i'm very glad that people were able to see one of the previous things i published, where i complied a series of links that you can use to learn more of what's going on in gaza, how you can help, places you need to boycott, etc. however, at the end of the post, there is a large part of it that is DIRECTLY meant for people who play or watch the last of us, or play the last of us 2.
the last of us 2 in specific is not at all elusive in displaying the chilling themes we are seeing before us today. what boggles my mind, is that a select few individuals are choosing to keep publishing fics, reblogging them, uploading content that has NOTHING to do with what's going on, etc. also, you can't reblog one thing about palestine and claim that you care, then flood your account or people's home pages in fanfiction, especially during a media blackout. it just doesn't work like that.
i took the time to make a post discussing all of the israeli/palestinian themes that the games as a whole, but mainly the second one, display. if you are my mutual, a friend, a fan of my work, or a fan of the game or show, then i 100% demand you read this. if you can read fics for hours, you can spend time to read a post discussing the universe those very fics came from.
a lot of us are now aware of the last of us's nature in regards to the ongoing genocide, but not many people know the specifics of it. after seeing this post last night (the person who made this, you are an angel), i decided to take the time to dive into the specifics of the last of us 2's israeli nature, on a logical level, but also a moral level, using a list of sources to help me along, which will be linked at the end of this post. i will link the sources along the way so you know which sources i got my information from.
regardless of if this changes anyone's mind about ignoring the media blackout, or not giving a fuck about what's going on period, know this: regardless of how you feel, regardless of what you believe, from the river to the see, palestine will be free. at this fucking point, the people who are on the right side will keep speaking out and spreading awareness, regardless if you are here to do it with us. that's it. now, let's get into this.
45-year-old neil druckmann, who was the co-director and co-writer for the last of us 2, was born in tel aviv, israel in 1978. according to the above source, druckmann was raised in a settlement in the west bank, where he was surrounded by violence on a daily basis. comics, movies, and most of all, video games, became an escape for him as a child, before he and his family moved to miami, floridawhen he was 10 years old.
to water down the full story that you can, again, read here, druckmann went to college to major in criminology. however, when he was in college, druckmann took a compsci course, that later lead to his major becoming coding as opposed to criminology. soon after, he knew he wanted a career that related to one thing: video games.
in the summer of 2013, the last of us part 1 was released, and it was renowned as one of best video games to have ever been made. in 2020, druckmann and nd released the last of us part 2, followed by the 2022 release of HBO's show based on the first video game. druckmann played a huge part on set, being not only the co-creator and co-writer of the show, but also having directed an episode himself. druckmann will remain involved in the second season of the show.
bringing up neil druckmann’s background is a crucial aspect of what’s upcoming in this post, hence why i wanted to discuss it at all. druckmann growing up in israel is one of the sole reasons the last of us was ever made at all, and not only that: it is the reason why the second game is the way it is, because neil druckmann planted his israeli ideologies right into it.
so, let’s speak on it.
on the official the last of us podcast, neil druckmann himself discussed the last of us' link to the israeli-palestinian conflict, and now, genocide. the general consensus was that people will go ridiculously far for the people that they love. this idea of druckmann's was revealed when he discussed the first time the main character of the first game, joel miller, kills somebody to keep his daughter, sarah, safe from harm. this is one of the first scenes in the game prior to the time jump, where the pair's neighbor becomes infected, and attacks them. joel uses a gun to kill him so that the neighbor doesn't harm sarah.
the following is a quote i would like to copy from this link word for word: "Druckmann said he follows "a lot of Israeli politics" and compared the incident to Israel's release of hundreds of Palestinians prisoners in exchange for the captured Israeli soldier Gilad Shalit in 2011."
the plot of the first game, as neil druckmann explained, is based around a moral dilemma. he discusses how if joel had to kill a man to save a random kid, would he have done it? druckmann himself says, "but when it was his tribe, his daughter, there was no question about what he was going to do."
while the first game, in my opinion, isn't as heavily centered around israeli themes as the second game is, regardless, it is heavily crucial to note that the basis of the first game derived from a real-life incident involving israel and palestine, where hundreds of palestinian people (edit: i believe it is more than 1,000) were released from imprisonment, all in exchange for one israeli soldier. in the second game, the israeli-palestinian themes, if you look closely enough, scream out at you.
let's talk about it.
"There is a common saying that if you seek revenge, you should dig two graves. Playing The Last of Us Part II is like being made to dig those graves with your teeth (Zacny)."
nd's 2022 the last of us part II is described down to the last letter in the above quote, albeit the game's utterly obvious israeli nature. in this post, the creator, rob zacny, goes on to discuss the game's theme of a "cycle of violence," and how the game reminds you in each grotesque encounter of the cruel ideology behind that. due to what occurs in the last of us 1, joel, basically, reaps what he sows when he is murdered for killing a surgeon who, along with the group said surgeon was a member of, the fireflies, was planning to perform surgery on ellie, who joel had since grown close to, in search of a cure for the infection that has plagued their world for decades. four years later, the second playable character in the game, who is introduced in the first half hour or so, abby anderson, kills joel to avenge the surgeon who was murdered, who happened to be her father. from then on, the game follows what, again, can only be described as a "cycle of violence." joel kills abby's dad, abby kills joel, ellie kills all of abby's friends, aims to kill abby in the final battle of the game, but spares abby when ellie's conscious morally attacks her for her decisions.
throughout the 24 odd hour gameplay, the player is allowed to play as ellie and abby, abby's parts of the game being arguably longer than ellie's. the idea this, i believe, is meant to introduce, is one of perspective: the player is meant to be loyal to joel miller once the first game has been finished, so when he is killed, they are inclined to make abby pay for it. however, abby's perspective, both in the past and as the present course of the game goes on, is meant to make the player understand why she did what she did. thus, the moral: there are no good guys in this game. every person is as equally bad as the following, and no one is innocent. however, when we consider the israeli-palestinian nature of this ideology and how it is presented in the last of us part 2, it simply doesn't work like this.
“I suspect that some players, if they consciously clock the parallels at all, will think The Last of Us Part II is taking a balanced and fair perspective on that conflict, humanizing and exposing flaws in both sides of its in-game analogues. But as someone who grew up in Israel, I recognized a familiar, firmly Israeli way of seeing and explaining the conflict which tries to appear evenhanded and even enlightened, but in practice marginalizes Palestinian experience in a manner that perpetuates a horrific status quo (Maiberg).”
when discussing the last of us part 2’s plot, one could 100% argue that there really aren’t good guys on the dual sides of the game. if you compare ellie and abby, you know that ellie went on a murder frenzy to get revenge on abby for killing joel. on abby’s side of it all, you know that abby wasn’t all that great before coming across lev and yara, and even then, she killed people to do what everyone in said world aims to do: survive. prior to finding lev and yara, abby had killed numerous people before, and did, as the player sees, handle joel very cruelly before she ended up killing him. here’s one more example, one that’s more random (but it’s simply to compare abby vs. ellie’s people, if you will): joel and manny. joel went on a cross country murder spree to keep ellie safe, and killed a building full of people at the end of the game to save her life. in regards to manny, if you recall a discussion that manny and mel had in the beginning of abby’s parts of the game, the pair are discussing a happening where a group aside from the wlf, the seraphites (which we will discuss later) attacked them because the wlf killed children who were a part of their (the seraphite’s) group. manny voiced how he would prefer to keep their people (the wlf) safe, and challenges mel, implying that those “kids” weren’t really kids, because they were the ones who attacked their guys (the wlf) in the first place. as a general consensus, manny kills several people throughout the course of the game, which can be inferred or seen by the player, making him, for the sake of what i’m getting at, a bad guy.
we see in the game how ellie and abby’s people are unanimously bad. the last of us is set in a world where laws and morals are thrown out the window for the sake of survival, so this is no surprise. however, this dual perspective, “no bad guy,” ideology simply doesn’t apply in the world today. you may compare ellie vs. abby, or joel vs. manny, or bring in more characters in the game, such as tommy, nora, etc, claiming that all parties are bad. that makes perfect sense. but think about it like this: if this is meant to represent the israeli-palestinian perspective, and i give you the scenario of a five-year-old child versus a full-grown IDF soldier, what would you say? isn’t there an obvious answer as to who is in the wrong and who’s not? maiberg is 100% right in claiming that the game marginalizes the real-life palestinian experience. abby, ellie, joel, manny, etc, are not real people. but the thousands of innocent children who have been killed for the ridiculousness and inhumane israeli regime are. you can’t say each side is equal in awfulness, not when one side is full of innocent men, women, and children, some of which could never make it into a year of their lives. not when if one side pauses their battle, there would be a ceasefire, but if the converse pauses their battle, they would all be dead.
“And then they cheered afterward,” Druckmann, who grew up in Israel, recalls. “It was the cheering that was really chilling to me. … In my mind, I thought, ‘Oh, man, if I could just push a button and kill all these people that committed this horrible act, I would make them feel the same pain that they inflicted on these people.’"
remember how i said discussing neil druckmann's background was crucial? it is. druckmann, who, again, was born in israel, told the Washington Post that the game's cynical themes of revenge and suffering is linked to the 2000 killing of two israeli soldiers (tw, lynching), who were killed by a mob (maiberg). allegedly, some of the incident was remembered in film, that druckmann watched, and in his interview, he explained his angry nature that came about in response to the video, and how he desired vengeance.
the last of us part 2 is mainly set in seattle, washington, where secondary main character, abby anderson, resides in with a militia group named the wlf (which we will also delve into later, alongside the seraphites). maiberg brings out how seattle, on a visual and mechanical level, is based around "a series of checkpoints, security walls, and barriers (Maiberg)." he notes: "[seattle] looks almost exactly like the tall, precast concrete barriers and watch towers Israel started building through the West Bank in 2000." here are side by side images for comparison:
now that we’ve discussed this, let us discuss one of most prevalent aspects of abby’s part of the story: the wlf, and the seraphites. the seraphites are a religious group, nicknamed “the scars” due to the scars the members of said group carve into their faces to display their membership, who the wlf, a makeshift militia group, runs into conflict with following the fall of FEDRA, the country’s former military. in a note in the game, a fedra commander explains that the city of seattle has been lost to the wolves (the wlf), who he names as terrorists. maiberg brings out the following: “Here, there are parallels to early Zionist organisations that fought British rule in the region. These organizations were also described as terrorists, and leaders of those organizations later became leaders in Israel, much like how Isaac, the leader of the Wolves, came to control Seattle. Other in-game notes, scenes of urban ambushes, and the bodies of executed FEDRA officers laboriously walk the player through the cliche "one man's terrorist is another man's freedom fighter (Maiberg).”
maiberg also discusses a series of manners in which the fictional seraphites resemble real-life palestinians. here are the three ways he specifically discusses in his original post, but there are much more:
“The same note from the Seattle FEDRA commander that bitterly says the Wolves are in charge explains that it's now their responsibility to not only feed and shelter the people of Seattle, but deal with the "religious fanatics," referring to the Scars.
Later in the game, Ellie finds a location called "Martyr Gate," where the Scars' spiritual leader apparently died, indicating a religious significance of a specific and disputed location, and emphasizing the notion of martyrdom as central to their culture.
The Scars are able to get around Wolf patrols and various barriers around the city via an elaborate, secret system of bridges between skyscrapers. These function as a kind of flipped version of the underground tunnels Palestinians use to bypass Israeli blockades and other means of limiting free movement in order to get supplies and carry out attacks on Israel.”
one more post i would like to link is this one, the very reason i decided to make this in the first place. it captures the zionism in the last of us 2, along with the wlf vs. seraphite conflict, perfectly. i very much recommend you read it, as it explains it much better than i can.
the general consensus is this: the idea that the seraphites are equally as bad as the wlf, which implies that palestinians are equally as bad as israelis, simply doesn’t apply in 2024. as i said before: what is so vile and cruel about a newborn baby? a pregnant woman? an innocent man? NOTHING. part of the reason the last of us captures this so poorly is due to the apocalyptic nature of the world the game is set in. obviously, people would go rogue if their lives were put in peril by not only animalistic infected beings, but also humans. however, we live in a real world where laws and morals do, in fact, apply. this isn’t a video game where those are simply discarded. what the wlf and the seraphites did to each other in the last of us 2 could be any other day for them: but what israel is doing to palestine right now is a war crime, a genocide, and plainly vile.
i don’t think i need to spend a lot of time here, because if you have made it this far, you are well aware of the real nature of the last of us and the last of us 2 already, so you must understand that the show is HBO’s take on the game’s story (which, need i remind you show-wise and game-wise, neil druckmann played a huge part in). i simply bring it up so that people are aware of the fact that the 2022 show is ALSO linked to the ongoing genocide, and the cast is a major part of that (however, if anyone would like me to delve deeper into the show, let me know, and i 100% will).
for the following season which is a sequel to the last, theorized to center around the happenings of the last of us 2, members who are set to play a few crucial characters in the game have been announced. this includes isabela merced, who will play dina woodward, ellie’s romantic partner for most of the game, alongside kaitlyn dever, who will play abby anderson.
many people freaked out when they realized kaitlyn dever will be playing abby, but not for the reason they should have been. if you are a last of us fan, you are well aware that abby’s muscles are a central aspect of her persona. yet, kaitlyn dever is on the skinnier side, and according to some, does not resemble abby.
but this is not the issue that is most crucial to discuss.
kaitlyn dever is a zionist, and so is isabela merced (i am under the impression that both of these claims are true, but i had trouble finding a source i deemed reliable enough to link here. if i do, however, i will). now, while i’m not here to riddle you with conspiracy theories, people believe this (zionism) is the reason kaitlyn dever in specific got the role of abby anderson (there is a separate actress, shannon berry, who more closely resembles abby, but made a post in solidarity with palestine. this is theorized to be the reason why she didn’t get the part, and why kaitlyn dever was announced shortly after this particular actress made said post). let us not also forget that ellie’s actor, bella ramsey, is also in support of israel, which can be seen here.
(edit: i was informed since making this that bella has a story on one of their social medias, showing their alleged support of palestine and calling for a ceasefire. i’m going to link this post where i spoke on it, so you aware of what i think on that front).
all of the previously provided information brings me to my final part of this post: boycotting the games, and boycotting the show.
i could go on and on about why this is so crucial, but we would be here forever. however, i’m going to paste in what i wrote in this post surrounding the topic of boycotting, as i personally believe i got it down quite well in regards to the last of us (the show and game). it reads:
"DO NOT BUY TLOU, TLOU REMASTERED, TLOU2, TLOU2 REMASTERED, OR ANY GAME FROM ND! neil druckmann has donated money to the IDF in the past. & where do you think he’s getting his money from? yeah, you got that. watch gameplays, pirate these games, or buy them secondhand. several shops sell used games. & for those of you who went and purchased the game anyway, knowing about all of this? fuck you.
if you think your $10 doesn’t matter, then think about this: okay, one person spends $10 on the game. whatever. but when 100,000 people do it? that’s a million dollars, going into the hands of a zionist, who is using YOUR money to help kill innocent men, women, and children. put that in your pipe and smoke it.
it is not just the games you need to boycott. HBO’S show also needs to be. follow this link to learn of more movies and shows you need to boycott, & the reasons why, including the last of us. let’s also not forget that dina & abby’s actresses are in support of israel, and BELLA RAMSEY, ellie’s actress, has also shown support.
boycott. the fucking. show. there are a million websites where you can pirate it, so you are not giving any of your support to it. resist."
what it comes down to is this: purchasing the game or watching the show directly from nd or HBO is not a must. spreading awareness and speaking out about palestine is. you are more than capable of not purchasing the game, or watching playthroughs, or buying the game secondhand, etc. you are more than capable of pirating the hbo show so that money is not made off of your engagement. it's not that difficult. i have said it once, and i will say it again: boycotting is a form of resistance, and that is the least we can do for those suffering in gaza as you read this. resist. people openly admitting that they went and purchased the game anyway simply make me sick. i hope you know what an awful thing to brag about that is, and how despicable of a human it makes you.
there's so much to discuss when it comes down to this topic, and it's possible that in the future, i will make a second part to this. however, for now, i really hope this does suffice. i believe knowing of the game's israeli nature is a step. but knowing the specifics is a leap, one that i need everyone engaged in this fandom to take, hence why i wanted to make this post at all.
i'm not saying anyone needs to quit liking the games or the show or whatever. i'm not saying you need to delete or throw away a game you spent $60 on. i've seen so many people who are way too dense to understand that. what i'm saying is that it's crucial you are at least AWARE of the content you are consuming. aware of why it even came about at all.
in my opinion, you can't separate the game from the roots. but you can remain aware of the inner workings of this world you've grown to love. you can keep spreading awareness about it, and you can do right by the people in gaza by discussing the ongoing genocide, and using your voice as much as you can.
i'm so lucky to have been able to gain a following on here in such a short amount of time, even if that following has gone up and down because i've chosen to post more about palestine as opposed to my previous content (granted, that fact won't deter me at all). i will keep using said following to keep speaking out for the people in gaza, and i encourage you to do the same. keep reblogging. keep speaking up. keep using your voices. the people in gaza need us. be there for them.
FROM THE RIVER TO THE SEA, PALESTINE WILL BE FREE 🇵🇸🍉.
neil druckmann | the official the last of us podcast | the not so hidden israeli politics of the last of us 2, by emanuel maiberg (i highly recommend you read the full post. it discusses several crucial details i didn't discuss in this post) | galid shalit prisoner exchange | Neil Druckmann Speaking on the Washington Post | 2000 killing of two israeli soldiers (TW: LYNCHING) | 'The Last of Us Part II' Is a Grim and Bloody Spectacle, but a Poor Sequel | Veiling Colonial Violence: The Last of Us Part II, Israel and the Erasure of Power (full disclosure, i did not read the full post. i merely needed the quote in the very beginning of it) | zionism in tlou2 | isabela merced | kaitlyn dever | bella ramsey's support of israel
i heart cowboys
i love my gf
˚༄࿔ jackson ellie and you being so so in love with each other…
warnings! GAY GAY GAY! mentions of smut.
⭐︎ going on patrols together and she’s just smiling like the biggest dork because you’re pointing out how that smell of spring is finally coming back but she’s just watching the tip of your nose move the tiniest bit when you talk.
⭐︎ bathing or showering after patrols and you’re massaging the shampoo into her scalp and she’s about to fall asleep because oh my god what the fuck it feels so good.
⭐︎ ellie being a bit reserved with pda or defining your relationship in public (like how we see her uncertainty with cat in her journal!) and being over the moon when you refer to her as her girlfriend. like maybe you two are at the tipsy bison and you’re talking with some newcomers…
“mhm! my girlfriend, ellie, has been reading me the comics, she’s collected tons of them!”
⭐︎ the two of you sneaking out of jackson with dina and jesse to go swimming in a nearby like and they won’t stop teasing the two of you.
“oh my god you two are so gay.” dina would say with mock disgust. and you can’t even deny it because you are so gay, especially when ellie takes her shirt off and only wearing a sports bra underneath.
⭐︎ waking up next to her in her garage in the colder months and just snuggling up to her for warmth. she tries to rub her icicle feet on your legs until you threaten to get up and go home. this would only make her hold you tighter and grumble something like nooo don’t leave in a raspy, half-awake voice.
⭐︎ pulling ellie to the dance floor at events and her getting all flushed and smiley. staring into her eyes or at her lips because you know it makes her flush harder.
⭐︎ ellie loving the idea of being rebellious and sneaking you in or out of her garage went joel isn’t looking (even if he knows about your relationship). she’d be so silly about it.
whisper yelling, “go now he’s not looking!”
“oh my god ellie you’re such a nerd!” you’d reply at full volume, leaving through the front door.
⭐︎ throwing ellie a suprise party for her birthday at the tipsy bison. it turning out to be extremely challenging because she was insisting that she would rather just stay in for her birthday but you had gotten all of her friends to hideout in the bar for half an hour at this point.
⭐︎ ellie genuinely being surprised when the lights flicker on and everyone she knows is yelling “happy birthday!” and her standing in shock, realizing why you were so persistent about going out tonight.
⭐︎ walking in on ellie (attempting to) cut her own hair and she’s royally fucked it up and now it’s your job to fix it. her grumpy pout in the mirror as you lecture her about just waiting for you to come home so you could cut it.
⭐︎ getting walked in on (maybe multiple times). once in ellie’s garage when neither of you heard joel’s knocks so he invites himself in and ellie had to panickingly throw the blankets over you two. then another time on patrol when dina and jesse came back from scoping out some supplies and they found you on a couch. and then maybe again when maria went looking for you two after a dance and you were tucked in an alleyway.
⭐︎ hanging out at a lake just outside of jackson and ellie’s sketching you.
“why’re you staring at me?” you’d giggle.
“cause you’re so pretty.” she’d reply, just her eyes peaking out from over her journal.
“lemme see what you’re drawing.” you’d say as your sit up.
“no!” she laugh, pulling the notebook away from your grasp.
“ellieuhhh, you’re so lame.”
i am OBSESSED with this oh my god
YOUR TAG
pirate captain!vi x kidnapped merchant's daughter!reader wherein vi and her ragtag crew are some of the most feared pirates on the seas sailing the hms zaunite with her genius inventor/shipswright sister powder (alias jinx in pirate circles) as her first mate --
initially all they were after was your fathers lucrative trading vessels, perhaps to strike a deal with him, skim a little off the top of all his shipments, but very quickly, they realize that perhaps they've bitten off more than they could chew with you, because delicate as you seen, darling as you might appear to be, you're witty and sly as a fox with a smile like black cat on all hallow's eve.
you're way smarter than they'd bargained for and hey, vi's always had a soft spot for the pretty ones (and you are so, very very pretty in your white lacy nightgown, nearly see-through with the ocean spray). so what if they keep you around for longer than they need? maybe you could earn your keep -- maybe, just maybe, it wouldn't be so bad to lean into your siren's call laughter.
and even if it dooms her in the end, vi wonders, ever so briefly, if it wouldn't be worth it for just a chance to taste the ocean on your rose-petal lips.
oh my god
Cowboy sevika au (lowkey made her look like a vampire ..)
hi!!! don’t forget that even though hbo tlou2 promo might be exciting, the creator (neil druckmann) is a zionist!!!!! PLEASE do not give him any more money. do not watch tlou2 when it comes out. do not fund somebody who openly supports genocide.
the themes in tlou are hugely based on israel vs palestine conflicts. not only are there israeli themes and propaganda in tlou2, but neil druckmann also gets money from the show. do not fund a zionist!!!!!!!!
if you’d like to hear more about neil’s zionism, here are some posts by amazing writers on tumblr!! here and here and here.
one final thing, i’m not here to argue. neil druckmann is a zionist. you should not be funding him. and for the love of god, do not start arguments in the comments. this is not up for debate!! thanks!!!!
hhhhhhhhhhhhhhhhhh
Thinking very hard about Logan talking you through it
He knows you're close ultimately before you do. Seasoned by his many years of life, your tells are specific but not impossible to discern.
It's different each time he's come to realize. A different scent to you based on the mood you're in, how quickly he brings you there, your vulnerability, and how he speaks to you.
Logan's a greedy man. He knows that. And he knew as soon as the first time it'd happened that he shamelessly selfish in getting what he wanted.
You smell like cinnamon and vanilla and fuck if it wasn't better than all the drugs he'd ever tried combined.
A part of him still thinks he might be chasing your high.
He learned quickly how to manipulate you to get different responses. Testing out what you react to and which scent meant what.
When it's a euphoric intimacy, the smell of cinnamon and vanilla isn't so strong. It's diluted some, like a soft cloudy mist.
More emotionally frustrated intimacy smells far more tart, almost coppery. It often reminds him of blood in his mouth, soaking into his lungs and taste buds like tar.
When you're in a far more glum mood, you smell like rain on cement. He's starved for it.
You're so pretty beneath him. Eyes lidded and swollen lips parted loosely as he scissors his middle and forefinger against your velvet walls.
Logan bumps his palm against your clit and you let you a gasp – your hand jumping from the bedsheets to grip his forearm.
"Right there, huh?"
You can hear the smirk in his voice and you give him a nod at that, tucking your chin to your chest as he moves his other hand to press one of your thighs upwards to where your knee almost hits your breast.
He slips his hand from your cunt, moving to pull your other hand to hold your own thighs to your chest.
Wordlessly, he kneels and pulls you by your hips to the edge of the bed before hooking his arms around your waist.
Without warning, he runs the flat of his tongue up the length of your cunt to your clit with a deep hum.
You know he can feel you shiver beneath him by the way he smiles against the sopping folds of your cunt.
"Feel good?" He chuckles softly, looking up at you from between your thighs.
You're reduced to broken whines and choked gasps, but you manage a hum in response, readjusting your grip on the backs of your thighs as Logan slips his tongue past your folds.
You smell of faint cinnamon.
"Lo," you sigh, throwing your arm over your eyes with a chipped whine.
Logan hums into your cunt, the sharp of his nose rocking back and forth against your clit.
He unwraps his arm from around your waist, reaching upwards to weave your hands together with a soft squeeze.
"Haa... ahh." Your voice grows watery as Logan brings you closer to the edge.
"M'close, Lo," you breathe, readjusting your hand on your thigh to keep it close to your chest.
"I know, sweetie." He circles his tongue around your bundle of nerves before blowing a stream of air onto your clit, "m'gonna get you there."
When he sucks on your clit again, you're cumming almost immediately with a shiver that simmers itself down your spine to your toes.
"There we go. It's a big one, huh."
A wave of vanilla woven with cinnamon washes over him and he nearly cums in his jeans.
You hear Logan before you've noticed he's moved from between your legs to stand above you, thumb circling your clit softly.
Whining, you turn your head into his forearm beside you.
"Doin' so good, sweetie," He coos, stroking his hand, still held by your own, down the side of your face before placing a kiss on your temple.
Your smell is much more prominent there, as though it travels through the roots of your hair and tickles itself through your soft skin.
Another shiver runs down your spine, causing the air on your arms and the nape of your neck to stand.
"Need you." You sob, voice muffled by the skin of his arm.
He settles down beside you on the bed, chin propped up on the flat of his right palm, squeezing your hand with his.
"You're okay."
The vanilla sinners throughout the room, and he swears he can see it in the dust that floats past the Amber hues of his room.
crying and throwing up /pos
summary: after the romantic tension between you and abby reaches a peak, you two finally share a sweet kiss.
content: answer to this req and part two to this!! fluffyfluffyfluffy! ehehehehehe. i love fluff i love writing fluff. nothing nsfw. just lowk domesticity with abby and then super cutesy pie origami stuff and then a kiss 💋💋💋💋💋💋💋💋 ok toodles enjoy
notes: three weeks of no post i’m sorry my children. i am back!!! classes just finished and now i have summer break so i just had to soak in my freedom from my fuckass med teacher. he can choke fr 💯
(wc 1.6k)
a series of vibrations from your phone rudely pulls you out of your sleep and you swipe your hand across the bed to silence the notifications. you find your phone connected to abby's charger on her vacant side of the bed, the sheets cold without the warmth from her skin to heat them up. she always ran hot—especially during the night—which usually resulted in her yelping at your cold feet pressed to her thighs and trying to absorb her warmth in the hours of the night.
you raise your phone to your face and are met with four notifications from abby on your home screen.
abby :p otw back with our loot
abby :p two berry pastries for the missus and one cream cheese puff pastry for me
abby :p and nadia gave us two chocolate croissants bc we're super cool
swiping to unlock your phone, you head to messages and reply to her.
you YAY thanks you're the best
you we gotta get nadia a gift card or somethin
you or a bottle of liquor
you head to the bathroom to brush your teeth with your toothbrush abby got for you for her apartment since you slept over so often. while you load your brush with toothpaste, your phone lights up with a notice from messages: "abby :p loved 'or a bottle of liquor.' " sticking the toothbrush in your mouth, you smile around the minty foam and continue freshening up before abby returns.
around ten minutes later, you hear the jingle of her keys at the front door and practically skip to the living room to retrieve your pastries.
abby unlocks the door and pushes it open, a brown bag with a cafe logo printed on it in one hand and a drink carrier with two coffee cups hanging from her ring and pinky fingers in her other. with her few remaining fingers grasping onto her car keys to not drop them, she nudges the door back shut with her hip and locks it.
her blonde head donns a blue and white trucker hat, the brim of it blocking her from seeing you standing and sheepishly smiling a few strides away. she calls out to you to signal her return.
"hey, i'm back! and i come bearing gifts. i got-" it's then that abby takes her hat off and notices you inching ever closer. "oh, hi. i got you herbal tea. there weirdly was a lot of traffic today, even though it's, like, seven."
she continues on as she unpacks everything that she got for you. "then again, i guess kids have school. man, i hated that about high school—waking up early and getting to class on tim- you know what? you're not listening anyway with your food right in front of you," she chuckles. "go on. release! free!" she pokes, using command words for a dog.
you kiss your teeth and scowl at her, mumbling a "whatever" before tearing into the paper bag. you're met with your two fruit pastries first, then you spot the chocolate croissants abby mentioned under them.
the two of you stand and eat in comfortable silence in the kitchen, you sipping on your tea and abby picking at her puff pastry. when you finish, you clean both of your spots and abby throws away the paper bag and pastry wrappers, washing her hands after.
after breakfast, you guys ping pong around her apartment, moving from her bed to the couch to the floor and then back to her bed again, all just to talk or scroll on your phones.
hours pass, and after a brief joint nap in her bedroom, you guys now sat on the floor of her living room, light filtering in from her large windows and warming your skin. the floor was littered in origami squares of all different sizes and colors, the origami book abby had gotten for you split open between you two.
there was a village of origami figures surrounding you, from hearts to frogs to ladybugs to cranes. the book was flipped to a particularly challenging page of an elephant, and you looked over at abby in confusion.
she was just as confused as you, if not more. her hair was tied in a messy golden knot at the nape of her neck, loose strands crazy and framing her face. her brows were pulled tight on her face, her eyes bewildered and looking at the same piece of paper in her hands as if she'd never seen it before.
"what step are you on?" she asks, looking at the square in front of you that you were working on.
"twelve. out of..." you flip the page twice. "god. thirty." you sit up straight to stretch your back out. "i get it, though. kinda."
"what? show me. i’m on, like, seven. i swear they skipped a step. or forgot to add a picture. just something is wrong."
you scoot over to sit next to her, pulling your leg to your body and propping your cheek on it. abby places her piece in front of you puts her hands in her crossed lap, her eyes wide and waiting for you to make sense of her issue.
"okay, let's see." you pull the book closer to you to confirm the step she's on. "step seven is... rotating and folding the back of the elephant."
"which i did," abby verifies.
you rotate the piece and immediately find her mistake. "which you did not."
"what?! where?"
"here." you trace your finger along the missing crease. "you see how on mine, this part is creased and pointed? like a peak?"
"uh-huh..."
"and yours doesn't do that."
she simply hums, so you look over at her to confirm that she's listening. her eyes are unfocused and locked on your face. they flit between your own and then drop to your lips for a second. the single second feels quite long, though, when she looks so deeply at you in the way that she does, or when her baby hairs draw attention to her blonde lashes, long and very slightly curled around her sapphire eyes.
she seems to snap out it—whatever it was—and she deeply inhales, licking her lips and refocusing on the task at hand.
"can you repeat that?" she asks. "sorry, i... i zoned out."
it was your turn, now, to lose focus and examine her. you stare at her lips, rosy and still glossy from her just licking them. you stare at the corners of them and the ever so slight frown her mouth always pulls into when she's focused. you stare at the little creases in them, the dozens of lines that-
"are you looking at my lips?" she questions, interrogative and almost paranoid.
"oh, um, sorry. i was-"
"why were you looking at them?" she interrupts again, her eyes wild and demanding an answer from you.
"because, i- well, you just licked them, so- i don't know. because." you swallow, mumbling, "what, can i not look at them or something?"
her stone stare softens after noticing your flustered state, and the two of you exchange a long and quiet look.
abby held her breath nearly the entire time. she didn't want to assume anything or read the situation wrong, but your eyes were dilated. they were dilated from looking at her, and just from that.
as if it were out of your control—like you were magnets—you started moving closer to her. abby could not seem to remember how to control a single muscle in her body, so she just sat and watched you move closer as her cheeks grew pinker and pinker.
you stop right in front of her face, the tips of your noses kissing and your breaths shared. after a few seconds, you realized abby wouldn't initiate anything, so you leaned in and pressed your lips to hers, short and sweet. when you pulled away, abby's eyes remained closed for a few seconds before they slowly fluttered open.
"you just kissed me," abby whispers in disbelief, pointing out the obvious.
"i just kissed you," you echo back.
it's abby who leans in for the second kiss, thick and intense with emotion, her hand sliding up your arm. her hand reaches the back of your neck, and she pulls you closer and deepens the kiss.
you press your forehead to hers and stop kissing her, an infectious smile taking up your features instead.
"are you.. are you seriously smiling right now?" abby gasps theatrically with mock offense.
your smile breaks out into giggles and you press your face into her cheek to hide.
"wow, i cannot believe this. you are laughing at our kiss!" she teases.
"stop, no i’m not!" you plead, still laughing.
"whatever you say." she grabs your chin between her fingers and pulls your face back to look at you. peppering kisses on your cheeks, she relents on her taunting.
"are you gonna show me what i did wrong, or what?" she says, referring to the initial topic of her paper elephant.
you smile back at her. "yeah, i will."
"okay." she presses one last kiss to your temple and then waits for your instruction.
"i was saying, there's supposed to be a crease here, on what'll be the back of the elephant."
abby nods and hums like she's listening, but really, she smiles at your profile as you continue to speak.
@abbysbug @abbyonmars @abigails-gf @picklesarenice69
heheheh all done!!!! this was so cute to write especially the end like i was talking to @abbyonmars while i wrote the end and we were fangirling over typed words and pixels. but what else is tumblr dot com for if not to fangirl!!!!
I hate when people (usually men on reddit) are like “if you met arthur back then he would murder you for breathing in his existence!” Oh would he? When? Before or after he’s finished doodling bunnies and flowers?
these are so funny oh my god
texts with silly gf ellie short smau
synopsis: no plot just texts with your girlfriend ellie williams and she's a dork!
cw: swearing, mentions of sex (pussy eating lolz), ellie loves adventure time fornite n roblox as she shoulddd, ellies a nerdy freak n readers kind of a mean freak (sometimes) they're inloveeeee