I Love You.

But I figure if the world were really right, humans would live life backward and do the first part last. They’d be all knowing in the beginning and innocent in the end. Then everybody could end their life on their momma or daddy’s stomach in a warm room, waiting for the soft morning light.

'The First Part Last' by Angela Johnson 

I think it's a response to terrorism. From the time we're little girls, we're taught to fear the bad man who might get us. We're terrified of being raped, abused, even killed by the bad man, but the problem is, you can't tell the good ones from the bad ones, so you have to wary of them all. We're told not to go out by ourselves late at night, not to dress a certain way, not to talk to male strangers, not to lead men on. We take self-defense classes, keep our doors locked, carry pepper spray and rape whistles. The fear of men is ingrained in us from girlhood. Isn't that a form of terrorism?

Dietland by Sarai Walker

When a child first catches adults out -- when it first walks into his grave little head that adults do not always have divine intelligence, that their judgments are not always wise, their thinking true, their sentences just -- his world falls into panic desolation. The gods are fallen and all safety gone. And there is one sure thing about the fall of gods: they do not fall a little; they crash and shatter or sink deeply into green muck. It is a tedious job to build them up again; they never quite shine. And the child's world is never quite whole again. It is an aching kind of growing.

'East of Eden' by John Steinbeck

In a neo-Gothic mansion in a city at the end of the world, Ellie finds there's room enough for art, family, forgiveness and love. A coming-of-age story about embracing the things that scare us from the author of ‘The Year the Maps Changed.’

How do you ruin someone's childhood? You let them make-believe that they are a monster. But sooner or later, the mask must come off...

Ellie Marsden was born into the legendary Lovinger acting dynasty. Granddaughter of the infamous Lottie Lovinger, as a child Ellie shared the silver screen with Lottie in her one-and-only role playing the child monster in a cult horror movie. The experience left Ellie deeply traumatised and estranged from people she loved.

Now seventeen, Ellie has returned home to Hobart for the first time in years. Lottie is dying and Ellie wants to make peace with her before it's too late. But forgiveness feels like playing make-believe, and memories are like ghosts.

When a chance encounter with a young film buff leads her to a feminist horror film collective, Ellie meets Riya, a girl who she might be able to show her real self to, and last comes to understand her family's legacy - and her own part in it.

A story of love, loss, family and film - a stirring, insightful novel about letting go of anger and learning to forgive without forgetting. And about embracing the things that scare us, in order to be braver.

"Your mind will never lose anything forever that's worth keeping."

'A Certain Slant of Light' by Laura Whitcomb