Deconstructed Damsel Has Power That The Apotheosis Can Scarcely Dream Of. She Only Wants What Makes

Rafif, my 11-year-old sister, deprived of her childhood, miraculously survived the targeting of our displacement site, along with the rest of my family. Death follows us everywhere. We're in Rafah, bewildered about how to escape this nightmare. Rafif sustained a minor injury to her foot, and she's scared, wondering how we can evade death. Please help me get Rafif and my family out of harm's way. Help us achieve the basic necessities of life, including childhood for this girl. Share the link or contribute, even if it's just a little, to be the reason for our rescue.

Help Helles family

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Donate to Help me and my family to evacuate Gaza .., organized by Nael Hilles

Hello everyone its me Nael Hilles im 26 years old from Palestine Gaza and now we… Nael Hilles needs your support for Help me and my family t

Daily reminder to please PLEASE don’t just read headlines, even if you think the headline tells you everything you need to know, there’s always more to learn about a situation then what can be conveyed in a single catchy sentence.

Americans really really need to be less paranoid and more capable of tolerating minor discomfort in public. Not everyone is a pervert/rapist/strangler/fiend. In fact, very few people are. Treating every violation of normal order as though it is a threat is why people are getting shot for turning around in a stranger's driveway. This happens within the frameworks of basically every ideology present in American culture. It is an American illness. If your vision of the world doesn't have room for saying "I'm sure it's nothing" then you really gotta work some shit out.

Hi! I'm a big fan of your work. Thanks for taking the time to read this.

 I'm an artist who's been working on a story with a close writer friend of mine since the pandemic. Together we've outlined a webcomic that we're both very excited and passionate about, and it's been a great experience. Late last year we started actually making the comic itself, and a little less than a year later we're 37 pages in. 

I wanted to ask you how you're able to somehow push out three high-quality pages every week? I work full time, and most days I'm too drained when I get home to immediately start working on the comic. Plus all the other stuff I have to take care of to be a functional adult. I'm not even that slow of an artist, but it just doesn't feel like there's enough hours in the day. At my current rate, I get about one page done per week. I'm 24 now, I don't want to be in my 50s still working on this story. Do you have any advice for increasing your output as an artist without completely overwhelming yourself?

Sorry for the wordy question. There's a reason I'm the artist and not the writer.

Oof, that's a tough one!

I mean, to start with, a fundamental difference in our schedules is I don't work full time. Everything I do for a living is very self-scheduled, and I can work far in advance to meet the deadlines I set and take entire days or even weeks off when I need them. Back when I was in college, dealing with outside schedule requirements, I definitely wouldn't have been able to keep up everything I do now.

That said, there are still methods to streamline and speed up the artistic process. I don't know the details of your methods, but I'd recommend sketching and storyboarding larger numbers of pages at a time and finalizing them at a more leisurely pace, rather than taking one page of comic at a time from a total blank to a finalized, polished version. The storyboard can be very basic; many of mine are little more than color-coded scribbles showing the characters and text boxes showing their dialogue. It's just enough to be readable to me so I can go in and edit it for pacing and timing, but it looks like absolute chickenscratch to anyone else. On the production side, that makes it much more feasible for me to work on multiple pages at a time, since I don't need to finish polishing one page before I can start boarding another.

This method can be expanded into a bit of a factory production line, allowing for a two-pronged approach of progress - one for finalizing older pages, the other farther along for storyboarding new ones. And once you have multiple pages done at a time, you can schedule them well in advance, which takes a lot of deadline pressure off and can make it less mentally daunting to work on. This also diversifies the space of things you can work on, depending on your headspace and energy levels - which is a useful option to have when you're wiped from outside responsibilities.

In a bit of a Slay the Princess Mood.

I saw the 'hero' walking around cutting grass while I was collecting bananas. He's pretty small, I bet I can beat him.

Glory to Master Kohga.

CAN A DESTRUCTIVE PRIMORDIAL ENTITY LEAVE THIS SHIP ALONE

FOR FIVE MINUTES

Shadow and Commander Tower's relationship is so funny. They tried to kill each other. One invited the other to meet their grandchild. They are coworkers. They are enemies. They relate to each other more than anyone. They don't talk. They have known each other since they were kids. They are a teenager and an old man. They have the same sister.