PERFECT BLUE / パーフェクトブルー 1997, dir. Satoshi Kon
“Elain had always been gentle and sweet—and I had considered it a different sort of strength. A better strength. To look at the hardness of the world and choose, over and over, to love, to be kind. She had been always so full of light.
Perhaps that was why she now kept all the curtains open. To fill the void that existed where all of that light had once been.
And now nothing remained.”
«My father and mother, despite being mates, were wrong for each other. My father was cold and calculating, and could be vicious, as he had been trained to be since birth. My mother was soft and fiery and beloved by everyone she met. She hated him after a time — but never stopped being grateful that he had saved her wings, that he allowed her to fly whenever and wherever she wished»
We knew that the girls were really women in disguise, that they understood love, and even death, and that our job was merely to create the noise that seemed to fascinate them. We knew that they knew everything about us, and that we couldn’t fathom them at all. the virgin suicides (2000) dir. sofia coppola.
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chungha ✧ soribada awards (180830)
Do not interact with me if you are racist, sexist and homophobic. 23. She/Her. Other blogs are @verperina and @mermaidsandrainbows
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