which proved the concept that primary ballots could be used creatively to register demand for a cease-fire. Since Biden wasn’t officially on the ballot there, voters had to write candidates in anyway. From there it was an achievable step to get voters to write in “cease-fire” instead of the candidate’s name. Starting just a week before the primary and operating on a shoestring budget, VCF convinced 1,500 voters to do just that, and got state election officials to count and report those ballots. 

The idea that primary ballots could be used to convey demand for cease-fire struck a chord, and VCF got inquiries from groups across the country. Local groups in some states with write-in options on their ballots launched their own Vote Ceasefire campaigns. In other states, advocates found different techniques. The Listen to Michigan campaign got 13.2 percent of Democratic primary voters to mark “uncommitted” on their ballots. That stunning result spawned a national “uncommitted” campaign. Other variations emerged, like vote “uninstructed” in Wisconsin or “leave it blank” in New York.

What they all have in common is creative use of the primary ballot to demand a timely, permanent, meaningful cease-fire in Gaza. Taken together, they are converting the disaffection and sense of powerlessness many primary voters feel as their support at the polls is presumed while their demand for cease-fire is ignored to a sense of agency and power to make a difference. That represents a historic shift in U.S. politics, and perhaps in U.S. democracy.

More needs to be done to translate demand for a cease-fire into action. Protest vote campaigns in upcoming primaries in Maryland and Oregon will keep pressuring Biden to secure a cease-fire — not during the Democratic National Convention in August, not in November, by which time tens of thousands more Palestinians may die, but now. 

While this poses some risks for the Biden campaign, it’s also an opportunity. Widespread protest voting is a sign of disaffection, but also of how voters hope to be heard. If Biden is responsive and effective in demanding cease-fire and preventing wider war, he’ll win the vast majority of them back.

Either way, the ongoing protest vote movement is reinvigorating the 2024 presidential primaries. In terms of the race for the nomination, these elections are mostly alienating, irrelevant formalities. But as laboratories for showing how voter preferences can affect policy, they are now vital exercises in building a stronger, more direct American democracy.

8 months ago
Posting Some Progress On My BOTW Landscape! Thanks For Looking :)

Posting some progress on my BOTW landscape! Thanks for looking :)

1 year ago

Replaying ace attorney is funny bc phoenix acts like getting picked on for an afternoon in elementary school was the worst part of his life as if his college girlfriend didn't try to fucking frame him for murder

1 year ago

hey, hey. I don't know who needs to hear this, but--if you are a webcomic creator working with a publisher that tells you things like "your series is under preforming" as a reason why they can't meet certain, very basic requests you make, and leverages this vague statement against you as a way to position and request more from you--know that it is probably, definately, part of a script they use for every. single. creator. they work with.

If you are working hard, producing good work, meeting those deadlines, and communicating as well as you are able with the publisher, etc, you are a rockstar. Your series performance isn't YOUR job. It's their job to promote it and get those sales and numbers for you.

Don't let these companies get under your skin. They know you're working on something you are passionate about. They are banking on the assumption that you are trying to prove your own worth to yourself. They will say some extremely devaluing shit to you in their effort to squeeze as much out of you as possible.

When push comes to shove, if they can not provide what you need, then what you need is to walk away. You've got incredible skill and an incredible work ethic. If you didn't, they'd have never approached you in the first place. Know when a publisher is trying to tear you down for their own gain and leave 'em in the dirt. A publisher shouldn't be using language to make you feel like a disappointment. Nothing you've done for them is disappointing. They're not paying you enough.

7 months ago

❗️Nevada voters - this is going to sound weird, but PICK UP YOUR PHONE if an unknown number calls.

**Lots of signatures on ballots are not matching and your ballot may need to be fixed.

❗️Nevada Voters - This Is Going To Sound Weird, But PICK UP YOUR PHONE If An Unknown Number Calls.
❗️Nevada Voters - This Is Going To Sound Weird, But PICK UP YOUR PHONE If An Unknown Number Calls.

TLDR; yes, signature matching is an antiquated way to verify ballots but it is still being used. Reportedly thousands of ballots here need to be cured. Answer the phone!


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8 months ago

so what's the take on epstein 5 years out. did he really do it?

8 months ago

You know, a Minecraft Movie could have been a literal masterpiece if you had the right mindset to do it, and I'm not joking. I feel like nowadays studios are afraid of being genuine like a teen is afraid of being genuine. If a movie suddenly gets too excited about something, it needs to put it down so it doesn't sound "lame" or "cringe". You cannot be honest, and you cannot show love or absurdity without pointing out that it's stupid because you think OTHERS will believe it's stupid. So please bear with me:

Currently we have only a teaser trailer, it looks bad, it puts itself down, it's afraid of being genuine, it somehow managed to whitewash Steve (again), and I doubt that it will use things like the End Poem or how it feels to play Minecraft for its themes and story. I hope that I'm wrong, but I'm very cynical. So, let's think about it together.

Minecraft Movie. I saw a post suggesting stop-motion animation for it, and, honestly, it feels perfect, just like stylized 3D animation. Live action actors do not work with how Minecraft looks, and that's okay. Let's do an animated movie.

The plot. There's so, so many possibilities, but the beauty of making a Minecraft animated movie is that you won't ever be able to tackle all the possibilities it brings to the table. The community has made so many stories for the game, so we might as well just think of an "official" movie as a homage to the game and its community. We are adapting the way Minecraft feels.

End Poem, one of the most beautiful things I have ever read. Let's take that and put it in the movie, simple as that. You can only find it by defeating the Ender Dragon, so this will be how our movie ends. If we want it to end like this, then the objective of our protagonists must be to defeat the dragon.

Let's have Steve as our protagonist - not a whitewashed version, just Steve with his actual skin color left just the way it is. He'll represent us as players for our hypothetical movie. Have him wake up in an unknown world, not knowing why he's there. Just like how the game was all the way back in 2009, he's alone in a very lonely and foggy world. We follow him trying to look for other people, and then he has to survive his first night. This first part is both whimsical and a bit scary, because that's how many players felt when they first started it when they were kids, aallllll the way back.

Steve survives his first night. He's horrified, and then he realizes that he'll have to do it again. He doesn't know the "rules" of this world, but he's figuring them out, and the idea of "rules" and "what to do" will be important. Because, at its core, Minecraft doesn't have that many rules. It has no actual objective. You can do whatever you want, and this will be very (very) important.

Steve ends up building a small base with wood. Survives a bit more, and then, someway, somehow, he finds Alex. While he's more careful around things and very thoughtful on how and what to build, Alex is more of an adventurer, following the little tidbits of personality we see from them during Minecraft trailers. They're happy to know that they aren't alone, and we follow them build a very strong friendship and teach each other new things, just like how it is playing Minecraft in real life. They find a village, and find out that maybe they can leave this world, or at least find some answers, if they defeat the Ender Dragon.

From there, we have a good objective. The two continue progressing, and their base ends up becoming a castle, because who didn't want to build a castle when they were kids? And the world seems progressively more alive thanks to their interference on it, thanks to them helping the villagers, thanks to them being the players that they are. If you want more conflict, just add the pillagers as well.

Eventually, Steve and Alex have an argument about their points of view. They both want to know what's going on, but their way of doing things are different, and they care a LOT about each other, they're best friends, but who is doing things the "right" way? I don't like the idea of them separating because that happens in way too many movies. I want to see these two stick together, but their insistence on trying to do it "correctly" ends up putting them in a lot of trouble because they can't cooperate anymore. Y'know. How people fight and argue about a "correct" way of playing the game. How we as players miss old Minecraft - or do we? Do we miss the simplicity of older times, or do we miss our childhood creativity and willigness to do whatever comes to mind?

Anyways. A good alternative to this conflict would be either Alex or Steve - I'm leaning more towards Steve - being hesitant at completing the End Portal. He doesn't want to end his "dream", he doesn't want answers or to escape this world (aka leave good memories behind), he wants to stay there, but Alex knows that they can't be like this forever, even if she wants to stay. Regardless, they eventually come to a mutual understanding, and, TOGETHER, they go and fight the Ender Dragon. They win, and then the End Poem happens.

The fight against the dragon wasn't the ending; the realization that there are, indeed, no rules to put them down, or that they HAVE to leave everything behind, is the ending. They hear the poem while sitting next to each other. The world changed because of them, and sometimes it was for the worse, and sometimes it was for the better, but it did become much kinder, and they weren't alone. They don't HAVE to be. Just like how it actually happened in the actual game, through the 15 YEARS since it started to exist, and oh my God it's been 15 years already?! Oh my God-

Anyways. Movie ends with Alex and Steve having a lighthearted argument over what to build next. Steve wants another castle, Alex says that she has amazing ideas for something she's calling a "mob farm", and "trust me, it'll make our lives SO MUCH easier". And they're just being silly, because there are no rules.

Anyways thanks for reading this post, feel free to add your own things to it! Just had to get it out of my chest.

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