Hi, I love your blog!
Do you have any ideas for archaic words relating to sailors/ships/voyages/ocean?
Avast - a sea term, meaning stop, hold, enough. It always precedes some orders or conversation. Usually used by sailors.
Banyan day - a sea term for those days on which no meat is allowed to the sailors
Bat swain - a sailor
Breechmen - sailors
Calmewe - a kind of sea bird
Cobkey - a punishment by bastinado inflicted on offenders at sea
Doutremere - from beyond the sea
Fitty - a term applied to lands left by the sea
Landfeather - a bay of the sea
Laveer - to work a ship against the wind. An old sea term.
Loom - to appear larger than in reality, as things often do when at sea
Maryn - the sea coast
Nikir - a sea monster
Osprey - the sea eagle
Reeses - waves of the sea
Shamming Abraham - phrase common among soldiers and sailors, used when they counterfeit sickness or infirmity. It was probably derived from the Abraham men of Shakespeare's time, described in King Lear.
Se-stoerre - sea star
Sea nag - a ship
Shere - to run aground, as a ship does
Ship spy - a telescope used on the coast
Slug - a ship which sails badly
Soger - a sea insect that takes the possession of the shell of another fish
Swashway - a deep swampy place in large sands in the sea
Transfret - to pass over the sea
Viage - a voyage, or journey
Source ⚜ More: Notes & References ⚜ Word Lists ⚜ Writing Resources PDFs
Hi, thank you so much! Hope this helps with your writing.
How a Character’s Anger Can Show Up Quietly
Anger doesn’t always slam doors. Sometimes it simmers. Sometimes it cuts.
╰ They go still. Not calm... still. Like something is pulling tight inside them.
╰ They smile, but their eyes? Cold. Flat. Done.
╰ Their voice gets quieter, not louder. Controlled. Measured. Weaponized.
╰ They ask questions they already know the answers to, just to watch someone squirm.
╰ Their words are clipped. Polite. But razor-sharp.
╰ They laugh once. Without humor. You know the one.
╰ They leave the room without explanation, and when they come back? Different energy. Ice where fire was.
Reblog if you write fic and people can inbox you random-ass questions about your stories, itemized number lists be damned.
some random redemption arcs that aren’t just ‘zuko, but a little to the left’
I’m evil but all my evil friends betrayed me and I’ve decided that the best revenge is to ruin their evil plans. Yes, this means I’m a “good guy” or whatever. No, I don’t like it any more than you do.
I was evil but all my evil friends betrayed me and now I’m going to latch onto the first person who shows me kindness. If that happens to be the protagonist, I am totally fine with realigning my morality to match theirs.
I never wanted to do what I did, and now the biggest obstacle to me switching sides is convincing me that I’m not a living weapon.
Well as long as you’re imprisoning me in this magic amulet I might as well give you pointers on your technique. I mean come on if you all die I might be stuck here for millennia! It’s not because I like you and don’t want you to die. Nuh uh.
Look, I legit thought that being evil was going to be my best option to get this important thing done, but, uh, that didn’t pan out. Help?
Tail inspection
Source on twitter
Someone recently asked me for some fiction writing book recommendations, so here they are!
Some fiction writing teachers try to steer their students clear of books about writing. While it’s true that there’s a lot of bad or dubious writing advice out there, my philosophy is that more information is always better. Over the years, I’ve read voraciously about fiction writing–upwards of 50 books about the writing life, plot, fiction craft, dialogue, character development, you name it. While I got a little something from each one, here are the 5 star gems that are worth sharing. Enjoy!
It’s a classic for a reason. Lamott’s trademark humor makes for an effortless read as she shares her wisdom into the process of writing. Equal parts technical help, encouragement, and brutal honesty balance throughout the book, keeping the reader engaged and in good spirits from start to finish.
Butler’s ideas about the process of writing fiction are not necessarily unique, but I’ve found no other book that discusses the writing “trance” as thoroughly as this one. The exercises in this book teach how you to access the writing “dream state” that good stories often come from. The book can be a little esoteric at times, but it’s worth the patience it takes to understand what Butler is getting at here. Especially recommended for writers who have intrusive inner critics, and those who have strong ideas but find that their writing feels lackluster and flat.
This is a short read, so I’ll just provide a titillating quote and you can go pick it up for yourself: “One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now… Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.” -Annie Dillard
Hands down, this is the best craft book on the market. It’s written for beginning writers, but is layered and subtle enough to be useful for advanced writers as well. I’ve read and re-read this book at many different stages of my learning process and taken away something new each time. Unlike the cover suggests, this is not a book about grammar. It shows you how to edit for flow and syntax, to properly tag your dialogue, the basics of show-don’t-tell, as well as providing helpful exercises where you get to try your hand at editing once you’ve learned the techniques.
Make no mistake: Sol Stein is a pompous asshole. But he’s also super, duper smart. I consider this to be an advanced craft book, just because of the level of detail he goes into, but I think a beginner would get a lot out of it as well. Another classic, which means it’s almost always at the library.
Yes, this is a text book. Thick. Heavy. Teeny tiny print. But it’s good. And because it has a million editions, you can get an old version used on the internet for like $.04. Especially nice are the full-length short stories that are supplied as examples in the back of every chapter.
Chiarella doesn’t bog the reader down with his own set of hard rules about dialogue, instead he skillfully and humorously persuades the reader about what works and what doesn’t. Busting such myths as “dialogue sounds like real speech,” he gives dozens of creepy-writer-stalker tips like “crowding” and “jotting,” which is basically where you eavesdrop on people and write down what they’re saying. I now carry a notebook on my person at all times specifically for this purpose. I think this book might be out of print (yet 50 Shades of Gray makes millions… is there no justice in this world?), but you can still get it on the internet for a decent price. Do it now before it’s too late!
Stupid title, great book. Alderson talks about the idea of the “Universal Story,” which is the process of struggle (conflict) and transformation (climax and resolution) present in most stories. These “energy markers,” she says, are so inherent in our lives, and in the very idea of story itself, that they can be found in almost every plotted novel. She then proceeds to go into insane detail describing these markers and how to incorporate them into your own writing in order to make a plot that resonates with readers. From time to time she also drops some wisdom a la The Artist’s Way (which she calls, I believe, “The Writer’s Way”), helping writers to overcome the hurdles of writing a book. While Alderson is not a writer herself, she has been studying plot and assisting writers with plot struggles for over a decade, and her knowledge and credibility shine in this book. I came away with a much deeper understanding of the purpose of plot and how to wield it, and highly recommend this book.
The sensational subtitle (“The Writer’s Guide to Using Brain Science to Hook Readers from the Very First Sentence”) makes it sound like one of those smarmy write-a-novel-in-30-days books, but don’t be fooled. This the best book on plot I’ve read. It’s devoted to the idea of ‘story’–what makes a story, what people are ‘wired’ to look for and want in a story, and how to satisfy those cravings in your fiction. The 'brain science’ part is presented in a very accessible way, and Cron only gives us enough information to make her point, never overloading the reader with jargon. She talks a lot about the brain’s unconscious impulse to track patterns, make connections, and look for cause-and-effect, and how to translate that into good storytelling. Her definition of 'story’ alone is more valuable than 200 pages of most fiction craft books. There are endless gems in this book, and now my copy (that I purchased! with money! that’s saying a lot already) is completely marked up with pencil and sticky notes. I know this is a book I will refer to time and time again. Highly recommended.
If you’re looking for advice about craft, the finer points of good prose, or syntax, look elsewhere. But if you want help with your plot and structure, how to organize scenes, when to cut a scene, how to analyze your characters, keeping your story focused, and what order to do it all in, Ingermanson might just blow your mind. His “Snowflake Method” of plotting is loved by thousands, and is discussed in length all over the internet for free. If it resonates with you, you might want to do what I did and buy the book.
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@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.
A few followers have asked for tips on writing romance into their stories or as the basis of their stories. Here’s a masterlist of sources (below cut) that may help.
What Defines Romantic Love?
How to Plot a Romance Novel
Slowburn Romance
When Friends Fall for Each Other (ask)
Tips for Writing a Character Who Has a Crush
Tips on Writing Unrequited Love
Writing Healthy Couples in Fiction
An Antidote to “Love at First Sight”
How Attractive Should Your Characters Be?
3 Great Ways to Show That Your Character Is In Love
6 Ways to Get Your Readers Shipping Like Crazy
Six Steps to Stronger Character Arcs in Romances
Seven Great Sources of Conflict for Romances
9 Romance Writing Mistakes to Avoid
20 Tips for Writing Lovable Romance Novel Heroes
How to Write a Kissing Scene in a Romance Novel
Types of Kisses and Kissing + This Post Is All About Kisses
List of Ideas to Keep Romantic Tension High
100 Questions for Character Couples
How Do I Make the Relationship Development Realistic?
How Do I Know If Two People Are Compatible?
Healthy Relationships Can Include Teasing
How to Write a YA Romance Without Cliché
How do I write an interracial couple accurately? (ask)
15 Common Stereotypes About Intercultural Relationships
Cross Cultural Relationships
14 Experiences in a Cross-Cultural Relationship
Things to Avoid When Writing Interracial Romance
writingwithcolor: Interracial Relationships (w/ links)
Things to Keep Out of Your Healthy Relationships!
Removing the Creeps From Romance
Why The Surprise Kiss Must Go
Possessiveness 101
10 Signs You May Be in an Emotionally Abusive Relationship
Edward & Bella Are In An Abusive Relationship
Red Flags, Verbal Abuse, Stalking… | Script Shrink
5 Huge Mistakes Ruining the Romantic Relationships in Your Book
How do you write a [bad] relationship without romanticising it? (ask)
How to Write from a Guy’s POV
Writing Awesome Male Characters: What You’re Doing Wrong
7 Point-of-View Basics Every Writer Should Know
How Do You Describe a Character?
4 Ways to Make Readers Instantly Loathe Your Character Descriptions
3 Signs Your Story’s Characters Are Too Perfect
Is a Quirk Just What Your Character Needs?
Six Types of Character Flaws
Is Your Character Optimistic Or Pessimistic?
5 Ways to Keep Characters Consistent
9 Simple and Powerful Ways to Write Body Language
10 Body Language Tricks for Deeper Characterization
Describing People Part Three: Gestures, Expressions, and Mannerisms
33 Ways To Write Stronger Characters
Conveying Character Emotion
Distinguishing Characters in Dialogue
How to Make Readers Love an Unlikable Character…
Characters: Likability Is Overrated
How to Create Powerful Character Combos
8 Secrets To Writing Strong Character Relationships
Character Relationships: 6 Tips for Crafting Real Connections
Writing Relationships: Hate to Love
Five Signs Your Story Is Sexist: Part 1, Part 2
Five Signs Your Story Is Sexist – Against Men
Always Female vs Always Male
Born Sexy Yesterday & Manic Pixie Dream Girl
7 (Overused) Female Love Interests
Resources For Romance Writers
thewritershelpers FAQ (romance, kissing, sexuality, etc)
#romance | WordsnStuff
#romance | Hey, Writers!
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The only consistent thing about my writing is not the quality or length or even genre but to make it queer as hell, and I'm good with that
Peace and blessings upon everyone!
I hope life's treating you well. I’m Esmeray and I welcome you to this post on my blog Dear Esmeray.
Today's post is for my fellow writers here. I'll be sharing with you character archetypes for you to use in your books.
The Warrior
The Child
The Orphan
The Guardian
The Mentor
The Caregiver
The Rebel
The Leader
The Ruler
The Lover
The Everyman
The Joker/Jester
The Explorer
The Hero
The Outlaw
The Villian
The Tyrant
The Bastard Child
The Sadist
The Evil Genius
The Terrorist
The Lunatic
The Black Widow
The Schemer
The Anti-Hero
The SideKick
The Traitor
I hope this post helped you assign an archetype to your beloved OCs or perhaps inspired your newest OC.
With love, Esmeray ♡
NASA released the clearest pictures yet of our neighbours in the solar system
Oh and of course us
Honourable mention
Original Work Primary Blog. Sideblog for fanfics @stickdoodlefriend Come yell at me! | 18+
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