I’m Obsessed With Your Declan Fics! Can We Get One Where The Reader Has To Calm Him Down? It Would

Ugh Men

I found out my dad’s been cheating on my mom. Apparently it’s been going on for over a year now. I have no idea how much money he’s spent on them, knowing that he can’t work cuz he’s sick.

I am disappointed and disgusted in him. I’m more upset for my mom than anything else though. She can’t leave him, he can barely walk by himself, it would be social suicide. I HATE him, and I wish I could tell someone, talk to someone about it but I don’t feel comfortable talking to anyone about this. 

I cant wait till he’s dead. Then maybe my mom can find some sort of peace, or at least be freed from a man who doesn’t value her. Because after all we’ve been through with his health, surgery, rehabilitation, him relearning how to function like the man he claims to be, he still hasn’t stopped. My only solace is that he cant send them money anymore, all the finances go through mom.

The Dreadful Need in the Devotee Masterlist - Completed

Summary - During your Uncle Robert's Royal Procession, you find yourself enraptured with Ned Starks' bastard son. While Jon has never dreamed so vividly until your arrival, a thread seems to exist between you and him, pulling you together.

Luckily for you both, your father Tyrion has decided you need a sworn sword.

I’ve messed with canon and aged everyone up, so we start our story off with y/n being fifteen and Jon being sixteen, then go from there!

Ch 1: The Little Lion Ch 2: The Bastard Son Ch 3: Cyvassse Ch 4: Greensight Ch 5: The Tourney of the Hand Ch 6: The Chamber of the Little Lion Ch 7: Within Lannister Grasp Ch 8: Secrets Revealed Ch 9: Enter Stage Left: House Tyrell🔥 Ch 10: Aftermath Ch 11: Roseroad Ch 12: Weirwood Ch 13: The Queen's Nameday Ch 14: The Son of the Morning Ch 15: Duality of a Lioness Ch 16: The Young Wolf Ch 17: Northern War Camp Ch 18: The Fall of the Lannisters Ch 19: Post War Revelry Ch 20: The Lion and the Star🔥 Ch 21: As Time Unfurls🔥

fuuuuuuuuuuck

Dear Toxi,

At your suggestion, I used Resistbot to contact my congress people and representative and asked them to vote “no” on the SAVE act. If you can, I would love for you to write something about Raider Joel and Sweet Pea. They are my favorites. Thanks for all your great writing and your activism!

Thank you for your activism and ask. glad to provide raider. 🫡🖤 SAVE act | 5calls | resistbot | ask event: blorbos for democracy

Feast

raider!Joel x f!reader | 1.9k words

WARNINGS: 18+ PWP, 🐱 eating extravaganza, a little forceful, dubcon overstim, PIV, cockwarming, dark fluff, a bit of angst, light somno, Raider Joel needs a permanent hug. NOTES: Morning after Bodies / The Kiss but can read alone. Ty @iamasaddie for the gorgeous pic, ty @milla-frenchy for listening yrs before i write it sometimes, ty @dark-scape and everyone who supports me 🖤 🖤 Joel miller masterlist

You begin to wake up with Joel's hair tickling your breast as he works his way down your body, dragging his lips over your skin. After spreading your legs and resting them over his shoulders, he presses his open mouth to your hip, then inner thigh. 

His inner thigh kisses get closer and thirstier, sucking at your skin, capillaries bursting with pleasure as they rise to the surface to be seen by only him. Marked for no one but Joel. He noses your cunt and dips his tongue for a taste, then his tongue presses hard into your warmth. You moan quietly, feeling everything, but you're still so tired. It was a peaceful night, restful, but hard to shake the heavy slumber. 

You want to be in his arms, but his big hands holding your hips while he plunges face first into your cunt… It's so good, his arms can wait. The day can wait. The morning light filtering through the clouded window can wait as long as need be while Joel Miller takes his time. 

He laps at your pussy, then sucks at your clit. He flicks his tongue and feels you squirm. He reaches up and palms a breast as he eats your pussy like he hasn't had a meal in days and this might just sate him for the week. 

You throb, and pressure builds in your front, in your blood. His lips and tongue possess your pleasure center. His beard scratches your inner thighs, and you spread your legs further, beginning to squirm slightly under his touch. He looks up for a moment, but his eyes are behind a haze of pleasure, and yours are still closed. 

“Ugh,” you moan and your hips lift into his mouth. 

“Mm,” He grunts into your pussy and continues to play with your clit. He flicks his tongue, sucks hard, and listens to you unravel, closing his eyes, losing himself in the primality of consuming you for his pleasure and yours.

“J-joel,” you breathe, not loud enough for him to hear.  Need to feel his lips on yours again. His lips on… your other lips. The ones on your pretty face, the ones that whimper his name, this time asking, “Joel?” with no reply, only a crescendo of pressure swelling in your core. 

You drift back to the night before, the moment your mouths connected…. you float there with the swelling pressure as your buoy, until the riptide pulls you under, into the ghost of his mouth taking yours, and the pleasure breaks in a crashing wave. Tumbling over your senses, it rolls you onto the shore of his bed, soaked and trembling, gasping for breath with his head between your legs as he swallows your peak. 

The taste of your pleasure, your climax only makes him more voracious. While you're bathing in the high, he licks at your entrance, sucks and swallows. Plunges his tongue into you, searches for more. He tilts his head, fucking you with his tongue from different angles.  He’s a starving canine licking marrow out of bone. 

He brings his thumb to your cunt and holds it there on the spot that makes you whimper with the slightest pressure.  He fucks you with his tongue, then flattens his fingers and rubs at your clit, rolling it it in short quick strokes, building another fire in your belly with his tongue in your core. His thick fingers work you like a tap, drawing more of your arousal to coat his tongue. 

“C'mere,” you whimper, and he doesn't let up. His tongue thrusts into you. He laps over your entrance, up your slippery seam, before plunging his tongue in again, with his hand still aflutter. You squirm and he sucks, and then you're coming against his face, and he moans against your throbbing clit, then nudges it with the strength of his tongue and seals it with an open kiss.  His mouth breaks away to gush, “good girl.” 

Your legs tremble over his shoulders like a gelatin dish carried by heavy steps to the kitchen table where a hungry mouth waits. He holds one thigh, thumb and fingers pressing into the soft flesh over your muscle, and gives it an aggressive kiss, lips smacking as he pulls away and sets his eyes on the feast between your legs again. 

“Can you come here?” You ask, and he glances up at you with his mouth planted between your legs again. 

“It's, it’s too much. I can't,” You whimper. It feels like you could pee, like you could lose complete control. Does he hear you?  

“Joel, Joel,” you repeated. 

He sucks below your clit, flicks his tongue up against it before sucking again. He closes his eyes hard, and his hand comes to your breast.

“come here,” you echo and it comes out strained, stretched by pleasure, pulled apart by him.  You try to sit up, try to use your lower body to nudge him toward you, toward the pillow, but he forces you down, holds you firmly in place. You begin to lift his hand off your breast to break the spell, to get his attention, and his hand seizes your wrist.

Your resistance only makes his mouth more aggressive in its quest to swallow you again. 

You give in.  

He feels you relax, glances up, then interlaces his fingers with yours and it feels all better. The tension leaves your back and legs, your neck relaxes, your head sinks into the pillow. All the tension melts, flowing down to your center where it builds in your depths for a third time. 

His lips break away with a rumbling breath. 

“One more, baby,” he pants, “one more.” 

His tongue runs through your folds, up one side and down the other, circling your juicy hole, then giving it a suck before returning to your clit. 

His hand tightens its grip on yours, so large and commanding. Tight and firm, his palm flexes, his fingers press into the slopes between your knuckles.

His hips rut against the bed as he fucks you with his face. The movement of his ass, the telltale. rhythm of his hips and his tongue together, it tickles something in your solar plexus, opening you with a desperate need to be filled.

His head between your legs dips and pushes his mouth harder in rhythm with his hips against the bed. Tongue, hips, tongue, hips, suck, hips, suck, harder. With a pit opening in your center, you beg, “I need you inside.”  

You find yourself jealous of the mattress, wishing you were the fitted sheet that he was rutting against. Nevermind how many hours you were treated to the same push of his hips. How many nights. Nevermind that his face is buried in your cunt. You want him inside you. 

 A tear rolls down your temple.

You whimper his name, and he takes a breath to promise, “One more and you can rest, baby.  One more.” 

You can do it. You can do it for him. With tension coiling in your depths, with one hand in his, and the other in his hair, you watch his eyelids hover half open, then close with the soft rake of your nails across his scalp. 

Your hips lift with his hungry touch and he moans into your cunt. 

A growl escapes his chest; warm, damp air against your lower mound. The coil winds so tight you fear the snap as you begin to crest. But when the tension breaks and springs you open, the rush of release makes you glad he hadn't stopped. It floods every inch of you with a sizzling buzz.

It makes your body dizzy, and it makes you sleepy. He laps up all your arousal, all your release, everything he can, his hips still moving in rhythm. He slowly fucks the goddamn mattress with you quivering against his tongue. 

And then, finally, he’s done. He licks his swollen lips swallowing more of your taste. His neck and face are pink, the lower half is shiny. His breath is heavy, and so is yours as you recover. 

“I'm comin’, sweet pea,” he assures you. He lets go of your hand to prowl up your body.

He hovers you, and you glance down at his stiff, leaking cock, angry with so much blood and need it can hardly contain. It bounces heavily against your belly, right where you want it inside. 

He reaches down, aligns your bodies, and your breath hitches as he slides into you with a powerful thrust, plunging nearly all his length through your soft walls. He packs you full, just like you wanted. You're tired, so tired, and your face becomes peaceful as you're made whole. 

“You can rest now, baby,” he pants. With his length sheathed in your soft warmth, he slides a hand under your shoulder, pulls you against him, and eases you back into how you were sleeping - on your sides, facing each other. With a grunt, he hikes your leg up so he can bottom out fully with a sigh. 

An aftershock squeezes his shaft, making him shudder. He strokes your face, possessively cups the back of your head, with his thumb on your temple, then he brings his face to yours and kisses you once again.  With your mouths joined, he breathes through his nose, kissing you deep, letting his tongue slide into your warm, soft mouth, feeding you your own taste, collecting more of you for himself. Another spasm echoes from your walls, and his hips jerk. His lips break from yours with a groan, and his cock throbs, erupting warm and heavy.

Deep, so deep.

His pelvis tilts trying to inch ever further into you like he could fill your whole body up if he tried, and maybe he could. But he remains almost completely still as his balls empty into you through the twitch of his cock. 

He interrupts his shaky breaths to kiss you for a few seconds, lips clinging to yours. Then he pulls back to look you in the eyes and asks, “You okay sweet pea?”  

“Yeah,” you whisper with a nod. He holds you, and the rhythm of his breathing feels like a lullaby. 

“Let's stay in bed,” he murmurs.

“Yeah,” you whisper in agreement. 

You're wrapped in his arms, full of his cock, almost back asleep when his arms twitch and tighten around you.

“Are you okay?” You ask. 

He takes a deep breath. “Yeah. ‘Course I am, sweet pea.” He kisses your forehead.  But unease grows beneath the peace he feels, slow as cordyceps and just as real.

The truth is, each time your bodies are joined, he’s less sure how to separate them. He's not sure how to get out of that bed without you physically attached to him. Like a limb or a second skin, the thought of shedding you, even for a moment, makes his oxygen drop, unsettles his gut, has his pulse thrumming in his neck. 

“Just... always need more of ya, baby,” he mutters with a shift of his hips, then another deep breath. 

“You have all of me,” you whisper. 

"Yeah," he whispers and nestles your head under his chin where you can feel his thick swallow. 

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Thank you for reading 🖤 I have terrible anxiety with this series sometimes, there's so much I've scribbled and not shared. Your comments help a lot.

Please also consider sharing this fic - it's a great way to help resistance efforts by spreading the ask and links and enticing people who might otherwise scroll past this kind of information.

Words for Skin Tone | How to Describe Skin Color

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!

This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Standard Description

Basic Colors

Pictured above: Black, Brown, Beige, White, Pink.

“She had brown skin.”

This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.

Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.

Complex Colors

These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.

Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.

For example: Golden brown, russet brown, tawny beige…

As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.

“He was tall and slim, his skin a russet, reddish-brown.”

Comparisons to familiar colors or visuals are also helpful:

“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”

Modifiers

Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.

Dark - Deep - Rich - Cool

Warm - Medium - Tan

Fair - Light - Pale

Rich Black, Dark brown, Warm beige, Pale pink…

If you’re looking to get more specific than “brown,” modifiers narrow down shade further.

Keep in mind that these modifiers are not exactly colors.

As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker, deeper brown. I turn a pale, more yellow-brown in the winter.

While best used in combination with a color, I suppose words like “tan” “fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.

Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)

Undertones

Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver. 

Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.

As shown, there’s a difference between say, brown skin with warm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).

“A dazzling smile revealed the bronze glow at her cheeks.”

“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”

Standard Description Passage

“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”

-From my story “Where Summer Ends” featured in Strange Little Girls

Here the state of skin also gives insight on character.

Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.

Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.

Creative Description

Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.

I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.

Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where. Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.

Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Natural Settings - Sky

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.

Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.

When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.

So consider your character and what you see fit to compare them to.

Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.

“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”

“She had a sandy complexion, smooth and tawny.”

Even creative descriptions tend to draw help from your standard words.

Flowers

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose

It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists. 

You’ll definitely want to avoid purple-prose here.

Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.

“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Assorted Plants & Nature

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber

These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.

At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“ 

I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.

“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.

I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.

Wood

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash

Wood can be an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.

Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.

“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Metals

Pictured above: Platinum, Copper, Brass, Gold, Bronze

Copper skin, brass-colored skin, golden skin…

I’ve even heard variations of these used before by comparison to an object of the same properties/coloring, such as penny for copper.

These also work well with modifiers.

“The dress of fine white silks popped against the deep bronze of her skin.”

Gemstones - Minerals

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum

These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.

If you use these, or any more rare description, consider if it actually “fits” the book or scene.

Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.

“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.” 

Physical Description

Physical character description can be more than skin tone.

Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.

Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.

How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…

General Tips

Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.

Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.

Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.

Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).

PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please. 

Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.

Want some alternatives to “skin” or “skin color”? Try: Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.

Skin Tone Resources

List of Color Names

The Color Thesaurus

Skin Undertone & Color Matching

Tips and Words on Describing Skin

Photos: Undertones Described (Modifiers included)

Online Thesaurus (try colors, such as “red” & “brown”)

Don’t Call me Pastries: Creative Skin Tones w/ pics I 

Writing & Description Guides

WWC Featured Description Posts

WWC Guide: Words to Describe Hair

Writing with Color: Description & Skin Color Tags

7 Offensive Mistakes Well-intentioned Writers Make

I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!

~ Mod Colette

Joel Miller x f!reader

Rating: Explicit (COMPLETED)

Summary: Part of a band of travelers, your party is slowly picked off one by one, until there are only two of you left. Finding an abandoned cabin in the woods, you decide to make camp there until you figure out your next move. As the seasons change, the nights get longer and longer…

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Epilogue

One Shot: The Future

One Shot: The Afternoon

The Long Game - Masterlist

Ongoing Series Pairing: Dr. Michael “Robby” Robinavitch x F!SeniorResident!Reader Summary: Dr. Michael “Robby” Robinavitch, a brilliant but emotionally guarded 50 year-old ER attending at Pittsburgh Trauma Medical Center, is known for his restraint, his integrity, and the shadows he carries from past losses. Enter Dr. Y/N Sheridan, a 29-year-old fourth-year resident, stoic, soft-spoken, and far wiser than her years. 

Their relationship begins as mentorship, layered with quiet admiration and mutual respect. But as years pass, unspoken tension simmers beneath the surface, giving way to a forbidden, powerful connection neither of them can deny. From stolen glances in trauma rooms to whispered promises behind closed doors, the two navigate an increasingly complicated emotional and physical bond, tested by hospital politics, personal ghosts, and the sheer intensity of loving someone you were never supposed to fall for.

word count: 29K Content Warning: Age-gap relationship, Power dynamics, Explicit sexual content, Auditory kink, PTSD and Trauma, Survival’s guilt,  Panic attacks, Grief and Death, Discussion of burnout, loss, and emotional repression, Medical Procedures, Graphic depictions of medical procedures, Blood. 

The Beginning Of The End

Dr. Michael Robinavitch 

Day One 

Silent Admittance 

The Quiet Fury 

Zugzwang

The Opening Gambit

Knight to E5

Check

Checkmate *

The Anatomy of Want *

The Long Shift *

Somatic Response *

Catharsis

Eros and Empirics

Auscultation

Uncharted Territory

Night Float Feelings

The Endgame

It's been so long since I've posted on here so, much has changed. Yet I'm still lost. 

I still have no idea what I'm going to do. I have the big things worked out, but I've always struggled filling in the details.

I know I could have it worse after all people are dying but,

it doesn't make life any easier to live, knowing others have it worse.

You know what the problem in the fandom is? You know, and you do know already.

It's racism, it's always been about racism.

You'll see white writers ready to die on their hills over certain tropes that cater to the young white masses, but when it's pointed out that the moodboards are mostly thin white women, or that even though it says 'x Reader', you'll find a silky haired, pink cheeked fmc within the writing 9 times out of 10? Crickets. So silent you can hear a pin drop.

If its x Reader, then everyone is supposed to be able to relate, and that doesn't mean blank slate either because that's where the racists can slip in to the role comfortably, blank slate can still be white coded. What does it mean if you come across an 'x Reader' fic that specifically states that reader is BIPOC but you don't read it because you 'can't relate'? You don't have to think too hard about it honestly, because you already know.

So why is it the norm that people think it's okay the other way around? BIPOC readers have had to acclimatize and adapt their way of reading for years in order to be able to absorb themselves in a fic. Accepting it when it states 'readers hair can be put into a messy bun', 'ran his fingers through your hair' 'pink stiffened peaks'. This shouldn't have ever had to happen, but it did and its still happening to this day in the big 2025 when the world is on fire and the governments are dividing people into 'us and them' once again.

This place is supposed to be an escape from all that.

Why can't you relate to an x Reader fic where it clearly states that reader is BIPOC or at least coded as such? Think about it and sit in that discomfort.

Where is the same energy from months ago where people were reblogging anti racism resources and making statements about making their blogs inhospitable to racists? It's gone. You'd rather not upset your white moots and treat your Black and brown moots as disposable, over what? Over fanfiction? Okay then.

It's not 'policing what people can and can't write' that's dismantling the fandom. If you don't like it, don't read it, first and foremost and someone having a differing opinion on a trope isn't censorship or 'bootlicking the patriarchy', by the by.

It's racism, but you already knew that.

Din Djarin x f!reader, Western AU

Rating: Explicit (COMPLETED)

Summary: Set in a brothel in the late 1800’s in the Wild West, you’ve only been working there for a month when Din Djarin shows up. A bounty hunter who makes stops into town between jobs, he is known at the inn for his generous appetite and demanding preferences. Asking for you one night, he is pleased to learn you are well suited for him: your sweet nature soothing to his gruff temperament and surprising him with your ability to handle his rougher tastes. Demanding that you be made available to him every time he is in town, neither one of you is ready for where this request leads.

Chapters:

The Beginning

The Kid

The Surprise

Drabble: The Union Suit

The Hill

Drabble: The Henhouse

The Lesson

Drabble: The Rope

The Rope, Part II

The Night Trip

Interlude: US Marshal Marcus Pike

The Camping Trip

The Confession

Drabble: The Worship Service

Interlude: Oil Baron Maxwell Lord

Interlude: Ranch Owner Jack Daniels

The Demand

Interlude: Pioneer Francisco Morales

The Kerchief

The Mark

Drabble: The Exploration

Drabble: The Letter

The Ask

The Hour

The Crest

The End

One Shots:

The Hayloft

The Night

The Bath

Bound

The Morning

TMTC Art

Western Din Djarin

The Union Suit

TMTC Din

TMTC Din, II

TMTC Din, III

TMTC Din, IV

TMTC Din, V

Din and The Kid

Din and The Kid, II

Take Me To Church story gifset

Moodboard

Moodboard II

Moodboard III

Moodboard IV

Din and Girl

Din in the bath

Love Letter to TMTC

Gracie

Gracie II

Gracie III

The Ending

TMTC Comic

TMTC Drabbles

Drabble Masterlist

Tags:

#tmtc inspo

#tmtc ask

#tmtc art

#tmtc drabble