He Is Such A Softy With A Big Heart, I Don't Know Why Humans Fear Him And Hate Him, Like Just Leave Him

As a female athlete myself, I just want to quickly appreciate how George R.R Martin writes his women who fight. It’s never, “she wanted to be a warrior so she worked harder than everyone and eventually she could beat all the boys.” He actually gives his characters strengths and weaknesses—as well as cultural ties to fighting— and he makes these traits enhance the already existing plot lines these characters follow. The mental game is also always just as important, if not more, than the physical game, which I’ve found is true in sports and probably much more true in actual life-threatening situations.

Arya is a small child. She’s nine, she’s skinny; she would probably never excel at being a knight, so instead she learns a different type of fighting. She’ll never overpower anyone, but she can be quick and sneaky and use her left hand which most people don’t know how to fight against. Also, I would argue that Syrio’s teachings about “looking with your eyes” were far more important to her than the physical part of water dancing. Most of the time she isn’t using her skills to directly fight people, but to run away, to spy on people, to catch food and survive. Syrio is her friend, Needle is Jon Snow’s smile, etc. Arya learning how to use her stature to her advantage is part of a greater connection to her identity and the people who helped her.

Brienne is stronger than most men, but she faces constant misogyny because of that (which is all too realistic). She constantly faces internal battles with her own self-image and harassment wherever she goes. She gets taught to use men’s pride and anger to her advantage:

“Old Ser Goodwin was long in his grave, yet she could hear him whispering in her ear. Men will always underestimate you, he said, and their pride will make them want to vanquish you quickly, lest it be said that a woman tried them sorely. Let them spend their strength in furious attacks, whilst you conserve your own. Wait and watch, girl, wait and watch (AFFC Brienne 7)”

Finally, “no chance, and no choice” is her most memorable line for a reason. It’s not her martial prowess that makes her a great character; it’s her bravery and honor.

Cultural ties are also so important to the reasons many women in the series fight. Asha is Balon’s last remaining child when all her brothers are dead and gone. Of course she knows how to fight and sail. Her tension with Theon is less about her showing off and more about her proving how much she actually knows her people while he doesn’t (of course that isn’t Theon’s fault but that’s a whole other post). The Mormont women learned to fight because they historically had to fight off invaders; the Sand snakes’ skills show their connection to Oberyn, etc.

Anyway I just love how George uses fighting to enhance his characters’ personalities and not define them. None of them are physically or mentally infallible, and none are exempt from misogyny. They just learned to do something that empowers and protects them despite society’s expectations. George’s writing of women is definitely not perfect, but this is something I really appreciate.

First museum dedicated to the history of the Scottish witch trials opens in Fife

The Scotsman

First museum dedicated to the history of the Scottish witch trials opens in Fife

A new museum dedicated to the Scottish Witch Trials has opened its doors in Leven.

Leonard said: “I have over 20 years amassed a curator’s dream of 17th and 18th century items and manuscripts directly associated to the witch hunts of Scotland and elsewhere.

“It’s come to the point I can display this treasure to the public in a museum setting.”

midsomer murders + text posts (part 2 / x)

Reunion

(I’m not 100% sure what the etiquette is for formatting, so my apologies if this looks awful.)

Warnings: Angst? Yeah, angst. The usual Order 66 feels. Rex being soft.

This is a character I came up with during the Bad Batch weeks, and I might be posting little ficlets about Miah and her clones, because her heart is full. Enjoy :)

_______________________________________________________________

Miah’s reunion with Captain Rex came mere weeks after Order 66, a time fraught with peril for any who held ties to the Jedi, let alone a Jedi themself. She didn’t know what planet she landed on, only that it had enough people for her to hide amongst. The terror and uncertainty caused by the Great Purge fractured the remaining Jedi, so Miah travelled alone, unsure whether there were other survivors out there, somewhere in the Galaxy. Even the fate of her Master, Obi-Wan, was a mystery to her.

Walking the busy streets in the evening, Miah reflected on what led her there, as she often did; what else existed for her to dwell on, except the past? The present seemed so dark, so bleak and shattered - so far from what it was supposed to look like. 

Underneath the folds of her cloak, Miah’s hand found the amulet Echo gave to her; she screwed her eyes shut, coming to a stand-still in the rain as another wave of grief and pain threatened to topple the young Jedi. These feelings, powerful, and dangerous, acted as constant companions that swarmed to fill the void left in the Force where her friends should be. They made her feel less alone.

She slowly opened her eyes again, tearing them away from the star-dotted sky above, her mind desperately wondering where did we go wrong? 

The wind blew through the street at a howling pace, many bypassers losing their hoods. Miah’s stayed up, and she hoped it wasn’t too conspicuous. Across from her, a man hurriedly tried to cover his head again, but not quickly enough; she watched him turn, saw the flash of blond hair and all-too-familiar features, immediately recognising the man she’d been honoured to call Vod. 

Elation caught her tongue, swelling inside her chest until it was bursting. Finally, Miah thought with a smile, a friend who isn’t dead.

Then, as Rex’s gaze locked with hers, a light sparking in them, Miah’s memory caught up with her emotions. Cold fear dropped into her stomach like a ten-tonne weight, and the smile vanished in an instant. Before she could think about his expression, the way Rex had acted, the clearly out-of-place circumstances they’d reunited under, she turned and fled into the marketplace. 

Concentrating in order to avoid panicking, Miah cursed when she heard his heavy-booted steps falling close behind. Years spent together on battlefields meant he knew her every trick, could predict her every move. The icy hand of dread once more clutched at her heart, but Miah refused it; she would not be responsible for the death of another Clone. Especially not him. 

“Miah! Wait!”

She ducked under a passing merchant cart, continuing to run without any real idea as to where she was going. But this proved to be a fatal mistake when the alley became a dead-end, and Miah stood at the wrong side.

Hands shaking under her cloak, fingers grazing the cool metal of her lightsaber, she turned around - hoping beyond hope she somehow lost him in the crowd. But, no; at the other end of the alley stood Captain Rex, someone Miah used to gravitate toward, now she shrunk away from him.

“Please,” she whispered, holding her hands out as they quivered, silently asking Rex to stop, “don’t...I can’t...not again. Please. Don’t make me do this.”

If Miah had been able to look at the former trooper, she might have noticed the softness in his eyes, the way his steps faltered as Rex saw her fear, and his devastation at seeing his friend so distraught by his presence. But her eyes refused to settle on him, to see the face of a million men, the faces of the Clones she struck down on Coruscant. Her friends.

“Miah,” he said softly, “I’m not going to hurt you.”

She made a sound that could have been a sob, but it got stifled and bitten down. “Don’t try and trick me, Rex. I don’t want this. Leave me alone, please, brother.”

In the darkened alley, rain fell heavily on them both: the Jedi who fought for so long, she no longer had the energy to raise her lightsaber in defence of her own life; and the Captain who had been turned into an enemy by circumstances beyond his control. Neither moved, and neither was willing to harm the other. But the tension, the shared knowledge of recent occurrences between the former comrades kept them on edge, reluctant to act in case something went wrong.

Finally, Rex slowly raised his hands in the air, his brow furrowed and a deep frown on his face as he took a cautious step forward. “Vod’ika, I swear to you, I’m not a threat. My Inhibitor chip was removed by Ahsoka.”

Miah blinked, almost looking at him. “...Ahsoka?”

A tiny flicker of hope appeared in her voice when she nearly let herself believe it, nearly allowing herself to believe there was one other Jedi alive, because even now, after everything, Miah struggled to think of Rex as anything but trustworthy and loyal. Which he was, but how did she know his chip wasn’t active?

“Yes,” he said, seeing an opportunity to calm her, “Ahsoka survived. I helped her get away. The chips caused it all, the Clones, we didn’t mean to do it, Fives-”

“I know,” she said, “I remember. A purpose bigger than any of us could comprehend.”

Rex nodded, hesitant and unsure of his next move. “I don’t know how to make you believe me.”

Miah finally looked him in the eye, resisting the stinging in her own. “Neither do I.”

Stuck on the path back to each other, they continued to stand in the rain, away from the bustling city crowds and the heaving market. They seemed to exist on the very edges of the throbbing veins of society, which stung when memories of when they were front and centre, back to back, in the very midst of it all crept into their thoughts. A curious thing, how two people so intimately tied to actions determining the fate of the Galaxy could pass unnoticed, two lonesome figures in the evening downpour, nameless faces to be forgotten. 

And yet, to them, forgetting the other’s face was an inconceivable thought; how could they, when the clearest years of their life were spent building an iron trust, a bond forged in battle? Rex had been one of the men to give Miah her name, a gift she never took for-granted, not for a second; and so, placing her faith into that bond, she reached out into the Force, the first time since the shock of Order 66 caused Miah to cut herself off from it, searching for the truth.

“Rex...you’re not lying to me, are you? I really don’t want to hurt you, I can’t…”

The former Captain shook his head, a soft, reassuring smile making its home on his lips. A familiarity surrounded the expression, helping to convince her. “I swear, on the memory of Fives, my inhibitor chip is gone, and I am not going to try to kill you.”

Miah hesitated only a moment, the solemn vow carrying enough weight to lower her defensive stance. She stepped forward, holding out her arm for him to grasp. “I’m sorry, Rex. I know Clones whose chip have been activated don’t speak like this, I just had to be sure…”

He clasped her forearm tightly, reaching over with his free hand to grasp her shoulder. “You have nothing to apologise for, Miah’ika, I understand.” Tears gathered in his eyes, and Rex bowed their foreheads together. “You have no idea how happy I am to see you again.”

Miah laughed softly, cradling the back of his head. “I think I might have an idea, Vod.”

I'm torn between a desperate want for the Pevensies to have lived out their lives in Narnia air fad, and the absolute beauty people come up with when writing about their return to earth. This is brilliant. Everything I love!

thoughts on the Pevensies returning home

Peter Pevensie was a strange boy. His mind is too old for his body, too quick, too sharp for a boy. He walks with a presence expected of a king or a royal, with blue eyes that darken like storms. He holds anger and a distance seen in veterans, his hand moving to his hip for a scabbard that isn't there - knuckles white. He moves like a warless soldier, an unexplained limp throwing his balance. He writes in an intricate scrawl unseen before the war, his letters curving in a foreign way untaught in his education. Peter returned a stranger from the war, silent, removed, an island onto himself with a burden too heavy for a child to bear.

Only in the aftermath of a fight do his eyes shine; nose burst, blood dripping, smudged across his cheek, knuckles bruised, and hands shaking; he's alive. He rises from the floor, knighted, his eyes searching for his sisters in the crowd. His brother doesn't leave his side. They move as one, the Pevensies, in a way their peers can't comprehend as they watch all four fall naturally in line.

But Peter is quiet, studious, and knowledgeable, seen only by his teachers as they read pages and pages of analytical political study and wonderful fictional tales. "The Pevensie boy will go far," they say, not knowing he already has.

His mother doesn't recognize him after the war. She watches distrustfully from a corner. She sobs at night, listening to her son's screams, knowing nothing she can do will ease their pain. Helen ran on the first night, throwing Peter's door open to find her children by his bedside - her eldest thrashing uncontrollably off the mattress with a sheen of sweat across his skin. Susan sings a mellow tune in a language Helen doesn't know, a hymn, that brings Peter back to them. He looks to Edmund for something and finds comfort in his eyes, a shared knowing. Her sons, who couldn't agree on the simplest of discussions, fall in line. But Peter sleeps with a knife under his cushion. She found out the hard way, reaching for him during one of his nightmares only to find herself pinned against the wall - a wild look in Peter's eye before he staggered back and dropped the knife.

Edmund throws himself into books, taking Lucy with him. They sit for hours in the library in harmony, not saying a word. His balance is thrown too, his mind searching for a limp that he doesn't have, missing the weight of his scabbard at his side. He joins the fencing club and takes Peter with him. They fence like no one else; without a worthy adversary, the boys take to each other with a wildness in their grins and a skillset unforeseen in beginner fencers. Their rapiers are an exertion of their bodies, as natural as shaking hands, and for the briefest time, they seem at peace. He shrinks away from the snow when it comes, thrust into the darkest places of his mind, unwilling to leave the house. He sits by the chessboard for hours, enveloped in his studies until stirred.

Susan turns silent, her mind somewhere far as she holds her book. Her hands twitch too, a wince when the door slams, her hand flying to her back where her quiver isn't. She hums a sad melody that no one can place, mourning something no one can find. She takes up archery again when she can bear a bow in her hands without crying, her callous-less palms unfamiliar to her, her mind trapped behind the wall of adolescence. She loses her friends to girlishness and youth, unable to go back to what she was. Eventually, she loses Narnia too. It's easier, she tells herself, to grow up and move on and return to what is. But her mourning doesn't leave her; she just forgets.

Lucy remains bright, carrying a happier song than her sister. She dances endlessly, her bare feet in the grass, and sings the most beautiful songs that make the flowers grow and the sun glisten. Though she has grown too, shed her childhood with the end of the war. She stands around the table with her sister, watching, brow furrowed as her brothers play chess. She comments and predicts, and makes suggestions that they take. She reads, curled into Edmund's side as his high voice lulls her to sleep with tales of Arthurian legends. She swims, her form wild and graceful as she vanishes into the water. They can't figure out how she does it - a girl so small holding her breath for so long. She cries into her sister, weeping at the loss of her friends, her too-small hands too clumsy for her will.

"I don't know our children anymore," Helen writes to her husband, overcome by grief as she realizes her children haven't grown up but away into a place she cannot follow.

I can't believe the horse is back in the fucking hospital

midsomer murders + text posts (part 4 / x)