Kyo :)

core classes as undead :)

Shop ! Shop alert ! Prints and earrings, pls support a trans disabled artist trying to make part time work for them! Shipping is free in the uk :)

Etsy shop here

Rebloging this bc I m still super proud of it years later, it was my biggest piece of art at the time and my most difficult composition! Excited about patho 3 hehehe

“The foe stalks him at every turn / whispering pestilence and plague / whispering endings and dreaming.” Made for the pathologic 15/1st anniversary event! In collab with  @yuliciagames honestly her writing inspired this whole piece :). Please go check out her part here

Rough.s

tagged by @alamorn

Thank you sweetie, I’m so sorry it’s taken me so long to get around to it <3.

Five things you’ll find in my bag: wallet, pads, probably an origamy crane, sugar, headphones.

Five things you’ll find in my bedroom : funkopop of garnet in steven universe, dragon age inquisition concept art, lots of one piece books and figurines, water fountain, a bean bag.

Five things I want to do with my life: learn at least one more language, see auror borealis, move out of the place I currently live in, study abroad, participate in some kind of competition.

Five things I’m into right now: the really good version of fantastic beasts that exists in my head, voltron, dragon age inquisition, steven univrse, yuuri on ice.

Five things on my to-do-list: finish all of my school related work, complete application to another school, get my licence, repaint my nails, draw more.

Five things people may not know about me: i had my first job a few days after I turned eighteen, I practice sports about 4 hours a week and I need to go back to dancing, I REALLY love electro swing as well as rap, I own a very cute pupper, Green tea is my fav.

Hi ! I want to know you, but you can eh if you don’t feel like answering: @ladynoblesong, @novice-heartbreaker @keilattes @friendofthefugitive and @feoplepeel.

It starts with再見 , a visual comic that was done in collaboration with @hellooitsjanet that I've worked on in my downtime since January.

translation 再見(zai jian)- goodbye/ see you again (i will) 你知道我是誰 (ni zhi dao wo shi sei)- do you know who i am (taunt, i am royalty) Ps: I will open my commisions soon so if you like what i do please consider sharing and getting in touch :)

My boi didn’t get a flower crown and that was unjust. So I fixed it.

King George Act 1 (Hamilton Minimalist series 1/20)

Oh boy for once I did some reasearch

I’m keepin this in read more because it’s going to be a lot of text but hello, the cape design, the pause and much of the patterns are not mine. I also want to disclaim that I’m not a fashion historian, so I might get a lot wrong, don’t hesitate to tell me and to point me to more source. I like fashion, but I felt very very unprepared to know what a Russian woman would wear in 1910, and I wasn’t vibing with the concept art that much so I did some research. I selected this garment :

It was made by the Mbryor house in France in 1925. I’m putting a link here there more pictures on the met museum’s webpage : https://www.metmuseum.org/art/collection/search/158225?searchField=All&sortBy=Relevance&when=A.D.+1900-present&ft=L%c3%a9on+Bakst&offset=0&rpp=80&pos=61

Even though the house was French, it was actually a collaboration between multiple designers, and I’m not too sure who exactly worked on this cape but I based myself on who worked at the couture house : “ Leon Bakst, Natalia Goncharova, a Russian Futurist artist, and Sarah Lipska, of Polish origins, were among the house's coterie of artists. “ Leon Baskt designed a lot of costumes, and I actually wanted to base the design on one of his pieces at first. The two women mentioned worked in embroidery, and have designed the pattern that is seen on the coat, which has a lot of cubist influence (which, yeah it makes sense, but I still think it’s really neat in 1925 to see cubist motifs on garments). I reworked the pattern to fit the colors style I wanted the designs to have and added some simple steppe alphabet letters, which can be seen on the edge of the pattern. Nina is supposed to have died probably close to 1905 - 1910 I believe her wearing this is anachronistic. From what I’ve seen while doing my research elite at that time seemed to be influenced by european designers, and generally had a cosmopolitan style (which is why having the cape being made in France by people of different designers), but much of the fashion was closely fitted with corsetier, which wasn’t the vibe I was going with Nina. (I should also mention a lot of costume design at the time were “”exotic””,which I definitely don’t feel comfortable to tackle, but should still be mentioned, as europe wasn’t at all the sole influence..)  Also most of the references I could find had hair tied up in updos, generally with a headbands or pearls keeping it up, so that made its way in the original design. I thought going for something futuristic would fit Nina, since, you know, we have a character who can predict the future.

Also, a lot of patterns during the 1920s had more of this loose style, with an emphasis on embroidery, which I thought was closer to her general art style. It was also somewhat important for me to have something that was designed by women, given the game interesting choice of having a town seemingly ruled first and foremost by women. (In general, during the 1920s, a lot of attention was put on what people were to wear, with restrictions on textile. But I also want to point out that there also seemed to be a certain concern with ‘liberating’ women’s bodies and fashion standards. There’s different influences and trends in that period, and also a gap between what was pushed by the government and what was done in practice, so don’t take my word for it)

I’m adding this https://www.rbth.com/arts/2017/05/10/fashion-and-the-russian-revolution-how-sackcloth-replaced-lace_760091 which I did read and goes more in depth in the evolution of clothing in between 1900 and 1920s